All posts by MQS

Living at the intersection of occultism, fiction and philosophy, I travel the planes at a moderately quick pace. I read, I do magic, I cook for hubby. Confused by the number of things I talk about? Good, confusion is a nice thing ;)

How to Work With Wrong Readings

I had a nice exchange with a visitor, who asked how we can work with the readings we get wrong, so that we can improve our skill.

The first thing to take into account is that this is not always possible. We may say that we are accurate because 80-90% of our assertions end up being true, but that is calculated on those assertions for which we get feedback, and we don’t always get feedback.

Here, too, there is a lesson, I think: all we can do is be as good as we can be at the particular moment in which the reading takes place. If we think an interpretation is viable, there is no point in withholding it out of fear that we might get it wrong (unless the topic is sensitive and we choose to stretch the truth to avoid hurting the querent) because we might not get another chance to say it.

What happens after the reading is that some querents simply forget about it. Too many querents think that a reading needs to come true within a couple of weeks, when in fact it often takes months, so after the initial excitement (or dread) they simply move on, and they may only be reminded of it when it comes to pass, if at all.

Other readings are correct, but the querent thinks that’s just regular business, so they don’t bother to tell us, while other readings are wrong, and the querent either rubs that in our face as publicly as possible or they don’t talk about that anymore, thinking we are beneath them.

Then there’s the readings for which we do have feedback, which can be very positive (“everything was spot on, and you’re also kinda cute”), very negative (“it ended up being the exact opposite of what you said”), or mixed (“this and that came to pass, but this other thing not yet”).

Even the feedback we get needs to be taken with a grain of salt. Positive feedback can sometimes be a mix of wishful thinking and the desire to please, while negative feedback can sometimes be a mix of delusion (you said he wouldn’t call and he didn’t, but I know he loves me, so you’re wrong) and desire to hurt.

So, what do we do with the feedback we are given, if it is negative? The reasonable thing to do, in my opinion, is to check the spread (I usually take pictures and/or notes) and see where we might have screwed up.

Was there a point in the spread where the cards were a bit ambiguous and we forced the reading in the wrong direction? Was there a huge, smacking-your-forehead blunder? You simply cannot see what went wrong? Take notes on the reading. If you don’t think you can formulate a definitive theory on what went south, don’t. Leave things hanging. Add ‘maybe’ and ‘possibly’, and see if there are other readings you did on similar issues that can help you.

Even when going back to an older spread, we should never force it to say what the feedback said, if we just don’t see it: firstly, because, as I said, even feedback that exists must be treated with caution; secondly, because there is a tendency to want to read details into the reading that we would never have been able to guess beforehand, and that’s not divination.

Broadly speaking, the feedback we get, positive, negative or mixed, should be treated as raw data that needs to be studied carefully. That’s where a lot of growth can take place. Be especially thankful for mixed feedback, as usually it is the most honest kind: we rarely get 100% of the things right, either in our description of the past/present or in our predictions. As fallible humans, getting many things right many times should be enough to satisfy us, especially since we are doing something most people consider impossible.

MQS

Which House Is Next To Which?

In astrology, the contiguity of the houses is obvious, since the houses are usually arranged either in a square or in a circle, but always forming a loop. Thus, we have that the Ascendant is always squished between the second house and the twelfth; that it always opposes the seventh, and, if we go by whole sign houses, that it has fixed relationships with all the others (inconjunct, sextile, square or trine).

This is not the case in Geomancy, where the relationship between houses is controversial, at least nowadays. First off, it is not pacific that the houses of the Shield represent astrological houses, unless we operate an equivalence with astrology, as was done at least since Geomancy reached Europe.

Those coming to Geomancy through Michael Greer, as I did, are probably used seeing the geomantic houses as equivalent to astrological houses: once the Shield is turned into a square chart, the houses follow the same astrological pattern as in an astrological chart. Those coming to Geomancy through the Golden Dawn, though using a different way of assigning the mothers to the houses (the one popularized by Agrippa), still end up dealing with a 1:1 replica of an astrological chart.

However, the idea that the Shield chart and the astrological chart are separate ways of doing Geomancy seems to be relatively new. In most old books, only the Shield is shown, and even when the astrological format is followed, this is done more to show some of the similarities with astrology.

Secondly, which house is next to which is not always clear, and sometimes varies by author. In some sources it seems that only houses that are in company are considered to be next to each other: first and second, third and fourth (but not second and third), fifth and sixth (but not fourth and fifth) and so on pair by pair. This seems to follow the order in which the Shield chart is generated.

An example shield chart. App used: Simple Geomancy

In the example above, Tristitia in the first is next to Via in the second, and Tristitia in the third is next to Conjunctio in the fourth, but not to Via in the second. This is possibly because the first and second combine to form the ninth and the third and fourth combine to form the tenth, but the second and third never combine. This approach obviously restricts the possibilities of perfecting the chart, since most houses end up losing a possible spot next to them for other figures to move to.

Another approach is the one I found while translating Abano’s work. Here Abano started by saying (or rather, implying) that the twelfth house is not next to the first. Initially, I thought this was because he was following the arrangement for the company of houses I just discussed. Yet he gives other examples where he does not follow it, for instance by implying that the eighth and ninth house are next to each other, which would contradict the company of houses (the eighth is with the seventh, the ninth with the tenth).

Then, in another one of his examples, he implies that a figure in the tenth house is next to a figure in the third. This does not make sense from an astrological standpoint, but from a sheer geomantic standpoint it does: the third house DOES border with the tenth, since it co-generates it with the fourth. This would also explain why he doesn’t consider the twelfth house to be next to the first: not because they are not in company, but because they are not close on the Shield (they are, in fact, on opposite ends of the shield).

This approach of considering the houses close on the Shield as being next to each other is certainly different from anything I’ve seen, especially in contemporary geomancy, and if it weren’t for the fact that enough readings I’ve done confirmed to me that the twelfth house CAN perfect with the first, I would find Abano’s approach extremely appealing. Unfortunately, one of my rules when dealing with divination is that practice trumps theory.

Abano goes even further, implying that the Witnesses (and possibly even the Judge) are to be treated as regular houses. This, in itself, is not unique to him, but what I find unique is that he considers the Witnesses capable of perfecting the reading, for instance if the first figure moves to the tenth and the quesited’s figure moves to the right Witness, where, by Abano’s theory, the two figures touch.

Another consequence of Abano’s approach is that not all houses are created equal: the first house, for instance, only touches with the second and the ninth, while the tenth house must be considered to be next to the ninth, eleventh, third, fourth and to the right Witness.

A possible argument, at this point, could be that this approach makes certain readings too easy (like those involving the tenth house, as I just showed). Still, we should keep in mind 1. that divination reflects reality, so a no is a no, regardless of the system 2. secondly, that Abano doesn’t always consider merely the querent and quesited. Often he considers the whole chart, and sometimes he resolves certain questions by dividing the shield into two sides (the left and the right side) and seeing which side is stronger. This is a method he has from traditional astrology, where questions of contest or war are often decided in such manner.

Ultimately, which approach we choose depends on what works, which means that the only way is to try, record and compare with what actually ends up happening.

MQS

The Home – A Deep Dive Into Cartomancy

Following my deep dive into the symbols of the door knockers and the road in divination by cards, I want to tackle the symbol of the home. This, too, like the road, is a widespread symbol that is almost never absent from any divination system of a practical nature (I am aware of systems for playing card divination based on Rider Waite symbolism, but they have very little practical use).

The popularity of the symbol of the home is simply a consequence of its importance in people’s lives. The home or house card is, in most systems, a ‘topic’ or significator card indicating the querent’s or someone else’s house, and the cards surrounding it show us the atmosphere or happenings of the household. Its practical value, therefore, is immense.

In the earliest recorded system for reading the tarot, which is Pratesi’s guide for the Bolognese tarot, the house card is the Ace of Cups. This meaning is retained in the more modern variants of the method. This is also an almost universal constant in cartomancy, since the Ace of Cups or Hearts is almost always taken as a symbol of the home.

Whether this association originates with the Bolognese tarot I don’t know. It is possible that the symbolism is simply suggested by the shape of the Ace of Cups. In the Visconti tarot, the Ace of Cups is a water spring similar to a baptismal font, but in many old decks it can look similar to a walled structure. If we add to this the fact that the function of the cup is to contain, it may be that this could have suggested the idea of the house to old cartomancers, since a house is a large (the ace is large) containment structure.

Similarly, in almost all card reading systems using Italian regional cards, the Ace of Cups is the home, although I am aware of a couple where the meaning is attributed to the Four of Cups, possibly due to the squarish form suggested by the arrangement of the pips. The Ace of Cups is also the house card in the Sibilla regionale, which is the second-most widespread sibilla deck in Italy.

Why the same idea of home as the Ace was suggested by people using regular playing card suits is unclear, since the Ace of Hearts does not look like anything but a heart. Still, if the system I was taught is anything to go by, the main idea is that hearts deal with one’s emotional life and nourishment, and the home is the origin and source (ace) of our emotional life, the place where our first (ace) needs are met. As a matter of fact, the person who taught me cartomancy with playing cards often insisted that the Ace of Hearts is not just any house (though it can be, in practice) but especially one’s home, where we come from (the ‘spring’ we come from, in the Visconti sense), which is why an extended meaning of the house card is often one’s family.

The same attribution of the Ace of Hearts to the home is found in most systems I am aware of, including German cartomancy and most English and French methods. As far as tarot is concerned, we find that, in some earlier tarot documents, the Tower is simply called ‘casa’ (house), before being called House of God or House of the Devil in some other decks (the title ‘Tower’ is actually a rather late innovation).

Etteilla assigned the house to the Ten of Coins, which Waite retains in his illustration of the Ten of Pentacles, while Paul Case generally matched the house with the Two of Cups, among other things. However, this was more of an accidental consequence of the Golden Dawn attribution of the first cards of the suit of Cups to the zodiac sign of Cancer and, according to the sign/house equivalence theory, to the fourth house, which is the house of the father and therefore of one’s fathers and one’s family/house.

The Sibilla is a partial exception to the rule of the ace as the home, as the House card is given to the Two of Hearts. The meaning of origin (which metaphorically, depending on the reading, can also indicate the origin of a problem) is retained. Still, the Ace of Hearts is also given to the family and to people living together, among other meanings.

The Sibilla, like the Kipper cards, distinguishes between a House card and a Room card. This is probably because both decks seem to have been consolidated from earlier German or Austrian decks which also had similar cards, although the makers of the Sibilla also took playing cards into consideration.

I cannot speak to the Kipper cards (nor to Lenormand, where there is a House card, attributed to the King of Hearts), but in the Sibilla, the Room can represent a small(er) apartment, as well as a place in general, but it doesn’t usually have a connection with the emotional side of life, like the House, although it can represent intimacy, since it is connected with rooms in general, but with the bedroom specifically.

MQS

On Papal Elections and the Power of Rituals

Regardless of what one thinks of the church as an institution, it is hard not to be impressed by the sheer power and majesty of its rituals and customs. As a non-Christian, or rather as a post-Christian, I am still convinced that the Catholic mass, especially in its older forms, is one of the best-constructed rituals in the history of humanity (I was reminded of it during my dad’s funeral last year).

When I talk about power I am not talking about political or social power, which are undeniable. I’m talking about the power to create a ritualized experience of reality that mobilizes real forces.

This, I’ve noticed, is something many people are not willing to concede, partly out of spite toward the institution (which I may understand), partly as a result of the typical view underpinning modern esotericism that anything goes, and so the rituals of the church have no particular quality compared to the ones anyone could make up on the go, except maybe that traditional religious rituals, being older, have become more powerful through engramming.

Let us leave aside for now the memetic esoteric aspect, which however is certainly present, especially with how Leo XIV’s election has literally been turned into one of the biggest memeplexes I’ve seen in recent times.

I think that the fundamental misconception that is at the root of so much esoteric junk is that something becomes true simply by way of repetition. Yet, in spite of the dogma, reality is not merely what we make of it, as anyone who tried to fly off a skyscraper won’t be able to testify.

True: just like the small mind (the human mind) the great mind (the larger universe) is endowed with a certain level of plasticity. Just like the small brain can be impressed with habits, so can the great brain be impressed with certain forms or procedures that wouldn’t naturally arise. That’s because there is a difference between different gradations of reality: my reflection in the mirror is, from a physical standpoint, just as real as me, but in another sense, being completely dependent on the form of the mirror and my own form, it is subordinated and can be changed, to a degree.

But good rituals are not powerful simply because they have been repeated enough times. While repetition does engram rituals with an authentic foundation, if we take the time to study various magical traditions, we notice that they often utilize the ritual blueprint of the dominant religion of their area, but bending it in other directions.

The spiritual “aeon” within which they operate is their source of authentic power, because most major religions and philosophical currents do capture something of the universal life and its might. Authenticity is the keyword.

In addition, there may sometimes be certain powerful experiences that allow different traditions to fuse together into new ones (take for instance some of the magical traditions created by the descendants of African slaves converted to Christianity).

But the root of magic is always an authentic source of power, which is ultimately always the same, but which is channeled and shaped through the form of the religious or philosophical tradition, and regardless of the how corrupt or unlikeable the representatives of that tradition become. Lacking it, the most one can conjure, if anything at all, are some cheap tricks of lower esoteric jugglery.

This is also why it’s important to take the time to soak into the traditions we want to work with. Eclecticism is pure vanity if it is divorced from understanding. If I had a euro for everytime I saw someone on social media simply plucking formulas left and right, one from the magical papyri, one from esoteric Daoism and so on, without understanding their philosophical contours… Well I wouldn’t be able to buy much, because I’m not often on social media, but a nice coat would probably be within my price range.

MQS

The Third Beast (Example Reading)

A querent (a man) asked how his relationship would evolve:

A relationship reading

The first thing to notice is that both main figures appear (King and Queen of Wands) and both their thoughts (Page and Knight of Wands). The two significators are in the central column, so let’s read the central column first: King of Wands, Queen of Wands, Ace of Cups (house), Moon (darkness), Queen of Coins (truth). Clearly their relationship is not based on clarity, because the truth is hidden, and there would be a need for honesty.

The Death card next to her might show that she is the one going through some kind of transition, and it’s probably not something that has just happened (Temperance shows time). The house is not positive to the couple, as there is hurt or arguments around it (Knight of Swords).

The King of Swords was hard to interpret. It was, until the querent asked out of the blue “Do you see her cheating on me?”

Look at the column the King of Swords falls in: Death, King of Swords, Her Thoughts and the Betrayal card. In her thoughts there’s someone else. Note also that his thoughts (Knight of Wands) is next to the Moon and the Hanged Man, so he suspects.

The Queen of Coins, which is the truth, here seems to have two meanings here. One is that it shows the need for clarity (and therefore the lack of it), and secondly it acts as a sort of punctuation, as I discussed before, sealing the reading as if to say “yup, that’s exactly what you’re thinking”

Obviously we need to be very careful when announcing this sort of situations, even if the querent suspects. It is much better to caution them to seek clarity with their partner (especially in this case with the Truth card so prominent in the reading)

MQS

Tarot Encyclopedia – The Nine of Wands

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Wands from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

In Tarot divination this Key combines the forces of the Moon, Mars and Jupiter and the zodiacal influences of Sagittarius and Aries, together with the Ninth house of the Higher Mind.
Well Dignified: well placed in a divination, this Key suggests originality, independence and daring. It has meanings that include strength in reserve; health after illness; success, but attended with some strife.
Ill-Dignified: danger; violence in foreign places or during long journeys; difficulties with relatives of the marriage partner; conflict with persons prominent in religion or law; obstinancy.
Keyword: Preparedness
(From the Oracle of Tarot course)

A. E. Waite

The figure leans upon his staff and has an expectant look, as if awaiting an enemy. Behind are eight other staves–erect, in orderly disposition, like a palisade. Divinatory Meanings: The card signifies strength in opposition. If attacked, the person will meet an onslaught boldly; and his build shews, that he may prove a formidable antagonist. With this main significance there are all its possible adjuncts–delay, suspension, adjournment. Reversed: Obstacles, adversity, calamity.
(From The Pictorial Key to the Tarot)

The Nine of Wands from the Rider Waite Smith Tarot

Aleister Crowley

The Nine of Wands is called Strength. It is ruled by the Moon and Yesod. In “The Vision and the Voice”, the eleventh Aethyr gives a classical account of the resolution of this antinomy of Change and Stability. The student should also consult the works of any of the better mathematical physicists.

Of all important doctrines concerning equilibrium, this is the easiest to understand, that change is stability; that stability is guaranteed by change; that if anything should stop changing for the fraction of a split second, it would go to pieces. It is the intense energy of the primal elements of Nature, call them electrons, atoms, anything you will, it makes no difference; change guarantees the order of Nature. This is why, in learning to ride a bicycle, one falls in an extremely awkward and ridiculous manner. Balance is made difficult by not going fast enough. So also, one cannot draw a straight line if one’s hand shakes. This card is a sort of elementary parable to illustrate the meaning of this aphorism: “Change is Stability.”

Here the Moon, the weakest of the planets, is in Sagittarius, the most elusive of the Signs; yet it dares call itself Strength. Defence, to be effective, must be mobile.

[…]

This card is referred to Yesod, the Foundation; this brings the Energy back into balance. The Nine represents always the fullest development of the Force in its relation with the Forces above it. The Nine may be considered as the best that can be obtained from the type involved, regarded from a practical and material standpoint.

This card is also governed by the Moon in Sagittarius; so here is a double influence of the Moon on the Tree of Life. Hence the aphorism “Change is Stability”.

The Wands have now become arrows. There are eight of them in the background, and in front of them one master arrow. This has the Moon for its point, and the Sun for the driving Force above it; for the path of Sagittarius on the Tree of Life joins the Sun and Moon. The flames in the card are tenfold, implying that the Energy is directed downwards.
(From The Book of Thoth)

The Nine of Wands from the Thoth tarot deck

Golden Dawn’s Book T

FOUR hands, as in the previous symbol, holding eight wands crossed four and four; but a fifth hand at the foot of the card holds another wand upright, which traverses the point of junction with the others: flames leap herefrom. Above and below are the symbols Moon and Sagittarius.

Tremendous and steady force that cannot be shaken. Herculean strength, yet sometimes scientifically applied. Great success, but with strife and energy.
Victory, preceded by apprehension and fear. Health good, and recovery not in doubt. Generous, questioning and curious; fond of external appearances: intractable, obstinate.

Yesod of HB:Y (Strength, power, health, recovery from sickness).
Herein rule the Angels HB:YRThAL and HB:ShAHYH.

Etteilla

Delay
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Delayed, Dilated, Removed, Suspended, Stretched, Slowed, Slowly.
Reversed. Travail, Obstacle, Impediment, Contrariness, Disadvantage, Adversity, Penalty, Accident, Misfortune, Calamity.

MQS

Mentalism in Hermeticism vs Modern Occultism

Following up on yesterday’s post about the Kybalion, I felt the need to clarify a bit further the difference between the panpsychism or mentalism of traditional Hermeticism as opposed to that of modern occultism, as espoused in books like the Kybalion. It is actually a topic that deserves a much longer discussion, and maybe one day I’ll start that discussion. This is just a short collection of incomplete notes.

The trouble with philosophical terms is that they often originate in ancient times, but they develop additional or alternative meanings as history goes on. The term psyche, for instance, is usually taken in a psychological sense today, but in most older philosophers it was just the term for ‘soul’. The idea of soul, in turn, was somewhat different in pre-Christian pagan philosophy than it ended up being after Christianity took over.

When we read in texts like the Kybalion statements like “the universe is mental” (in the sense of part of the mind, not in the sense of crazy, which would be understandable) and compare it with assertions found in the Hermetica about the nous (usually translated mind) revealing itself as the ultimate principle; or even when we compare it with the great presocratic philosophers that certainly inspired the mysteries that later merged into the Hermetic tradition (take Heraclitus’ “the limits of the soul you could not discover”, or Anaxagoras’ assertion that the mind/nous is the principle that orders all things), then we would at first think that this person writing the Kybalion must have been exactly in the same tradition.

But between the ancient notion of mind and the Kybalion’s notion of mind there are two millennia. Two millennia during which Christianity essentially reinvented the concept of soul to mean something much closer to what we understand it to be; then modern philosophy radicalized the subject-object and mind-world distinction; then Idealism mashed everything together again into a new panpsychism that is only an echo of the ancient one; then philosophical decadence set in, leading to the gradual dissolution of all great philosophies; during which time the notion of psyche or mind was slowly appropriated by people attempting to treat it according to the scientific method (those who would later become the first psychologists), as well as by irrationalists of the vitalistic trend.

Against this background, it is unreasonable to think that the concept of mind would remain the same, especially since XIX century occultism is largely the product of the post-revolutionary (as in French revolution) desire for the exotic and strange that the revolution had wiped away together with the old regime.

When there is a historical paradigm shift, finding ourselves in the new paradigm usually estranges us from the old one, and since we operate from the new paradigm, we tend to apply its categories in our attempt to understand how the old paradigm was. This, for instance, is also what led people after the French revolution to look at the tarot as an incomprehensible artifact with arcane meanings, even though it was perfectly understandable within the medieval framework in which it was created.

Well, the cultural paradigm from which the author of the Kybalion talked about the mind is evidently modern. This, in itself, is not bad. No one says that old Hermeticism had all the answers and everything past that is junk. I am not a reactionary who believes all that needed to be said and done has been said and done in times of yore and now all that is left is to go back to it.

The problem arises when the author of the Kybalion is so clearly ignorant of his own paradigm that he uses it to concoct a philosophy that is just a mediocre expression of its own Zeitgeist but uses enough words of the old Hermeticism to make it seem as though he is just summing up millennia of history in a pamphlet. This, in itself, is clearly un-hermetic.

Again, creating new philosophies is not in itself a problem. The problem is that modern occultism (of which the Kybalion is an expression, and not even the best one) is intellectually stuck in that period and has turned into a philosophical and spiritual cul-de-sac of misunderstandings.

In that cul-de-sac, mentalism is simply the triumph of the subjectivistic view of the mind that was en vogue at the time, and that forms the framework of today’s nonsense (see law of attraction, for instance); whereas in the old philosophy, the mind was generally seen as a superior ordering principle of which humans could partake (when they were reasonable, that is, reason-like) but not exhaust.

MQS

Career Change (Example Reading)

In a previous post, I talked about a friend with whom I’m doing an experiment with German Skat cards. According to the spread, he should get the job he applied for. Yesterday we did a Geomancy reading on the same topic of his change of career direction. This was the reading.

A career reading. App used: Simple Geomancy

The more I study Geomancy’s old texts, the more I am inclined to interpret the Witnesses as representations of the querent (Right Witness) and quesited (Left Witness).

In this case, the querent is represented by Via, the way, which is an appropriate symbol for someone looking to change up his career. The quesited is Fortuna Minor, sometimes called “the outside help”. It could easily be seen as an opportunity for this change to happen. The Judge resulting from the two witnesses is Fortuna Major, which is positive and offers long-term good prospects.

Within the chart itself, the querent is indicated by Tristitia. Tristitia is a symbol of sadness and stuckness. The job is indicated, once again, by Fortuna Minor. Minor springs from the Tenth to the Twelfth house. If we go by Abano’s indications, the twelfth house in the shield doesn’t touch the first, so it shouldn’t count as perfection.

Still, I have found in my practice that the two houses can be seen as contiguous to one another. Therefore, Minor moving toward the querent should repeat the testimony of the opportunity presenting itself for a change of career, in this case to relieve the stuckness of Tristitia.

Tristitia also moves toward the fifth and sixth houses. The fifth is good, the sixth is bad. However, if you read the previous post, the job is in the healthcare sector, though it would be hard to see this in the geomantic chart if I didn’t know it in advance. Tristitia’s move toward the sixth house could also indicate the querent’s stuckness is not good for him, so it might encourage him to accept the change coming from the tenth house. I am more inclined to this latter interpretation.

We still don’t know the result, but I’ll update the post when I know more.

MQS

Stuff You Don’t HAVE to Believe: the Kybalion

It is probably one of the ironies of history that nowadays, many who become curious about Hermeticism bump into the Kybalion as their first text, either directly or indirectly through reelaborations of the same ideas. This in spite of the fact that the Kybalion has nothing to do with Hermeticism.

There are a couple of reasons for this: for one, because whoever wrote the Kybalion managed to fool some leading Occultists into believing it was an authentic text (most notably Paul Foster Case, but not only); for two, because the so called laws that are discussed in the text have become embedded into pop-alternative-spirituality since the late 60s. They are like invasive weeds that one can never truly get rid of.

Many people, even today, buy into the Kybalion in different ways. The first line of defense is asserting that it is an authentic text. As few people now can truly believe this in good faith, a more apparently reasonable approach has been to assert that the text is a forgery but its contents are an authentic distillation of Hermetic principles.

This is also demonstrably false. If you read any of the authors who are considered part of the Western philosophical or esoteric canon, you will find no similarity with the Kybalion’s ideas until, perhaps, well into American transcendentalism, unless you are desperate to force the texts to say what they don’t.

Certainly those ideas are not found in the Hermetica. True, there are superficial similarities of vocabulary, on occasion. For instance, you will often read the author(s) of the Hermetica ramble on about “the Mind”, so it would seem that the Kybalion’s emphasis on the mind would place it in the Hermetic tradition.

Too bad that the ancient concept of ‘mind’, as used in philosophical and magical texts, had almost nothing to do with the psychologized concepts of it that fall under the same name and that clearly show that the Kybalion is a modern text both in its authorship and in its content. In fact, it is pretty much a condensation of very fashionable late XIX century ideas, and little more beyond that.

Broadly speaking, no one with some level of historical awareness can believe the Kybalion is anything more than a rather straightforward summary of Victorian beliefs.

This is what leads another group of people to say that the Kybalion is neither an authentic text nor an authentically Hermetic text, but its principles are still valid. Of course you can believe what you please, but there is no necessity of believing in its “laws”, which are often either not laws at all or are simply superficial and partial observations about mental phenomena cast in a glamorous esoteric light. Nothing of what is described in that book is either self-evident, clearly logical or practically useful.

All in all there is nothing of special interest contained in the Kybalion. That it hasn’t been forgotten like the mass of esoteric booklets produced in the same period is largely due to the way it marketed itself and was marketed by others.

MQS

A Cartomantic Chaos

The Bolognese Tarot is traditionally read using a reduced pack of either 45 or 50 cards (the 35 card system, of historical interest, is no longer practiced today). However, since it is a tradition that varies locally, the make-up of the deck varies. In other words, the 45 cards I use are not necessarily the same used by another person who uses 45 cards. The same is true for the 50 card deck.

This uncertainty is what contributes to the relative obscurity of the method. At the end of the day, many people want a clear standard to follow. For my part, I practice the systems I have been taught: the 45-card system you often see in my readings, which I was taught three or four years ago but had left alone until recently, and the 50-card system I have been taught by Germana Tartari.

Many of the sources I have consulted seem to believe that the 45-card system is older, and later five extra cards were added by some. Germana herself told me she remembers her grandma telling her that she (her grandma) had seen the full pack of 62 used (this reconstructed system is the topic of Germana’s newer book, which I will review in the near future).

So we have several systems, which isn’t surprising: if we look at Piacentine playing cards, there are at least several full-deck methods, at least one method with 30 cards and several with 25 cards.

Going back to the tarocchino bolognese, and limiting ourselves to the two most used systems of 45 and 50, usually the cards that overlap tend to have the same or similar meanings, at least in part. For instance the Ace of Coins can be the table or desk in all systems I am aware of. Additionally, in the 45-card system I know, the Ace of Coins can also be the card of money (relatively big money). In Germana’s 50-card system, the Ace of Coins can be a table, but also a letter or document. In Ingallati’s system, the Ace of Coins is the table or the work card.

As for the work card, both Germana’s 50-card system and the 45-card system I know assign it to the Star, but the Star is also the card of material possessions and possibly of gifts, which is the main meaning assigned to the card by Ingallati. In another book on the 45-card method I have yet to review, the Star represents the health status (in my system it can represent meds), but also ‘good job opportunities’.

As you can see, there is overlap, but also space for divergence. To avoid confusion, both for myself and for the readers, I tend to stick to the meanings I know, but I think it’s fair that I bring this up.

As for the five extra cards that some add to the initial 45, there isn’t great uniformity either. Some don’t even add five cards: I know a reader who uses a pack of 49, while Giliberti, whose book I reviewed, seems to use 51 in one video I saw (how many cards she uses in the book I don’t know, due to the book’s chaotic nature).

All this chaos may be frustrating for someone who is approaching the bolognese tarot for the first time, especially from outside of Italy. One thing is growing up with a particular system, another thing is having to randomly choose one.

I don’t believe any system is inherently better or worse. All have the same potential for describing life, if properly used, and much also depends on the person’s inclination. For instance, having studied the 50-card system under Germana’s supervision, there should apparently be no reason for me to go back to the 45-card system. Yet I found myself always coming back to it, despite integrating insights from Germana’s system and from the books I read.

Ultimately I recognized that the 45-card system simply resonates with me beautifully, and while we are still in an open relationship, I tend to gravitate toward it. Certainly, if I had to write a full guide on the Bolognese tarot, I would illustrate this method. You may find otherwise.

I think anyone who is interested in this deck should take their time to explore their options. Mixing and matching randomly without having first studied the various strands of the tradition is not recommended, but as we study and practice we may find that a more individual approach emerges.

MQS