Tag Archives: philosophy of language

Fantasy in Divination: A Double-Edged Sword

I’m currently still doing readings in exchange for recommendations for when I  decide to start offering readings from this site. After a short reading with a querent we began chatting about the process of divination, and he asked me if fantasy is required to interpret the cards. I thought this was a really great question. I’m taking fantasy as a synonym with imagination, that is, the ability to conjure up images in one’s mind.

First off, we need to distinguish fantasy/imagination from (true) intuition. True intuition is relatively rare and it does not originate from the limited structure of the personality. It is, for all intents and purposes, otherworldly. Before being appropriated by boss babes on TikTok, intuition was rightfully considered a gift of the gods. It is hard to obtain and even harder to train, although the practice of divination, as it leads to the divine, does allow for the development of intuition.

Fantasy or imagination is mostly the product of neurons bouncing together, and it is at least in good part under our control (though whether imagination is also merely a personal power is up for debate. Many occultists think it isn’t, and I agree.)

Imagination plays a large role in modern magic, and, it could be argued, in the magic of all times (though with different implications and within different frameworks), but I’ll leave this discussion for another time. The point is that imagination is one among the many legitimate sources of understanding that we have at our disposal, including in the occult world.

Ordinarily, if someone asked me what’s the one thing that is required in order to become a diviner, I would answer that they need to understand the vocabulary, grammar and syntax of what is essentially a divine language.

Yet, in philosophy of language, and even more in philosophy of science, there is a concept called underdetermination. In its most frequent use, the principle of underdetermination states that, given a number of facts, there exist more than one theory that can explain those facts and account for them. How we then choose the most appropriate theory has sparked a debate that largely goes on to this day between scientists, philosophers, psychologists and anthropologists.

Something similar happens with divination: given a spread of cards, or a chart, it is often the case that more than one explanation might appear plausible at first. True, the more cards we string together, the fewer the possible interpretations are, just as a single word out of context might mean many things, but the more words there are, the more we understand the sentence.

But take a sentence like “we saw her duck“. Was she avoiding a bullet or does she live on a farm? This is a form of underdetermination, because the possible mental images evoked by the sentence cannot be reduced to the sentence itself.

Probably if we had a perfect understanding of the language of divination we would get unambiguous results, but we don’t. We must therefore use logic and context to weed out the less likely predictions, yet even so we might be left with more than one possible image of the future in mind. The word image here is key.

Can we predict a future we cannot imagine? That is, can we predict a future (or reveal a past) that we cannot put in the form of a picture or series of pictures? If one asks me: would you be able to understand a sentence you’ve never heard before? The answer is: if I know the language, yes. We hear sentences we’ve never heard before everyday and we rarely have problems. But going back to “we saw her duck”, if I didn’t know that duck can also be a verb, I would interpret the sentence univocally, as I wouldn’t be able to create a mental image corresponding to the interpretation of “duck” as verb instead of noun.

In real world languages the ambiguity is often removed by clear context. But in divination context is not always clear, meaning it is harder to exclude possible interpretations, and we need to be capable of creating mental images of all the most likely interpretations of an oracle before choosing which one is the most likely.

We need to be able to extrapolate the many possible meanings a spread can have before submitting them to inquiry. The ability to construct mental images or scenes from the divination tool we are using is consequently incredibly important. In other words, yes, imagination is key in divination.

But the imagination I am talking about is not the unbridled imagination that so many mistake for intuition, and which usually leads either to error or to unverifiable predictions. Imagination is the ability to create possible images derived from our (limited) understanding of the medium we are using, so that we can then see which one is more likely to be accurate by finding testimonies in the spread or by asking the querent.

Like all other occult arts, divination therefore requires the cooperation of both sides of the brain (to which we may add the importance of bodily grounding, but that’s a matter for another post).

MQS