Tag Archives: Fortune-telling

The Geomancy of Peter of Abano – Book II Pt. 4

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Here Abano discusses matters relating to the Seventh House and Eighth House.

Seventh House

Of marriage
The first and second house are for the man, the seventh and eighth for the woman.1 The first signifies the person, the second his wealth, the eighth the wife’s dowry. If these figures are good they show a positive outcome. If the third figure is conform to the first and seventh, the marriage is mediated by messenger [intermediary],2 especially if the eleventh is conform to the third. If the fourth is conform to the first and seventh, it means the marriage is arranged by one’s relatives, especially if the fifteenth figure confirms it. If the second house is bad it means the husband’s (lack of) wealth is a problem, and so judge for the wife if the eighth is unfortunate. Similarly, if the first or seventh are bad, either the husband or the wife cause problems, and if the third, the mediator, and if the fourth, the family. If the first or seventh are unfortunate and move to the sixth, it shows that the marriage won’t happen due to sickness or because one of the two has a physical defect.3

If the spouse shall be chaste and honest4
Look at the first and sixth, seventh, eighth, fourth and twelfth. If you find good figures, it shows the spouse to be chaste and honest, especially if the figures move to other houses. But if the figures are evil, it shows the contrary, especially if they move to other houses, especially if Populus is born from those houses. If Puer is in the sixth and seventh, it shows the wife to be cheating with a young(er) man, and if it is in the seventh and eighth, it means it’s common knowledge.5 If in these places you find Rubeus, and if it moved as we have said above, it means the same, and similarly if in those houses you find Rubeus and Tristitia or Puer and Laetitia. And again, the more you find Populus in the whole figure, all the more dishonest the spouse is shown to be. But if the you find that the figures add up to Carcer, it shows honesty and reserve, and if the above mentioned figures cause Tristitia in the twelfth it means dishonesty with a family member or with a vile person, or with an almost beast-like man. And if Puer or Rubeus were formed in the twelfth, it means dishonesty with young men or with strangers, especially if they are conform to the thirteenth, fourteenth and fifteenth.

If the querent shall have (the love of) the lover or girlfriend
If the first and seventh are fortunate and entering, benign and conform one to the other, it shows obtaining what he wants. If the first moves to the eighth or sixth, it means he will need to insist a little, but if the seventh moves to the second she will insist with him, but the mutation still shows a positive answer.6

Of partnerships and similar affairs
If the first, second, fifth, seventh and eleventh figures are good, fortunate, fixed, it shows the partnership is good, especially if the second and seventh are the same figure. If the figures are fixed and fortunate it will last, but if not it shows they won’t. If you want to know who will cause problems, look at which side of the chart hosts more signs of instability and ill will, and judge in the same way as with marriage.

If one’s enemy will cause one offense
If the seventh is fortunate and positive it means the enmity is of small moment, unless the enemy is a woman, because it still means ill will toward the enemy.7 But if the seventh is unfortunagte and strong and malicious, it means a great and powerful enmity, especially if the twelfth is equally evil. Look also at the fifteenth, and which planets are more fortunate, whether in the first or seventh, and in the other angles, whom they conform to. And if the first and seventh are good, fortunate, entering and the seventh conjuncts the first, or vice versa, it shows reconciliation and peace. If the figure that conjunct the other also moves to another place, it means that the reconciliation will happen through the persons signified by those houses. Always consider the fifteenth and the Witnesses. If there is no conjunction and no translation, but only conformity of the first and seventh, look at the Judge, whether it is also found in another house (of the first twelve), and the more you find it, the more the two parties shall make peace.

Whether there will be war or peace
Assign the first house to one side and the seventh to the other, and look on whose side there are more fortunate figures, and look whether the figures that signify war are in the seventh or the first, or if the figures are fortunate, entering and good. If the figures are good, there is no war, but if they are malicious and fortunate in war, they mean war from the side where they are, and it will be as bad as the figures are, and the side will win that holds the more fortunate figures. Rubeus, Tristitia, Puer, Conjunctio are fortunate in war. Carcer, Amissio, Laetitia are unfortunate in war. If Popoulus or Conjunctio are in the sixth, seventh, eighth or twelfth it means death and great loss of blood, and fleeing, and great cruelty.8 If in those places you find Rubeus and Carcer is in the eighth it means death, prison, fires and flames, and if in the seventh and eighth you find Puer it shows great victory, but always look at the tenth, fifteenth and first, whether they move.

Of litigations
The first is the querent, the seventh is the other party. The figure that is stronger and more fortunate wins, and if Amissio is found in either, that party shall lose. Laetitia and Puella signify concord, while Tristitia and Rubeus are very evil. And if the first moves to the sixth, eighth or twelfth, the person shall lose, but if the seventh moves in the same way, the other party shall lose. And if the whole figure is occupied by figures of more or less positive import, there will be agreement.

Of fled servants, prison and lost items
If the first, seventh, eighth figures are conform and are entering and fortunate, it shows retrieval, and vice versa if they aren’t. If the first is in the sixth, the servant has not fled, but has hidden, and if the figure is Carcer, he hasn’t changed place, if not very little, especially if the first, fourth and the Judge are entering and fortunate.
Acquisitio and Fortuna Major signify retrieval, but the opposite figures show the opposite.

Whether the absent party shall come back, and how soon
If the first house is fortunate and well-meaning, and similarly the seventh and ninth, it shows the absent party is well and in good state,9 and vice versa if the figures are bad, especially if the sixth is unfortunate. Also look at the fifteenth and tenth. If the first is unfortunate and moves to the eighth it means death, especially if in conjunction with Carcer, Rubeus or Conjunctio.

If the sixth is unfortunate and moves to the first or in conjunction with it, it means a deadly infirmity, and similarly when the first and seventh are unfortunate are united somewhere in the figure. But if the sixth is unfortunate (but doesn’t move) it shows an illness that shall pass, especially if the eighth is good. And if you want to know whether the absent party shall come back soon, look at the first and ninth, and if they are Cauda, Acquisitio or Laetitia he shall come back soon. If Populus or Via, very soon. If the eighth is good and is in the first, he will come back in a month, if in the second, in two, and so on. And if the said figure is in the second and in the eighth, entering, he shall come in a month.10

Eighth House

Whether one shall die within the year
If the first figure is the same as the eighth, or if it is conjunct to it, it is an indication of death, especially if it is also in the thirteenth or fifteenth house. If you want to see what kind of death one shall suffer, look at the nature and quality of the figure, and judge as follows: if it’s Rubeus, it indicates fire or steel (that is, being wounded by an arm,) if it is Puella, being beaten to death, if it is Carcer due to a long sickness, phlegm, melancholy or various health issues; and similarly judge of every other figure depending on its virtue and meaning and quality.

On who shall die first between two people
Consider the eighth and see if it is in the house of the person you are inquiring about, or if it in conjunction to it, or if it is in the first house, and judge accordingly who shall die first.

If one shall have the money back
If the eighth and the first are entering and fortunate it shows getting the money back without difficulty or problems, vice versa if they aren’t. And this is especially true if the thirteenth and the fifteenth agree, but when they don’t, and if on the side of the first house you find weak figures, it means getting back the money with great trouble. If the eighth is in the third it means one’s siblings will help, and if in the fourth, the relatives, and if in the fifth, one’s children, etc.

If the bad thing you fear shall come to pass
Consider the first, second, eighth and twelfth.11 If they are lucky it shows the thing won’t come to pass, but if some of them are unfortunate, it shows it shall partly come to pass, and if they are evil, it shall come to pass, and the bad thing will be identified by the type of figure. If the first figure is in conjunction with the eighth or the eighth with the first, it means harm to the person. If the second is in the seventh or ninth, it means harm to one’s wealth. And so judge all the other things with respect to the eighth house according to the meaning of the house and the thing inquired about. Always keep in mind the Witnesses and the Judge.

MQS

Footnotes

  1. This statement is interesting for a number of reasons. I will only mention one. Abano does not say that the First is for the querent and the Seventh for the spouse, but that the First is for the man and the Seventh for the woman. It would be easy, especially in the current cultural climate, to attribute this to Medieval sexism. I am not saying that it doesn’t play a part, but there could be more. In many Medieval astrological texts the Seventh house, as noted before, is assigned to women, and when delineating marriage from the birth chart different procedures seem to have been used to predict a man’s marriage as opposed to a woman’s, the method for the man involving the seventh house, the one for the woman being more weighed toward other considerations. ↩︎
  2. It would be easy to update this interpretation to show the influence of social media in bringing two partners together nowadays. ↩︎
  3. The modern doctrine would dictate that the marriage happens if the first figure springs to the Sixth House. ↩︎
  4. The Italian title is “if she will be chaste and honest”, again presupposing a female Seventh House. ↩︎
  5. This passage is exceedingly complex. It is not clear if Puer in the Sixth indicates a younger man because it is Puer or because it is in the Sixth (which is below the Seventh). The thing being common knowledge when it happens in the Eighth is possibly due to the fact that the Eighth house is above the horizon. ↩︎
  6. Of interest here is that the querent can obtain the lover by moving to the Eighth or Sixth House, but the Seventh can only spring to the Second, not the Twelfth. ↩︎
  7. This passage is not clear. It seems to imply that a good figure in the Seventh House still bodes ill if the enemy is a woman. ↩︎
  8. These attributes seem ill-fitting for Conjunctio. ↩︎
  9. The Ninth House is the house of journeys. ↩︎
  10. This timing method is unclear to me. ↩︎
  11. Older astrology handbooks are filled with indications on delineating the Eleventh House in a horary question to know whether what one hopes will come to pass. Abano here applies the same method to the Eighth house to delineate one’s fears. ↩︎

It’s The Economy, Stupid! (Example Reading)

This is a quick one. My husband comes from a particular family background, and as a consequence of it is often afraid of not being left with enough money despite his hard work (and he is a hard worker). As I said elsewhere, we are moving, and so expenses are popping up left and right, and I’ve noticed a certain anxiety in his eyes. Consequently, I asked the Heavens a bank statement.

My husband’s finances, Horary Astrology reading

Since I didn’t tell my husband I was doing a reading, I am the querent, and he is my husband, and therefore Seventh House ruler, Jupiter. His money is represented by the second house from the Seventh, therefore the radical Eighth House, ruled by Mars.

Jupiter is peregrine in Taurus, and conjunct Caput Algol, a malefic star that, some say, is connected metaphorically to losing one’s head. Furthermore, Jupiter is combust and approaching the Sun. Therefore, my husband is under great stress.

How are his finances? Well, Mars is its sign and face, angular and inside the Seventh House, which represents my husband. So his finances are good, and they remain in his possession. This may sound silly. After all, if they are his money, of course they are his possession. Still, it is comforting to see his money in his house: he retains control over it.

I believe this wonderful Mars testimony shows that, as it were, the fundamentals of his finances are solid, i.e., there is no risk of dejection, poverty, major adversity, etc.

That being said, this does nothing to alleviate his stress. The Moon is cadent, possibly indicating that the economy is going to be slow for a while, and it separates from a positive sextile of Mars, showing a positive financial recent past, and applies to a square of Saturn. Saturn shows restriction. In other words, while there is nothing to fundamentally worry about, the next period isn’t going to be the most prosperous.

I already have a partial outcome for this reading, which was done some weeks ago. As soon as we entered the house, after a couple of days, some household utensils gave up the ghost, including the fridge, and we had to buy new ones. Since Saturn rules the Fifth house, the house’s possessions, I’m wondering if that was what it was referring to, though this is stretching it quite a bit (they are our possessions, not the house’s). Alternatively, Capricorn is the second sign on the Fourth cusp, so Saturn would generally show the house.

MQS

Divination vs Fortune-Telling: History of a False Dichotomy

The founder of BOTA, Paul Foster Case, proudly started his short book “Oracle of the Tarot” with the assertion that Tarot divination is not fortune-telling. The reason, he explains, is that fortune-telling is grounded in the belief in luck, chance or fate, while divination understands that everything is about our personality. The same statement is found at the beginning of the advanced BOTA course on tarot divination (Oracle of Tarot, without the ‘the’). Ann Davies clearly had a hand in rewriting it, considering how verbose the course is, but the substance was similar.

Paul Case was tapping into the spirit of the times when he made that statement. Since Tarot had the (mis)fortune of attracting the attention of XVIII and XIX century occultists, it hasn’t enjoyed a moment of peace: everyone wants to believe it to be not an obvious masterpiece of Renaissance art and Medieval philosophy, but an occult device made to transmit mystical knowledge unknown to most people (even though most people prior to the Enlightenment and the French revolution would have been able to tell you what the Tarot was about).

The same has happened to Astrology. Once a practical art for foretelling the ups and downs of actual life, it became the victim of the occult intelligentsia of the last couple of centuries and was turned into a hodgepodge of pseudomysticism, ill-digested psychoanalytic concepts and “it’s true if you believe it” New Thought crap.1

But this is not the whole story. If one takes the time to study, say, the Golden Dawn system, one quickly finds out that their traditional way of reading the Tarot is grounded in fortune-telling (just read MacGregor Mathers’ example of the Opening of the Key spread). Even the BOTA system, which derives from it, preserves very concrete meanings to be strung together into sentences, despite Ann Davies’ attempt to turn divination into a form of Kabbalistic meditation.

In other words, the occultist attempt at reappropriating the Tarot and Astrology (which in part continues to this day with some bogus theories about the so-called Tarot of Marseille, but more on this in another post) is only partly responsible for the divination/fortune-telling dichotomy. Much of contemporary occultism is grounded in the psychoanalyzation of magic and spirituality, which, in turn, is a defense mechanism against the death of the classical spiritual worldview. Yet, for all its shortcomings, it at least preserves some core tenets of the magical worldview.

But the problem with this is that while it does preseve in some ways the roots of the worldview in which divination can flourish, it has lost the intellectual basis for defending it. Intellectually speaking, even today occultism is largely stuck in the pre-WWII era, with its myths of scientific positivism, of constant historical progress and of magic as misunderstood technology (while I would argue the opposite, namely that technology is misunderstood magic).

Essentially, what has gone lost is the philosophical framework that allows us to keep together divination as spiritual practice and divination as uttering of concrete, verifiable truths.2 That’s largely because spirituality, in the post-XVIII-century Western world, was only allowed to survive as private indulgence in irrational behavior, a weakness to be tolerated.

Thus the split was born: 1) on one hand divination: a ‘serious’, and therefore unverifiable endeavor, a tool for vague self-reflection, cheap catharsis and shallow instagrammable aha moments. In other words, something that the small judgmental scientist constantly perched on most people’s shoulder could smile upon as at least benign, if not really true; 2) on the other hand fortune-telling: a crass or quaint superstition that is just a scam when it gets things wrong and just a coincidence when it gets them right. The little scientist can be free to frown on it. In other words, the distinction was born out of the guilty conscience of “spiritual” people, i.e., out of their subconscious scientism, as a way of telling themselves and society “I indulge in this silliness, but I am just quirky, not stupid.”

The occultists of yore were at least intelligent men and women who actually had something to say. They may have worked in an intellectually hostile environment, but they at least gave it their best shot, and for this they deserve leniency. What happened next is worse: that the already battered art of divination fell into the hands of stoned hippies and people with degrees in the most useless branches of socially acceptable knowledge. Then along came the Liz Greene’s and the Rachel Pollack’s (to make just two examples) who destroyed Astrology and Tarot even further. From then on it could only go in one direction: past life readings, divine feminine, empty motivationalism and strategizing, healing of generational traumas and all the attendant nonsense.3

Interestingly, the more contemporary divination’s fake husk rots, the more one needs to be intellectually dead to practice it, the more it becomes reintegrated in the higher spheres of society. I believe I already talked about a friend of mine who works for Google and has to endure meaningless meetings with tarot readers and astrologers because her boss is the manifestation-obsessed boss babe type. Nor are tarot readers a rarity in corporate America. This probably says something about how brain-damaged this kind of environments is. The nicest thing we can say about this part of society and this strand of divination is that they deserve each other.

MQS

  1. This is not to say that Astrology or divination were unanimously accepted, but the debate was much more complex. ↩︎
  2. This, by the way, is not a call to “go back” to some long lost good old times. I am no reactionary. Nor am I a progressive. I am a realist. ↩︎
  3. By which, of course, I do not mean that there is not a feminine side of the divine, nor that trauma cannot be a real thing. I only mean that these words correspond to nothing but the most vapid pseudointellectual nonsense when coming out of most people’s mouths nowadays. ↩︎

The Geomancy of Peter of Abano – Book II Pt. 1

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Abano discusses matters related to the First House. and Second House

Having shown in the first book how one may know and judge (questions), we must now show some practical examples of this science according to the twelve houses of the chart, so that everyone may more easily understand what they wish to know. And this always according to the above described rule of giving the first house to the querent and the appropriate one to the quesited.

First House

Of the life of the man or woman.1
Having made the chart and the fifteenth figure, and wanting to know one’s fortune or misfortune,2 consider the figure in the first house and, depending on its meaning and the virtue of the planet ruling this figure, judge whether it is good or bad.

And if you want further clues, look whether the figure moves toward one of the angles or in more than one of them.3 And the life is all the more long and better and fortunate depending on how good the angle is, as said before.4 And if the figure doesn’t move, but it is still good and fortunate, it means one still has a long time to live, but is lonely.5 And if it moves to the second, it causes gain through one’s industriousness and solicitude. And if it moves to the third, it means getting along with younger relatives and siblings, and if to the fourth, it indicates increase of patrimony and wealth of the father or of the older relatives.

If to the fifth, it means happiness through children, and usefulness, but if to the sixth, misfortune, tragedy, accidents, but also other people’s service (to the querent), depending on whether the figure is fortunate or not. If it moves to the seventh, it means good things from the wife or girlfriend, and good deals, or gain through war or gambling, and maybe in a foreign country, depending on the quality and condition of the figure. If it moves to the eighth, the life is short, unless one is a butcher or deals in dead animals, that is, skin, wool, or if one is a loan shark.6

If it moves to the ninth, it means much journeying, and being a knight or a wayfarer or a churchman, and the person’s luck is better if the figure is good. If it moves to the tenth, it means honors and public office and receiving dignity from people up high, or through them, depending as the figure is fortunate or not. If it moves to the eleventh, it shows good luck with friends and from people who are noble or from the Roman Curia. If it moves to the twelfth, the person will meet his end in prison, or through long infirmity, or it shows being kidnapped or being in a remote place like some religious people do.

If the figure shows up as a Witness or as the Judge, the person’s fortune depends on how good the figure is. And what we have said of the first figure, whether it is good, mediocre or bad depends on its nature.

Second House

Of wealth, possessions and gain.
If you want to know about merchandise, one must judge the first house, whether it is good or bad, and then the second, depending on its virtue, and judge thus: if it contains one figure among Acquisitio, Major, Conjunctio, Caput and Albus, it means that gain will come from things that are easily movable from place to place, or from things that change, or that are sold by approximation (that is, without carefully weighing them).

If it were Puer it signifies gain through things sold after careful weighing. If it were Puella, it means gain through things that are easily obtained. If it were Rubeus, it means in things that cause fire or that have to do with blood. If it were Amissio, Cauda or Via, it shows little gain, and if it were Tristitia or Carcer, it means ups and downs of fortune or possessions. And if it is Laetitia or Minor, it means being able to keep one’s possessions. If it is Populus, then it depends on how good the first figure is, however by its own nature it means abundance.
Note that every entering figure indicates gain or buying, and exiting indicates loss or selling.7

Whether one will retrieve the lost possession.
If the question is about lost items, or stolen items, and we want to know whether we will get them back, look at the first figure, whether it is good or not, and then the second, and if they are entering or exiting. Afterwards, if you are looking for the thing, look at the tenth figure, if it is entering and good it means retrieval of the lost thing, especially if the same figure is in the second, or if here is another figure that is entering.8 Also look at the eleventh and the fifteenth. If instead the figures are exiting or bad, it means the opposite.

If you are looking for a stolen item, look at the seventh house, if it is entering and fortunate, and if it moves to the second or first house, which means retrieval.9 Similarly in the tenth, eleventh of fifteenth. And if the seventh [figure] is in the third, it means that the lost or stolen item is in the house of a sibling or relatives; if in the fourth, in or around the house of the father or of the older relatives, or near the house or place were it was originally. If it is in the fifth or sixth or eighth it means it is far away. If it is entering, however, you still will get it back.

If one will get back the money they lent to someone else.
The first figure is he who must receive back the money, the second is the thing that he wants to get back, and the seventh is the borrower. If the first and second figure, or at least one of them (especially the second) are entering, and if the seventh is exiting, it means getting it all back easily. Similarly, if the second and seventh are the same, that is, entering. But if they aren’t, it means the opposite.

MQS

Footnotes
  1. The First House was often called “Life, Body and Wit/Talent” ↩︎
  2. This type of question may sound vague nowadays, but it must have been common in the premodern era, as Astrology and Geomancy handbooks are full of tips on how to handle it. This was especially true at a time when one couldn’t just arrange an online meeting with the diviner and when one’s time of birth was unknown, so that one may have looked at other possible alternatives to know about their general fortune in life that didn’t involve the birth chart. ↩︎
  3. the angles, i.e., the First, Tenth, Seventh and Fourth houses, are considered strong and highly performant, so they endow the figure with strength. ↩︎
  4. I am not sure what Abano means here. The angles are traditionally arranged as stronger (First and Tenth) and weaker (Seventh and Fourth) though all are generally strong. He may be referring to this. Or he may be referring to the practice of assigning the angles to the four phases of life, so that maybe a good figure passing, say, in the Seventh, shows good midlife. ↩︎
  5. Probably because he remains by himself. ↩︎
  6. Because the eighth represents other people’s money (being the second from the seventh). ↩︎
  7. “Every entering figure” probably implies “to the exception of Tristitia”. ↩︎
  8. It is not clear why Abano mentions the Tenth House. It is possible that this is because the Tenth House opposes the Fourth House of buried and invisible things, and thus shows visibility and coming to light. ↩︎
  9. Abano does not seem to count the Twelfth house as being next to the First. He is not the only authority to do so. Possibly this has to do with the doctrine of the Company of Houses, or simply with the fact that, on the Geomantic Shield, the First and Twelfth houses are visually distant. ↩︎

Tarot Encyclopedia – Index

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This is intended as a collection of meanings attributed by some sources to the Major Arcana and Minor Arcana of the Tarot. I will add sources as I study them. If you have sources to recommend, hit me up.

If you are interested in a (partial) list of the meanings I attribute to the Major arcana in my reading examples and case studies, click here.

Court Cards

Kings Wands, Cups, Swords, Coins/Pentacles
Queens Wands, Cups, Swords, Coins/Pentacles
Knights Wands, Cups, Swords, Coins/Pentacles
Pages Wands, Cups, Swords, Coins/Pentacles

Small Cards

Aces Wands, Cups, Swords, Coins/Pentacles
Twos Wands, Cups, Swords, Coins/Pentacles
Threes Wands, Cups, Swords,Coins/Pentacles
Fours Wands, Cups, Swords, Coins/Pentacles
Fives Wands, Cups, Swords,Coins/Pentacles
Sixes Wands, Cups, Swords, Coins/Pentacles
Sevens Wands, Cups, Swords, Coins/Pentacles
Eights Wands, Cups, Swords, Coins/Pentacles
Nines Wands, Cups, Swords, Coins/Pentacles
Tens Wands, Cups, Swords, Coins/Pentacles

MQS

The Geomancy of Peter of Abano – Book I Pt. 6

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Abano explains how to judge the figures in the houses.

Furthermore you must know that when the question is asked by a person, it is not always the case that the first house goes to the questioner, according to the universal rule, but there are eight cases of people who have a special house assigned, and one must judge the question according to said houses. These are the Pope and cardinals, a prelate, the Emperor or King, a great Lord, an absent party, a bandit or thief, a servant, one who’s been chased off the home and an imprisoned thief. These you must judge according to the house that is assigned to them.1

Similarly you ought to know that those figures that are called entering are better than those called exiting, except Tristitia, which is unfortunate, and they have great positive power against the opposite figures, if they happen to fall in good houses depending on the question asked. All exiting figures are weak and don’t promise much good, except when one wants things to happen quickly. However, they are strong in evil things and when one wishes for evil things. Entering figures are those who have more points in the upper half than in the lower half, and exiting figures have more points in the lower half than in the upper half.

And if in a chart you find an entering, fortunate figure in a good house, but the opposite, exiting figure is in a bad house, the entering figure is said accidentally exiting and unfortunate. For instance, suppose that Acquisitio is in the First and Amissio in the Second. If this is the case, Acquisitio is said to be exiting and unfortunate, but only accidentally. And if it’s the opposite, i.e., Amissio in the First and Acquisitio in the Second, we have the opposite case. In the same way you must understand every other figure with respect to its opposite.2

Similarly, every exiting, unfortunate figure is strong in evil things, and every entering figure is weak against evil, except when one seeks things to be firm and late, although Laetitia, though exiting, is good and fortunate.

One must also in every chart and question see what is the first figure and that of the quesited, i.e., what qualities they possess, e.g., fiery, airy, earthy or watery, cold or hot, wet or dry, and what’s the planet of each. And according to their conformity (to one another) or their difference, so one may judge them together with the other figures depending on which is better and has the better planet, always keeping in mind the question and the querent’s desire. And every time that a figure opposite to that of the first house falls in that of the quesited, it couldn’t get any worse.3 And this same effect have Populus and Via, although both are figures of the Moon, and Minor and Major, although both are figures of the Sun.4

Additionally, one must keep in mind, in every figure and question, the geomantic figures that are assigned to each side, and see which is better and which is worse, and thus judge. The figures of the first side, i.e., of the querent, are the first, second, third, fourth, ninth, tenth and thirteenth. Those of the second side, that is, of the quesited, are the fifth, sixth, seventh, eighth, eleventh, twelfth and fourteenth. If the two parts were equally good or bad, judge by the fifteenth figure, and according to the comformity of the four angles.5

And if in any question a geomantic figure that is appropriate to that question falls in the house of the quesited, this is excellent, and if the opposite happens, this must also be judged. For instance, if the question is about travel and and Via falls in the third house it means well, and good journey. If the question is about gain and Acquisitio falls in the second it means good things and usefulness, but if it were the opposite [that is, Amissio in the second] it means the opposite. The reason for this is that the third and ninth house have, among their attributions, journeys and roads and mobility; and the second house is a good place for Acquisitio, which means gain and usefulness; and if there were a geomantic figure which means damage of delay, it means these two things. As such, we call opposite figures those whose fortune is the opposite one of the other, that is, Amissio/Acquisitio or Albus/Rubeus, and so on. And so also Via and Populus, both being mobile, but Via is quicker and good for travel by road, while Populus is slower and bodes well for travel by water.

The example we have discussed can be applied to any other question, looking for appropriate figures and houses in the way we have explained. In the example of a question of gain, if there was Amissio [in the second], it signifies what its name promises, i.e., damage and loss, and whenever you seek to obtain anything or if you ask about an absent party or a messenger or any other similar issue, and if Laetitia was in the second house, or in the house of the quesited, it means happiness and pleasure, and the obtaining of what one wishes, and good outcome. But if there was Tristitia it means the opposite, because Tristitia means problems, except in earthy and fixed things that don’t move, and these (negative) effects will be so much the more true when in the second house (or in the house of the quesited) we find this figure, or a similar figure.

End of the first book.

MQS

Footnotes
  1. There seems to have been considerable debate in the Middle Ages concerning whether the querent in horary questions was always represented by the First House or if certain people, such as kings or priests, ought to be considered according to their particular house (for instance, kings from the Tenth, priests from the Ninth). I advise against Abano’s practice. The querent is the querent, and as such is the First House. If the querent asks about the king, then the house of the quesited is the Tenth. Besides, but if the king asks about something, he is represented by the Ascendant, Abano does not explain how an absent party might ask a question without ceasing to be absent. ↩︎
  2. This passage is exceedingly obscure. It is not clear how we are supposed to distinguish good from bad houses. The second house may have been considered bad by some Hellenistic astrology due to the fact that it doesn’t behold the ascendant, but I am wondering if what Abano is referring to here is the company of houses. Alternatively, it seems that whenever a bad figure is in a bad house and said figure is the opposite of a the good one, then the bad hurts the good even if there is no contact between them. Abano says that the opposite is also true, but this seems to lead to a regressus ad infinitum. ↩︎
  3. I believe Abano is referring, as before, to figures that are the opposite in terms of points, such as Acquisitio and Amissio. However, later Abano says opposite figures are opposite in terms of fortune. ↩︎
  4. I do not understand this. Does this mean that it is bad if the said figures are in the house of the quesited? This seems hardly likely. ↩︎
  5. This passage is very interesting, as it shows the geomantic shield to be a sort of soccer field with two contenders. However, it is hard to reconcile what Abano says here with what he said before, for instance that it is better to have the fourteenth figure good than the thirteenth, because the former signifies the future. That being said, a certain digree of ambiguity about this issue is to be found in most texts on Geomancy. ↩︎

The Geomancy of Peter of Abano – Book I Pt. 5

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Here Abano describes the meaning and function of the Geomantic Court.

In order to have better cognition of all that one wishes to know, one must consider the thirteenth and fourteenth figure, which are called the Witnesses, because they unveil many secrets, depending on the good or evil nature of the figures they contain. And one must also consider the fifteenth figure, called the Judge, which shows the end of the matter for good or ill, together with the figure in the fourth house.1

The thirteenth figure signifies the past, but also the present, depending on the question, while the fourteenth the future.2 When the thirteenth and fourteenth figures are good, it means the question asked is positively answered, especially if the Judge is also good, but when the thirteenth figure is evil and the fourteenth good there is some trouble, and if the thirteenth is good and the fourteenth evil, then the question has a negative answer, especially if the Judge is evil. 3

If both Witnesses are evil and the Judge good, one must refer to the fourth house and judge from it what shall come to pass. Similarly, if the Right Witness is good and the Judge evil, one must look at the fourth to consider whether the matter will end in joy or sorrow.

If, after all this, there were still doubts, take the fifteenth and the first figures and add them to create another figure, and judge depending on the nature of this figure. And if this figure happens to fall in any of the houses, good or evil will come from a person or thing signified by that house. This sixteenth figure is called the Judge of the Judge [Sopraiudice].

Furthermore, this sixteenth figure is produced also from the Judge and from the figure in the house of the quesited, according to the properties of the houses as described before, and according as said figure is conform or not conform to the fifteenth or sixteenth figure, so one judges the chart of the question.4 And when they are good, all the better, and when they are bad, all the worse. And when they contradict each other it is also somewhat bad. But when they are in everything opposed to the fifteenth and sixteenth, the chart is null and void, and the chart is called anomalous, without order or rule. 5

MQS

Footnotes
  1. Here Abano seems to put the Judge and the Fourth house on the same plane. ↩︎
  2. This idea seems to stem from astrology, where the Moon’s previous aspect indicates the present or the past, and the one she makes immediately after shows the future. ↩︎
  3. The way Abano describes the interrelation of the Witnesses with the Judge almost seems to make the Witnesses more important than the Judge. ↩︎
  4. This additional technique begs a couple of questions. First off, why does Abano call both figures ‘the sixteenth figure’? Are they on the same plane? Secondly, is this technique always employed whenever the traditional Judge of the Judge (from the Judge and the First Mother) is used? ↩︎
  5. In other words, this seems to have been taken as a sign that the chart didn’t answer the question. Personally, I am skeptical of this technique. It is my experience that charts are always radical, whether they are astrological charts or geomantic shields. They always answer, or at the very least they are always meaningful. Clearly, if we keep making up new figures, the chances of them contradicting each other increase accordingly. But contradiction is not a sign that a chart is not valid: only that it mirrors a complex, contradictory reality. Maybe I am wrong. ↩︎

The Geomancy of Peter of Abano – Book I Pt. 4

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Abano quickly summarises the meanings of the planets in traditional Western astrology, so that the geomancer may better understand the meanings of the corresponding figures.

In order to make it even easier to make a judgment, we shall now consider the planet of every figure, and conveniently we shall list the virtue and meaning of every planet.1

Saturn is always evil, wherever it is, and it means sick or vile people, malady, poverty, blind or maimed people, laborers, problems and toil, prison and prisoners. Adversities and obstacles, loss of wealth. It is only good for building and in agriculture and in things that need to last. Its two figures are Tristitia and Carcer.

Jupiter is always good, wherever it is, and it means Church people, prelates, noblemen, rich people, merchants, captains, courtesans and friendly people. It is good and pleasurable, useful in every thing. It is only bad for the sick and the prisoner, whose trouble it prolongs. Its figures are Acquisitio and Laetitia. Acquisitio is the better one.

Mars is sometimes good and sometimes bad, depending on the question, but inclining to evil, and it means malicious people, wrongdoers, traitors, thieves, ruffians, harlots, murderers. It is only good in things of wars and when blood is concerned. Its figures are Puer and Rubeus, and Puer is the worse one.2

Venus is good, but its goodness is minor, for good or ill, depending on the question asked. It means people who are friendly, happy, young, with little troubles in life. But also harlots. Its figures are Puella and Amissio. Puella is the more noxious for travel and sickness and prison. Amissio is the better one.3

Mercury is a mixed planet in terms of good and evil. It means servants, messengers, letters, embassies, writers, scholars and painters, science and doctrine. Its figures are Albus and Conjunctio. Conjunctio is the worse one, as it always shows malicious intention or duplicity, and hexes.

The Sun and Moon are mixed planets in their good and evil import depending on the question, but the Sun is the better of the two,4 and it means nobles, kings, emperors and people of high station, who have dominion. Its figures are Fortuna Major and Fortuna Minor. Minor means more trouble than prosperity.

The Moon is also a mixed planet, but mostly bad, and its figures are Via and Populus. Via is only good for travel, Populus is good for dealing with people, and it means abundance and lots of water.

Caput and Cauda are associated with the planets Jupiter and Venus (Caput) and Mars and Saturn (Cauda).5

MQS

Footnotes
  1. The elaborate psychological attributes that modern astrology assigns to the twelve zodiac signs are virtually unknown to premodern Astrology, having been invented relatively recently to make up for modern astrology’s inability to make verifiable predictions. Instead, traditional astrology relies much more heavily on the planets as celestial actors. ↩︎
  2. This is not the first time Abano alludes to Puer being worse than Rubeus, although in other places he seems to contradict this statement. ↩︎
  3. This statement is also odd, and it reeks of either mistake or blind. ↩︎
  4. In Medieval Astrology the Sun was often considered a benefic when aspecting other planets, but a malefic in conjunction (planets conjunct to the Sun are said to be combust or burned up, except when they are very close, in which case they are said to be in the heart of the Sun and strengthened). The Moon’s evaluation, quite ironically, fluctuated depending on the author, but in general she was believed to be a benefic when waxing and a malefic when waning. ↩︎
  5. The practice of assigning the two Nodes to the benefics and malefics seems to have started possibly with Medieval Muslim philosophers, or at least in the Latin West. In the original Western tradition, the Hellenistic one, there doesn’t seem to have been much talk of the Nodes except in negative terms. ↩︎

On Death (Example Reading)

Of the many subjects that have been banished to the realm of shadows in contemporary divination, none have become more unspeakable than death. Under no circumstances should we be reminded of our mortality and finitude, largely because these are all things that fly in the face of the “you can be whatever you want” ideology that many diviners now espouse. Divination proves that no, we can’t be whatever we want. Certain patterns of our life are laid out for us and there is precious little we can do about them except, maybe, work on our ability to accept them.

Obviously, as diviners we wield a certain degree of power over our querents, and as such we ought not to abuse it to terrorize them. I don’t usually talk about death unless the question is specifically about it or unless the context somehow allows for such a discussion. But I am also no moralist lecturing the querent on what they should be asking. In this case I was asked by a woman about her father’s wellbeing after being diagnosed with a serious illness. I told her I would not diagnose anything, but I would merely look at the general flow of his life.

2♥ – Q♥ – Q♠ – K♠
10♠ – K♣ – 9♠
8♠ – Q♦
10♥

I said it largely to comfort her, but the cards have their own language that cannot be overruled by any consideration. The pyramid can largely be summarized in one word: “funeral“. There isn’t much to discuss or interpret. Look at that group of people cards: these are not specific individuals. They are just meant to indicate many people together.

Then we have the Nine of Spades, Eight of Spades and Ten of Speads interspersed. These show great evil, tears, darkness. You get the picture. In the context of this question, many people together for something tear-related is called a funeral. So there is going to be a funeral: the father won’t survive.

Due to the Two of Hearts, I thought this was going to be within two weeks (not the funeral, but the death). It ended up being almost a month (timing is always tricky). In general, I think the cards meant “soon”.

But what about the Ten of Hearts at the end? Shouldn’t it nullify the evil meaning of the other cards? Usually it does, but the Ten of Hearts also represents Heaven or paradise. In the context of readings about this sort of issues it indicates that death comes as a release from the sufferings of life. As such, as weird and unfathomable as this sounds to us in the realm of the living, the spread is positive: it ended well because it ended in death. As a matter of fact, I have been told that the father was serene and peaceful till the end.

Why Predict Death? Philosophical and Practical Implications

I hope I haven’t put off anyone with this post, but the fact is that death is possibly the most salient event in life, so it makes sense that divination should be able to address it. The readings I do about this sort of issues are very rare, and I generally warn the person that I am fallible and have been and will be wrong again.

Other readers may choose to avoid such questions altogether. This is a legitimate choice, as no one should be forced to read about topics they feel uncomfortable about. However, it is also important to recognize that such questions are legitimate and that there is nothing inherently dark about them. It all depends about the context and about the attitude of the diviner (and of the querent, of course).

One may ask what the point is of divining about death and other such topics, since the querent cannot do much about it. In reality, there is plenty of non-morbid reasons to want to know about it: one may wish to set their affairs in order, or simply get a head start in getting closure. In pre-modern Western astrology, as well as in Chinese astrology, the prediction of the native’s death, or at least of whether they had enough life force in them to lead a relatively long life, was one of the first things the astrologer looked for. This is obvious: you can’t predict fame to someone for next year if they’ll be gone tomorrow.

Most importantly, a sober and serviceable approach to such topics has the ability to make us appreciate life from the point of view of the eternal, from the recognition that many things escape our control and we are truly actors in a cosmic play.

MQS

Friend or Acquaintance?

In Astrology, and therefore in Geomancy, we distinguish between a friend and an acquaintance, the former being eleventh house matter, the latter seventh house. Obviously, the difference is not as clear cut as it may seem, especially in the age of social media, where all it takes to be someone’s friend is to click on the ‘add’ button.

In the old texts, both of Geomancy and Astrology, we often find examples of how to judge questions like “Will my friends be useful to me?” This may sound callous compared to our sentimental notions of friendship, but keep in mind that 1) the old notion of usefulness was broader back then, and it included everything concerned with the person’s well-being, both inner and outer 2) friends formed part of the person’s network of alliances in tackling the hardships of life 3) the eleventh house is the second from the tenth, which represents heaven, so it represents friends as wealth from heaven. Clearly friends were highly revered (just read Plato, Seneca, Xenophon or even Confucius for proofs).

As I mentioned somewhere else, my husband and I are in the process or moving, and as usual when moving, we suddenly discovered that we own three times more stuff than we thought. One friend volunteered to help us the following day, bringing us boxes and helping us with her car. In the evening though she said she didn’t know if she would make it. I cast a reading to see whether she would come:

Will she come to help us? (app used: Simple Geomancy)

Let us forget the Judge for a second and concentrate on the chart. If we take the girl as ‘our friend’ she should be eleventh house, and the eleventh house is occupied by Cauda, which also doesn’t move anywhere.

Now if my mom asked me who she is, I would say ‘a friend’. Yet she is more my husband’s friend. I am just on good terms with her, but I wouldn’t call her to spill my guts or even to ask for help, though it was of course very nice of her to volunteer.

If I take her to be my acquaintance, she is seventh house, and occupied by a more promising Conjunctio, which does spring to the second toward me. And she did end up coming.

The negative Judge, Amissio, possibly refers to the fact that we ended up losing a couple of objects due to recklessness (notice the Via Puncti reaching back to Puer in the fourth house). I also ended up losing a friend to gain an acquaintance, it seems.

MQS