All posts by MQS

Living at the intersection of occultism, fiction and philosophy, I travel the planes at a moderately quick pace. I read, I do magic, I cook for hubby. Confused by the number of things I talk about? Good, confusion is a nice thing ;)

Tarot Encyclopedia – The Nine of Pentacles or Coins

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Pentacles from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the second decanate of Virgo, under the rulership of Saturn, September 3 to September 12. Meanings:
Well-Dignified: reserve, discretion, caution, frugality; some worries over money matters because of slow-maturing of plans; gain through careful investment. Occasionally when this card is especially welldignified, and other cards in the layout confirm it, this Key represents inheritance, material gain and much increase of goods, corresponding to the positive meanings of Saturn in Capricorn.
Ill-Dignified: discouragement; troubles through theft and knavery.
Keyword: Harvest.
(From the Oracle of Tarot course)

A. E. Waite

A woman, with a bird upon her wrist, stands amidst a great abundance of grapevines in the garden of a manorial house. It is a wide domain, suggesting plenty in all things. Possibly it is her own possession and testifies to material well-being. Divinatory Meanings: Prudence, safety, success, accomplishment, certitude, discernment. Reversed: Roguery, deception, voided project, bad faith.
(From The Pictorial Key to the Tarot)

The Nine of Pentacles from the Rider Waite Smith tarot

Aleister Crowley

The Nine of Disks is called Gain. The suit of Disks is much too dull to care; it reckons up its winnings; it does not worry its head about whether anything is won when all is won. This card is ruled by Venus. It purrs with satisfaction at having harvested what it sowed; it rubs its hands and sits at ease. As will be understood from the consideration of the Tens, there is no reaction against satisfaction as there is in the other three suits. One becomes more and more stolid, and feels that “everything is for the best in the best of all possible worlds”.

[…]

The number Nine, Yesod, inevitably brings back the balance of Force in fulfilment. The card is ruled by Venus in Virgo. It shows good luck attending material affairs, favour and popularity.

The disks are arranged as an equilateral triangle of three, apex upwards, close together; and, surrounded at some distance by a ring, six larger disks in the form of a hexagon. This signifies the multiplication of the original established Word-by the mingling of “good luck and good management”. The three central disks are of the magical pattern as in earlier cards; but the others, since the descent into matter implies the gradual exhaustion of the original whirling energy, now take on the form of coins. These may be marked with the magical images of the appropriate planets.

As a general remark, one may say that the multiplication of a symbol of Energy always tends to degrade its essential meaning, as well as to complicate it.
(From The Book of Thoth)

The Nine of Disks from the Thoth tarot deck

Golden Dawn’s Book T

A WHITE Radiating Angelic Hand, holding a rose branch with nine white roses, each of which touches a Pentacle. The Pentacles are arranged thus

* *
* *
*
* *
* *


and there are rosebuds on the branches as well as flowers. Venus and Virgo above and below.

Complete realization of material gain, good, riches; inheritance; covetous; treasuring of goods; and sometimes theft and knavery. The whole according to dignity.
Yesod of HB:H (Inheritance, much increase of goods).
Herein those mighty Angels HB:HZYAL and HB:ALDYH have rule and
dominion

Etteilla

Effect
Upright. In terms of the medicine of the spirit, this card, in its natural position, signifies: Effect, Realization, Positive, Accomplishment, Success.
Reversed. Deception, Fraud, Disappointment, Empty promises, Vain hopes, Failed projects.

MQS

To Plan Or Not To Plan

I have pretty much stopped making plans for this blog. I’ve realized that the reason I’m so glad working at it is that, while I have a broad vision of what I want it to become, I just follow my fixation of the day in order to get there. I don’t want it to feel like work (because it isn’t).

I know, for instance, that in the very near future I’ll go back to translate Fludd’s Geomancy handbook and other old works, but I don’t want to put a date on it (my husband, a perfect incarnation of the Prussian spirit, would shudder at the idea of not having a deadline).

I also know that I feel the need to explore the philosophical underpinnings of the stuff I’m into, but it is hard to get started as ideas accumulate in my head in no particular order. I know that I’m just waiting for everything to click into place, because I’ve been through the same process enough times to know how it works: you accumulate wood and sooner or later a lightning will strike it (or at least someone will drop a cigarette butt on it)

MQS

The Table – A Deep Dive Into Cartomancy

You’ve got to appreciate how folk cartomancy takes the objects of our everyday life and turns them into means for predicting the future. This is, after all, probably how cartomancy started: people needing to know what tomorrow would bring adapting the symbolism of the decks to which they had access (tarot, playing cards and later oracle cards) to the objects and situations that constituted their daily lives and their symbolic interpretation.

From a philosophical perspective this shows great acumen and observational ability on their part. They may not have had a piece of paper that qualified them to count angels dancing on pinheads, but they were possessed of great perception–which is only natural, considering that on their perception depended their survival.

From an occult standpoint, it further indicates that they were perfectly acquainted with the power of symbols to connect the inner and outer realms, which is the foundation of all forms of magic.

One of the recurring symbols of folk cartomancy is the table. In the system of cartomancy with playing cards that I was taught, this corresponds to the Four of Clubs, certainly due to the squarish (Four) and social (Clubs) nature of the card. The Four of Clubs is chiefly the card of words and talks, but it extends to all contacts we develop with others: we can sit at the table with them and talk, negotiate, have fun, etc.

In the Vera Sibilla, we must distinguish between the table in general and the festive table. The former is assigned to the Ace of Hearts, the Conversation. This is also the card of words and talks, but being the Ace of Hearts it is also representative of your family or the people you live with. Furthermore, the table here can also be seen as the table you eat at, due to the connection of the card with the hearth and with everything to do with your mouth and throat. The festive table is more a prerogative of the Nine of Clubs, which is connected with celebrations, fun and banquets.

The first written record of the cartomantic concept of the table is found in the earliest recorded system of reading the Bolognese tarot with 35 cards: here the table is given to the Ace of Coins. This is a meaning that still exists in all traditions I am aware of, although the card has also doubled down as the card of big money in the 45-card system I know, the card of official documents and letters for Germana Tartari and of work for Ingallati.

I am unclear as to why the Ace of Coins was chosen, but I guess the round shape of the heavily stylized coin could be seen as a round table or as a centerpiece. Broadly, the table in the Bolognese tradition is seen as the place of direct contact with others, of conviviality and of business transactions. The card also symbolizes ‘l’ora di tavola’, the time of day you sit at the table, usually lunch time and therefore, more generally, the day as opposed to the night.

The second earliest recording of the symbol of the table comes from Etteilla, whose source attributed it to the Ace of Cups. Here Etteilla and his students tried to extend the meaning of the table beyond the common experience of it by playing on the other meanings of the word ‘table’, so that for instance, the Ace of Hearts for him can also be the table of laws (as in, the one Moses received).

I am unaware of whether the Lenormand or Kipper traditions contemplate the symbolism of the table, though the symbol is not obviously represented in the cards. What I do know is that the symbol is also present in most Italian playing card system, so that I am aware of at least one where the Four of Coins indicates the table.

MQS

Forget Fame And Be Happy

One thing that never ceases to amuse me is how so many of the people who try to sell courses in ‘wisdom’ or other metaphysical services, who pretend to have had access to the ultimate secrets of the universe, all seem obsessed with increasing the weight their own name carries. There they are, engaged in cock fights with one another, vying for the attention and legitimation of a small number of clapping seals.

I’m not one to rain on other people’s parade, but if anyone reading this is on any sort of quest for ‘development’ (let’s use the shallow, non-descript term), you can safely forget fame. There is nothing wrong with wanting your merits recognized, but realize that you will be forgotten. Even the greatest of the greatest, the Shakespeare’s and the Einstein’s, will in the fullness of time be forgotten.

I understand the allure of an above-average level of recognition. I was raised by a mother who thought the only way for her to have a meaningful life was to birth and raise the next great genius of humanity. It took me years to distinguish my own aims from hers, to recognize that I am smart but not a genius, driven but not obsessed, and that my desire for recognition was actually hers. To this day I have to remind myself of that on a daily basis because the old education constantly rears its head within me.

I’m also not willing to reject humanity’s drive for recognition out of hand. I see that it has been the fuel behind some great accomplishments. But what I do find funny is that exactly the field that we might broadly speaking define as spirituality should be so full of egomaniacs of the shallowest, most recognizable sort.

As someone whose magical motto is ‘I shall neither lead nor follow’, I am not necessarily looking for a guru. But I know that there are people who look for a teacher, and in itself that is alright. But do be careful. Recognize them by their fruits. And some of their fruits include their actions. If they are screaming on socials at the top of their lungs, they might not be a great example to follow.

This is not to say they can’t have something to say or to teach. As a deeply flawed individual, I have learned a lot from deeply flawed individuals. But don’t put them on a pedestal. Don’t be a groupie. If you are on a path to wisdom, you cannot afford that.

MQS

“I Do X But I Am Still Miserable”

I keep coming across people on the Internet who dabble either in magic or spirituality (generally alternative spirituality) who lament that after a while they still feel miserable. Although my heart breaks for them, I think there is great confusion surrounding the place of spirituality and, let’s say, alternative practices.

One of the very few perks of rigid orthodoxy is that it exists beyond individual’s will, so that each practitioner needs to adapt to it rather than adapting it to themselves.

Once the idea of orthodoxy crumbled, at least in the West, spiritual and other practices became a supermaket of parts that each person could adapt to their own whim, picking and choosing what currently fit their mental narrative.

Although with some discernment this power of personal choice  can yield great results, what in practice often ends up happening is that spirituality is reduced to a crutch for personal prejudices about oneself, others and the world.

In the end, each individual flavor of postmodern spirituality is more an inkblot test of what the person would be better off discussing with a therapist than a workable spiritual path.

What’s more, the expectation of finding a definitive cure for life is always dangerous: firstly, because life is not an illness; secondly, because spirituality is not a good substitute for therapy or other forms of support; and thirdly, and most importantly, because anything that promises to turn our life into happy trip is always to be looked at with skepticism. No serious spiritual or magical doctrine can promise that.

The life of someone who always smiles and is always happy is not balanced. If anything, it’s creepy. There is a time for happiness and there is a time for sorrow. A balanced person is someone who responds to life in an adequate manner depending on the concrete situation. Look at the traditional descriptions of wisdom in Daoism or ancient Western philosophy, and you’ll always note that the wise person is the one who always reacts in the adequate manner, with as little influence from their personal demons as possible.

It is unfortunate that these practices are often the go-to for people who would benefit from other types of help. Sometimes they simply cannot afford official help, and this is another conversation, so they simply look for something they can afford and promises them miracles.

MQS

Filling In The Blanks In Divination

If I were to start talking to you using just nouns, verbs and a small number of adjectives, your understanding of what I say would probably decrease, but not massively. The reason for this is that the lacking connecting words would probably be supplied by your mind. The context of what I say, furthermore, would allow you to pick mostly the right words based on your past experience, so while there would be a few problems here and there, you’d mostly be able to follow along.

In divination, we often find ourselves with blanks fill in between nouns, adjectives and verbs, which are generally represented by whatever the basic units of meaning are (cards in cartomancy, geomantic figures in geomancy, etc.) And while divination IS a language, the difference is that we have necessarily less experience with it than with natural languages, and that its vocabulary is necessarily more ambiguous.

Taking playing cards as an example, we essentially have only 52 words to play with, with the result that those 52 words must necessarily carry more possible shades of meanings than regular words in complex natural languages. These shades of meaning are generally given by the extended applications of the card’s main significations and other metaphorical takes on them.

The potential for errors, therefore, increases significantly, and that’s even before we take into account the fact that the connecting words are usually missing, and need to be supplied by our own interpretation. Finally, another factor is that the sentences of divination have much less context.

I often get questions by people who have been trying to get into divination but never seem to get a straight sentence out of their oracles. To be honest, it is an art, and like all arts it requires a ‘feel’ that can only be developed by banging your head against the obstalce long enough. However, another problem I often notice is that people tend to have excessive expectations of the type of answers they can get out of the oracle, especially at the beginning.

My philosophy is that I need to be only as specific as my current understanding and experience allows me to be. When you have a spread in front of you, don’t think you need to read a passage from Dostoevsky from it. Think more like having to make sense of the ramblings of a toddler. “Uhhh, something to do with three brothers and a question of faith” is good enough. In fact, it is much better to remain a bit vaguer than filling in the blanks the wrong way, which could potentially mislead the querent, especially since it is way to easy to let fantasy take over and take the interpretation in the wrong direction, and divination is NOT fantasy.

Skeptics might argue that this is way of trying to be right at all costs. It isn’t. It is, in fact, a perfectly philological method. I once did a reading for someone where I remember telling her something to the effect of “the cards seem to highlight something in the past connected with a person you were involved with and money issues with legal ramifications”. It turned out her ex had wasted most of their money in secret, and run away with the rest, triggering a divorce and other legal troubles. I could have filled in the blanks more thoroughly, but, at least based on my understanding at the time, I would have had to shoot in the dark.

The point is: do not feel you have to fill in all the blanks at all costs. You will always be able to be as specific as you need to be. Everything else is vanity.

MQS

Tarot Encyclopedia – The Nine of Swords

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Swords from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the second decanate of Gemini, June 1 to
June 10, under the rulership of Venus.
Well-Dignified: faithfulness, obedience, unselfishness, patience; fortunate news about legal affairs or partnerships, especially if the outcome has been delayed or in doubt; aid or gain through relatives, short journeys or writings, but not until the Querent has passed through a period of uncertainty or worry; ultimate good fortune, resulting from a series of events which at first present unfavorable appearances.
lll-Dignified: despair, cruelty, unfaithfulness; want, loss, misery; bad outcome of legal affairs; disagreements with relatives; unfortunate journeys.
Keyword: Worry.
(From the Oracle of Tarot course)

A. E. Waite

One seated on her couch in lamentation, with the swords over her. She is as one who knows no sorrow which is like unto hers. It is a card of utter desolation. Divinatory Meanings: Death, failure, miscarriage, delay, deception, disappointment, despair. Reversed: Imprisonment, suspicion, doubt, reasonable fear, shame.
(From The Pictorial Key to the Tarot)

The Nine of Swords from the Rider Waite Smith Tarot

Aleister Crowley

The Nine of Swords is called Cruelty. Here the original disruption inherent in Swords is raised to its highest power. The card is ruled by Mars in Gemini; it is agony of mind. The Ruach consumes itself in this card; thought has gone through every possible stage, and the conclusion is despair. This card has been very adequately drawn by Thomson in “The City of Dreadful Night”. It is always a cathedral—a cathedral of the damned. There is the acrimonious taint of analysis; activity is inherent in the mind, yet there is always the instinctive consciousness that nothing can lead anywhere.

[…]

The number Nine, Yesod, brings back the Energy to the central pillar of the Tree of Life. The previous disorder is now rectified. But the general idea of the suit has been constantly degenerating. The Swords no longer represent pure intellect so much as the automatic stirring of heartless passions. Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic.

The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades.

There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom. Nor is an alien formula that of implacable revenge.
(From The Book of Thoth)

The Nine of Swords from the Thoth tarot deck

Golden Dawn’s Book T

FOUR Hands, as in the preceding figure, hold eight swords nearly upright, but with the points falling away from each other. A fifth hand holds a ninth sword upright in the centre, as if it had struck them asunder. No rose at all is shewn, as if it were not merely cut asunder, but utterly destroyed. Above and below are the Decan symbols Mars and Gemini.

Despair, cruelty, pitilessness, malice, suffering, want, loss, misery. Burden, oppression, labour, subtlety and craft, dishonesty, lying and slander.
Yet also obedience, faithfulness, patience, unselfishness, etc. According to dignity.
Yesod of HB:V (Illness, suffering, malice, cruelty, pain).
Therein do HB:a’aNVAL and HB:MChYAL bear rule.

Etteilla

Bachelor
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Celibate, Celibacy, Virgin, Abbot, Priest, Monk, Hermit, Religious. – Temple, Church, Monastery, Convent, Hermitage, Shrine. – Worship, Religion, Piety, Devotion, Rite, Ceremony, Ritual. – Recluse, Recluse, Anchorite, Vestal.
Reversed. Founded distrust, Well-founded suspicion, Legitimate fear, Distrust, Doubt, Conjecture. – Scruple, Fearful consciousness, Pure, Timidity, Shyness. – Shame, Shame.

MQS

Plotinus vs Proclus From a Hermetic Magical Standpoint

When it comes to searching for philosophical-magical inspiration from pre-Christian times, many occultists look at Plotinus and Proclus, two of the most important among Plato’s successors. After Plato, they are the most noteworthy representatives of Platonism, and if Platonism is up your alley, as it is right up mine, you’ve probably looked into them.

Proclus, who was one of Plotinus’ successors as head of the Academy, and was also the last noteworthy Platonist, is especially popular among those who seek inspiration for magical work. The reason is that, unlike Plotinus, Proclus did have a strong interest in religious and magical practices as well as being an important philosopher.

My personal preference, though, is Plotinus. I discovered his work, the Enneads, in my late teens and read it all throughout college. Unlike Proclus, Plotinus was a pure philosopher, with no interests outside of philosophy. Yet his writings have inspired many generations of theologians, occultists, hermeticians and devotees.

Writing at a time when Christianity and other early odd religious beliefs held sway, Plotinus managed to single-handedly revive philosophy as an exalted pursuit that connected the mind with the divine realm. Although he did not appear out of nowhere (his predecessors at the Academy had already laid the groundwork), his genius does tower over anything and anyone who lived in his time.

Plotinus had the aspiration to simply explain Plato’s work, and as a matter of fact we often find assertions in his writings that he is doing nothing more than saying what Plato has already said. But this is not true. His philosophy sought to coherently explain the whole of reality starting from the initial unity, and to trace the steps that mortals can take to re-experience that unity in their ascent back to the One. Although one could argue that the same aspiration is present in Plato, and especially in his esoteric doctrines, the two philosophers are still very much distinct, as is to be expected, considering how many centuries separate them.

From a philosophical standpoint, Proclus is not a cipher like some others of Plotinus’ successors. In fact, he was a gifted philosopher, who would have probably contributed much more, had he lived a couple of centuries earlier. Yet most of the innovations he introduced in the Platonic doctrine feel like complications rather than meaningful developments. His (over)zealous attempts at systematizing and consolidating the entire wisdom of the Greeks, from religion to philosophy to magic, may appear impressive at first, but soon one realizes that they are just the last ossification of the dying world of classical antiquity.

His systematic fervor, so appreciated by Hegel, finds a neat little place to everything that the Greeks had produced, yet at the cost of sucking them dry of their lymph. Everything is there–the gods, the beliefs, the art, the spirituality, the science of the time–yet only as an empty husk, as a relic with a tag underneath in an intellectual museum.

What many occultists today admire in Proclus is his commitment to theurgy. And from that standpoint, Proclus is definitely an important source of inspiration for us. Yet even that was a product of the crisis of the Greek worldview and of Proclus’ spiritual weakness (or rather, of the spiritual weakness that was typical of his time).

Plotinus, still firmly rooted in the Greek tradition, had no place for rituals. Union with the divine was certainly the aim of his philosophy, but his method was and remained that of philosophy, that is, pure inner moral, intellectual and spiritual cultivation. It’s not that he didn’t believe in the gods or in magic. He simply thought the method of philosophy was superior.

But by the time Proclus came to prominence, the old Greek confidence in the sole power of the human mind had crumbled under the attacks of early Christian or Christian-inspired irrationalism. Everywhere Proclus looked, people were scrambling for a source of salvation outside of themselves, because they felt small and powerless in an uncertain world. Come to think of it, we don’t live in much different times today.

Nothing that belongs to history can ever be retrieved and applied 1:1. But it is certainly permissible to look for inspiration. From a philosophical standpoint, there is no contest: Plotinus’ philosophy is still very much alive, if one knows how to get to its pulp, how to work with it, where to trim, where to add, where to change a part. By contrast, Proclus’ philosophy feels rigid, like a sculpted sarcophagus lid trying to capture the likeness of the dear departed.

From a magical standpoint, one would think that Proclus, given his interest in the topic, would have more to offer than the scoffing, eyebrow-raising Plotinus. Yet a look at Renaissance magic, heavily inspired by Plotinus’ philosophy, tells us otherwise. In fact, though Plotinus’ Enneads are a challenging text, the reader often comes across evocative bits full of beauty and wonder that may be easily adapted to prayer, ritual and other magical aims.

The fact is that Plotinus’ philosophy is a living thing that captures something universal, so it is a good framework for other pursuits, including occultism, while Proclus tried to supplement philosophy with magic because he had no confidence in it, so even his view of magic is remedial and somewhat desperate.

I do not mean to be overly critical of Proclus. He did what he had to, given the circumstances he found himself in. Plus, there is much in his work that can be salvaged, if one has the patience to wade through the abstractions. But what one cannot get from Proclus, or at least what I cannot get from him, is the sense that the cohesive picture he presents is still alive, whereas Plotinus’ system is considerably harder to recontruct, and less cohesive than Proclus’, but feels animated by a flame that was alive before him, was alive in him and will be alive forever.

MQS

Bolognese Tarot – Il Manuale di Cartomanzia by Lia Celi (Review)

The 45-card method, which is the one I’m trying to specialize in on this blog, despite being acquainted with and using the other methods as well, tends to be rather more obscure than the better-known 50-card one. One possible reason is that Maria Luigia Ingallati’s niche-defining book discusses the latter, and has consequently inspired others who follow her school.

Another separate source for the 50-card system is Germana Tartari’s book, whose approach I follow when using the 50-card deck, having been her student and now friend. Tartari’s book was also met with good success, further cementing the 50-card system in people’s imagination.

But before Ingallati made the Bolognese tarot available to a wider public there were a couple of books on the 45-card method, and Lia Celi’s Il Manuale di Cartomanzia (The Cartomancy Handbook) is one of them. The book was first published in 1999 and is very difficult to come by (don’t ask me how I got my copy. Or maybe do ask me, who knows.)

The subtitle of the book, “How to read tarot cards without boring yourself to death” serves as a good introduction to the style in which the book is written. Lia Celi is not a card reader, but a writer and journalist, and this is immediately evident in the refreshingly irreverent tone of the book. She did collaborate with some card readers to put together this book.

The second thing to notice is that, if you were to buy the book based on the front or back covers, you’d never know it’s about the Tarocchino Bolognese, as the title, subtitle and description simply talk about tarot cards and cartomancy, and even the cover art pictures regular tarot cards (I believe Sergio Ruffolo’s tarot).

The third thing to take notice of is that this is, broadly speaking, a good book. Honestly, it would be worth a read even if you had no interest in cartomancy, simply because it is guaranteed to tickle your funny bone on more than one occasion. And this is probably how the book was commissioned in the first place: as a fun and exotic read for the beach, aimed mostly at young women who may or may not choose to pursue cartomancy as a passion.

Given these presuppositions, Celi’s work has no right to be this informative. Pretty much everything you need in order to start using the 45-card system is offered to you in easily digestible bits: the various traditional methods on how to acquire, christen,1 study, shuffle and lay out the deck, the individual meanings of the cards (which are often easy to remember thanks to Celi’s sharp humor), a decent, if small, selection of traditional combinations, some of which I recognize from my own source, some practical advice on how to deal with various types of querents, and a final interview with the daughter of a card reader who is just setting out to practice the art herself, and who offers some advice. Clearly, Celi did her homework and did not skimp on looking for good information.

The card selection the author discusses is the same as the one I know, with one exception: she uses the Nine of Coins as the card of tears, while I use the Seven. Also, the meanings of some of the cards differ. For instance, she says that the Star is chiefly the card of health, while for me it is chiefly the card of business. Still, she does say that the Star is good for work and study, and even my own source taught me that the Star represents medications and healing in the right context. Besides, it is perfectly normal for a tradition like that of the Bolognese Tarot to differ a little from source to source.

The spreads Celi illustrates tend to be on the shorter side: a three-card spread, a four-card cross, a variation of the thirteen-card spread and a pyramid spread of fifteen cards that may be adapted to various questions.

So what is missing? Well, as in most books, what’s missing is the practical part. We have only brief mentions of how the cards interact with one another, so that if I didn’t come from a background in cartomancy and didn’t have access to first-hand information, I don’t know if I would be able to pick up a deck and start reading after finishing this book. Still, Celi’s Cartomancy Handbook is a good addition to your library if you are interested in the Bolognese tarot.

Where to find: This is the book’s amazon page. Unfortunately the book is unavailable, so your next best shot is ebay. However, the lord does work in mysterious ways…

MQS

  1. The traditional practice of ‘christening’ the deck or having it blessed so that, according to popular superstition, it starts working properly. In reality the deck works anyway and only in particular situations (such as curses or difficult periods) does it need to be blessed. ↩︎