Tag Archives: Sibilla della Zingara

Vera Sibilla | Fifteen Card Spread

This method is good for looking at a person in general, either the querent or someone the querent is interested in knowing about. The cards are shuffled and cut, and then dealt into five packs of three cards each, forming a cross.

The first one goes in the center, the second one to the left of it, the third one to the right, the fourth one above and the fifth one below. The center shows what hits the querent (or person) directly. It can signify the present or something that is important to them. Above shows the querent’s thoughts or hopes, or something they are aware of. Below it shows something that the querent doesn’t like or doesn’t know. To the left it shows something the querent leaves behind, to the right something the querent is approaching, usually in the near future (1-2 months).

If you want, you can also reshuffle the remaining cards and deal out another pack of three for the further future.

As usual, lay out the cards and strive to come up with your interpretation before reading mine

Example of the Cross of 15 cards

This was a general fortune for a woman
Center: 4♥ + 7♠ + 2♠R
Left: 9♥ + 10♥ + 6♣
Right: 5♠ + 7♣ + 5♥
Above: Q♠ + 10♦ + A♣R
Below: A♥ + 8♥ + 5♦

The central pack is obvious. It shows a breakup, and a rather ugly one. When the 2♠ comes up reversed there is sometimes the possibility of a third party’s involvement. Looking at the above pack, we find confirmation: the querent knows that a woman destroyed her marriage. To the left we see that the marriage was going well, there was love, stability and common interests. Unfortunately, when the spread is negative, the fact that good cards come up in the past is not a good sign. The involvement of the rival, the Q♠, destroyed a good relationship.
Below we see that communications (A♥) are negative (it comes up below) so there was a final argument without resolution (8♥) and it left a bitter feeling in the querent’s mouth (5♦).
Looking forward to the right, it is clear that the querent will not patch things up with her husband (5♠) but she will find satisfaction in a new story (7♣ + 5♥)

Vera Sibilla | The Pyramid Spread

Another spread that can be used is that of the reversed pyramid. It is rather intuitive and not especially complicated. The base of the pyramid can be any number of cards, usually 4, 5, 6 or 7. I usually limit myself to 4 or 5. You can allot the first row to the past, the second to the present and the subsequent ones to the future, or you can just see what comes up. Usually, this spread is good for exploring topics (“tell me about my love life”) before using a row of cards to answer more specific questions. It can also be used without a question. The tip of the pyramid, i.e., the last three cards, is usually read together, but be flexible.
If you have questions about a particular row of cards, you can still either fan out the deck and choose three cards at random to clarify it, or shuffle the deck and draw three cards from the top. Either way, don’t abuse clarification cards. Sometimes we understand something perfectly well. We are just not willing to accept it. What follows are two examples, one with a 10 card pyramid and one with a 15 card one. Lay out the cards and follow along. Strive to come up with your interpretation before reading mine.

Example of 10 card pyramid


The querent asked if his marriage, which was hitting the rocks, was salvageable. The cards were
A♦R + Q♥R + A♠ + 8♠
7♠ + 3♣ + 2♥R
10♥R + 2♠
7♦

The first row speaks quite obviously of the discovery of some form of negative behavior on the part of the woman, which led to sorrow, strife and jealousy. She was probably cheating on him, which he confirmed.
The second row shows either the immediate past or immediate future, usually. There is an abrupt move away from a house he doesn’t like anymore.
The third row shows that there won’t be a continuation of the marriage and that the situation is waning. The spread ends with the Child, which shows new situations, a new life, a new love story. A few days after the reading, the querent left the house after an argument and they divorced some time later. He is now with a different woman.

Example of a 15 card pyramid

A querent asked a general fortune. Here were the cards:
Q♦ + 2♥R + K♥ + 5♦ + Q♣R
2♦ + K♠ + 8♣ + 4♦
J♥ + 9♥ + 6♣R
A♥ + 10
4♥

The first line clearly speaks of family matters. There’s a married couple in the family, probably her parents, who make life difficult for her. They likely don’t get along together (they are connected by the reversed House card). The mother is probably more at fault than the father. All this creates sadness and melancholy in the querent, showing up as the Q♣ reversed, which emphasizes her sense of helplessness.
The second row speaks of some communication or document concerning a legal or bureaucratic practice that will arrive. The thing will resolve itself (8♣) but it won’t be very satisfactory (4♦). What ended up happening was that quite soon after the reading (the second line shows the present or near future) the querent received her tax return documents, which showed all was in order but she would receive less money in deductions than she expected.
The following line shows that the girl will enter a rough patch with her boyfriend due to growing apart with him and not finding common interests (6♣R). However, the following lines show that they will talk at length (A♥ + 10♥) and will rekindle their relationship.

Note: due to formatting, it looks like the cards are laid out in a right triangle. In reality it is an inverted pyramid. It doesn’t really change anything, but I thought I’d let you know.

Vera Sibilla | Interpreting Rows of Cards

We start off easy with spreads. And, in truth, I don’t use very convoluted ones.

The easiest way to answer a question with the sibilla is by drawing a line of cards. Any number will do, but I would limit the number to 7 at most, and in general, 5 is an ideal number. Contrary to some popular opinions, it is perfectly acceptable for the number of cards to be even, even though I find odd numbers more aesthetically pleasing. Be sure, when you settle on a number, that you stick to it unless you truly find that the answer is not complete (it can happen). In that case, add two cards to the tail of the reading.

Rows can be used without question, to get a glimpse into the future (or past) or they can be used to answer specific questions. Following are three examples of readings, one with three, one with five and one with seven cards. I suggest that you take out the cards I indicate, so you can better follow the explanation. If possible, try to give your own interpretation before reading mine.

Example with Three Cards, 1

A querent asked if the house he had seen would be the one he would move into. I don’t remember if I already posted this example, but it’s a good one. The following cards came up:
2♠ + J♦ + 10

The Old Lady and the Messenger together often mean a visit, a short trip or a movement of short duration. This is already not promising: we want the movement to be definitive. What seals the negative answer is the 10♣, Levity. This card is connected to everything that is not rooted in the querent’s life and is therefore passing. The visit he made will be passing. He did not move into the house.

Example with three cards, 2

The querent asked if the man she was seeing, a recent divorcé, still thought about his ex.
The cards that came up were
K♥ + 6♦R + Q♠R
The answer is quite obvious: yes, he is thinking about her, but not in a flattering way. His showing up as the Gentleman, furthermore, bodes well for the future of the relationship with the querent as, unless the it is afflicted, the K♥ is honorable and good. The Q♠ shows up reversed, which is quite typical of “my crazy ex” stories, when the ex is actually crazy.

Example with Five cards, 1

A querent asked if her husband liked his job because he wouldn’t give her a straight answer. The cards were:
6♦R + J♣R + K♥ + 2♣R + 7♣R

The predominance of reversed cards is not a great sign to begin with, but let’s dig further. The husband occupies the center of the spread, indicating that this spread is very much about his feelings and perceptions. The first card is the 6♦R showing a negative attitude. The negative attitude is toward the reversed J♣, which can be a younger colleague. I asked if the husband worked with younger people and, unexpectedly, the woman said the husband was a high school teacher. Clearly one or more students are giving him problems and his own attitude worsens the situation. He probably thinks too highly of himself (he shows up as the Gentleman and has the reversed Peacock card next to him) which prevents him from taking his students’ disrespect lightly. He thinks they are disrespecting him, which makes things worse. The reversed Gratification card shows lack of confidence, lack of fulfillment and confirms the husband’s fear for his own “reputation”. He doesn’t like the job.

Example with 5 cards, 2.

The querent asked if the his classmate’s father would be reelected as mayor of their town. The cards were: 8♣ + 10♥R + 9♥R + 9♣ + 2♣.
The ending of the spread is very positive, showing satisfaction, public honor and success with the public. The first three cards show the coming together of people (8♣) with negative intentions (10♥R) and not very clean methods (9♥R) to stop him. The man was reelected despite an attempt to dig up some dirt about him which turned out to be false.

Example with seven cards, 1

The querent asked if he would have to shut down his business forever. This spread was made during one of the lockdowns. The cards were:
K♠R + 9♠ + 6♦ + 7♦ + 10♠ + A♦ + 8♣
The first card, the reversed Priest, shows that the law is playing a negative role in the matter, quite obviously, and is creating a blockage (9♠). The querent, however, is in the position to come up with new strategies (6♦ + 7♦), the implementation of which will be an uphill battle (10♠), but they will bring economic renewal (A♦ + 8♣).  He won’t close his business down in the foreseeable future. Nor did he. He could expand his online presence and did it.

Example with Seven cards, 2

The querent asked if she would get a job she had applied for. The cards that came up were:
Q♣ + 10♣ + J♥R + A♣R + 7♦ + 5♦ + 8♥

Ready with your answer? Good. The cards have nothing to do with the question asked by the querent. It happens at times, if something important is imminent in the querent’s life. The cards hint at a flirty casual relationship with a man (Q♣, 10♣, J♥R). Since the Lover is reversed, the situation is completely devoid of love and is only sexual, confirmed by the reversed Marriage card which is the sex card par excellence. The A♣R plus the Child card indicate a pregnancy, and the girl won’t be too happy at the beginning (5♦), but she’ll come around and keep the baby (the Hope card falling last clearing the air of all sadness and trouble). I told the querent to be careful and take precautions when with men. She didn’t heed (the 10♣ next to the Queen of Clubs) and is now a happy mom who shares custody of her son with the father.

Vera Sibilla | Embracing Fallibility

Before moving on to the spreads, I should point out one last thing. For whatever reason, the psychic community seems often reluctant to admit that they are fallible (but then again, trying to get officially recognized experts to say “I’m sorry for having been full of shit” is also hard, possibly because expertise is turning into a new form of religion, but I digress).

I believe the reason for this is that, since there is no scientific certainty that divination “works”, then divination requires blind faith, and blind faith can never accept being called out. Doubt and reason, which have raised the human race above the others in so many ways (no, I am not anti-specist. Sue me) are seen critically among psychics because they open one to the possibility that not everything that leaves their mouth when they are not thinking about it is pure gold.

While it’s true that the sure hand is more likely to  shoot the arrow that hits the mark than the trembling one, reason and doubt are still your friends, if you use them wisely. And the first requirement of a reasonable practice is that you keep a log of your readings and check them for accuracy without holding back. Don’t dissolve into a puddle of tears as soon as you get something wrong–everyone does! No one is 100% accurate.

Accepting your fallibility frees up a lot of space in your psyche for other useful things, such as the ability to listen, to interpret, to feel, to empathize. It is also much less stressful than holding yourself up to an impossible standard. And it turns you into an honest experimenter in the psychic arts.

Vera Sibilla | Your Own Language

Divination systems are like languages. We’ve seen in the previous post how true this is. But it is even truer when we consider that whatever you learn from a book or a blog post is actually a standardized version of the language of the cards.

Now, standard language is an abstraction. Nobody speaks it. Shakespeare spellt the same word in two or three different ways over the course of the same play. The same goes for older writers in most languages. Standard language is an invention of the modern nation state, just like statistics. In order to exert clearer clontrol over their often large territory, the intellectual class of the various nations came up with rigid rules which are more or less helpful, but they are just that–made up rules that capture a measure of truth, but leave other things out.

Language is a more fluid phenomenon.
But you will find that no real person on the street actually speaks standard English or Italian or German, unless they are “highly educated”, which just means that they have absorbed more rules. I do noy mean to disparage rules. I’m merely observing that language is a living thing, which lives through the mouths of those who speak it. Therefore it is always a rather individual phenomenon: everyone has their dialect, their accent, their pet words, their filler words, those expressions that they constantly use because their grandma used them even though even other natives don’t use it, those expressions that mean something to the people in their hometown but something wholly different in a different region, etc.

The same is true for divination systems, especially complex ones like cards. You need to find your language with the cards. This can only be done by using them for yourself and even more for others. Studying meanings and combinations is useful to make up for the fact that you are not a “native speaker” (nobody is) and traditional meanings are usually passed down for the good reason that they are often valid. I have tried to make the traditional meanings as palatable as possible by creating a numerology to make sense of it (which I will revise as better ideas arise). But you can’t let yourself be drowned in rules, or you’ll never speak the language of the cards fluently. I’m still discovering my own language as it is a life-long endeavor.

To help you, I’m going to post some interpretations of some card spreads in the future, so that you may see how I do it. Take it as a jumping off point, not as something to slavishly adhere to. 

Vera Sibilla | The Moment of Silence

We’ve talked about some of the basics of interpreting the cards. The most important thing is to practice, though, as only your own practice can reveal how the cards communicate to you. In this light, I would like to address something that is not strictly speaking a point of interpretation, but which I find is still helpful. It’s what I would call “the moment of silence” and I believe it holds true for all card systems you study.

Especially at the beginning, when you get your hands on some cool material about the deck, your head is going to be brimming over with facts. This is a preliminary step which, I think, is unavoidable, just as it’s unavoidable, in learning a foreign language, to assimilate words and some grammar. You can go with the “natural approach”, but sooner or later, if you want to rise above mediocrity, you need some serious study.*

But study brings with it a new host of issues. Ever listened to a non native trying speak English (or your language) for the first time after completing a course? You can barely understand them. And for a good reason: they are constantly trying to reach for information in their heads that they haven’t assimilated in practice. They are trying to remember rules and exceptions and words and word connections, and the pronunciation of this or that words, all the while trying to understand what you, the native speaker, are telling them etc.

It’s a lot. Then, as they practice, they evolve toward a type of English (or any other language) that is hopelessly broken, but somewhat understandable. As they refine their skill, they assimilate in practice what they have had in their heads all the time, and their use of the language improves.

But just as you can have a bad hair day, you can also have a bad English day, or a bad German day, or a bad Italian day. It’s those days where you feel like you are here and your language skills are somewhere else and you need to constantly grope for them, which makes for some very clunky sentences and dialogues. If you are having one of those days, you need to relax, take in a deep breath, wait a moment, center yourself and stop *trying* to speak the language–and just speak it.

With divination it’s similar, with the added difficulty that there is no native speaker to learn from. But the concept of “waiting a moment” and centering yourself is still valid. Having three, five, fifteen, twenty one cards in front of you can intimidating, so you jump into it in a kind of panic and start assembling meanings. That’s not helpful. When you start a reading, always make sure to stop for a second and keep quiet. Not just quiet in the sense of not speaking, but also in the sense of not trying to have your attention drawn immediately by a tree as opposted to taking in the forest. The spread is a whole, and it must be approached as such. Take a deep breath, forbear from trying to read the cards. Let your eyes wander for a second over the whole spread without digging anywhere. Survey the territory in a kind of bird-eye view. And then speak.

* conversely, if you start with some serious study, you also need the natural approach.

Vera Sibilla | Cards That Modify the Reading

We’ve seen that the cards are generally read from left to right. Often, the last card in a row can change the meaning of the row itself completely. Sometimes, instead, it’s the card in the middle that changes the reading (when I say in the middle I don’t necessarily mean exactly in the middle, just not first or last). At other times, finally, a card can have a different meaning when it falls first.
Note: when I say the beginning or end of a sequence, this may or may not be the beginning or end of a row of cards: a sequence is a number of cards forming a coherent picture of a situation present, past or future. A single row can have more than one sequence.

Following are some examples.

The 2♥, the House, has the power to consolidate the meaning of the cards preceding it, so if the preceding cards show a well-defined situation for better or worse and the 2♥ comes up without any specific reason, it can mean that the situation is destined to consolidate itself in the direction signified by those cards.

The 4♥ coming up in the middle of a sequence and having no specific meaning can highlight the querent’s emotional involvement in the situation. This is also true when it’s reversed, in which case it’s negative involvement. The 4♥ coming up at the beginning or a sequence and having no specific connection to the rest of the reading can signify that the events shown are what the querent is attracting to himself or herself.

The 6♥R, coming up as the first card of a line and having no immediate obvious meaning can signify that the situation represented by the cards following it will happen unexpectedly and will be completely new. Coming up in the middle of a sequence and having no specific meaning it can highlight the duration of the situation into the future.
The 8♥ coming at the end of a row of cards or of a sequence shows that things will go as the querent hopes. If the cards preceding it are negative, it shows that there will be cause for hope nonetheless. If it comes up reversed, it shows situations going up in smoke.

The 10♥ coming up in the middle of positive or negative cards highlights their duration over time.

The 2♣ coming up at the end of a sequence shows divine intervention, protection, liberation from hardships.

The 3♣ coming up after difficult cards shows a change of direction in the querent’s life, usually for the better.

The 3♣R coming up in the middle of a sequence and followed by positive cards show the end of negative cycles and the end of hardships in general.

The 5♣ coming up at the end or a sequence shows a stroke of luck that will change the querent’s life in the field asked about.

The 6♣ coming up at the beginning of a sequence without apparent reason shows very quick events.

The 7♣ ending a negative sequence signifies a light at the end of the tunnel, especially when followed by positive cards.

The 8♣R coming up in the middle of a sequence without reason can signify things not going as the querent expects, for better or ill.

The A♦ coming up without reason at the beginning of a sequence can show dynamic change, new impulses, etc.

The 3♦R (the Gift) coming up at the end of a difficult sequence signifies the slow resolution of hardships. This is also true when it comes in the middle, but then you need to pay attention to the cards afterward.

The 4♦R coming up at the end of a negative sequence shows relief and positivity.

The 8♦ (the Handmaid) coming up for no reason at the beginning of a sequence can show that the sequence represents a new phase or evolution in the querent’s life. Coming up for no reason at the end, it shows that the querent evolves away toward a new phase.

The 10♦ coming up at the end of a sequence which seems promising steals the positivity away (but be careful, if it is a long, extremely positive sequence, the Thief alone is not strong enough to negate it). The 10♦R coming up at the end or toward the end of a negative sequence shows that there is nothing left to do. It’s over.

The J♦ coming up at the beginning of a series for no reason announces quick developments.

The A♠R coming up in the middle of a sequence and followed by positive cards shows the end of sorrow.

The 2♠U/R coming up at the end of a negative sequence shows the waning of the matter, more or less sharply depending on whether the card is upright or reversed.

The 4♠R coming up in the middle of a sequence and followed by positive cards shows the end of a period of standstill and blockage. Followed by negative cards shows the beginning or duration of the standstill.

The 5♠ coming up in the middle of a sequence and followed by positive cards shows a difficult but positive change. If followed by negative cards, it’s difficult and negative.

The 8♠R coming up in the middle of a sequence and followed by positive cards shows the end of a period of crisis.

The 9♠R coming up in the middle of a sequence and followed by positive cards signifies liberation and unblocking. Followed by negative cards it signifies the beginning of blockage.

Vera Sibilla | The Flow of the Reading

In general, the flow of the reading goes from left to right. For instance, let’s take the following situation: A♥ + K♦ + 6♠ + 7♣R. Here we might assume that there is, or there has been, a job interview (A♥ + K♥) followed by trepidation and waiting (6♠), but the waiting leads to nothing (7♣R).

However, if we reverse the spread as 7♣R + 6♠ + K♦ + A♥, then we have the opposite scenario: a situation where the querent for a long time is worried about their lack of realization is ended by a job interview (in this case we don’t know whether the interview will go well or not, but at least it’s something).

Notice how the placement of certain cards is relatively irrelevant: whether it’s K♦ + A♥ or A♥ + K♦, it is still likely to signify a job interview. This is because the two cards build a meaningful unit together. They strengthen each other. However, it is not irrelevant whether the negative cards come up before or after. In general, the placement of the cards is relevant in two situations: when the cards have different polarity; and when the cards describe situations that come logically one from the other. For instance, if the cards point to a birth and then to a pregnancy, it’s very different than if they describe a pregnancy followed by a birth. In the first case you end up with two babies, in the second with just one.

Another important point is whether the cards predict or they describe. This is a subtle thing to detect, and is not easy to see at first. Often, the cards describe a situation or state of affairs when you have cards showing the relationship between two face cards or between a face card and a certain field of life (e.g. love 4♥, marriage A♣, job K♦, etc). Also, they tend to describe more when there are strongly psychological cards. In this case, the flow of the reading is as if halted: the cards don’t come one after the other temporally, but at most logically.

The cards tend to predict specific happenings when there are strong cards showing action or, when you use longer spreads, when there has been a clear description of a situation in the first part, and then they move on to show how that situation will evolve. In part you also need to develop your intuition and your language with the cards. In these cases, the flow of the reading is relevant.

Sometimes (quite often) the description is nestled within the prediction. That is, the cards predict something and describe it. In this case, whether a card comes after the others may or may not be relevant. Example: granny kicks the bucket and leaves you some money.

Suppose it shows up like this: 2♠R + 5♠ + 3♠R + 5♥ + 7♥ + 6♥ + 6♣. In this case, it is relevant that the cards showing granny’s passing (2♠R, 5♠, 3♠R) come out before the others, because it is quite logical that death precedes the opening of the will. The 5♥ is the card of family and inheritance, the 7♥, in this case, is the lawyer and 6♥ + 6♣ shows the gaining of money. Again, it is relevant that the combination showing the inheritance comes up after the one showing death. But within these combinations, the position of the cards is relatively irrelevant. You could take the cards that go from 5♥ to 6♣, shuffle them around and it wouldn’t change much. Similarly, in the first combination, you could place granny (2♠R) somewhere else, maybe between the 5♠ and the 3♠R, and things wouldn’t change.

This is because the prediction includes descriptions.

Vera Sibilla | Interpreting Face Cards

Face cards are those that represent people. This is a more comprehensive notion than “court cards”, because not all face cards are court cards: for instance, the 2♠ can behave like a face card, a significator, but it is not a court card. Conversely, not all court cards necessarily behave like face cards: for instance, the K♦ is rarely a physical person, being a significator of the querent’s job.

Face cards are, for the most part, neutral. Heart cards tend to be slightly positive in themselves, but they also absorb the meaning of the cards surrounding them. Spade cards tend to be negative (though the K♠ is neutral when it is a face card) and being black they tend to assert their negativity over the positive meanings of other cards.

Face cards are neutral, and this means that they are heavily influenced by their surroundings. The cards immediately outside of a face card often give us the context and description of the person in terms of the situation. For instance, if the J♣ falls between K♦ and A♥, he can be a coworker or a work contact. If the same card falls between the 4♥ and the 9♥, he is either your best friend or your boyfriend. If he falls next to the A♣, he is probably a young husband. And so on.

When a face card does NOT appear in the spread even though you’d expect it to, that’s a sign. The person is not active in the events of the spread and is unlikely to be able to change them.

When a face card DOES appear in the spread, its suit will give us a hint of the role it takes on, if caring, helpful, disinterested, disingenuous, axe-grinding, inimical, if they are active, optimist, or passive and in need of help, etc. This is to be understood within the context of the question. For instance, a mature woman may occasionally show up as the Q♣ if she is either immature or in a precarious situation where she needs help.

When a face card appears as a suit that is not good for the question, the cards surrounding it may supplement positive connotations that the suit lacks. For instance, the Q♦ is a married woman, however when a married woman appears as the Q♦ in a love reading, her primary loyalty is not to the partner but to the marriage itself, which doesn’t mean she doesn’t love, but that she is primarily in the relationship out of inertia or tradition. However, if the Q♦ is next to the 4♥ or the 9♥, then she is very much in love, as though she were the Q♥.

When two face cards fall immediately next to each other, this is a sign that they know each other and interact (or will interact), unless other signs contradict this. Sometimes, if two face cards falling immediately next to each other are of the same sex, they can represent the same person. For instance, the Q♦ and Q♠ together can either signify two people or the same person, depending on the context. This is rarer when one of the two is reversed and the other isn’t, but it can still happen. Usually, when two face cards signify the same person it means the person has a dual role in the situation (in the example above, a wife who is inimical, maybe in the process of getting a divorce, etc.)

When two face cards have one or two or three cards between them (on occasion even more) those cards can be taken to describe their relationship and what unites them. For instance, J♣ + 9♦ + 5♠ + K♥ can show a very turbulent father-son relationship. Usually, when a combination showing the dynamics between two people fall between those people, they tend to have a less predictive effect. In the example above, if the 9♦ + 5♠ had fallen outside of the two significators it could have shown a breakup, and a rather painful one. But because it falls between them, it tends to only show how they relate to each other, and other cards will tell us whether or not they will fall out. If the sequence is followed by 8♣, there will be reconciliation, if 7♠, a break in the relationship.

When of two face cards one is reversed, they tend to be incompatible for whatever reason (look at the other cards). When they are both reversed they are still incompatible, but the incompatibility is more pervasive and visceral and less due to circumstances.

In general, a face card that is not the querent who is reversed signifies either someone who is in trouble or someone who works against the querent or, at least, disagree with them within the context of the situation.

When a face card is reversed, sometimes it signifies that the person has some type of issue related to the cards surrounding his significator. For instance, K♥R + 7♣ can signify a man who doesn’t feel realized. His card being reversed introduces a negation. It is similar to K♥ + 7♣R, the difference being subtle and somewhat psychological: if the face card is reversed, he is probably one who generally doesn’t feel realized. This notion however must be supported by other considerations.

Another example. Q♥R + 9♥ can signify a woman who is not faithful. The meaning is similar to Q♥ + 9♥R, but in the former case it is possible that she generally has a tendency not to be faithful–it is more rooted in her character than in the context of the situation. Again, you need to check for other signs.

When a slew of cards come up reversed (possibly all of them) it is a sign that the person’s world has been turned upside down.

Vera Sibilla | Split Combinations

To sum up what we’ve seen so far in terms of card interactions: 1) cards behaving neutrally are influenced positively or negatively by the cards following them 2) cards with the same polarity tend to strengthen each other for good or ill 3) cards of a similar polarity tend not to rely on their placement to create meanings 4) but when cards have the opposite polarity, the one falling last tends to influence the previous one more than vice versa 5) similarly, if cards have opposite meanings the one falling last tends to influence the previous one more and indicate the direction of the reading 6) and, generally, black cards tend to be stronger than red cards, which tend to be influenced more than they influence. These rules of thumb can and often do conflict with one another, which is where the art of reading comes in.

Another phenomenon that it is well to keep in mind is the one which might be termed that of split combinations. This phenomenon happens when two or more cards forming a unit of meaning are split up to include a third card. This is especially common with cards bearing the same suit or the same number or having similar meanings. It can also happen in more elaborate combinations where all or most cards point to a single concept.

The 3♠ and 3♣ have the notion of movement in common: the Journey card is movement and the Widower is a removal. Together they form a combination that signifies a journey away from someone or something. It is very common for a card to fall between then, such as a face card. But the cards must still be read together as a unit, and the card falling between them is the thing or person the querent gets away from (K♥ their husband, 2♥ their house, K♦ their job, 10♥ their town) in other words, you do not read the combination 3♠ + 2♥ + 3♣ as: there will be loss, then the querent will move into a home. You read them as: the querent will abandon their house (or another place).

The 9♠ and 9♦ form a combination signifying a vicious cycle or an addiction (the same is true substituting either one with the 9♣R). If the 10♣R falls between them, you do not read: there is a blockage, then an opportunity which however will be squandered. You read the combination as: the querent has a problem with slot machines (the 10♣R is associated with gambling).

The 5♠ and the 7♠ often fall together to signify a definite and rather traumatic ending. If the 4♥ falls between them, you do not read the cards as: the querent will go through a sharp change, then he will find love but it won’t last. You read it as: the querent will break up with someone.

Of course, we are only taking three cards into account, which is very limiting. When you find yourself with five or ten or more cards in front of you, deciding what kinds of geometry the cards are following can become more a matter of judgement. All I can say is that you need to develop an eye for what the cards are saying.

Suppose we have the following combination: 5♠ + 5♥ + 7♥ + 2♦. The placement of the cards is relatively indifferent. Four times out of five, this combination will signal the reading of a will. If the 2♠ falls  in the middle, you do not let the card interfere with the combination and break it up. You incorporate the card into the combination, applying the combination’s meaning to the card: the reading of an old lady’s will.

Another example. Suppose we have the following combination: 4♦ + 8♠ + 10♦. This combination signals, generally speaking, a swindle. If the 6♥ falls somewhere inside the combination, you do not read that there will be a swindle, then money will be gained and then lost. You read it simply as:a swindle concerning money.