(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Three of Pentacles from the Builders of the Adytum (BOTA) deck
Paul Foster Case (and Ann Davies)
The time period is the second decanate of Capricorn, under the rulership of Venus, from January 1 to January 9. Well-Dignified: construction; increase, growth; financial gain; the building up of favorable conditions; gain in commercial transactions; rank or prestige in vocation or business; beginning of matters to be perfected later. Ill-Dignified: selfishness; cleverness in business, but lack of scruples; narrowness and prejudice; too much ambition. Keyword: Constructiveness. (From the Oracle of Tarot course)
A. E. Waite
A sculptor at his work in a monastery. Compare the design which illustrates the Eight of Pentacles. The apprentice or amateur therein has received his reward and is now at work in earnest. Divinatory Meanings: Métier, trade, skilled labour; usually, however, regarded as a card of nobility, aristocracy, renown, glory. Reversed: Mediocrity, in work and otherwise, puerility, pettiness, weakness. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Three of Pentacles, in a similar manner, exhibits the result of the idea of Earth, of the crystallization of forces; and so the Three of Pentacles is called the Lord of Work. Something has definitely been done.
[…]
The influence of Binah in the sphere of Earth shows the material establishment of the idea of the Universe, the determination of its basic form. It is ruled by Mars in Capricornus; he is exalted in that Sign, and therefore at his best. His energy is constructive, like that of the builder or engineer. The card represents a pyramid viewed from above the apex. The base is formed by three wheels-Mercury, Sulphur, and Salt; Sattvas, Rajas, and Tamas in the Hindu system; Aleph, Shin, and Mem-Air, Fire, and Water-the three Mother letters of the Hebrew alphabet.
This pyramid is situated in the great Sea of Binah in the Night of Time, but the sea is solidified; hence the colours of the back-ground are mottled, a cold thin dark grey with a pattern of indigo and green. The sides of the pyramid have a strong reddish tint, showing the influence of Mars. (From The Book of Thoth)
AI-generated illustration for the Three of Pentacles or Coins
Golden Dawn’s Book T
A WHITE-WINGED Angelic Hand, as before, holding a branch of a rose tree, of which two white rosebuds touch and surmount the topmost Pentacle. The Pentacles are arranged in an equilateral triangle. Above and below the symbols Mars and Capricorn. Working and constructive force, building up, creation, erection; realization and increase of material things; gain in commercial transactions, rank; increase of substance, influence, cleverness in business, selfishness. Commencement of matters to be established later. Narrow and prejudiced. Keen in matters of gain; sometimes given to seeking after impossibilities. Binah of HB:H (Business, paid employment, commercial transaction). Herein are HB:YChVYH and HB:LHChYH Angelic Rulers.
Etteilla
Important Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Noble, Considerable, Famous, Important, Great, Major, Extended, Vast, Sublime, Renowned, Famous, Powerful, Elevated, Illustrious. – Excellence, Consideration, Greatness of mind, Nobility of conduct, Generous deeds, Magnificently, Splendidly. Reversed. Puerility, Childhood, Infantilism, Frivolity. – Weakening, Lowering, Diminishing, Education, Modicity, Mediocrity, Minuity, Inezia, Frivolity, Lowness, Vileness, Poltrony, Rampant, Small, Puerile, Petty, Low, Servile, Vile, Abject, Humble. – Abjection, Humility, Humiliation.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Three of Swords from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period is the second decanate of Libra, under the combined rulership of Saturn and Uranus, October 3 to October 12. Because Libra is involved, remember that the qualities of the Seventh house are prominent. Well-Dignified: this is nevertheless a Key depicting sorrow, disappointment and tears, but it can be the beginning of deep understanding as to the basis and cause of our problems; disruption of friendship; interruption of cherished projects; quarrels; occasionally the position in the layout may indicate platonic friendships; in money matters this card is almost always a symbol of loss, but indicates that whatever money matters are under consideration have been fair and honest, so that no blame attaches to anyone for the loss. Ill-Dignified: slander; selfishness and dissipation; deceit with respect to promises; loss in legal affairs. Keyword: Sorrow (From the Oracle of Tarot course)
A. E. Waite
Three swords piercing a heart; cloud and rain behind. Divinatory Meanings: Removal, absence, delay, division, rupture, dispersion, and all that the design signifies naturally, being too simple and obvious to call for specific enumeration. Reversed: Mental alienation, error, loss, distraction, disorder, confusion. (From The Pictorial Key to the Tarot)
Aleister Crowley
The idea of division, of mutability, the idea of the airy quality of things, manifests itself in the Three of Swords, the Lord of Sorrow. Here one is reminded of the darkness of Binah, of the mourning of Isis; but this is not any vulgar sorrow dependent upon any individual disappointment or discontent. It is Weltschmerz, the universal sorrow; it is the quality of melancholy.
[…]
Binah, the Great Mother, here rules the realm of Air. This fact involves an extremely difficult doctrine which must be studied at length in The Vision and the Voice: Aethyr 14. Binah is here not the beneficent Mother completing the Trinity with Kether and Chokmah. She represents the darkness of the Great Sea. This is accentuated by the Celestial Lordship of Saturn in Libra. This card is dark and heavy; it is, so to speak, the womb of Chaos. There is an intense lurking passion to create, but its children are monsters. This may mean the supreme transcendence of the natural order. Secrecy is here, and Perversion. The symbol represents the great Sword of the Magician, point uppermost; it cuts the junction of two short curved swords. The impact has destroyed the rose. In the background, storm broods under implacable night. (From The Book of Thoth)
A gruesome AI-generated illustration for the Three of Swords
Golden Dawn’s Book T
THREE White Radiating Angelic Hands, issuing from clouds, and holding three swords upright (as though the central sword had struck apart the two others, which were crossed in the preceding symbol): the central sword cuts asunder the rose of five petals, which in the previous symbol grew at the junction of the swords; its petals are falling, and no white rays issue from it. Above and below the central sword are the symbols of Saturn and Libra.
Disruption, interruption, separation, quarrelling; sowing of discord and strife, mischief-making, sorrow and tears; yet mirth in Platonic pleasures; singing, faithfulness in promises, honesty in money transactions, selfish and dissipated, yet sometimes generous: deceitful in words and repetitions; the whole according to dignity. Binah of HB:V (Unhappiness, sorrow, and tears). Herein rule the Great Angels HB:HRYAL and HB:HQMYH as Lords of the Decan.
Etteilla
Removal Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: estrangement, Departure, Absence, Discarding, Dispersion, Remoteness, Delay. – Contempt, Repugnance, Aversion, Hatred, Disgust, Horror. – Incompatibility, Contrariness, Opposition, Unsociability, Misanthropy, Incivility. – Separation, Division, Breaking, Antipathy, Section, Cutting off. Reversed. Misdirection, Dementia, Vanity, Alienation of spirit, Distraction, Insane conduct. – Error, Miscalculation, Loss, Deviation, Discard, Dispersion.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Three of Cups from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The Three of Cups is astrologically related to the second decanate of Cancer ruled by the Scorpio aspect of Mars, time period July 2 to July 12. The distinct meanings in divination combine the pleasure and emotion associated with the suit of Cups and the sex magnetism of the Scorpio aspect of Mars, together with Cancerian practicality and penchant for attachments. Well-Dignified: activity, determination, practicality; fondness for pleasure and comfort; attachments and attractions to the opposite sex; pleasure, merriment, eating and drinking, plenty of new clothes, etc. Ill-Dignified: danger of the ‘triangle’ situation; trouble through attachments to the opposite sex; midunderstandings; prodigality; sensuality. Keyword: Enjoyment (From the Oracle of Tarot course)
A. E. Waite
Maidens in a garden-ground with cups uplifted, as if pledging one another. Divinatory Meanings: The conclusion of any matter in plenty, perfection and merriment; happy issue, victory, fulfilment, solace, healing, Reversed: Expedition, dispatch, achievement, end. It signifies also the side of excess in physical enjoyment, and the pleasures of the senses. (From The Pictorial Key to the Tarot)
A marvellous AI-generated illustration for the Three of Cups
Aleister Crowley
The Three of Cups is called the Lord of Abundance. The idea of love has come to fruition; but this is now sufficiently far down the Tree to introduce a very definite differentiation between the suits, which was not previously possible.
[…]
This card refers to Binah in the suit of Water. This is the card of Demeter or Persephone. The Cups are pomegranates: they are filled bountifully to overflowing from a single lotus, arising from the dark calm sea characteristic of Binah. There is here the fulifilment of the Will of Love in abounding joy. It is the spiritual basis of fertility.
The card is referred to the influence of Mercury in Cancer; this carries further the above thesis. Mercury is the Will or Word of the All-Father; here its influence descends upon the most receptive of the Signs.
At the same time, the combination of these forms of energy brings in the possibility of somewhat mysterious ideas. Binah, the Great Sea, is the Moon in one aspect, but Saturn in another; and Mercury, besides being the Word or Will of the All-One, is the guide of the souls of the Dead. This card requires great subtlety of interpretation. The pomegranate was the fruit which Persephone ate in the realms of Pluto, thereby enabling him to hold her in the lower world, even after the most powerful influence had been brought to bear. The lesson seems to be that the good things of life, although enjoyed, should be distrusted. (From The Book of Thoth)
Golden Dawn’s Book T
A WHITE Radiating Hand, as before, holds a group of lotuses or water-lilies, from which two flowers rise on either side of, and overhanging the top cup; pouring into it the white water. Flowers in the same way pour white water into the lower cups. All the cups overflow; the topmost into the two others, and these upon the lower part of the card. Cups are arranged in an erect equilateral triangle. Mercury and Cancer above and below. Abundance, plenty, success, pleasure, sensuality, passive success, good luck and fortune; love, gladness, kindness, liberality. Binah of HB:H (Plenty, hospitality, eating and drinking, pleasure, dancing, new clothes, merriment).
Etteilla
Success Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Success, Science, Happy outcome, Happy solution, Victory. – Healing, Cure, Relief. – Accomplishment. – Perfection. Reversed. Dispatch, Sending, Execution, Completion, End, Conclusion, Termination, Fulfillment.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Two of Pentacles / Coins from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period is the first decanate of Capricorn, December 22 to December 31, under the rulership of Saturn. Meanings: Well-Dignified: harmony in the midst of change; alternation of gain and loss; change of occupation; travel in quest of wealth; ups and downs of fortune; a visit to friends. Ill-Dignified: intimates discontent; foolishness in the management of resources; restricted condition of material affairs due to bad management; the Querent is probably too talkative and too suspicious. He is kind, but inconsistent, and should avoid arguments. Keyword: Fluctuation (From the Oracle of Tarot course)
A. E. Waite
A young man, in the act of dancing, has a pentacle in either hand, and they are joined by that endless cord which is like the number 8 reversed. Divinatory Meanings: On the one hand it is represented as a card of gaiety, recreation and its connexions, which is the subject of the design; but it is read also as news and messages in writing, as obstacles, agitation, trouble, embroilment. Reversed: Enforced gaiety, simulated enjoyment, literal sense, handwriting, composition, letters of exchange. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Two of Pentacles was of old time called the Lord of Harmonious Change. Now, more simply, Change; and here the doctrine must be stated a little more clearly. This suit being of Earth, there is a connection with the Princesses, and therefore with the final Heh of Tetragrammaton. Earth is the throne of Spirit; having got to the bottom, one immediately comes out again at the top. Hence, the card manifests the symbolism of the serpent of the endless band.
[…]
The number Two, Chokmah, here rules in the suit pertaining to Earth. It shows the type of Energy appropriate to Two, in its most fixed form. According to the doctrine that Change is the support of stability, the card is called Change.
Its celestial rulers are Jupiter and Capricornus; and these symbols are most inharmonious, so that in practical matters the good fortune of Jupiter is very limited. Their influence on the card is not great. Yet, Jupiter being himself the Wheel (Atu X), he emphasizes that idea.
The card represents two Pantacles, one above the other; they are the Chinese symbols of the Yang and Yin duplicated as in the Hsiang. One wheel is dextro- and the other laevo-rotatory. They thus represent the harmonious interplay of the Four Elements in constant movement. One may in fact consider the card as the picture of the complete manifested Universe, in respect of its dynamics.
About them is entwined a green Serpent (see Liber 65, chapter iii, verses 17-20). His tail is in his mouth. He forms the figure Eight, the symbol of the Infinite, the equation 0=2. (From The Book of Thoth)
Nice AI-generated illustration for the Two of Pentacles or Coins
Golden Dawn’s Book T
TWO wheels, disks or pentacles, similar to that of the Ace. They are united by a green-and-gold serpent, bound about them like a figure of 8. It holds its tail in its mouth. A White Radiant Angelic Hand holds the centre of the whole. No roses enter into this card. Above and below are the symbols of Jupiter and Capricorn. It is a revolving symbol.
The harmony of change, alternation of gain and loss; weakness and strength; everchanging occupation; wandering, discontented with any fixed condition of things; now elated, then melancholy; industrious, yet unreliable; fortunate through prudence of management, yet sometimes unaccountably foolish; alternatively talkative and suspicious. Kind, yet wavering and inconsistent. Fortunate in journeying. Argumentative. Chokmah of HB:H (Pleasant change, visit to friends). Herein the Angels HB:LKBAL and HB:VShRYH have rule.
Etteilla
Embarrassment Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Awkwardness, Obstacle, Commitment, Obstruction, Setback. – Disturbance, Bother, Emotion, Mess, Confusion, Difficulty, Impediment, Tangle, Obscurity. – Agitation, Restlessness, Perplexity, Concern. Reversed. Ticket, Piece of Writing, Writing, Text, Literature, Doctrine, Erudition, Work, Book, Production, Composition. – Dispatch, Epistle, Missive. – Written character. – Literal Meaning. – Alphabet, Elements, Principles. – Promissory note.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Ace of Coins or Pentacles from the Builders of the Adytum (BOTA) tarot
Paul Foster Case (and Ann Davies)
The time period is from the beginning of Capricorn to the end of Pisces, December 22 to March 20. Occult title: The Root of the Powers of Earth. Divinatory meanings: The power of Will as expressed on the physical plane. Materiality in all its phases, whether good or evil. “The things that are Caeser’s.” The power of the world-illusion. Material gain, contentment, wealth, and the things, conditions and works which contribute to such gain. Keyword: Materiality. (From the Oracle of Tarot course)
A. E. Waite
A hand–issuing, as usual, from a cloud–holds up a pentacle. Divinatory Meanings: Perfect contentment, felicity, ecstasy; also speedy intelligence; gold. Reversed: The evil side of wealth, bad intelligence; also great riches. In any case it shews prosperity, comfortable material conditions, but whether these are of advantage to the possessor will depend on whether the card is reversed or not. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Ace of Disks pictures the entry of that type of Energy which is called Earth. It is here proper to insist a little strongly upon one of the essential theoretical theses which have inflamed the constitution of this present pack of Tarot cards; for this feature is significant, and distinguishes it from the numerous crude efforts of uninitiates to put themselves forward as adepts. The grotesque barber Alliette, the obscurely perverse Wirth, the poseur-fumiste Peladan, down to the verbose ignorance of such Autolycus-quacks as Raffalovitch and Ouspensky; none of these or their kin have done more than “play the sedulous ape” to the conventional Mediaeval designs. (Their luck was out: the Tarot is a razor!)
Eliphaz Levi was a master-scholar, and knew the true attributions; but his grade in the Great White Brotherhood was only 6○=5□ (Adeptus Major); and he had no instructed foresight of the New Aeon. He did indeed hope to find a Messiah in Napoleon III; but of the complete spiritual upheaval which accompanies the Proclamation of a new Magical Formula he had no glimpse; no, not though he had Maistre Alcofribas Nasier to guide him! [See The Grands Annales ou croniques Tresveritables des filz. Roy des Dipsodes. 1542. Book I, Chapter LVIII, where is given not only a remarkable description of the social conditions of the twentieth century e.v., but even, in the last line of the Prophetic Riddle, a clear indication of the Magical Motto of the Adept chosen by the Masters to announce this Formula-this Word, openly given in the name of the Abbey itself. But, as so often is the case, it was too simple and straightforward to be seen!]
Dr. Gerard Encausse, “Papus”, who followed Eliphaz Levi, felt himself even more closely bound by his Oath of Secrecy, so that his dealings with the Tarot are worthless; and that although he was Grand Master of the O.T.O. in France, and Grand Hierophant 97° of the Rite of Memphis on the death of John Yarker.
These historical data are necessary to explain why all previous packs are of little more than archaeological interest; for the New Aeon demanded a new system of symbolism. Thus, in particular, the old conception of the Earth as a passive, immobile, even dead, even “evil” element, had to go. It was imperative to restore the King-Scale colour attribution to that of the Aeon of Isis, Emerald Green, as was understood by the Egyptian Hierophants. This green is, however, not the original vegetable green of Isis, but the new green of spring following the resurrection of Osiris as Horus. Nor are the Disks any more to be considered as Coins; the Disk is a whirling emblem. Naturally so; since it is now know that every Star, every true Planet, is a whirling sphere. The Atom, again, is no more the hard, intractable, dead Particle of Dalton, but a system of whirling forces, comparable to the Solar hierarchy itself.
This thesis dovetails perfectly with the new Doctrine of Tetragrammaton, where the Earthy component, He’ final, the Daughter, is set upon the Throne of the Mother, to awaken the Eld of the All-Father. The NAME itself, accordingly, is no longer a fixed symbol, emblem of extension and limit, but a continuously revolving sphere; in the words of Zoroaster, “rebounding, whirling forth, crying aloud”.
It has been the custom of publishers or designers of packs to set their personal seal upon the Ace of Disks, for grammatical reasons not unconnected with the perhaps arbitrary differentiation in the Latin Language between the pronouns “meum” and “tuum”. Saith not the Bard?
“Steal not this Book for fear of shame! The Ace of Disks-the Author’s name. The Ace of Swords-thy corpse shall look Like Agag’s did, in Samuel’s book. The Ace of Cups-drink thou no less Than Brinvilliers the Marchioness! The Ace of Wands-thy death be reckoned Like that of good King Edward Second!”
The central symbol of the Ace of Disks is consequently the personal Hieroglyph of “the chosen priest and apostle of infinite space”, “the prince-priest the Beast”. (Liber AL. 1.15.)
This is to be compared with the Sigillum Sanctum of the Order of A∴A∴
In the centre of all is yet another form of Tetragrammaton, the Phallus, showing Sol and Luna, with the number 666 duly inscribed, as if to equilibrate, to fit into the Vesica, with the seven sevens adding to 156 (BABALON 2 + 1 + 2 + 1 + 30 + 70 + 50=(7 + 7) divided by 7 + 77+ 77=156) as the Magick Square of 6 adds to 666 (1=62= TO MEGA QHRION 300 + 70 + 40 + 5 + 3 + I + 9 + 8 + 100 + 10 + 70 + 50=]Vyrt 400 + 200 + 10 + 6 + 50). Should one choose to interpret the vertical line above 666 as 1, and add it, the number of the Scarlet Woman, 667, appears. (667 = H KOKKINH GUNH =8 + 20 + 70 + 20 + 20 + 10 + 50 + 8 + 3 + 400 + 50+ 8.) This cipher is enclosed in a Heptagram, as manifestly needful; and this figure again in interlaced Pentagons whose sides are extended, so forming a Wheel of 10 spokes whose boundary is a Decagon; and this again within a circular band, upon which is inscribed in full the name TO MEGA QHRION, of 12 (6 x 2) letters.
About this whirling Disk are its six Wings; the entire symbol is not only a glyph of Earth as understood in this New Aeon of Horus, but of the number 6, the number of the Sun. This card is thus an affirmation of the identity of Sol and Terra-and that will be best understood by those who have punctually practised Liber Resh for the necessary number of years, preferably in such Hermitages as those of the Sahara Desert, where the Sun and the Earth can soon be instinctively recognized as living Beings, one’s constant companions in a Universe of Pure Joy. (From The Book of Thoth)
AI generated illustration for the Ace of Pentacles or Ace of Coins
Golden Dawn’s Book T
A WHITE Radiant Angelic Hand, holding a branch of a Rose Tree, whereon is a large Pentacle, formed of Five concentric circles. The Innermost Circle is white, charged with a red Greek Cross. From this White Centre, Twelve Rays, also white, issue: these terminate at the circumference, making the whole something like an Astrological figure of the Heavens. It is surmounted by a small circle, above which is a large white Maltese Cross, and with two white wings. Four Crosses and two buds are shewn. The Hand issueth from the Clouds as in the other three cases. It represents materiality in all senses, good and evil: and is, therefore, in a sense, illusionary: it shows material gain, labour, power, wealth, etc.
Etteilla
Perfect contentment Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Perfect contentment, Happiness, Fortune, Rapture, Enchantment, Ecstasy, Wonder, Complete satisfaction, Unspeakable joy, Inexpressible pleasure, Red color, Perfect medicine, Solar medicine, Pure, Fulfillment. Reversed. Amount, Capital, Coin of great value. – Treasure, Wealth, Opulence. – Rare, Dear, Precious, Priceless.
I am old enough to remember a time when people did videos of tarot unboxings and would be shocked to discover that their deck had either unillustrated pips or different designs incompatible with the Rider-Waite-Smith tradition (which is not a tradition. I’ll come back to it)
In this regard, the average literacy of tarot enthusiasts has slightly increased in the last fifteen years or so. For whatever reason, people online still rave about the latest RWS clones, but they are also aware that the RWS is not THE tarot deck. It just happens to be a very popular variant.
As a matter of fact, its illustrated pips are probably the single major contributor to its success (it certainly wasn’t for Pamela Colman Smith’s talent or Waite’s approachable writing). Although the Waite deck is not the first to have illustrated minors (the the Sola Busca has this honor, and centuries later also the Tarot of the Master) it was the one which, after a couple of decades of obscurity between World Wars, accompanied the New Age-themed Tarot revival that lasts to this day.
The Waite deck essentially redifined tarot for decades as needing illustrated pips. People have come up with all sorts of fantastic interpretations of the most minute and inconsequential details found in the pips. We also have a relatively consolidated tradition that has nothing to do with Waite’s (or Smith’s) vision, such as for instance the Eight of Pentacles being the apprentice card, the Nine of Pentacles being basically the strong independent woman who don’t need no man card, the Seven of Swords as the thief card and so on.
This, I must confess, I find very amusing, considering Waite’s own attitude toward the minor arcana. Whoever takes the time to wade through Waite’s turgid prose quickly finds out that Waite couldn’t care less about the minor arcana in his deck (so much so that he had them almost completely eliminated from his later deck, the so-called Waite-Trinick)
Waite had been a member of the Golden Dawn, and as such he must have had to draw or color in his own deck at some point or another. He was instructed in the Golden Dawn system, wherein the pips (except the aces) are assigned to the decans of the zodiac (usually the Picatrix version) and given titles. So, for instance, the Two of Wands is the Lord of Dominion (and, lo and behold, the Two of Wands in the Waite deck has a lord observing his own dominion.)
All this is no secret, and has been discussed at length already. However, what is often not discussed enough is how scathing Waite’s attitude was toward both the Golden Dawn system and the minor arcana in general. He clearly believed that the Major Trumps were a separate, mystical device that had been merged with a regular playing deck with no meaning whatever. He certainly was intelligent enough to see that the Golden Dawn system was essentially made up and had no historical authenticity to it (though this is not to say one cannot work with it. Symbols are symbols.)
It is for this reason that he notoriously “spoon-fed” Smith the design of the Major Trumps. Because he deeply cared about them, or at least about his own interpretation of them. As far as the minor arcana are concerned, he generally had Smith follow the Golden Dawn system in illustrating the names of the pips.
This is clear when we read Waite’s interpretation of cards such as the Five of Pentacles, where the meaning of the Golden Dawn card (Lord of Material Trouble) cannot be harmonized with the other sources Waite draws from (such as Etteilla, for whom the Five of Coins is the Lovers card). That is, Waite seeks to find a harmony of the various meanings, but when this is impossible, he goes with the Golden Dawn variant, though not out of true conviction that the system is valid. He also very likely left Smith more creative freedom in decorating a bunch of cards he felt were useless distractions.
So what we have today is people finding meaning into something that never was intended to have much meaning in the first place. Surely it must be one of the great ironies of history that one of the most radical developments in the structure of the tarot, i.e., illustrated pips, came about not because the inventor cared about pip cards, but because he didn’t.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Page of Pentacles from the BOTA (Builders of the Adytum) tarot deck
Paul Foster Case (and Ann Davies)
The time pe r iod is from Decembe r 21 t o March 21, which encompasses the three signs of the winter quarter, Capricorn, Aquariusand Pisces, ruled by Saturn, Saturn- Uranus and Jupiter- Neptune. Well-Dignified: good command in practical matters; ability to see the principles be hind physical plane situations and phenomena; a young person of either sex, friendly to the Querent. Usually a friendly disposition with some leaning to the occult or a touch of psychic ability in the make-up. Generous, diligent, compassionate. lll-Dignified: more or less in bondage to material matters; inability to see beyond physical plane phenomena . A young person unfriendly, dull, wasteful, thoughtless, self-centered. If interested in the occult, it is usually for the sake of furthering selfish ends. Dark eyes and rich brown hair. (From the Oracle of Tarot course)
A. E. Waite
A youthful figure, looking intently at the pentacle which hovers over his raised hands. He moves slowly, insensible of that which is about him. Divinatory Meanings: Application, study, scholarship, reflection another reading says news, messages and the bringer thereof; also rule, management. Reversed: Prodigality, dissipation, liberality, luxury; unfavourable news. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Princess of Disks, the last of the Court cards, represents the earthy part of Earth. She is consequently on the brink of transfiguration. She is strong and beautiful, with an expression of intense brooding, as if about to become aware of secret wonder.
Her crest is the head of the ram, and her sceptre descends into the earth. There its head becomes a diamond, the precious stone of Kether, thus symbolizing the birth of the highest and purest light in the deepest and darkest of the Elements. She stands within a grove of sacred trees before an altar suggesting a wheatsheaf, for she is a priestess of Demeter. She bears within her body the secret of the future. Her sublimity is further emphasized by the disk which she bears; for in the centre thereof is the Chinese ideogram denoting the twin spiral force of Creation in perfect equilibrium; from this is born the rose of Isis, the great fertile Mother.
The characteristics of an individual signified by this card are too various to enumerate; one must summarize by saying that she is Womanhood in its ultimate projection. She contains all the characteristics of woman, and it would depend entirely upon the influences to which she is subjected whether one or another becomes manifest. But in every case her attributes will be pure in themselves, and not necessarily connected with any other attributes which in the normal way one regards as symbolic. In one sense, then, her general reputation will be of bewildering inconsistency. It is rather like a lottery wheel from which the extraction of any number does not predict or influence the result of any subsequent operation. The fruit of the Philosophy of Thelema is enjoyed, rare, ripe, nourishing and vitalizing at its highest and fullest in this meditation; for to the adept every turn of the wheel is equally probable, and equally a prize; for every Event is “a play of Nuit”.
In the Yi King the earthy part of Earth is represented by the 52nd hexagram, Kan. The meaning is “a mountain”; of how sublime a significance is this Chinese doctrine of Balance, and how closely congruous with that of the Holy Qabalah!
The mountain is the most sacred of all terrestrial symbols, stark, rugged, and immoveable in its aspiration to the Highest, thrust up as it is by the Titan energy of Hidden Fire. It is no less an hieroglyph of the Inmost Godhead than the Phallus itself, even as Capricornus, the sign of the New Year, is exalted in the Zodiac, its deity autochthonous no less than the Most Holy Ancient One himself.
It is essential for the Student to trace this doctrine for himself in every symbol: Air, the elastic and flexible, yet all-pervading and the element of combustion; Water, fluid yet incompressible, the most neutral and composed of all components of living matter, yet destructive even of the hardest rocks by physical assault, and irresistible in its burning power of solution; and Fire, so kin to Spirit that it is not a substance at all, but a phenomenon, yet so integral to Matter that it is the very heart and essence of all things soever.
The characteristic of Kan in the Yi King is rest; each line of the comment describes repose in the parts of the body in turn, and their effects; the toes, the calves, the loins, the spine, and the jaws.
This chapter is a close parallel in this respect, line by line, with the 31st, Hsien, which begins the second section of the Yi.
The Rosicrucian doctrine of Tetragrammaton could hardly be more adequately stated-to every ear that is to heavenly harmony attuned.
“There’s not a planet in the firmament But in his motion like an angel sings, Still quiring to the young-eyed cherubim; But while this muddy vesture of decay Doth wrap us round, our nature cannot hear it.
Let every student of this Essay, and of this book of Tahuti, this living Book that guides man through all Time, and leads him to Eternity at every page, hold fast this simplest, most far-reaching Doctrine in his heart and mind, inflaming the inmost of His Being, that he also, having explored each recess of the Universe, may therein find the Light of Truth, so come to the Knowledge and Conversation of the Holy Guardian Angel, and accomplish the Great Work, attain the Summum Bonum, true Wisdom and perfect Happiness! (From the Book of Thoth)
A medieval looking AI-generated illustration for the Page of Pentacles
Golden Dawn’s Book T
A STRONG and beautiful Amazon figure with rich brown hair, standing on grass or flowers. A grove of trees near her. Her form suggests Hebe, Ceres, and Proserpine. She bears a winged ram’s head as a crest: and wears a mantle of sheepskin. In one hand she carries a sceptre with a circular disk: in the other a Pentacle similar to that of the Ace of Pentacles. She is generous, kind, diligent, benevolent, careful, courageous, persevering, pitiful. If ill dignified she is wasteful and prodigal. She rules over one quadrant of the heavens around the North Pole of the Ecliptic. Earth of Earth
Etteilla
Brown-haired boy Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Brown-haired Boy, Study, Instruction, Application, Meditation, Reflection. – Work, Occupation, Apprenticeship. – Schoolboy, Disciple, Pupil, Apprentice, Amateur, Student, Speculator, Shopkeeper. Reversed. Profession, Superfluity, Width, Luxury, Lavishness, Magnificence, Abundance, Multiplicity. – Liberality, Beneficence, Generosity, Beneficence. – Crowd, Multitude. – Degradation, Dilapidation, Squandering, Dissipation.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Page of Wands in the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time p e riod corre la t e d with this Key is the whole first quarter of the zodiac from March 21 to June 21 inclusive, including Aries, Taurus and Gemini. The specific Divinatory meanings involved are: Well Dignified: a young person, youth or girl; brilliant mind, courageous disposition , perhaps given to sudden anger and desirous of power. Capable of great enthusiasm. lll Dignified: Revengeful at the least opposition, headstrong, theatrical, unstable, domineering and decidedly superficial. This Key often stands for a messenger. (From the Oracle of Tarot course)
A. E. Waite
In a scene similar to the former (i.e., of the Knight of Wands), a young man stands in the act of proclamation. He is unknown but faithful, and his tidings are strange. Divinatory Meanings: Dark young man, faithful, a lover, an envoy, a postman. Beside a man, he will bear favourable testimony concerning him. A dangerous rival, if followed by the Page of Cups. Has the chief qualities of his suit. He may signify family intelligence. Reversed: Anecdotes, announcements, evil news. Also indecision and the instability which accompanies it. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Princess of Wands represents the earthy part of Fire; one might say, she is the fuel of Fire. This expression implies the irresistible chemical attraction of the combustible substance. She rules the Heavens for one quadrant of the portion around the North Pole.
The Princess is therefore shewn with the plumes of justice streaming like flames from her brow; and she is unclothed, shewing that chemical action can only take place when the element is perfectly free to combine with its partner. She bears a wand crowned with the disk of the Sun; and she is leaping in a surging flame which re-calls by its shape the letter Yod
This card may be said to represent the dance of the virgin priestess of the Lords of Fire, for she is in attendance upon the golden altar ornamented with rams’ heads) symbolizing the fires of Spring.
The character of the Princess is extremely individual. She is brilliant and daring. She creates her own beauty by her essential vigour and energy. The force of her character imposes the impression of beauty upon the beholder. In anger or love she is sudden, violent, and implacable. She consumes all that comes into her sphere. She is ambitious and aspiring, full of enthusiasm which is often irrational. She never forgets an injury, and the only quality of patience to be found in her is the patience with which she lies in ambush to avenge.
Such a woman, ill-dignified, shews the defects of these qualities. She is superficial and theatrical, completely shallow and false, yet without suspecting that she is anything of the sort, for she believes entirely in herself, even when it is apparent to the most ordinary observer that she is merely in the spasm of mood. She is cruel, unreliable, faithless and domineering.
In the Yi King, the earthy part of Fire is described by the 27th hexagram, i. This shows a person omnivorous in passion of whatever kind, entirely reckless in the means of obtaining gratification, and insatiable. The Yi commentary is packed with alternate warning and encouragement. (From The Book of Thoth)
AI generated illustration for the Page of Wands
Golden Dawn’s Book T
A VERY strong and beautiful woman with flowing red-gold hair, attired like an Amazon. Her shoulders, arms, bosom and knees are bare. She wears a short kilt reaching to the knee. Round her waist is a broad belt of scale-mail; narrow at the sides; broader in front and back; and having a winged tiger’s head in front. She wears a Corinthian-shaped helmet and crown with a long plume. It also is surmounted by a tiger’s head, and the same symbol forms the buckle of her scalemail buskins. A mantle lined with tiger’s skin falls back from her shoulders. Her right hand rests on a small golden or brazen altar ornamented with ram’s heads and with Flames of Fire leaping from it. Her left hand leans on a long and heavy club, swelling at the lower end, where the sigil is placed; and it has flames of fire leaping from it the whole way down; but the flames are ascending. This club or torch is much longer than that carried by the King or Queen. Beneath her firmly placed feet are leaping Flames of Fire. Brilliance, courage, beauty, force, sudden in anger or love, desire of power, enthusiasm, revenge. If ill dignified, she is superficial, theatrical, cruel, unstable, domineering. She rules the heavens over one quadrant of the portion around the North Pole. Earth of Fire
Etteilla
Foreigner Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Stranger, Unknown, Extraordinary. – Strange, Unusual, Unheard of, Surprising, Admirable, Wonderful, Prodigy, Miracle. – Episode, Digression, Anonymous. Inverted. Announcement, Instruction, Warning, Admonition, Anecdotes, Chronicle, History, Tales, Fables, Notions, Teaching.
The Page of Cups in the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
In divination this Key suggests the warmth, radiance and the generous productivity of summer. Thus the Page of Cups indicates a radiant, generous, youthful personality of either sex. The time period is from the first decanate of Cancer, June 21, through the last decanate of Virgo, September 22 – the entire summer season. Well Dignified: the character is sweet, poetical, gentle and kind; fond of home and all that it stands for; imaginative, dreamy, yet with a good deal of latent courage; friendly to the Querent and will further Querent’s hopes and wishes. lll Dignified: may still show or profess friendship, or even wish to be of help, but the character is unstable, too indolent to be of real service and probably prone to promise far more than he can perform. (From the Oracle of Tarot course)
A. E. Waite
A fair, pleasing, somewhat effeminate page, of studious and intent aspect, contemplates a fish rising from a cup to look at him. It is the pictures of the mind taking form. Divinatory Meanings: Fair young man, one impelled to render service and with whom the Querent will be connected; a studious youth; news, message; application, reflection, meditation; also these things directed to business. Reversed: Taste, inclination, attachment, seduction, deception, artifice. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Princess of Cups represents the earthy part of Water; in particular, the faculty of crystallization. She represents the power of Water to give substance to idea, to support life, and to form the basis of chemical combination. She is represented as a dancing figure, robed in a flowing garment on whose edges crystals are seen to form.
For her crest she wears a swan with open wings. The symbolism of this swan reminds one of the swan in oriental philosophy which is the word AUM or AUMGN, which is the symbol of the entire process of creation. [See, for a full analysis and explanation of this Word, Magick, pp. 45.]
She bears a covered cup from which issues a tortoise. This is again the tortoise which in Hindu philosophy supports the elephant on whose back is the Universe. She is dancing upon a foaming sea in which disports himself a dolphin, the royal fish, which symbolizes the power of Creation.
The character of the Princess is infinitely gracious. All sweetness, all voluptuousness, gentleness, kindness and tenderness are in her character. She lives in the world of Romance, in the perpetual dream of rapture. On a superficial examination she might be thought selfish and indolent, but this is a quite false impression; silently and effortlessly she goes about her work.
In the Yi King, the earthy part of Water is represented by the 41st Hexagram, Sun. This means diminution, the dissolution of all solidity. People described by this card are very dependent on others, but at the same time helpful to them. Rarely, at the best, are they of individual importance. As helpmeets, they are unsurpassed. (From the Book of Thoth)
A cutesy AI generated illustration for the Page of Cups
Golden Dawn’s Book T
A BEAUTIFUL Amazon-like figure, softer in nature than the Princess of Wands. Her attire is similar. She stands on a sea with foaming spray. Away to her right a Dolphin. She wears as a crest a swan with opening wings. She bears in one hand a lotus, and in the other an open cup from which a turtle issues. Her mantle is lined with swans-down, and is of thin floating material. Sweetness, poetry, gentleness and kindness. Imaginative, dreamy, at times indolent, yet courageous if roused. When ill dignified she is selfish and luxurious. She rules a quadrant of the heavens around Kether. Earth of Water
Etteilla
Blond boy Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Blond Boy, Scholar. – Study, Application, Work, Reflection, Observation, Consideration, Meditation, Contemplation, Occupation. – Craft, Profession, Employment. Reversed. Tendency, Inclination, Inclination, Attraction, Taste, Sympathy, Passion, Affection, Attachment, Friendship. – Heart, Want, Desire, Attraction, Promise, Seduction, Invitation, Attraction. – Flattery, Moine, Ruffianry, Flattery, Praise, Praise. – In decline, threatening ruin, tending to the end.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Knight of Swords from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period is from the beginning of the third decanate of Taurus to the end of the second decanate of Gemini, May 11 to June 10. Meanings: youngish man; some talent for governing; materialistic, with some artistic appreciation; active, clever, skillful in management. Well-Dignified: favorable to querent and his enterprises Ill-Dignified: Inimical, domineering, overvalues small things, crafty. Dark hair and eyes. (From the Oracle of Tarot course)
A. E. Waite
He is riding in full course, as if scattering his enemies. In the design he is really a prototypical hero of romantic chivalry. He might almost be Galahad, whose sword is swift and sure because he is clean of heart. Divinatory Meanings: Skill, bravery, capacity, defence, address, enmity, wrath, war, destruction, opposition, resistance, ruin. There is therefore a sense in which the card signifies death, but it carries this meaning only in its proximity to other cards of fatality. Reversed: Imprudence, incapacity, extravagance. (From The Pictorial Key to the Tarot)
Aleister Crowley
(Note: Crowley and the Golden Dawn made a mess with the kings and knights) This card represents the airy part of Air. With its particular interpretation, it is intellectual, it is a picture of the Mind as such. He rules from the 21st degree of Capricornus to the 20th degree of Aquarius.
The figure of this Prince is clothed with closely woven armour adorned with definite device, and the chariot which bears him suggests (even more closely) geometrical ideas. This chariot is drawn by winged children, looking and leaping irresponsibly in any direction that takes their fancy; they are not reined, but perfectly Capricious. The chariot consequently is easy enough to move, but quite unable to progress in any definite direction except by accident. This is a perfect picture of the Mind.
On the head of this Prince is, nevertheless, a child’s head radiant, for there is a secret crown in the nature of this card; if concentrated, it is exactly Tiphareth.
The operation of his logical mental processes have reduced the Air, which is his element, to many diverse geometrical patterns, but in these there is no real plan; they are demonstrations of the powers of the Mind without definite purpose. In his right hand is a lifted sword wherewith to create, but in his left hand a sickle, so that what he creates he instantly destroys.
A person thus symbolized is purely intellectual. He is full of ideas and designs which tumble over each other. He is a mass of fine ideals unrelated to practical effort. He has all the apparatus of Thought in the highest degree, intensely clever, admirably rational, but unstable of purpose, and in reality indifferent even to his own ideas, as knowing that any one of them is just as good as any other. He reduces everything to unreality by removing its substance and transmuting it to an ideal world of ratiocination which is purely formal and out of relation to any facts, even those upon which it is based.
In the Yi King, the airy part of Air is represented by the 57th hexagram, Sun. This is one of the most difficult figures in the book, on account of its ambivalence: it means both flexibility and penetration.
Immensely powerful because of its complete freedom from settled principles, capable of maintaining and putting forward any conceivable argument, insusceptible of regret or remorse, glib to “quote Scripture” aptly and cunningly to support any thesis soever, indifferent to the fate of a contrary argument advanced two minutes earlier, impossible to defeat because any position is as good as any other, ready to enter into combination with the nearest element available, these elusive and elastic people are of value only when firmly mastered by creative will fortified by an intelligence superior to their own. In practice, this is rarely possible: there is no purchase to be had upon them, not even by pandering to their appetites. These may nevertheless be stormy, even uncontrollable. Faddists, devotees of drink, drugs, humanitarianism, music or religion, are often in this class; but when this is the case, there is still no stability. They wander from one cult or one vice to another, always brilliantly supporting with the fanaticism of a fixed conviction what is actually no more than the whim of the moment.
It is easy to be deceived by such people; for the manifestation itself has enormous potency: it is as if an imbecile offered one the dialogues of Plato. They may in this way acquire a great reputation both for depth and breadth of mind. (From The Book of Thoth)
A futuristic AI generated illustration for the Knight of Swords
Golden Dawn’s Book T
A WINGED King with Winged Crown, seated in a chariot drawn by Arch Fays, represented as winged youths very slightly dressed, with butterfly wings: heads encircled by a fillet with a pentagram thereon: and holding wands surmounted by pentagrams, the same butterfly wings on their feet and fillets. General equipment as the King of Wands: but he bears as a crest a winged angelic head with a pentagram on the brows. Beneath the chariot are grey nimbus clouds. His hair long and waving in serpentine whirls, and whorl figures compose the scales of his armour. A drawn sword in one hand; a sickle in the other. With the sword he rules, with the sickle he slays. Full of ideas and thoughts and designs, distrustful, suspicious, firm in friendship and enmity; careful, observant, slow, over-cautious, symbolizes GR:Alpha and GR:Omega; he slays as fast as he creates. If ill dignified: harsh, malicious, plotting; obstinate, yet hesitating; unreliable. Rules from 20 Degree Capricorn to 20 Degree Aquarius. Air of Air
Etteilla
Military Man Upright: This card, as far as the medicine of the spirit is concerned, means, in its natural position: Military Man, Man of Sword, Man of Arms, Fencing Master, Swordsman. – Soldier of any corps and weapon, Enemy Fighter. – Dispute, War, Combat, Battle, Duel. – Attack, Defense, Opposition, Resistance, Destruction, Ruin, Overthrow. – Enmity, Hatred, Anger, Resentment. – Courage, Valor, Bravery. – Satellite [= Attendant], Mercenary. Reversed: Inexperience, Inertia, Stupidity, Bestiality, Stupidity, Imprudence, Impertinence, Extravagance, Ridiculousness, Baggianity. – Scrounging, Fraud, Bricolage, Industry.
