All posts by MQS

Living at the intersection of occultism, fiction and philosophy, I travel the planes at a moderately quick pace. I read, I do magic, I cook for hubby. Confused by the number of things I talk about? Good, confusion is a nice thing ;)

Plotinus vs Proclus From a Hermetic Magical Standpoint

When it comes to searching for philosophical-magical inspiration from pre-Christian times, many occultists look at Plotinus and Proclus, two of the most important among Plato’s successors. After Plato, they are the most noteworthy representatives of Platonism, and if Platonism is up your alley, as it is right up mine, you’ve probably looked into them.

Proclus, who was one of Plotinus’ successors as head of the Academy, and was also the last noteworthy Platonist, is especially popular among those who seek inspiration for magical work. The reason is that, unlike Plotinus, Proclus did have a strong interest in religious and magical practices as well as being an important philosopher.

My personal preference, though, is Plotinus. I discovered his work, the Enneads, in my late teens and read it all throughout college. Unlike Proclus, Plotinus was a pure philosopher, with no interests outside of philosophy. Yet his writings have inspired many generations of theologians, occultists, hermeticians and devotees.

Writing at a time when Christianity and other early odd religious beliefs held sway, Plotinus managed to single-handedly revive philosophy as an exalted pursuit that connected the mind with the divine realm. Although he did not appear out of nowhere (his predecessors at the Academy had already laid the groundwork), his genius does tower over anything and anyone who lived in his time.

Plotinus had the aspiration to simply explain Plato’s work, and as a matter of fact we often find assertions in his writings that he is doing nothing more than saying what Plato has already said. But this is not true. His philosophy sought to coherently explain the whole of reality starting from the initial unity, and to trace the steps that mortals can take to re-experience that unity in their ascent back to the One. Although one could argue that the same aspiration is present in Plato, and especially in his esoteric doctrines, the two philosophers are still very much distinct, as is to be expected, considering how many centuries separate them.

From a philosophical standpoint, Proclus is not a cipher like some others of Plotinus’ successors. In fact, he was a gifted philosopher, who would have probably contributed much more, had he lived a couple of centuries earlier. Yet most of the innovations he introduced in the Platonic doctrine feel like complications rather than meaningful developments. His (over)zealous attempts at systematizing and consolidating the entire wisdom of the Greeks, from religion to philosophy to magic, may appear impressive at first, but soon one realizes that they are just the last ossification of the dying world of classical antiquity.

His systematic fervor, so appreciated by Hegel, finds a neat little place to everything that the Greeks had produced, yet at the cost of sucking them dry of their lymph. Everything is there–the gods, the beliefs, the art, the spirituality, the science of the time–yet only as an empty husk, as a relic with a tag underneath in an intellectual museum.

What many occultists today admire in Proclus is his commitment to theurgy. And from that standpoint, Proclus is definitely an important source of inspiration for us. Yet even that was a product of the crisis of the Greek worldview and of Proclus’ spiritual weakness (or rather, of the spiritual weakness that was typical of his time).

Plotinus, still firmly rooted in the Greek tradition, had no place for rituals. Union with the divine was certainly the aim of his philosophy, but his method was and remained that of philosophy, that is, pure inner moral, intellectual and spiritual cultivation. It’s not that he didn’t believe in the gods or in magic. He simply thought the method of philosophy was superior.

But by the time Proclus came to prominence, the old Greek confidence in the sole power of the human mind had crumbled under the attacks of early Christian or Christian-inspired irrationalism. Everywhere Proclus looked, people were scrambling for a source of salvation outside of themselves, because they felt small and powerless in an uncertain world. Come to think of it, we don’t live in much different times today.

Nothing that belongs to history can ever be retrieved and applied 1:1. But it is certainly permissible to look for inspiration. From a philosophical standpoint, there is no contest: Plotinus’ philosophy is still very much alive, if one knows how to get to its pulp, how to work with it, where to trim, where to add, where to change a part. By contrast, Proclus’ philosophy feels rigid, like a sculpted sarcophagus lid trying to capture the likeness of the dear departed.

From a magical standpoint, one would think that Proclus, given his interest in the topic, would have more to offer than the scoffing, eyebrow-raising Plotinus. Yet a look at Renaissance magic, heavily inspired by Plotinus’ philosophy, tells us otherwise. In fact, though Plotinus’ Enneads are a challenging text, the reader often comes across evocative bits full of beauty and wonder that may be easily adapted to prayer, ritual and other magical aims.

The fact is that Plotinus’ philosophy is a living thing that captures something universal, so it is a good framework for other pursuits, including occultism, while Proclus tried to supplement philosophy with magic because he had no confidence in it, so even his view of magic is remedial and somewhat desperate.

I do not mean to be overly critical of Proclus. He did what he had to, given the circumstances he found himself in. Plus, there is much in his work that can be salvaged, if one has the patience to wade through the abstractions. But what one cannot get from Proclus, or at least what I cannot get from him, is the sense that the cohesive picture he presents is still alive, whereas Plotinus’ system is considerably harder to recontruct, and less cohesive than Proclus’, but feels animated by a flame that was alive before him, was alive in him and will be alive forever.

MQS

Bolognese Tarot – Il Manuale di Cartomanzia by Lia Celi (Review)

The 45-card method, which is the one I’m trying to specialize in on this blog, despite being acquainted with and using the other methods as well, tends to be rather more obscure than the better-known 50-card one. One possible reason is that Maria Luigia Ingallati’s niche-defining book discusses the latter, and has consequently inspired others who follow her school.

Another separate source for the 50-card system is Germana Tartari’s book, whose approach I follow when using the 50-card deck, having been her student and now friend. Tartari’s book was also met with good success, further cementing the 50-card system in people’s imagination.

But before Ingallati made the Bolognese tarot available to a wider public there were a couple of books on the 45-card method, and Lia Celi’s Il Manuale di Cartomanzia (The Cartomancy Handbook) is one of them. The book was first published in 1999 and is very difficult to come by (don’t ask me how I got my copy. Or maybe do ask me, who knows.)

The subtitle of the book, “How to read tarot cards without boring yourself to death” serves as a good introduction to the style in which the book is written. Lia Celi is not a card reader, but a writer and journalist, and this is immediately evident in the refreshingly irreverent tone of the book. She did collaborate with some card readers to put together this book.

The second thing to notice is that, if you were to buy the book based on the front or back covers, you’d never know it’s about the Tarocchino Bolognese, as the title, subtitle and description simply talk about tarot cards and cartomancy, and even the cover art pictures regular tarot cards (I believe Sergio Ruffolo’s tarot).

The third thing to take notice of is that this is, broadly speaking, a good book. Honestly, it would be worth a read even if you had no interest in cartomancy, simply because it is guaranteed to tickle your funny bone on more than one occasion. And this is probably how the book was commissioned in the first place: as a fun and exotic read for the beach, aimed mostly at young women who may or may not choose to pursue cartomancy as a passion.

Given these presuppositions, Celi’s work has no right to be this informative. Pretty much everything you need in order to start using the 45-card system is offered to you in easily digestible bits: the various traditional methods on how to acquire, christen,1 study, shuffle and lay out the deck, the individual meanings of the cards (which are often easy to remember thanks to Celi’s sharp humor), a decent, if small, selection of traditional combinations, some of which I recognize from my own source, some practical advice on how to deal with various types of querents, and a final interview with the daughter of a card reader who is just setting out to practice the art herself, and who offers some advice. Clearly, Celi did her homework and did not skimp on looking for good information.

The card selection the author discusses is the same as the one I know, with one exception: she uses the Nine of Coins as the card of tears, while I use the Seven. Also, the meanings of some of the cards differ. For instance, she says that the Star is chiefly the card of health, while for me it is chiefly the card of business. Still, she does say that the Star is good for work and study, and even my own source taught me that the Star represents medications and healing in the right context. Besides, it is perfectly normal for a tradition like that of the Bolognese Tarot to differ a little from source to source.

The spreads Celi illustrates tend to be on the shorter side: a three-card spread, a four-card cross, a variation of the thirteen-card spread and a pyramid spread of fifteen cards that may be adapted to various questions.

So what is missing? Well, as in most books, what’s missing is the practical part. We have only brief mentions of how the cards interact with one another, so that if I didn’t come from a background in cartomancy and didn’t have access to first-hand information, I don’t know if I would be able to pick up a deck and start reading after finishing this book. Still, Celi’s Cartomancy Handbook is a good addition to your library if you are interested in the Bolognese tarot.

Where to find: This is the book’s amazon page. Unfortunately the book is unavailable, so your next best shot is ebay. However, the lord does work in mysterious ways…

MQS

  1. The traditional practice of ‘christening’ the deck or having it blessed so that, according to popular superstition, it starts working properly. In reality the deck works anyway and only in particular situations (such as curses or difficult periods) does it need to be blessed. ↩︎

Was That On Purpose? (Example Reading)

This one’s a quickie. A friend of mine who tends to take things way more seriously than she should asked if the boyfriend had really misplaced the small gift they had bought for her mother or if he had hidden it out of spite (he doesn’t like her mother). Knowing the dude I was quite sure she was overreacting. Still we asked the Sibilla:

Vera Sibilla reading: was that on purpose?

The Thought card is indicative of someone’s inner reality (their thoughts, plans, character, proclivities, etc). Since we asked about the boyfriend’s intention, the thought is his. The Belvedere card is usually associated with the arrival of something. However, it is also the card of sight. Next to the Ten of Clubs, which is a card of carefreeness, this seems to point to an oversight.

It turned out the gift had been left in the car, where it had lodged itself between the the two front seats. As silly as the reason for the reading is, it’s nice to have the cards confirm our suspicion.

MQS

The Slop Must Flow On (and the Esoteric Anti-Initiation)

I don’t know about you, but at the ripe old age of 35 I’m an old fart who remembers the wild west days of the Internet, when people tried cool stuff just because they could. In the last few years I’ve noticed a shift, which probably started in the early 2010s when governments and corporations decided the internet wasn’t something to be vilified as they had done up until that point, but a space to be sanitized, homogenized and monetized.

I am not one to decry money as evil: money is simply an equivalent for one’s work that may be exchanged for the equivalent of another person’s work. In this sense, money has deep metaphysical properties and implications.

What I did notice, however, is that now, wherever I go, someone is trying to sell me something, even if it’s just a free, safe, “binge-worthy” series of videos designed to hook me in so that they may make money out of my attention.

And the more safe formulas get proofed and tested for grabbing people’s attention as quickly as possible, often with AI to provide the missing accelerationist flavor, the more the content that is peddled can be identified as slop. The existential ennui of someone who browses the internet in the year of our Lord 2025 with a smidgen of self-awareness is not to be undererstimated.

I’m bringing this up because I recently received an (automated) email on the account I use for my youtube channel where I was invited to take a course for blowing up my channel, which included such thoughtful advice as “make bad content” (their words, not mine). And honestly, that might very well work, if it wasn’t for the fact that I don’t give a rat’s tutu about drawing big numbers and am perfectly happy with my little corner.

Essentially, slop has been acknowledged as the fastest and most effective way to plug oneself into a premade template of ‘Internet success story’. This, in itself, is not a revolutionary discovery: crap has always existed and has always had success, and the reason why we often don’t know about the crap that existed in the past is that crap tends to be forgotten in the long run, unless it’s so bad it becomes an acquired taste.

What is new is the psychotic speed at which this is happening as attention spans get shorter, the number of people competing for them gets higher and the tools for achieving the result get more powerful.

From a metaphysical and esoteric standpoint, slop is simply the elevation of the lower aspects of the human consciousness to the status of aim to be pursued, with a result that might very well be seen as a form of anti-initiation.

The word initiation tends to conjure images of hooded figures bestowing grace on a supplicant. While the ritual aspect of it is not insignificant, the idea of initiation is far broader and it applies to many fields, not just esoteric, as a path that forces the person’s spirit to acquire, develop or balance certain qualities that allow it to adapt to the ideals of that path.

An anti-initiation, in this sense, is a process whereby the human spirit ossifies, rots and collapses in on itself, having lost any semblance of a guiding light and being only stirred into motion by the gravitational pull of its own ass.

I am not a prude and I am not a no-fun Fräulein Rottenmeier. I enjoy some of the products of our current age, and I accept the rest with some irony (what else is left?) I am merely observing an interesting trend. It is often repeated that initiation (any initiation) is for the few, but it seems to me that is becoming something for the fewer.

MQS

Credo Quia Absurdum – The Dangers of Irrationalism in Magick

Many people who think they are communing with the gods are simply reacting to crap that their subconscious slings at them. This may or may not have therapeutic value, but it is not magic, since metaphysical forces cannot be psychologized away just so someone can have the safe thrill of believing outside of consensus reality while also appearing sane.

And this is where a fine line needs to be trodden. If on one hand we have the excess of trying to rationalize everything and reduce it to consensus reality, on the other hand irrationalism is just as destructive, and the idea of believing in crap exactly because it is absurd (credo quia absurdum) can lead us down really dark paths, and not the curling-up-with-a-vampire-novel type of dark.

Sometimes I get outraged messages by people who whine that there is no recipe for magic, so I should let them believe what they want. People are absolutely free to believe what they want, but I am also free to call it how I see it. Those people, it is worth noting, tend to be of the soapboxing-on-social-media variety who constantly try to educate others on what’s right and what’s wrong, yet they often fail to realize that they nurture a worldview within which there is no space for right or wrong, true or false.

This type of worldview, in part, is due to the fact that there is no space for magic in our current worldview, and so as soon as one dabbles in it, they immediately find themselves outside of all current definitions of what is reasonable, and so they end up embracing the role of the crazy ones, often subconsciously. And hey, being crazy can be fun at times, and sometimes it can be a good front to protect ourselves, but it needs to be done with some awareness.

Plus, if we take the time to research the history of occultism, both in the West and elsewhere, we find that there are different paradigms that are fruitful from a magical standpoint without having to give up rationality, which is a part of the human make-up, and as such is worth cultivating.

An occultist, a hermetician, a magus, in so far as they act in their magical capacity, are more spaces than individuals: they are liminal spaces between worlds. In order to become that space, we often need to let go of certain convictions, and many of our limits of all kinds will be pushed. This is where working on oneself can be useful and complement occult training.

But this need to go beyond our initial limits (the old adage “you cannot seek initiation and remain the same”), could lead us to believe that irrationalism is simply the last frontier: that reason is simply just another limit to overcome, just another trap of our ego. This, by the way, is what’s behind the kind of zealots who poke snakes with sticks because God told them he would protect them.

Traditionally, in most schools, aspirants to initiation are taught how to screen the perceptions they have during their experiments to see if they are talking to something outside of themselves or not (and if the thing outside of themselves is benign).

One of the first things to apply is logic: if the thing tells you to jump off a window and they will catch you, it’s either a larva with a sense of humor or, more probably, your cupio dissolvi hard at work. If the thing tells you something that goes against reason or contradicts what cannot be doubted (“you won’t fall if you throw yourself from a bridge”), that’s also a red flag. If the thing tells you stuff you know or if it flatters you, it’s just you.

I’m not one to try to scare others unnecessarily: many times, nothing dangerous happens, in part because existence is not as dark as some make it out to be (nor as light as others make it out to be), and in a much larger part because we are often shielded from danger by our own incompetence.

That being said, getting rid of one of your human faculties (reason) instead of cultivating it sensibly can be something you end up paying for dearly. Irrationalism may appear like a way to get read of the ego, but it is often just the last refuge of the ego that cannot stand to be corrected, since reason is so good at countering its poppycock.

MQS

Tarot Encyclopedia – The Nine of Cups

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Cups from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the second decanate of Pisces, March 1 to March 10, under the subrulership of the Moon.
Well-Dignified: complete realization of desires; almost perfect pleasure and happiness; wishes fulfilled; physical well-being.
lll-Dignified: vanity, conceit, egotism; foolish generosity or ostentatious expenditure; the
person to whom the card applies is too easily led; one spoilt by
prosperity.
Keyword: Desire fulfilled.
(From the Oracle of Tarot course)

A. E. Waite

A goodly personage has feasted to his heart’s content, and abundant refreshment of wine is on the arched counter behind him, seeming to indicate that the future is also assured. The picture offers the material side only, but there are other aspects. Divinatory Meanings: Concord, contentment, physical bien-être; also victory, success, advantage; satisfaction for the Querent or person for whom the consultation is made. Reversed: Truth, loyalty, liberty; but the readings vary and include mistakes, imperfections, etc.
(From The Pictorial Key to the Tarot)

The Nine of Cups from the Rider Waite Smith tarot

Aleister Crowley

The Nine of Cups is called Happiness. This is a peculiarly good card, because happiness, as the word implies, is so much a matter of luck: the card is ruled by Jupiter, and Jupiter is Fortune.In all these watery cards, there is a certain element of illusion; they begin by Love, and love is the greatest and most deadly of the illusions. The sign of Pisces is the refinement, the fading away of this instinct, which, begun with dreadful hunger and carried on with passion, has now become “a dream within a dream”.

The card is ruled by Jupiter. Jupiter in Pisces is indeed good fortune, but only in the sense of complete satiety. The fullest satisfaction is merely the matrix of a further putrefaction; there is no such thing as absolute rest. A cottage in the country with the roses all around it? No, there is nothing permanent in this; there is no rest from the Universe. Change guarantees stability. Stability guarantees change.

[…]

The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water. In this card is the pageant of the culmination and perfection of the original force of Water.

The Ruler is Jupiter in Pisces. This influence is more than sympathetic; it is a definite benediction, for Jupiter is the planet of Chesed which represents Water in its highest material manifestation, and Pisces brings out the placid qualities of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.

The Geomantic Figure Laetitia is ruled by Jupiter in Pisces. For its meaning consult the “Handbook of Geomancy” (Equinox Vol I, No.2). Laetitia, Joy, gladness, is one of the best and most powerful of the sixteen figures; for the Solar, Lunar, and Mercurial symbols are, at the best, ambiguous and treacherously ambivalent; those of Venus portend rather relief than positive beneficence; Saturn and Mars are seen at their worst; and even the stable-companion of Laetitia, Acquisitio, has its unpleasant aspects, and even its dangers. But the consonance of Laetitia with this card amounts to little less than an identity; the wine is poured by Ganymede himself, unstinted vintage of true nectar of the Gods, brimful and running over, an ordered banquet of delight, True Wisdom self-fulfilled in Perfect Happiness.
(From The Book of Thoth)

The Nine of Cups from the Thoth tarot

Golden Dawn’s Book T

A WHITE Radiant Angelic Hand, issuing from a cloud holding lotus or waterlilies, one flower of which overhangs each cup; from it a white water pours. Cups are arranged in three rows of 3. Jupiter and Pisces above and below.

Complete and perfect realization of pleasure and happiness, almost perfect; selfpraise, vanity, conceit, much talking of self, yet kind and lovable, and may be self-denying therewith. High-minded, not easily satisfied with small and limited ideas. Apt to be maligned through too much self-assumption. A good and generous, but sometimes foolish nature.

Yesod of HB:H (Complete success, pleasure and happiness, wishes fulfilled).

Therein rule the Angels HB:SALYH and HB:a’aRYAL.

Etteilla

Victory
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Victory, Success, Achievement, Advantage, Gain. – Pump, Triumph, Trophy, Preeminence, Superiority. – Spectacle, Arrangement, Equipment.
Reversed. Sincerity, Truth, Reality, Loyalty, Good faith, Frankness, Naiveté, Candor, Openness of heart, Simplicity. – Freedom, Science, Overconfidence, Familiarity, Boldness, Looseness, Debauchery

MQS

How to Work With Wrong Readings

I had a nice exchange with a visitor, who asked how we can work with the readings we get wrong, so that we can improve our skill.

The first thing to take into account is that this is not always possible. We may say that we are accurate because 80-90% of our assertions end up being true, but that is calculated on those assertions for which we get feedback, and we don’t always get feedback.

Here, too, there is a lesson, I think: all we can do is be as good as we can be at the particular moment in which the reading takes place. If we think an interpretation is viable, there is no point in withholding it out of fear that we might get it wrong (unless the topic is sensitive and we choose to stretch the truth to avoid hurting the querent) because we might not get another chance to say it.

What happens after the reading is that some querents simply forget about it. Too many querents think that a reading needs to come true within a couple of weeks, when in fact it often takes months, so after the initial excitement (or dread) they simply move on, and they may only be reminded of it when it comes to pass, if at all.

Other readings are correct, but the querent thinks that’s just regular business, so they don’t bother to tell us, while other readings are wrong, and the querent either rubs that in our face as publicly as possible or they don’t talk about that anymore, thinking we are beneath them.

Then there’s the readings for which we do have feedback, which can be very positive (“everything was spot on, and you’re also kinda cute”), very negative (“it ended up being the exact opposite of what you said”), or mixed (“this and that came to pass, but this other thing not yet”).

Even the feedback we get needs to be taken with a grain of salt. Positive feedback can sometimes be a mix of wishful thinking and the desire to please, while negative feedback can sometimes be a mix of delusion (you said he wouldn’t call and he didn’t, but I know he loves me, so you’re wrong) and desire to hurt.

So, what do we do with the feedback we are given, if it is negative? The reasonable thing to do, in my opinion, is to check the spread (I usually take pictures and/or notes) and see where we might have screwed up.

Was there a point in the spread where the cards were a bit ambiguous and we forced the reading in the wrong direction? Was there a huge, smacking-your-forehead blunder? You simply cannot see what went wrong? Take notes on the reading. If you don’t think you can formulate a definitive theory on what went south, don’t. Leave things hanging. Add ‘maybe’ and ‘possibly’, and see if there are other readings you did on similar issues that can help you.

Even when going back to an older spread, we should never force it to say what the feedback said, if we just don’t see it: firstly, because, as I said, even feedback that exists must be treated with caution; secondly, because there is a tendency to want to read details into the reading that we would never have been able to guess beforehand, and that’s not divination.

Broadly speaking, the feedback we get, positive, negative or mixed, should be treated as raw data that needs to be studied carefully. That’s where a lot of growth can take place. Be especially thankful for mixed feedback, as usually it is the most honest kind: we rarely get 100% of the things right, either in our description of the past/present or in our predictions. As fallible humans, getting many things right many times should be enough to satisfy us, especially since we are doing something most people consider impossible.

MQS

Which House Is Next To Which?

In astrology, the contiguity of the houses is obvious, since the houses are usually arranged either in a square or in a circle, but always forming a loop. Thus, we have that the Ascendant is always squished between the second house and the twelfth; that it always opposes the seventh, and, if we go by whole sign houses, that it has fixed relationships with all the others (inconjunct, sextile, square or trine).

This is not the case in Geomancy, where the relationship between houses is controversial, at least nowadays. First off, it is not pacific that the houses of the Shield represent astrological houses, unless we operate an equivalence with astrology, as was done at least since Geomancy reached Europe.

Those coming to Geomancy through Michael Greer, as I did, are probably used seeing the geomantic houses as equivalent to astrological houses: once the Shield is turned into a square chart, the houses follow the same astrological pattern as in an astrological chart. Those coming to Geomancy through the Golden Dawn, though using a different way of assigning the mothers to the houses (the one popularized by Agrippa), still end up dealing with a 1:1 replica of an astrological chart.

However, the idea that the Shield chart and the astrological chart are separate ways of doing Geomancy seems to be relatively new. In most old books, only the Shield is shown, and even when the astrological format is followed, this is done more to show some of the similarities with astrology.

Secondly, which house is next to which is not always clear, and sometimes varies by author. In some sources it seems that only houses that are in company are considered to be next to each other: first and second, third and fourth (but not second and third), fifth and sixth (but not fourth and fifth) and so on pair by pair. This seems to follow the order in which the Shield chart is generated.

An example shield chart. App used: Simple Geomancy

In the example above, Tristitia in the first is next to Via in the second, and Tristitia in the third is next to Conjunctio in the fourth, but not to Via in the second. This is possibly because the first and second combine to form the ninth and the third and fourth combine to form the tenth, but the second and third never combine. This approach obviously restricts the possibilities of perfecting the chart, since most houses end up losing a possible spot next to them for other figures to move to.

Another approach is the one I found while translating Abano’s work. Here Abano started by saying (or rather, implying) that the twelfth house is not next to the first. Initially, I thought this was because he was following the arrangement for the company of houses I just discussed. Yet he gives other examples where he does not follow it, for instance by implying that the eighth and ninth house are next to each other, which would contradict the company of houses (the eighth is with the seventh, the ninth with the tenth).

Then, in another one of his examples, he implies that a figure in the tenth house is next to a figure in the third. This does not make sense from an astrological standpoint, but from a sheer geomantic standpoint it does: the third house DOES border with the tenth, since it co-generates it with the fourth. This would also explain why he doesn’t consider the twelfth house to be next to the first: not because they are not in company, but because they are not close on the Shield (they are, in fact, on opposite ends of the shield).

This approach of considering the houses close on the Shield as being next to each other is certainly different from anything I’ve seen, especially in contemporary geomancy, and if it weren’t for the fact that enough readings I’ve done confirmed to me that the twelfth house CAN perfect with the first, I would find Abano’s approach extremely appealing. Unfortunately, one of my rules when dealing with divination is that practice trumps theory.

Abano goes even further, implying that the Witnesses (and possibly even the Judge) are to be treated as regular houses. This, in itself, is not unique to him, but what I find unique is that he considers the Witnesses capable of perfecting the reading, for instance if the first figure moves to the tenth and the quesited’s figure moves to the right Witness, where, by Abano’s theory, the two figures touch.

Another consequence of Abano’s approach is that not all houses are created equal: the first house, for instance, only touches with the second and the ninth, while the tenth house must be considered to be next to the ninth, eleventh, third, fourth and to the right Witness.

A possible argument, at this point, could be that this approach makes certain readings too easy (like those involving the tenth house, as I just showed). Still, we should keep in mind 1. that divination reflects reality, so a no is a no, regardless of the system 2. secondly, that Abano doesn’t always consider merely the querent and quesited. Often he considers the whole chart, and sometimes he resolves certain questions by dividing the shield into two sides (the left and the right side) and seeing which side is stronger. This is a method he has from traditional astrology, where questions of contest or war are often decided in such manner.

Ultimately, which approach we choose depends on what works, which means that the only way is to try, record and compare with what actually ends up happening.

MQS

The Home – A Deep Dive Into Cartomancy

Following my deep dive into the symbols of the door knockers and the road in divination by cards, I want to tackle the symbol of the home. This, too, like the road, is a widespread symbol that is almost never absent from any divination system of a practical nature (I am aware of systems for playing card divination based on Rider Waite symbolism, but they have very little practical use).

The popularity of the symbol of the home is simply a consequence of its importance in people’s lives. The home or house card is, in most systems, a ‘topic’ or significator card indicating the querent’s or someone else’s house, and the cards surrounding it show us the atmosphere or happenings of the household. Its practical value, therefore, is immense.

In the earliest recorded system for reading the tarot, which is Pratesi’s guide for the Bolognese tarot, the house card is the Ace of Cups. This meaning is retained in the more modern variants of the method. This is also an almost universal constant in cartomancy, since the Ace of Cups or Hearts is almost always taken as a symbol of the home.

Whether this association originates with the Bolognese tarot I don’t know. It is possible that the symbolism is simply suggested by the shape of the Ace of Cups. In the Visconti tarot, the Ace of Cups is a water spring similar to a baptismal font, but in many old decks it can look similar to a walled structure. If we add to this the fact that the function of the cup is to contain, it may be that this could have suggested the idea of the house to old cartomancers, since a house is a large (the ace is large) containment structure.

Similarly, in almost all card reading systems using Italian regional cards, the Ace of Cups is the home, although I am aware of a couple where the meaning is attributed to the Four of Cups, possibly due to the squarish form suggested by the arrangement of the pips. The Ace of Cups is also the house card in the Sibilla regionale, which is the second-most widespread sibilla deck in Italy.

Why the same idea of home as the Ace was suggested by people using regular playing card suits is unclear, since the Ace of Hearts does not look like anything but a heart. Still, if the system I was taught is anything to go by, the main idea is that hearts deal with one’s emotional life and nourishment, and the home is the origin and source (ace) of our emotional life, the place where our first (ace) needs are met. As a matter of fact, the person who taught me cartomancy with playing cards often insisted that the Ace of Hearts is not just any house (though it can be, in practice) but especially one’s home, where we come from (the ‘spring’ we come from, in the Visconti sense), which is why an extended meaning of the house card is often one’s family.

The same attribution of the Ace of Hearts to the home is found in most systems I am aware of, including German cartomancy and most English and French methods. As far as tarot is concerned, we find that, in some earlier tarot documents, the Tower is simply called ‘casa’ (house), before being called House of God or House of the Devil in some other decks (the title ‘Tower’ is actually a rather late innovation).

Etteilla assigned the house to the Ten of Coins, which Waite retains in his illustration of the Ten of Pentacles, while Paul Case generally matched the house with the Two of Cups, among other things. However, this was more of an accidental consequence of the Golden Dawn attribution of the first cards of the suit of Cups to the zodiac sign of Cancer and, according to the sign/house equivalence theory, to the fourth house, which is the house of the father and therefore of one’s fathers and one’s family/house.

The Sibilla is a partial exception to the rule of the ace as the home, as the House card is given to the Two of Hearts. The meaning of origin (which metaphorically, depending on the reading, can also indicate the origin of a problem) is retained. Still, the Ace of Hearts is also given to the family and to people living together, among other meanings.

The Sibilla, like the Kipper cards, distinguishes between a House card and a Room card. This is probably because both decks seem to have been consolidated from earlier German or Austrian decks which also had similar cards, although the makers of the Sibilla also took playing cards into consideration.

I cannot speak to the Kipper cards (nor to Lenormand, where there is a House card, attributed to the King of Hearts), but in the Sibilla, the Room can represent a small(er) apartment, as well as a place in general, but it doesn’t usually have a connection with the emotional side of life, like the House, although it can represent intimacy, since it is connected with rooms in general, but with the bedroom specifically.

MQS