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Cartomancy, Divination, Divination Master Post, Fortune-telling, Tarot, Uncategorized

Tarot Encyclopedia – The Eight of Swords

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(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Eight of Swords from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the first decanate of Gemini, May 21 to May 31, under the rulership of Mercury.
Well-Dignified: even well-dignified, the excessive Mercurial influence expressing in the Yetziratic field of unstable forces and changing forms, symbolized by the Eight of Swords, gives a marked tendency toward ill-directed or wasted action. Meanings in divination: force wasted in petty affairs; too much talk; too much illdirected action; the state of being terribly busy without accomplishing much; over-careful about details; could possibly intimate a crisis in affairs, and probably much talk, correspondence and moving about.
Ill-Dignified: malice; ill-natured gossip; pettiness; too much concern with personalities; disagreements with brothers and sisters. This Key divinatorily expresses unbalanced or excessive Gemini qualities in third house affairs. The se negative Gemini qualities portend the need for balancing the quick-mindedness and penchant for action of this astrological type with the d e pth of feeling and emotional warmth corresponding to Netzach and Venus.
Keyword: Mediocrity
(From the Oracle of Tarot course)

A. E. Waite

A woman, bound and hoodwinked, with the swords of the card about her. Yet it is rather a card of temporary durance than of irretrievable bondage. Divinatory Meanings: Bad news, violent chagrin, crisis, censure, power in trammels, conflict, calumny; also sickness. Reversed: Disquiet, difficulty, opposition, accident, treachery; what is unforeseen; fatality.
(From The Pictorial Key to the Tarot)

The Eight of Swords from the Rider Waite Smith tarot

Aleister Crowley

The Eight of Swords is called Interference. At first sight, it would seem easy to confuse it with the Eight of Cups; but the idea is, in reality, quite different. The card is attributed to Jupiter and Gemini; accordingly, there is no weighing down of the will by internal or external stress. It is simply the error of being good-natured when good-nature is disastrous. Gemini is an airy sign, an intellectual sign; Jupiter is geniality and optimism. This will not do in the world of Swords; if one must hit at all, a knock-out blow is best.

But there is another element in this card; that of unexpected (the Eights, being at heart Mercurial, are always that) interference, sheer unforeseen bad luck. Trivial incidents have often altered the destiny of empires, brought to naught “the best laid plans of mice and men”.

[…]

The number Eight, Hod, here signifies lack of persistence in matters of the intellect and of contest. Good fortune, however, attends even these weakened efforts, thanks to the influence of Jupiter in Gemini, ruling the Decan. Yet the Will is constantly thwarted by accidental interference.

The centre of the card is occupied by two long Swords pointed downward. These are crossed by six small swords, three on each side. They remind one of weapons peculiar to their countries or their cults; we see here the Kriss, the Kukri, the Scramasax, the Dagger, the Machete and the Yataghan.
(From The Book of Thoth)

The Eight of Swords from the Thoth tarot deck

Golden Dawn’s Book T

FOUR White Radiant Angelic Hands issuing from clouds, each holding two swords, points upwards; all the points touch near the top of the card. Hands issue, two at each bottom angle of the card. The pose of the other sword symbols is reestablished in the centre. Above and below are the Decan symbols Jupiter and Gemini.

Too much force applied to small things: too much attention to detail at the expense of the principal and more important points. When ill dignified, these qualities produce malice, pettiness, and domineering characteristics. Patience in detail of study; great care in some things, counterbalanced by equal disorder in others. Impulsive; equally fond of giving or receiving money or presents;

generous, clever, acute, selfish and without strong feeling of affection. Admires wisdom, yet applies it to small and unworthy objects.

Hod of HB:V (Narrow, restricted, petty, a prison).
Therein rule the Angels HB:VMBAL and HB:YHHAL.

Etteilla

Criticism
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Criticism, Unfortunate position, Critical moment, Critical time, Decisive instant, Unfortunate situation, Delicate circumstance, Crisis. – Examination, Discussion, Research, Blame, Censure, Critical comment, Critical epilogue, Control, Disapproval, Condemnation, Cassation, Judgment, Contempt.
Reversed. Accident, Difficulty, Particular circumstance, Conjunction, Occurrence, Accessory, Unconscious, Obstacle, Delay, Hindrance. – Abjection. – Contestation, Contradiction, Opposition, Resistance, Divergence. – Unplanned, Unforeseen, Chance, Adventure, Occurrence, Destiny, Fatality, Accident, Misfortune, Symptom

MQS

Divination, Divination Master Post, Tarot

The Odd Strength Card

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In the movie Kraven the Hunter there is a small tarot scene, where the girl starts playing around with the grandma’s deck and the grandma has her choose three cards from a Tarot of Marseilles-esque deck. We were discussing this scene in a Bolognese tarot group I’m part of.

It’s probable that the deck was commissioned for the movie. What I find interesting is that while the Popess is quite faithful to most Marseille renditions and the Tower sort of resembles the old decks (though the flames have probably been remade), the Strength card is completely new. My wild guess here is that, unless there is an old tarot I am unaware of that really depicts the lion like this, the lion in the Marseille deck would barely be recognized as a lion by casual vewers: it looks like confused smoke billowing out of the maiden’s privates.

Note that the details which have been changed the most (the flames of the Tower and the lion) are the ones that used to be stylized differently in the early modern period compared with today. This is what led people like Jodorowsky to pull the “it’s actually a bird’s tail flying out of the tower” theory out of their ass, even though a cursory look at medieval art would have shown that that was how flames and lightnings were depicted.

MQS

Cartomancy, Divination, Divination Master Post, Fortune-telling, Playing Cards, Uncategorized

Where the Court Cards Look

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I was asked by a visitor if I take into account the direction court cards look. The idea that the direction faced by court cards gives us important details is ingrained in several strands of card divination. In recent decades it has even been appropriated by certain scam artists (like Jodorowsky and his various imitators) when trying to sell the Tarot of Marseille as a deep metaphysical tool rather than for what it has always been–a cheap gaming deck, which, like all tarot decks, is as good for divination as it is for playing at the local inn.

But directionality does have its place in certain legitimate divination traditions. It just happens not to be part of mine. I do not take into account the way court cards face when reading playing cards, as I have never found it useful or revealing.

To me, each card is a place-holder for a cluster of certain ideas that are called to mind when the card appears: the Ace of Hearts is a place-holder of a cluster of ideas relating to the home or family, and similarly the Queen of Spades is a place-holder for a cluster of ideas relating to problematic women or issues traditionally associated with the negative side of womanhood. In this cluster of ideas there is nothing inherently left-looking or right-looking. That’s just the fantasy of whoever drew the picture.

What matters most to me is not so much where the card looks, but in what relationship it is with respect to the other cards. Suppose we have:

Q♣️ – 3♣️ – K♣️

Here we have a typical sequence of marriage. Even if the two court cards were swapped, it would change nothing. Now let’s take:

3♣️ – K♣️ – Q♣️

This positioning of the cards may or may not be the same as the previous one. In itself it is just another sequence of marriage. But if it makes sense within the context of the spread, it could indicate that he is the one who is more attached to the marriage, because he falls closer to the card that symbolizes union. However, let’s now look at this:

Q♦️ – 3♣️ – K♣️ – Q♣️

Here it is very important that the King of Clubs fell next to the union, because through it he is united to another woman. This sequence shows that the female querent is the lover (it would be even more clear if the 10♠️ fell between the two Club court cards, as it would show that the married man sees the female querent in secret).

In all this, where the court cards face is of no consequence, because what truly matters is their dynamic interplay. That being said, I know of playing card traditions where directionality is taken into account and I have nothing against it. It just happens not to be part of my toolkit.

MQS