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Robert Fludd’s Geomancy – Book II Pt. 5

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Fludd discusses the meanings of Puer, Puella, Fortuna Major and Fortuna Minor.

Puer

in the First House, hope, marriage, the cheerful manner of a child, who loves nothing but to sing and spend time with music and the company of women.1
In the Second House, profits in commerce, good fortune, good profit, company of women, reception of debts.
In the Third House, joy on account of brothers and neighbors, charming and cheerful neighbors, a good journey, a good dream, and delightful news.

In the Fourth House, fights, no acquisition of the desired object, refusal of the thing that one desires, water.
In the Fifth House, joy, good children, news and letters, good news, pleasures, love, delights with women, musical instruments.
In the Sixth House, good servants, foolish women, children born from fornication, good animals, and long or prolonged illnesses.

In the Seventh House, evil and foolish women,2 fornication and bad company, marriage of children.
In the Eighth House, death and disease.
In the Ninth House, a journey by land, false belief, lewdness of the church.3

In the Tenth House, litigations over women, or for servants, or children in judgment or before a judge, (being in) the service of some master.4
In the Eleventh House, joy, luck, good love, love of women and men due to lewdness.5
In the Twelfth House, victory, a bad man, dangers, prisons, the failure of that which is equired about, good animals, strong and bad enemies.

In the Thirteenth House, joy and profits come from great people, letters, news, life, joy and travels.
In the Fourteenth House, danger but later a good end, drinking well, eating well, news and love.
In the Fifteenth House, temperance, profit in all things, and the completion of goods.6
In the Sixteenth House, all good.7

Note, when this figure is in the first house, it signifies a young man, handsome, and of good looks, with a fine beard, luxurious, fond of instruments and music, monks, hypocrites, and scholars.

Puella

In the First House, happiness of friends, food, having children, lewd and licentious words, lying, full of superfluous speech.8
In the Second House, profit, a tendency to extravagance.
In the Third House, love of relatives, good company, good relatives, much talk, weariness on the journey, and sometimes robbers.

In the Fourth House, profits in works of love, from father and mother,9 from inheritances, small fruits, talk, lewdness and dishonesty in the house.
In the Fifth house, happy children, news, letters, delights, superfluous words about lewdness, love of women, liars, and cowards.
In the Sixth House, evil women, disease of slaves, profit from animals, slaves (who are) full of boastful and lustful speech, diseases, that is, ulcers, swellings, bruises and the like.

In the Seventh House, marriage, profitable partners, women’s joys, many talkative and lustful women, harlots and dishonest women who touch others without merit.
In the Eighth House, the death of parents or sisters, inheritance from the dead, many words, the death of slaves in a foreign country.
In the Ninth House, profits on the way, sagacity, a man who loves joy and cheerfulness more than prayers and divine worship, dreams, news without much merit, good understanding in one’s teaching, singing, disturbance for the church.

In the Tenth House, happiness and profits on the way of one’s lord,10 good master and duties, but much talking done before.
In the Eleventh House, good friends, profit from slaves and beasts and good fortune, much talk, lust and fornication.
In the Twelfth House, talkativeness, profits from beasts and servants, enemies full of quarrels, beasts quite good.

In the Thirteenth House, profitable journey, profits from some lords.
In the Fourteenth House, good luck, profit from danger.
Note, when this figure is found in the First House, it denotes a man having a small body, and a short neck, a large head, teeth badly arranged, a fine intellect.

Fortuna Major

In the First House, thoughts of kings, treasures, old men, a man of good life, good fortune in all matters of profit and honor of the seeker, steadfastness, good hope.
In the Second House, wealth, profit, and especially from animals, a rich man, good luck, acquisition, joy, sense of gain.
In the Third House, good journey, but a little delayed, a good brother, good and rich relatives, a good dream, good news, joy, profit.

In the Fourth House, a good estate, the acquisition of the inheritance of great lords, treasures hidden in the earth, a good house, great advantage in all things stable,11 a good end, a good father and mother.
In the Fifth House, good children, good news, good letters, good love with wife, security of heart,12 change and honours.
In the Sixth House, long illness and pain, good animals, good servants, faithful and stable.

In the Seventh House, a good marriage, a good and chaste and prudent woman, great wealth, conquering one’s enemies, both in legal proceedings and in battles, strong and stable enemies,13 good in commerce, receiving one’s desire in other countries, the gathering of men and women.
In the Eighth House, rich enemies, riches from the dead, profits in a foreign country; where it is noted that this figure is good, but the house is terrible.
In the Ninth House, good journeys, though slow, good dreams.

In the Tenth House, good judgment, good decision in the place where the figure is duplicated, peaceful kings and kingdoms; a peaceful and firm state of the lords, the acquisition of one’s desire, reward and lasting honor from the lords.
In the Eleventh House, good fortune, noble and faithful friends, profits in trade, good hope of riches from the king and prince, joy and happiness.
In the Twelfth House horses, good and useful animals, a long and dangerous imprisonment, a dangerous disease, long debts, long tribulations, strong enemies14, evil for journeying.

In the Thirteenth House, a good journey and good fortune, acquisition from the king, absence, happiness in riches and joy.
In the Fourteenth House, deliverance from diseases, escape from prison and debts, good luck, sudden riches for the absent, good company, good friends and security in hope.
In the Fifteenth House, a good judgment, a good end, a good outcome for joys, and if it comes from good Witnesses, it will give the petitioner security in all good things, and the good is witnessed in the place (in the chart) where the figure is found.

Note, when Major is in the First House, it means an old man, a merchant of precious cloths, affable, of average stature, well dressed, good hair.

Fortuna Minor

in the First House, goodness, a good journey to princes and lords, a rich and fortunate man, also a king,15 a prince, a leader, a man of great authority, knowledge, good animals, a good and humble wife.
In the Second House, the acquisition of a house by a master or a great man, and indeed without effort.
In the Third House, good brothers, and wealth and profit from them, good neighbors, good knowledge and good faith, good travels, especially by sea, a good woman.

In the Fourth House, treasures of kings or magnates, good journeys to parents, noble inheritance, and acquisition of inheritance.
In the Fifth House, good children, good news, a good journey towards children, joy and comfort, useful journeys,16 pleasures and delights of nobles.
In the Sixth House, the insults of kings and princes and their injuries from other lords,17 as well as victory from them, fear of losing their dominion or kingdom, proud servants.

In the Seventh House, a good woman, beautiful and rich, but it will be doubtful that she will be destroyed by foolish love, murder committed by a great man, denotes to one’s son a noble marriage and good travels.18
In the Eighth House, the death of kings, or the fear of kings, so that he who has become a problem may fear them, and if Rubeus is found in the Seventh House, death due to loss of blood, it is not good to go out of the country or to travel, for imprisonment or violent death are to be feared.
In the Ninth House, a good journey, a good relationship with kings or superiors to obtain favor, a faithful man, of good faith and God-fearing.

In the Tenth House, a good king and a ruler with good virtues, victory, good for migration by sea and making journeys, the acquisition of property from a prince or king, acquisition thanks to the love of judges, profit and honor.
In the Eleventh House, good hope, good friends, good fortune, good company, good fortune in beasts and servants.19
In the Twelfth House, good animals, coming out of prison, poverty for the petitioner due to that, where the figure is duplicated, and especially in the Tenth House, it denotes the loss of the kingdom to the king, either due to himself or his children.

In the Thirteenth House, profits on the way, and receiving one’s wish from some lord.
In the Fourteenth House, a long life, good fortune, and profits in the business one hopes for.
In the Fifteenth House, a good result in all good things, a good end, good company, honor and glory.

Note, Minor in the First House signifies a king or queen, a handsome and brave man, clothed in scarlet, who likes to travel often, covered with gold.

MQS

Footnotes
  1. Puer and Puella are the two most confusing figures in traditional texts. Here we find mixed together attributions that, in contemporary geomancy, have been attributed to one or the other. ↩︎
  2. Fludd seems to attribute Puer to women, and since the Seventh House is the house of enemies, it causes the women to be evil. ↩︎
  3. Here seems to emerge the typical sexual theme that some today attribute to Puer. ↩︎
  4. Possibly meaning being subservient to another. ↩︎
  5. Possibly indicating homosexuality. ↩︎
  6. Puer cannot be the judge. ↩︎
  7. This is possibly the only time that Fludd discusses the Reconciler (also knwn as Judge of the Judge) ↩︎
  8. Similar traits are assigned by others to Puer. However, let us also not forget that in those times, sometimes women were considered deceitful by default. ↩︎
  9. Note that typically the Fourth House is assigned to the father and the Tenth to the mother. However, when considering one’s parents in general, they are both Fourth House matter, since the Fourth is the house of the family and the home. ↩︎
  10. “In via de Domino”. I don’t understand what this means. ↩︎
  11. Major is considered one of the most stable figures. ↩︎
  12. The heart is often assigned to the Fifth House, and Major gives steadfastness. ↩︎
  13. In this interpretation, the power of Fortuna Major is in favor of the enemy, ruled by the Seventh House. ↩︎
  14. In the Twelfth House, Major causes prison sentences to be steadfast, that is, long. ↩︎
  15. Fludd seems to attribute worldly honors more th Minor than to Major. ↩︎
  16. I don’t understand the connection to journeys. ↩︎
  17. possibly due to the negative effect of the house. ↩︎
  18. Much of what is said here is hard to understand logically. ↩︎
  19. The connection with animals and servants is odd. ↩︎

Robert Fludd’s Geomancy – Introduction Pt. 2

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Fludd describes the importance of purification, meditation and other practices in preparation to geomancy.

3. How a Geomancer Should Prepare Himself, So That the Intentions of His Mind May Be Clearly Emitted, and May Be United With the Senses by Means of Reason

It is thanks to our senses that we can see the geomantic points. Then, we compare these same points to the celestial [bodies] and the elements with our imagination.1 Finally, the hidden virtue, both of these points and of the figures arising from them proceeds from the correctness of the intellect, both active and passive,2 and consequently from the mind.

From all this follows that the human body must be regulated and governed in such a way that its more intellectual part may not be drowned by too much intercourse with the flesh, or become dulled, and that the imaginative or fantastic spirit may not be rendered dull and impure.3

Therefore, before this work is approached, let our fantastic spirit be clean, pure, unmoved and untroubled by cares, so that it may be made worthy of being trusted by the mind and intellect. Thus, such a spirit, most suitable for divination, will receive the light of the rays of the mind without any hindrance, and will depict the objects of truth in a mystical manner, as if in a mirror, and will cause the sensation and movement of the body to proceed exactly and to the degree to which the effect of the mind itself tends.4

When, therefore, we are safe and healthy in body, and not disturbed in mind, not weighed down by food or drink, not suffering from want or poverty, and not ruled by any vices of lust or anger, let us enter into this area of ​​prophecy. Let him also who wishes to use this art keep his spirit pure, both by quiet and religious meditation, and by moderate and temperate diet according to nature.5

This preparation is necessary for him who desires to foretell the truth of future things, either by the geomantic art, or by any other method, since without it no one can access true divination, for he who is languishing in a fantastical spirit6 will not attain the desired end, but will judge confusedly and indiscernibly.

Similarly, when we are filled with wine, our imaginative spirit, as if submerged in noxious vapors, hides and distorts the glory and truth of the rays of the mind, no differently than a thick cloud, or the earth raised in the middle of the air region, shields the glory of the sun from the eyes of the beholder, and produces a refraction of its rays. In this manner falsities will appear instead of truths, and in the very portion of the cloud the objects of the sun will be seen changed into an iridescent or multi-colored substance, and many phantasms will appear in the air, which are not such as they appear.7

Hence they say that the vassals of Amphariaus,8 as Philostratus testifies, ordered one who wished to divine future things, and to receive the oracles of God or of the mind, to abstain from food and wine for a whole day, or even for three days, if this could be conveniently done.

Thus we read that Ezra and Daniel, and even Moses himself, before they came to God, abstained from their wives for three days and washed their clothes: and so they did all this, at the command of God himself, of which we read Exod. 19 and Ezech. 44.9

And so also must he who desires to devote himself faithfully to this form of divination, be delighted not with carnal intercourse, but with spiritual union, not with wine, but with the light of the mind’s milk, not to be lavished with worldly riches, but with the infinite affluence of the divine intellect, not with junk, but to be filled with spiritual food.10

In an old French manuscript on occult Geomancy I found a confirmation of the above in these following words: “Before you get to the projection of the Geomantic points, I would like you to understand that they are not counted. Indeed, if you do this, nothing good or profitable will result from it, since this is knowledge based on the soul, and therefore the number of points is to be found in the will of the soul, and in no way be established according to the appetite of your senses.

It behooves him, therefore, who undertakes this work, to begin nothing, unless his heart is at peace, and his conscience is whole and healthy, and his spirit and soul are not troubled by any disturbances, so much so that he would not even wish worse for another than for himself.11

Finally, having been prepared in this way, let him trust in God, the teacher of knowledge, and beseech him with prayers, that by the power of that knowledge he may reveal to him the truth; having therefore carefully completed these things, it will be necessary to proceed immediately to the projection and arrangement of the points, etc.”

This author in no way disagrees with our opinion, but rather, on the contrary, seems to agree exactly with it.

4. It Is Not Sufficient for Divination That the Body and Flesh Should be Well Ordered. It is Also Necessary That the Rays of the Internal Soul Be Gathered Together

As concentrating a force generally increases its strength, so also it begets great weakness when it is dispersed.12 Thus we see that the rays of a candle in a confined room illuminate a place in a wonderful manner, since the narrowness of the place compresses and contracts the rays emitted by the flame to each other, so that they have a greater power in illumination. However, if that candle is placed in a larger room, its light is greatly weakened and darkened, because of the dispersion of its rays in a wide area.

In the same way, then, the soul (whose candlestick is the human body) spreads its rays in this or that business, nay, in infinite external things, for example, in lawsuits and legal affairs, in the art of medicine, in the care of family matters, in pain and sadness over a lost cause or the death of a friend, in anger or some unexpected adversity, in some art or knowledge and others of the like, or if he is also affected by the intercourse of concupiscence, the vice of drunkenness, the indulgence of gluttony, or other temptations of the flesh, he will be very weak and have little power to illuminate the body.

But truly, if all these soul-rays are reduced from external affairs to the internal economy of the Microcosm, and are drawn back to their center from the multitude, the force of the soul will be united, and that body, which was formerly dark and gloomy because of the rays, will be illuminated in a wonderful way, and thus the prophetic power in man will be far more effective than it was before.13

However, this reduction of the expanded rays of the soul into one cannot take place without the purification of the body, which is done in the manner mentioned above. As a result it is necessary above all things for him who wishes to claim the name of truth in Geomancy, that his soul should once again turn and reflect its scattered rays upon itself; since the chief virtue of this science consists in the illumination of the soul, in so far as true things are seen in its divine light, as in a mirror of truth, and are explained by the external observation of points in a mystical way through the guidance of the soul that turns its attention to this.

MQS

Footnotes
  1. By using the correspondences of the figures. ↩︎
  2. The concept of the ‘intellectus agens’ or Active Intellect is key to Neoplatonist spirituality both in Europe and in the Arab world, and has many similarities with some kabbalistic concepts. Generally, the Active Intellect was a universal form of intelligence that is not confined to one’s individual nature. Whether Fludd is referring to this or simply to the more active faculties of the human soul is unclear to me. The gist of his argument, however, is that the occult sciences, including Geomancy, rest on the highest principles, which makes them hard to access when one is not pure. ↩︎
  3. Imagination is depicted here as a valid aid to understanding, as long as it is in its pure form and not just mere fancy. ↩︎
  4. To put it simply, the body and the lower faculties of our nature must be ruled in such a way that they move in unison with the higher. Once this is accomplished, divination may take place successfully. ↩︎
  5. Old medicine was of the idea that an appropriate diet could only be prescribed based on one’s nature. There was no one-size-fit-all. As for meditation, Fludd is unlikely to refer to those forms of meditation that entered into the Western consciousness thanks to theosophy’s Eastern dabblings, and that have become commonplace today. The West used to have its forms of meditation. ↩︎
  6. possibly meaning someone who gives in to their fantasy without ruling it appropriately ↩︎
  7. It is impossible to read this passage without being reminded of Plato’s myths, especially that of the cave. ↩︎
  8. Possibly Amphiaraus, the mythological seer. ↩︎
  9. Here Fludd interprets passages from the Bible as episodes describing some higher form of divination. In a way, this is very true. ↩︎
  10. Here Fludd proposes a series of alternatives to ‘lower’ forms of pleasure that may seem rethorical at first, but on closer inspection aren’t. Such ‘substitutions’ are typical of many occult training curricula. ↩︎
  11. Ill-wishing is part of the things that weigh the soul down. ↩︎
  12. The same pressure applied on a wider surface disperses it. ↩︎
  13. This process of ‘unification’ is the same that has been typical of Neoplatonism since (at least) Plotinus, and which has been described, within a Christian context, by the German mystics (Meister Eckhart and his disciples) who described the Seelengrund (ground of the soul) as the point of contact of the individual soul with the universal presence of the divine. Fludd, living at the end of the Renaissance and its exaltation of humanity, gives us a slightly less mystical version of this idea, one geared toward increasing one’s knowledge through occult practices. ↩︎

The Geomancy of Peter of Abano – Book III Pt. 9

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Here Abano talks about the meanings of Caput Draconis and Cauda Draconis in the various houses.

Caput Draconis (The Dragon’s Head or North Moon Node)

Caput Draconis in the first house means good luck, noble people, wise people, leaders, captains, honor, dignity, a prelate.1
In the second it means good success, gaining wealth or dignity or money.
In the third it means noble brothers and sisters, lucky siblings, good through them, isolated gardens2, pleasures.

In the fourth it means good for the parents, inheritance, buildings, cities, citizens, noble people, good end to an issue.
In the fifth it means science, good children, gain and help through them.
In the sixth it means good servants, faithful servants, good officials, grave infirmity, melancholic infirmity,3 long fevers.

In the seventh it means honorable women, good marriage, good company, gain from noble people or from women and thanks to them.
In the eighth it means inheritance, goods gain from the dead, usefulness through women and noble people, gain through war and by violence against life, being beheaded.4
In the ninth it means honoring God, ecclesiastical dignity, religious people, noble people, good journeys, delay in coming back but with good results, a messenger with bad news, messenger bearing news of legal issues, ingeniousness in a noble science.

In the tenth it means the king, the emperor, the lord, a magistrate, dignity, honor, good regents and orators, noble people.
In the eleventh it means noble soldiers, captains, dignity, sublimation5, succeeding one’s lord, faithfulness, valor, good luck.
In the twelfth it means noble inheritance through the mother, honorable things for [or through] women, few enemies, weak enemies, certainty, fame.

In the thirteenth it means journeys, messengers, a king, lords, usefulness, gain, honor, dignity, friendship and good recoglientia.6
In the fourteenth it means coming back from a journey with dignity and mirth and gain, letters, positive answer, honors, dignity, usefulness.
In the fifteenth it means a good end to the question and strong hope.7

Cauda Draconis (The Dragon’s Tail or South Moon Node)

Cauda draconis in the first house means evil disposition of the querent or of the quesited, fear of death, being murdered.8
In the second it means wealth gain through illicit means, theft, violence.
In the third it means iniquity against siblings and relatives, remains, retaliations, killings on the streets.

In the fourth it means loss of inheritance, evil lands, evil people, betrayals, false rumors, destruction of a city or fortress.
In the fifth it means evil children or women, loss of children, danger during childbirth, loss of blood.
In the sixth it means evil servants, runaways, grave illness, bodily fluids, killing, desperation, damage.

In the seventh it means a harlot, vile marriage, evil company, unfaithfulness, betrayal, violence, enmity.
In the eighth it means fear of death for [or through] women, rumors, freedom from prison and from illness, loss through women, being killed, loss of blood and flobotomia.9
In the ninth it means being forced on a journey, loss, danger of death, toil, changing one’s religion, evil or false religious people, evil Christians,10 evil messengers, death during a journey.

In the tenth it means an evil lord, traitors of one’s country, iniquitous judges or orators, overthrowing tyrants, loss of dignity, destruction of one’s kingdom.
In the eleventh it means wrongful succession, betrayal, violence, rebellion, death of one’s lord.
In the twelfth it means hidden enemies of the kingdom, machinations, treason against one’s lord, assassinations both public and private, violence.

In the thirteenth it means betrayals during a journey, hate from noble people, the absent party doesn’t come back.
In the fourteenth it means toiling for gain and honor, bad luck, hatred from underlings and very evil enemies, overcoming one’s enemies,.
In the fifteenth it is the worst of all, eccept for doing evil things.11

MQS

Footnotes
  1. Possibly due to the Moon’s North Node connection with beginnings and with increase, as well as the connection of the term ‘head’ with leadership. ↩︎
  2. The text seems to say “giardini solati”, and I am not sure if it means isolated gardens or gardens in the sun or something else that escapes me. The connection with gardens is clear, as the Third House rules neighborhoods and therefore what’s around the house. ↩︎
  3. Illnessess were traditionally categorized based on the prevailing humor. ↩︎
  4. This is another excellent example of how to read the meaning of the figure into the meaning of the house. Caput Draconis is the head, and the Eighth House rules death, thus giving beheading (death by losing one’s head). Of course much depends on the question and the rest of the Shield. ↩︎
  5. This is not clear. ↩︎
  6. An archaic Italian word of whose meaning I am unaware. ↩︎
  7. Caput cannot be the Judge. ↩︎
  8. It is usually said that Cauda being in the First House is enough to break the figure. However, here Abano gives us coherent interpretations. Most of them are very dramatic, but it’s the principle that counts and needs to be assimilated. ↩︎
  9. A term belonging to the vocabulary of Medieval medicine. I do not know what it means. ↩︎
  10. Probably to be interpreted as evil believers in general, nowadays. ↩︎
  11. Cauda cannot be the Judge. ↩︎

The Geomancy of Peter of Abano – Book III Pt. 6

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Here Abano examines some of the meanings of Puer and Puella in the various houses.

Puella

Puella in the first house means happy things, fleeing from adversity, singing, dancing, usefulness, younger siblings or dead siblings.1
In the second it means usefulness for women and for merchandise, good luck, clothes.
In the third house it means love between siblings and relatives, good friends, usefulness through them.

In the fourth it means fighting over inheritance, difficulty in whatever you wish to gain from your father or mother,2 hiding secrets, good profession.
In the fifth house it means good messenger and letters, gaiety with children, obtaining your wish.
In the sixth house it means lovesickness,3 good servants, harlots, fornication, lasciviousness.

In the seventh it means a marriage of love,4 lucky marriage, lascivious women, lack of stability.
In the eighth it means death of small children, arms and swords.5
In the ninth it means usefulness through travel, good change of place, gain through merchanidse, knowledge, good news.

In the tenth it means honor from lords, good servants, good things for powerful people, happiness, goodness in everything.
In the eleventh it means happiness from friends, good luck for sick people, gain, usefulness through injustice, good in everything.
In the twelfth it means being firm, scams, gain through animals, problems through servants and evil people and phony people.

In the thirteenth it means usefulness through travel and lords, happiness, good news, good messenger.
In the fourteenth it means freedom from danger, usefulness, happiness, gain through toil.
In the fifteenth it depends on the other figuers, depending on where they fall.6

Puer

Puer in the first house means happiness, hope of gain, having kids, obtaining your wish, money.7
In the second it means gain through merchandise, selling, abundance, obtaining the wish.
In the third it means discord among siblings and relatives, gain with difficulty and with company, difficulties, useless dream.

In the fourth it means controversy, fighting, discord, rumors about the father or mother due to inheritance, it brings to light the hidden, useful strategies.
In the fifth it means happiness, false messenger, fights, wealth from minors.
In the sixth it means fled servants, dishonest women, danger from giving birth, male child.

In the seventh it means illegal marriage, harlots, dirty words, useful company.
In the eighth it means death of an enemy or of a minor, inheritance, fraud, if with Rubeus8 it means wounds and loss of blood.
In the ninth it means long travel, reunion, false science and false people, false news.

In the tenth fight, bad judge, dishonor, one’s lord is too credulous, loss of dignity and wealth.
In the eleventh it means false soldiers, false friends, false churchmen, unfaithfulness, treason, contrarieties.
In the twelfth it means enemies, invasion, bad for journeying, subjects, the sick person is evil and a traitor.

In the thirteenth it means travel, impediments, murder, evil people, violence, eviction, loss of inheritance.
In the fourteenth it means evil company, false marriage, harlots, instability.
In the fifteenth it is always evil except in war.9

MQS

Footnotes
  1. This last correspondence escapes me. ↩︎
  2. Puella is usually presented as a positive, if weak, figure. Why it should cause strife over inheritance is not clear. In some Medieval books on Geomancy it seems as though Puer and Puella are often mixed together. ↩︎
  3. The connection of love, one of the meanings of Venus/Puella, with the sickness typical of the Sixth House, is rather smart here, and should be taken as example of how to derive meanings from the Figure-in-House combination. ↩︎
  4. That is, as opposed to a marriage of convenience or marriage for money, which were common back in the day. ↩︎
  5. This latter correspondence seems more plausible for Puer. ↩︎
  6. Puella cannot be the Judge. ↩︎
  7. Once again, this feels like a mix between Puer and Puella. ↩︎
  8. It is not clear where Rubeus should appear in order for Puer to be ‘with’ it. Perhaps in company. At any rate, it is an interesting comment as it reinforces the idea that the figures combine their meanings to give us a clearer picture of the situation. ↩︎
  9. Puer cannot be the Judge. ↩︎

The Geomancy of Peter of Abano – Book III Pt. 4

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Abano discusses now some of the meanings of Laetitia and Tristitia in the various houses.

Laetitia

Laetitia in the first house means king, priest, noble person,1 just people, good company, justice, faith, honors, good life.
In the second house it means increase of wealth, gain, obtaining what one wishes.
In the third it means good luck, science, inner goodness, amity, friendship with relatives, good siblings, just people, who fear God.

In the fourth it means inheritance, usefulness, obtaining what one wishes,2 just things, things that are occult or hidden or under the earth.3
In the fifth it means help from children, honor for one’s household, mirth, songs, dances, coming out of difficult situations, long life, obtaining one’s hope.
In the sixth it means servants, subjects, sickness through coldness and through envy, good success.

In the seventh it means good marriage, victory over enemies, good partnerships, usefulness, gain.
In the eighth it means gaining the wealth of dead people, usefulness, gain through marriage or friendship.
In the ninth it means travel for religious matters or science, faith, honor, counsel, gain through travel, change of place, talking to priests.

In the tenth it means honors, dignity, judges, congregation of clerics or lords and noblemen.
In the eleventh it means happiness through one’s friends, dignity, honor, gain through friends.
In the twelfth it means freedom from servitude and prison, travel in faraway lands, staying away a long time.

In the thirteenth it means usefulness through travel and prelates and churches, obtaining one’s wish.
In the fourteenth it means help from friends, gifts, good news in what one hopes to get, long life.
In the fifteenth it means good according to the other figures.4

Tristitia

Tristitia in the first house means difficulties, pain, problems, poverty, debts, evil fancy, desire to hurt, disgrace through merchandise.
In the second house it means difficulty in obtaining wealth, little gain through merchandise, poverty, dearth, damage in movable things.
In the third it means adultery, incest, fights and disorder with family members.

In the fourth house it means evil children,5 loss through trees and fruits, ruin for a city or castle, secret enmity, loss of inheritance, acquisition of secret things.
In the fifth it means little gain from merchandise, little happiness through children, false documents, you will gain what you want but you will lose it soon afterward, loss through fruit trees.6
In the sixth it means problems, difficulties, sickness (long), pain in the head, prison, poverty.

In the seventh it means dishonest women, unjust marriage, discord with friends, thieves, evil men, traitors.
In the eighth it means fear, problems, desperation, death, gain from the sick person, fury, malignity.
In the ninth it means problems traveling, delay, sickness, change of place for the worse.

In the tenth it means fall from grace, elevation of the inferior, loss of honor, exaltation of evil people.7
In the eleventh it means change, variety in friendship, misfortune in what we wish to gain, lack of help.
In the twelfth it means many great enemies, fear, problems, things ill done, damage, loss of animals and servants, death of the prisoner.

In the thirteenth it means change of place, travel, loss through lords or judges, loss of wealth.
In the fourteenth it means ill luck, loss, toil, misfortune due to enemies, dearth.
In the fifteenth it always bodes ill, except for rain and stability.8

MQS

Footnotes
  1. because of Laetitia’s connection with the noble side of Jupiter. ↩︎
  2. Likely due to the Fourth House’s connection with the end of the matter. ↩︎
  3. It probably means that such things are obtained, unearthed etc., due to Laetitia’s connection with upward movement. ↩︎
  4. Laetitia cannot be the Judge. Abano assigns meanings to every figure in every house, including the Judge, even though only eight of the sixteen figures can become Judge. I don’t know why this is the case, whether it is due to a blind, an oversight, a lack of understanding, or a simple “stylistic exercise”, so to speak. Considering Abano’s intellectual prowess and great education, I doubt he wasn’t aware of the fact that Laetitia and other figures cannot be the Judge. ↩︎
  5. The connection of the Fourth House with children escapes me. ↩︎
  6. The Fourth House is the ‘orchard’, the Fifth are the orchard’s wealth, i.e., its fruits. ↩︎
  7. I find some of these interpretations extremely ingenious, and worthy of attention. The Tenth House indicates honor and elevation, but Tristitia indicates lowliness and evil, so the combination of the two can yield either a fall from grace or the elevation of someone who isn’t worthy of being elevated. ↩︎
  8. Tristitia cannot be the Judge. ↩︎

The Geomancy of Peter of Abano – Book III Pt. 1

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In a relatively straightforward passage, Abano gives the reader examples of what it may mean when a figure moves from one house to another.

To truly understand mutation and the variety of the figures, you need to consider the property of the figure, whether it be fortunate or not, entering or exiting, fixed or mobile, and judge according to its meaning the effect of the mutation, always keeping in mind the question, the quesited and the querent.
Another mutation1 to be kept in mind with its meaning in order understand better what has been said so far, is the one that happens to every figure as it changes from one house to another.

If the first figure changes to the second, and is good, fortunate, entering, it means gain, good luck for oneself, and when it is evil it means ill; if it moves to the third it bodes well for neighbors, relatives, traveling; when to the fourth, it means small losses, except if it is Cauda or if the question is about older relatives, friends and things fixed and immobile, endings, buildings and possessions; if to the fifth it’s excellent, except if it is Cauda; if to the sixth, it is very bad, except if it is Via or Cauda, or if the question is about sixth house matters; if to the seventh it has a very bad meaning, unless it is for seventh house matters, as said above, or unless it is Via or Cauda; if to the eighth it means ill luck, accident, loss, death, fear, except if you are asking about your enemy’s wealth or of the wealth of another person; if to the ninth it is good, unless it is Cauda or Rubeus, and if the question is about travel it won’t be made as scheduled; if to the tenth, it is very good, except if it is Via or Cauda; if to the eleventh it is also excellent; if to the twelfth, it is the worst of all, unless it is Cauda and in twelfth house questions.2

If the second figure moves to the third house, it means good luck and gain through siblings and relatives, or due to them, but if the figure is bad it shows the opposite; if it moves to the fourth it shows good outcomes in stable things, and through one’s older relatives; if to the fifth, it means well through messengers, letters, etc; when to the sixth it means infirmity, even of the family, and loss in moble things, and of servants. If it moves to the seventh, if it is good it means well, but if it is bad it shows loss through enemies or women, or games of chance,3 or thieves; if it moves to the eighth it shows that the absent party comes back with good news, and maybe the death of some relative, or loss depending on the angles of the chart; when it moves to the ninth it shows gain or loss from the church or through travel; if to the tenth it means gain from the profession or from one’s lords and good luck; if to the eleventh it shows good luck and good friends, and good luck from the community; if to the twelfth, it means one of his relatives will fall ill or be imprisoned, or shall lose wealth, but if the figure is good it shows buying animals, and things unthought of.

The third figure, when it moves to the fourth, shows gain or loss through relatives; when to the fifth, it shows happiness and new things, and messengers, clothes, etc. When to the sixth, it shows sickness, servitude, toil, small animals; to the seventh, it means copulation,4 change of place, fights, separation; when to the eighth it means gain or loss, death, fear; when to the ninth it means long travel, churches, religious people; when to the tenth it shows the army, profession, dominion, lordship, honor; when to the eleventh it means good luck, noble servants; when to the twelfth, prison, long sickness, retrieving lost animals or buying them.

When the fourth figure goes to the fifth it shows goods from one’s relatives or children, clothes, food, and other things of the home; when to the sixth, it means sickness in the family or animals, relatives, servants; when to the seventh it means getting married, a bandit coming back for you,5 the home becomes inimical; when to the eighth it shows inheritance, the absent party comes back; dying in one’s home country or home; to the ninth, it means death of a religious person, acquisition of church things; when to the tenth, honor of the house, lordship, honors, etc; when to the eleveth, it shows good luck in one’s home, family, congregation of friends, etc.; when to the twelfth, if good, it shows good things, but when bad it means sickness, long prison sentences, toil, difficulties in one’s home or country, or through one’s relatives.

When the fifth figure goes to the sixth house, it means sickness through being hexed6 or food, or issues with children, or messengers, or animals; when to the seventh, it means marrying off one’s child, merchandise, fights, enemies rejoicing, problems with children or a woman giving birth; to the eighth, problems and death of one’s child, or [acquiring] other people’s wealth, and the absent party is doing well; when to the ninth, a child entering the clergy, long travel, happiness and gain, a churchman having a child, gain from things of the church; to the tenth, it means a happy mother, lordship or [happiness] of one’s lord; when to the eleventh it means good news for the child, and a messenger resolving all kinds of issues, and friends are happy for or with the querent; to the twelfth it means sickness or imprisonment for the child, large animals and a prisoner or wayfarer who is doing well.

When the sixth moves to the seventh house, it means sickness, wrath, problems through small animals, servants or one’s wife or other people; when to the eighth, it means death of animals or servants, loss of wealth, sickness of the absent party, and servants helping one’s enemies; when to the ninth, it means a journey full of issues, and sickness during the journey, or a sick churchman, occupation, problems with the church; when to the tenth, it means sickness and problems, but also having good and faithful [servants?], obtaining a lordship; when to the eleventh it means sickness of self or of a friend, or contrarieties with friends; when to the twelfth it means sickness of great animals, loss through them, prison, pilgrimage.

When the seventh goes to the eighth house, if it is good, it means good things for the absent party, but if bad, death, loss and issues for those represented by the seventh; when to the ninth, it means the absent party will come back, the bandit goes away, the querent gets married, the enemy makes peace, long travel, religious people, or a churchman becomes your enemy; to the tenth, the lord gets married or becomes inimical, lordship, honors; when to the eleventh it means a friend becomes an enemy, and what’s good for him is bad for you, the partner won’t keep his promise, the thief is a false friend, the marriage or partnership is changeable; when to the twelfth loss of animals through enemies, or due to sickness of animals, and prison, and the prisoner gets married, problems during a pilgrimage, long pilgrimage, betrayal from hidden enemies.

The eighth figure, when it goes to the ninth house, means wealth, help from the church, death of a priest, travel full of fear and problems, the absent party is traveling; when to the tenth, it means death, occupation of stable things, the absent party comes back to the country; to the eleventh, it means death of a friend, gain through a dowry, inheritance, misfortune, loss through friends, good luck of the absent party if the figure is good; when to the twelfth, it means the prisoner or sick person is seriously sick, death of the same, and of the wayfarer, and being imprisoned due to enemies.

When the ninth goes to the tenth, it means ecclesiastical dignity, increase of church things, an honorable journey or for religious purposes; when to the eleventh it means good luck in travel, good company or partnership, luck with friends and things of the church, recognition within the church; when to the twelfth it means issues while traveling, danger through horses, being imprisoned, the prisoner may be released, the wayfarer comes back, the horse is found, and this causes more or less trouble to the querent depending on how good or bad the figure is.

When the tenth figure goes to the eleventh it means good in all things, and one’s lord or master is good and friendly, the year abundant; when to the twelfth it means prison, sickness, one’s enemies are not seen in a good light, and are hated by your friends and by your masters.

When the eleventh goes to the twelfth it means sickness, prison, adversities, problems, and one’s hidden enemies are lucky, and all is good for the querent.

MQS

Footnotes
  1. It is rather typical, in premodern occultism, to use the same word to signify different things depending on the context. ↩︎
  2. The general principle in judging the mutation of one figure to another house is whether it bodes well for the question at hand and whether the figure accords with the question and is fortunate. As such, in Abano’s example, a figure moving from the first to the seventh is unfortunate because it oppses itself, but the same movement is positive if the question is about Seventh House matters (marriage, alliances, etc.) ↩︎
  3. Gambling is often seen as a Fifth house matter, but in this case the relationship with the Seventh House is through the fact that we are playing against ‘other people’. ↩︎
  4. it is not clear why the conjunction of Third House and Seventh House matters should produce sex. ↩︎
  5. ‘Ritorna il bandito’. Bandito is an ambiguous word in Italian, as it can mean both bandit and banished. In this case it is probably the latter meaning which is relevant: someone who has been banished will come back. ↩︎
  6. ‘per fature’, similar to the current Italian word ‘fattura’, which in this context would mean a hex. It is possible the word has another meaning which escapes me. ↩︎

The Geomancy of Peter of Abano – Book II Pt. 8

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In this chapter, Abano discusses what happens when a figure changes from one house to another, and also geomantic perfection.

It is very necessary that you know how figures change from one place to another, as shown above,1 for it is of great signification. We have three species of mutation: Mutation, Translation, Occupation and Conjunction. Mutation is when the first figure of the querent is found in other houses such as the third or ninth or other places, whether near to or far from the house that signifies the quesited.2 Similarly, Mutation is when the quesited does the same with the querent.

For instance, let there be a question about a sick person, who wants to know whether he shall heal. In this case the first is the querent and the sixth his being sick, and the eighth is death, and the tenth is the house of well-being and the twelfth the house of the graveyard. If the first goes to the third and also to the tenth or eleventh, this is a mutation of place; and similarly if the sixth goes to the ninth or eleventh house, this is also a mutation.

And Mutation has a double meaning, because depending on where it happens it changes its signification and virtue for good or ill depending on the house. If the said figures are in the tenth, which means well-being, or the eleventh which is next to the tenth, it means healing, especially if it is both in the tenth and the eleventh; but if the first or sixth goes to the eighth it means dying, or if to the twelfth also, because it means the graveyard, especially if the figures are earthy and unfortunate.

Another example. Let there be a question about whether one shall have the woman he desires. The first is the querent and the seventh the quesited. If the first, being fortunate, moves to the fourth and the seventh, similarly fortunate, moves to the third, he shall have her, because both figures are fortunate and they are next to each other: they have mutated place. However, this shows that he shall not have her at his place or even at hers, but it will happen in the house of a neighbor or relative of his, and this because both figures are found in the first four houses, which represent the querent. If it had been on her side of the chart, i.e., in the following four figures, it would have happened in the house of someone she knows. And if it were in the ninth, tenth and eleventh, in a distant place. But if the figures are unfortunate, it shows contrarieties, partly due to him and partly due to the persons signified by the houses involved. But if the figure is fortunate but it changes to the twelfth, it means he shall not have her due to hidden enemies.

Translation is when the first figure or the second, which is associated to it, moves to the house of the quesited or next to it, or vice versa. And if the figures are good and accompanied by good figures,3 it shows a happy end, but if it is a mixed bag, the greater part wins4. However, it is better when the translation is made by the first figure and not by the second.5 It is also a translation when the figure of the quesited is found in the house next to the querent, that is, the second. It is also a translation when the first or second are not only in the house before the the quesited, but also in the house afterward.

Example. If the question is about marriage, whether it will happen or not, and through what means, and the first figure is Acquisitio and the second Laetitia, which are both good (and the first is better), and the seventh is Albus and the eighth Laetitia, which is better than Albus, this all shows that the marriage will happen easily and will happen through one’s relatives, especially if the fourth and tenth are close to one another and to the second, which is airy, and to the querent and the first figure is found in the Witnesses. For instance:

Example of Geomantic Shield by Peter of Abano

Occupation can happen in two ways: the first is when the figure of the querent occupies the house of the quesited. For instance, if the question is about a (contested) inheritance and whether one shall have it or will need to get it from an enemy, and if the first figure is Albus and the same figure is found in the fourth house, which indicates houses, fields, possessions, inheritance and stable goods, this is called Occupation, because the first figure occupies the fourth house, i.e., that of the quesited. It indicates obtaining what you wish, especially because Albus is a good figure. No geomantic configuration is better than occupation, but only, again, if the figure is good.

Example of Geomantic Shield by Peter of Abano, 2


Even more does it indicate obtaining the quesited because Acquisitio is in the second house, which means gain, and the ninth and tenth are fortunate, being houses assigned to the querent.
Another way of occupation is when the house of the quesited is found to hold the opposite figure of that of the querent. So, for instance, if with Albus in the first, one should find Rubeus in the fourth. This is also a form of occupation, but this is a worse kind, especially if the figure of the quesited thus obtained is unfortunate.6

Conjunction is also of two kinds. The first is when the first moves next to the house of the quesited, or vice versa when the quesited moves next to the house of the querent, that is, in the second house. The second type of conjunction is when not only one finds the two figures together as just said above, but one finds them together also far away, that is, in the ninth, tenth or eleventh.

Example. The question is if one shall get back a lost or stolen item or a fugitive servant. The first figure is Major, which moves to the fifth house next to the sixth of the lost thing or the runaway servant. Major is a good, entering figure. Furthermore the sixth figure is found in the second house next to the querent. The judgment is therefore that one shall get back the lost item. Furthermore, the figure of the quesited is conjunct to the first in the second, which shows the querent’s gain, and things are further facilitated by the fact that the sixth house has Populus in it, which means the waxing Moon. Finally, it is even more fortunate because Populus is found in the tenth and Major in the ninth and eleventh, and even more so because the first is found in the Witnesses, and the sixth as the Judge.

Example of Geomantic Shield by Peter of Abano, 3

All these configurations are called conjunction, whereby the ninth figure is said to be conjunct the first and the second because it is born from them,7 and the tenth is conjunct the third and fourth because it is born from them, and the eleventh is conjunct the fifth and the sixth because it is born from them, and the twelfth is cojunct the seventh and eighth, because it is born from them. And furthermore the Right Witness is conjunct to the ninth and tenth because it is born from them, and the Left Witness is conjunct to the eleventh and twelfth, because it is born from them.8

Let’s make the example of one asking about a lost item, and the first figure is Major, which however does not move to the house of the lost item, nor does it conjunct it, but moves to the third house, and similarly the sixth figure, which is Acquisitio, does not conjunct the first immediately, but moves to the tenth house, wherefore one shall judge that he shall soon get the lost item back, because the figure of the querent is found in the third house and Conjunctio is in the fourth, and the sixth figure is Acquisitio and is found in the tenth, which is born from Major in the third and Conjunctio in the fourth.9 Therefore, querent and quesited are said to be in Conjunction, especially when they are fixed and fortunate and entering, and the Witnesses are the Judge are exiting, and this means a change of place of the quesited to the place where the figure is found.

Example of Geomantic Shield by Peter of Abano, 4


The reason for all these methods of Mutation or Translation and Occupation and Conjunction is that every time a figure moves from its original house, it is always found in the place wherein it moves, and not in its original place, because no change happens without cause and without meaning something. Nevertheless, always it maintains the meaning of the person or thing inquired about in their original place, only changing its fortune or misfortune and its time-frame (past or future) in the way we have discussed above.

However it is not always the case that a good figure diminishes its good fortune or a bad figure its bad fortune; in fact, sometimes it increases them, depending that it is found in a better Mutation or Conjunction, so that if the first moves by Translation or Conjunction in another place, or if it occupies it, the figure still indicates the person of the querent, but it shows greater virtue of said figure in the question inquired about, and it means a more particular effect than if it were found only in the first house.

The same is to be observed if the second figure goes next to the house of the quesited or moves to its exact house, or next to the figure of said house, if they are good, and vice versa if they are bad the misfortune is greater [than if the figure hadn’t moved], always keeping in mind the limits of the question and of the figures it requires, and of the places and houses of the quesited. So that if the first goes to the seventh, which is a bad place, contrary to that which the querent seeks, being the house of the enemy, and it means fighting, anger, discord, then it means contrarieties surrounding the obtaining of what one wishes, unless if the question is about marriage, love, friendship, business, travel, lack of peace, and similar things, in which case finding the first in the seventh is excellent, if the figure is positive and fortunate.10

In other questions, if the first moves to the twelfth or sixth or seventh, if it is a good figure, it diminishes its goodness, but if it is a bad figure it augments its evil, except if the first figure is accompanied by a good figure in the second or ninth or eleventh.

And when the second, ninth and eleventh are fortunate and good and the questions are about an absent messenger, good news, money coming from afar and other similar things, and if you find in these houses the fifth or sixth figure or the seventh, twelfth, eleventh or thirteenth, it means good news, good messenger, a messenger coming from afar, money approaching. If the second or ninth and third or also the thirteenth move or translate to the seventh, eighth or twelfth it means good things from afar, especially if the Judge agrees.

If the seventh or eighth moves to the fourth they show good news and durable situations, if the figure is good, and the opposite if they are unfortunate.
The best houses are the first, fifth, tenth and eleventh.
The second, third, fourth and ninth houses follow.
The worst are the sixth, seventh, eighth and twelfth.

Every good figure that you find in a good place increases its virtue due to being in a good place, but if you find it in a bad place it diminishes it. Every bad figure you find in a bad place increases its malice, but if you find it in a good place it diminishes it, except in the first house, where it always keeps its own properties and meaning. And every figure you find accompanied or conjunct by others diminishes or increases its goodness or malice depending on the figure it is accompanied by.

Therefore, if the first is good and fortunate and the second good, and the ninth also good,11 it does not increase the goodness of the first, but if it is bad it decreases the goodness of the first or second, keeping also in mind the question and the querent’s desire and the houses involved in it and the meaning of the house of the querent. The same is valid for the tenth house with respect to the third and fourth house, of the eleventh with respect to the fifth and sixth, of the twelfth with respect to the seventh and eighth, of the Right Witness with respect to the ninth and tenth, of the Left Witness with respect to the eleventh and twelfth, as said above.

MQS

Footnotes
  1. Book II, Part 7 ↩︎
  2. In other words, mutation implies change of house, regardless of whether it brings the querent near the quesited, although in this case we have, of course, perfection. Note that usually we consider a Mutation to happen when two figures move to places that are next to each other, but Abano, as many other Medieval authorities, doesn’t seem to fixated on precise language. ↩︎
  3. “Accomagnate cun bone”. It is unclear if this refers to the company of houses. ↩︎
  4. That is, if the figures are mostly good, it is positive, and vice versa ↩︎
  5. This seems to imply that translation happens even if the querent’s figure causes it. This is in contrast with modern practice. ↩︎
  6. This technique has not survived in modern practice. However, it would be interesting to test it out. ↩︎
  7. This assertion made by Abano is of incredible interest for those trying to make more of the Geomantic Shield. Apparently, we do not consider figures to be next to each other just in the order of the Astrological houses, but also when they are next to each other ‘genealogically’, so to speak, on the Geomantic Shield. ↩︎
  8. As shown in other examples before, Abano seems to consider the Witnesses to be similar to the other houses, and therefore potentially in conjunction with them. ↩︎
  9. In other words, the two figures are conjunct by moving to houses that Abano consider to be next to each other, i.e., the third and the ninth. ↩︎
  10. Abano seems to be saying that when a house that is meaningful to the reading has its figure move to another house, it is always significant, but the good or bad import is decided by the kind of question. ↩︎
  11. The Ninth House is considered by Abano therefore to be in company with the first, in a way, or at least to be close to it, so that a figure in it influences the querent. ↩︎

The Geomancy of Peter of Abano – Book II Pt. 4

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Here Abano discusses matters relating to the Seventh House and Eighth House.

Seventh House

Of marriage
The first and second house are for the man, the seventh and eighth for the woman.1 The first signifies the person, the second his wealth, the eighth the wife’s dowry. If these figures are good they show a positive outcome. If the third figure is conform to the first and seventh, the marriage is mediated by messenger [intermediary],2 especially if the eleventh is conform to the third. If the fourth is conform to the first and seventh, it means the marriage is arranged by one’s relatives, especially if the fifteenth figure confirms it. If the second house is bad it means the husband’s (lack of) wealth is a problem, and so judge for the wife if the eighth is unfortunate. Similarly, if the first or seventh are bad, either the husband or the wife cause problems, and if the third, the mediator, and if the fourth, the family. If the first or seventh are unfortunate and move to the sixth, it shows that the marriage won’t happen due to sickness or because one of the two has a physical defect.3

If the spouse shall be chaste and honest4
Look at the first and sixth, seventh, eighth, fourth and twelfth. If you find good figures, it shows the spouse to be chaste and honest, especially if the figures move to other houses. But if the figures are evil, it shows the contrary, especially if they move to other houses, especially if Populus is born from those houses. If Puer is in the sixth and seventh, it shows the wife to be cheating with a young(er) man, and if it is in the seventh and eighth, it means it’s common knowledge.5 If in these places you find Rubeus, and if it moved as we have said above, it means the same, and similarly if in those houses you find Rubeus and Tristitia or Puer and Laetitia. And again, the more you find Populus in the whole figure, all the more dishonest the spouse is shown to be. But if the you find that the figures add up to Carcer, it shows honesty and reserve, and if the above mentioned figures cause Tristitia in the twelfth it means dishonesty with a family member or with a vile person, or with an almost beast-like man. And if Puer or Rubeus were formed in the twelfth, it means dishonesty with young men or with strangers, especially if they are conform to the thirteenth, fourteenth and fifteenth.

If the querent shall have (the love of) the lover or girlfriend
If the first and seventh are fortunate and entering, benign and conform one to the other, it shows obtaining what he wants. If the first moves to the eighth or sixth, it means he will need to insist a little, but if the seventh moves to the second she will insist with him, but the mutation still shows a positive answer.6

Of partnerships and similar affairs
If the first, second, fifth, seventh and eleventh figures are good, fortunate, fixed, it shows the partnership is good, especially if the second and seventh are the same figure. If the figures are fixed and fortunate it will last, but if not it shows they won’t. If you want to know who will cause problems, look at which side of the chart hosts more signs of instability and ill will, and judge in the same way as with marriage.

If one’s enemy will cause one offense
If the seventh is fortunate and positive it means the enmity is of small moment, unless the enemy is a woman, because it still means ill will toward the enemy.7 But if the seventh is unfortunagte and strong and malicious, it means a great and powerful enmity, especially if the twelfth is equally evil. Look also at the fifteenth, and which planets are more fortunate, whether in the first or seventh, and in the other angles, whom they conform to. And if the first and seventh are good, fortunate, entering and the seventh conjuncts the first, or vice versa, it shows reconciliation and peace. If the figure that conjunct the other also moves to another place, it means that the reconciliation will happen through the persons signified by those houses. Always consider the fifteenth and the Witnesses. If there is no conjunction and no translation, but only conformity of the first and seventh, look at the Judge, whether it is also found in another house (of the first twelve), and the more you find it, the more the two parties shall make peace.

Whether there will be war or peace
Assign the first house to one side and the seventh to the other, and look on whose side there are more fortunate figures, and look whether the figures that signify war are in the seventh or the first, or if the figures are fortunate, entering and good. If the figures are good, there is no war, but if they are malicious and fortunate in war, they mean war from the side where they are, and it will be as bad as the figures are, and the side will win that holds the more fortunate figures. Rubeus, Tristitia, Puer, Conjunctio are fortunate in war. Carcer, Amissio, Laetitia are unfortunate in war. If Popoulus or Conjunctio are in the sixth, seventh, eighth or twelfth it means death and great loss of blood, and fleeing, and great cruelty.8 If in those places you find Rubeus and Carcer is in the eighth it means death, prison, fires and flames, and if in the seventh and eighth you find Puer it shows great victory, but always look at the tenth, fifteenth and first, whether they move.

Of litigations
The first is the querent, the seventh is the other party. The figure that is stronger and more fortunate wins, and if Amissio is found in either, that party shall lose. Laetitia and Puella signify concord, while Tristitia and Rubeus are very evil. And if the first moves to the sixth, eighth or twelfth, the person shall lose, but if the seventh moves in the same way, the other party shall lose. And if the whole figure is occupied by figures of more or less positive import, there will be agreement.

Of fled servants, prison and lost items
If the first, seventh, eighth figures are conform and are entering and fortunate, it shows retrieval, and vice versa if they aren’t. If the first is in the sixth, the servant has not fled, but has hidden, and if the figure is Carcer, he hasn’t changed place, if not very little, especially if the first, fourth and the Judge are entering and fortunate.
Acquisitio and Fortuna Major signify retrieval, but the opposite figures show the opposite.

Whether the absent party shall come back, and how soon
If the first house is fortunate and well-meaning, and similarly the seventh and ninth, it shows the absent party is well and in good state,9 and vice versa if the figures are bad, especially if the sixth is unfortunate. Also look at the fifteenth and tenth. If the first is unfortunate and moves to the eighth it means death, especially if in conjunction with Carcer, Rubeus or Conjunctio.

If the sixth is unfortunate and moves to the first or in conjunction with it, it means a deadly infirmity, and similarly when the first and seventh are unfortunate are united somewhere in the figure. But if the sixth is unfortunate (but doesn’t move) it shows an illness that shall pass, especially if the eighth is good. And if you want to know whether the absent party shall come back soon, look at the first and ninth, and if they are Cauda, Acquisitio or Laetitia he shall come back soon. If Populus or Via, very soon. If the eighth is good and is in the first, he will come back in a month, if in the second, in two, and so on. And if the said figure is in the second and in the eighth, entering, he shall come in a month.10

Eighth House

Whether one shall die within the year
If the first figure is the same as the eighth, or if it is conjunct to it, it is an indication of death, especially if it is also in the thirteenth or fifteenth house. If you want to see what kind of death one shall suffer, look at the nature and quality of the figure, and judge as follows: if it’s Rubeus, it indicates fire or steel (that is, being wounded by an arm,) if it is Puella, being beaten to death, if it is Carcer due to a long sickness, phlegm, melancholy or various health issues; and similarly judge of every other figure depending on its virtue and meaning and quality.

On who shall die first between two people
Consider the eighth and see if it is in the house of the person you are inquiring about, or if it in conjunction to it, or if it is in the first house, and judge accordingly who shall die first.

If one shall have the money back
If the eighth and the first are entering and fortunate it shows getting the money back without difficulty or problems, vice versa if they aren’t. And this is especially true if the thirteenth and the fifteenth agree, but when they don’t, and if on the side of the first house you find weak figures, it means getting back the money with great trouble. If the eighth is in the third it means one’s siblings will help, and if in the fourth, the relatives, and if in the fifth, one’s children, etc.

If the bad thing you fear shall come to pass
Consider the first, second, eighth and twelfth.11 If they are lucky it shows the thing won’t come to pass, but if some of them are unfortunate, it shows it shall partly come to pass, and if they are evil, it shall come to pass, and the bad thing will be identified by the type of figure. If the first figure is in conjunction with the eighth or the eighth with the first, it means harm to the person. If the second is in the seventh or ninth, it means harm to one’s wealth. And so judge all the other things with respect to the eighth house according to the meaning of the house and the thing inquired about. Always keep in mind the Witnesses and the Judge.

MQS

Footnotes

  1. This statement is interesting for a number of reasons. I will only mention one. Abano does not say that the First is for the querent and the Seventh for the spouse, but that the First is for the man and the Seventh for the woman. It would be easy, especially in the current cultural climate, to attribute this to Medieval sexism. I am not saying that it doesn’t play a part, but there could be more. In many Medieval astrological texts the Seventh house, as noted before, is assigned to women, and when delineating marriage from the birth chart different procedures seem to have been used to predict a man’s marriage as opposed to a woman’s, the method for the man involving the seventh house, the one for the woman being more weighed toward other considerations. ↩︎
  2. It would be easy to update this interpretation to show the influence of social media in bringing two partners together nowadays. ↩︎
  3. The modern doctrine would dictate that the marriage happens if the first figure springs to the Sixth House. ↩︎
  4. The Italian title is “if she will be chaste and honest”, again presupposing a female Seventh House. ↩︎
  5. This passage is exceedingly complex. It is not clear if Puer in the Sixth indicates a younger man because it is Puer or because it is in the Sixth (which is below the Seventh). The thing being common knowledge when it happens in the Eighth is possibly due to the fact that the Eighth house is above the horizon. ↩︎
  6. Of interest here is that the querent can obtain the lover by moving to the Eighth or Sixth House, but the Seventh can only spring to the Second, not the Twelfth. ↩︎
  7. This passage is not clear. It seems to imply that a good figure in the Seventh House still bodes ill if the enemy is a woman. ↩︎
  8. These attributes seem ill-fitting for Conjunctio. ↩︎
  9. The Ninth House is the house of journeys. ↩︎
  10. This timing method is unclear to me. ↩︎
  11. Older astrology handbooks are filled with indications on delineating the Eleventh House in a horary question to know whether what one hopes will come to pass. Abano here applies the same method to the Eighth house to delineate one’s fears. ↩︎

The Geomancy of Peter of Abano – Book II Pt. 3

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Here Abano discusses matters relating to the Fifth House and Sixth House.

Fifth House

If one shall have children.
If the question is about having children, look at the first, fifth and seventh figures.1 If they are entering and fortunate and the fifth is united or conjunct to the first or seventh house, the querent shall have children, especially if if the figures are Albus, Populus, Conjunctio or Laetitia. And depending on how many figures are on the side of the first figure,2 it means this is thanks to the husband’s inclination, and if the on the side of the seventh, of the wife’s, and if in said places you find exiting and unfortunate figures, it means the opposite, and if the fifth moves to the eighth or twelfth it means miscarriage and death of one’s children.3

If a woman is pregnant, and if the child is a boy or a girl.
And if you want to know if a woman is pregnant and whether she will give birth to a boy or a girl, look at the aforementioned figures, to wit, the first, fifth and seventh, and also the fourth. If they are entering and fortunate, and if the fifth joins the seventh, then the woman is pregnant, especially if the figure is Major, Caput or Carcer. And this is especially true if the same is found in the fifteenth house. But if in those houses you find Puella, Cauda or Amissio, she is not pregnant. If the majority of the figures in those places, but also in the rest of the chart (and especially the angles and the fifteenth) are masculine, she will give birth to a boy, and if they are mostly feminine to a girl. If you find Populus or Conjunctio, she will give birth to twins. And if there are still doubts, form a figure from the fourth and seventh, and if the resulting figure is more consonant to the fourth the baby is a boy, if to the seventh, a girl.4

If the children shall be good or evil.
If one wishes to know whether his children will be good or evil, look at the first, fourth, fifth and seventh and also the sixth figure, and if all these figures are good, entering, fortunate, then the children shall be good, and vice versa. And if the picture is mixed, you ought to form a figure from the fourth and fifth figure, and judge by the goodness or malice of the result. But you should never neglect to keep in mind the tenth and fifteenth figure.5

Sixth House

If one shall fall ill.
If you want to know whether you shall fall ill during the year, look at the first and sixth figures, whether the first figure is good and the sixth shows good health, and judge accordingly. And especially if the first is unfortunate and it moves to the sixth, or if the first is bad and the sixth moves to the seventh, or if the sixth should come into contact with the first by falling in the second house, and if the fifteenth figure is unfortunate, and if you want to know the quality of the illness look at the sixth, of what nature and complexion, and whether it is malicious or unfortunate.

If they are earthy and unfortunate it means a grave illness, long and melancholic, and if they are fiery and unfortunate, it means a choleric illness, sudden and strong and acute; and if they are airy and more unfortunate than fortunate, it means a light illness, but bothersome and long, and maybe accompanied by another illness; and if they are watery and more unfortunate than fortunate, it means the illness is troublesome, whether long or short depending ont he nature and property of the figure.6

And if you are afraid of dying of said illness, if the sixth is in the eighth or in the ninth, judge the illness very serious. Similarly, if the sixth shows an illness and the first, being unfortunate, moves to the eighth it shows death. Always judge with diligence and in everything consider the nature and condition of the planets, and judge the great secrets and admirable things always keeping into account the angles and the fifteenth.7

Whether the sick person shall die.
Look at the first, sixth, eighth, tenth and fifteenth figures. If you find Caput, Puella, Major, Acquisitio or Laetitia, it shows liberation from illness. If it is Albus, Tristitia, Cauda, Rubeus, Populus, Conjunctio or Pure, it shows a deadly illness and especially if the first, being one of these figures, goes to the eighth or ninth, and similarly if the sixth goes to the seventh or fifteenth. And if this figure is Carcer, by as much as it multiplies itself in these places, so much the more it shows the illness to be deadly, and if Tristitia moves to the eleventh figure it indicates healing and then relapsing and dying, especially if you find it in the thirteenth or fourteenth or fifteenth.8 And if it’s Rubeus in the first and it agrees with the sixth, it shows long infirmity.

Whether the doctor will help the patient.
The seventh is attributed to the doctor. If the first, sixth and seventh are good, fortunate and in agreement with each other, it means the doctor shall heal the sick person, and vice versa. If the first, sixth and eleventh are good and fortunate, it shows a quick recovery because the eleventh indicates goodness and the perfection of one’s nature and complexion.9

Of a lost or stolen item
The first figure is the querent, the sixth the thief, the second, the tenth, the eleventh and seventh are the thing inquired about. If the tenth is in the second, third or fourth, the thing lost or stolen is in the house of the querent or nearby. If it is in the seventh it shows it to be in the house of the thief, if in the ninth, eleventh or twelfth it means it is far from home, and according to the fortune or malice of the figure, judge whether it shall be gotten back or not, and the condition and identity of the thief, and where.

Whether the servant is good or bad.
If the sixth is good, fortunate and in agreement with the first it means a good servant, and similarly if it is in conjunction with the first, especially if it is fixed and fortunate. Look also at the angles and the ninth figure.10

If it is good to buy a small animal.
Look at the first, sixth, ninth and tenth.11 If they are good, entering and fortunate, it means it is good to buy, and vice versa if they aren’t. If the first, sixth and tenth are bad but the Witnesses and Judge good, it means it is good to buy, but not at the time you thought was ideal, and you must delay by as many days as are the points in the first figure.12 If you want to know what kind of animal it is good to buy, look at the figure in the sixth and thirteenth and fourteenth, and if you find Rubeus it means pigs, Albus sheep, Minor and Major horses, Tristitia and Laetitia oxen. If you find Caput, Acquisitio or Cauda, other small animals. Look also if the second house is fortunate.

MQS

Footnotes
  1. The Seventh House is the spouse. ↩︎
  2. I believe Abano means the two sides of the Geomantic Shield. Abano says “how many figures”, but in reality, of course, the number of figures is always the same. What he means is how good they are. ↩︎
  3. Note that the Eighth house, aside from indicating death, is also conjunct the Seventh, so it seems Abano is giving us contradictory indications. However, the chart must be read as a whole. A bad figure in the Fifth house springing to the Eighth is a bad omen. ↩︎
  4. We are accustomed to calling the Seventh the house of the spouse, but in many older texts it is called the house of women, and it is not at all clear that this is just due to the old bias against women. There may be something to it. Similarly, the Fourth house is generally considered a house mostly of men. ↩︎
  5. The rationale behind the choice of house is not always clear, but I believe the First House is to show the child’s attitude toward the querent, the Seventh to judge their attitude toward the spouse, the Fourth is the end of the matter, the Sixth is in Company with the Fifth, the Tenth has to do with one’s actions. Furthermore, the angles are always important, regardless of their meaning. ↩︎
  6. This paragraph offers insight into the old theory of humors as applied to matters of health. Though this theory is thoroughly alien to us now, Abano’s description is eminently practical and worth exploring. ↩︎
  7. Abano is not the poetic kind of writer, but here he is clearly intimating that there is more to judging and treating illnesses than merely interpreting an oracle. ↩︎
  8. Many of these indications are somewhat obscure. Furthermore, Tristitia cannot be the judge. ↩︎
  9. The Eleventh House was known as the “Good demon” of the person. It is also connected with the Guardian Angel. ↩︎
  10. I don’t understand why the Ninth ought to be involved into this kind of judgment. ↩︎
  11. Again, it is not clear why the Ninth and Tenth ought to be involved. However, they are the first two Nieces, and are on the querent’s side of the chart. This might be the connection. ↩︎
  12. This timing technique is especially interesting. I do not believe I have seen it anywhere else. ↩︎

The Geomancy of Peter of Abano – Book II Pt. 1

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Abano discusses matters related to the First House. and Second House

Having shown in the first book how one may know and judge (questions), we must now show some practical examples of this science according to the twelve houses of the chart, so that everyone may more easily understand what they wish to know. And this always according to the above described rule of giving the first house to the querent and the appropriate one to the quesited.

First House

Of the life of the man or woman.1
Having made the chart and the fifteenth figure, and wanting to know one’s fortune or misfortune,2 consider the figure in the first house and, depending on its meaning and the virtue of the planet ruling this figure, judge whether it is good or bad.

And if you want further clues, look whether the figure moves toward one of the angles or in more than one of them.3 And the life is all the more long and better and fortunate depending on how good the angle is, as said before.4 And if the figure doesn’t move, but it is still good and fortunate, it means one still has a long time to live, but is lonely.5 And if it moves to the second, it causes gain through one’s industriousness and solicitude. And if it moves to the third, it means getting along with younger relatives and siblings, and if to the fourth, it indicates increase of patrimony and wealth of the father or of the older relatives.

If to the fifth, it means happiness through children, and usefulness, but if to the sixth, misfortune, tragedy, accidents, but also other people’s service (to the querent), depending on whether the figure is fortunate or not. If it moves to the seventh, it means good things from the wife or girlfriend, and good deals, or gain through war or gambling, and maybe in a foreign country, depending on the quality and condition of the figure. If it moves to the eighth, the life is short, unless one is a butcher or deals in dead animals, that is, skin, wool, or if one is a loan shark.6

If it moves to the ninth, it means much journeying, and being a knight or a wayfarer or a churchman, and the person’s luck is better if the figure is good. If it moves to the tenth, it means honors and public office and receiving dignity from people up high, or through them, depending as the figure is fortunate or not. If it moves to the eleventh, it shows good luck with friends and from people who are noble or from the Roman Curia. If it moves to the twelfth, the person will meet his end in prison, or through long infirmity, or it shows being kidnapped or being in a remote place like some religious people do.

If the figure shows up as a Witness or as the Judge, the person’s fortune depends on how good the figure is. And what we have said of the first figure, whether it is good, mediocre or bad depends on its nature.

Second House

Of wealth, possessions and gain.
If you want to know about merchandise, one must judge the first house, whether it is good or bad, and then the second, depending on its virtue, and judge thus: if it contains one figure among Acquisitio, Major, Conjunctio, Caput and Albus, it means that gain will come from things that are easily movable from place to place, or from things that change, or that are sold by approximation (that is, without carefully weighing them).

If it were Puer it signifies gain through things sold after careful weighing. If it were Puella, it means gain through things that are easily obtained. If it were Rubeus, it means in things that cause fire or that have to do with blood. If it were Amissio, Cauda or Via, it shows little gain, and if it were Tristitia or Carcer, it means ups and downs of fortune or possessions. And if it is Laetitia or Minor, it means being able to keep one’s possessions. If it is Populus, then it depends on how good the first figure is, however by its own nature it means abundance.
Note that every entering figure indicates gain or buying, and exiting indicates loss or selling.7

Whether one will retrieve the lost possession.
If the question is about lost items, or stolen items, and we want to know whether we will get them back, look at the first figure, whether it is good or not, and then the second, and if they are entering or exiting. Afterwards, if you are looking for the thing, look at the tenth figure, if it is entering and good it means retrieval of the lost thing, especially if the same figure is in the second, or if here is another figure that is entering.8 Also look at the eleventh and the fifteenth. If instead the figures are exiting or bad, it means the opposite.

If you are looking for a stolen item, look at the seventh house, if it is entering and fortunate, and if it moves to the second or first house, which means retrieval.9 Similarly in the tenth, eleventh of fifteenth. And if the seventh [figure] is in the third, it means that the lost or stolen item is in the house of a sibling or relatives; if in the fourth, in or around the house of the father or of the older relatives, or near the house or place were it was originally. If it is in the fifth or sixth or eighth it means it is far away. If it is entering, however, you still will get it back.

If one will get back the money they lent to someone else.
The first figure is he who must receive back the money, the second is the thing that he wants to get back, and the seventh is the borrower. If the first and second figure, or at least one of them (especially the second) are entering, and if the seventh is exiting, it means getting it all back easily. Similarly, if the second and seventh are the same, that is, entering. But if they aren’t, it means the opposite.

MQS

Footnotes
  1. The First House was often called “Life, Body and Wit/Talent” ↩︎
  2. This type of question may sound vague nowadays, but it must have been common in the premodern era, as Astrology and Geomancy handbooks are full of tips on how to handle it. This was especially true at a time when one couldn’t just arrange an online meeting with the diviner and when one’s time of birth was unknown, so that one may have looked at other possible alternatives to know about their general fortune in life that didn’t involve the birth chart. ↩︎
  3. the angles, i.e., the First, Tenth, Seventh and Fourth houses, are considered strong and highly performant, so they endow the figure with strength. ↩︎
  4. I am not sure what Abano means here. The angles are traditionally arranged as stronger (First and Tenth) and weaker (Seventh and Fourth) though all are generally strong. He may be referring to this. Or he may be referring to the practice of assigning the angles to the four phases of life, so that maybe a good figure passing, say, in the Seventh, shows good midlife. ↩︎
  5. Probably because he remains by himself. ↩︎
  6. Because the eighth represents other people’s money (being the second from the seventh). ↩︎
  7. “Every entering figure” probably implies “to the exception of Tristitia”. ↩︎
  8. It is not clear why Abano mentions the Tenth House. It is possible that this is because the Tenth House opposes the Fourth House of buried and invisible things, and thus shows visibility and coming to light. ↩︎
  9. Abano does not seem to count the Twelfth house as being next to the First. He is not the only authority to do so. Possibly this has to do with the doctrine of the Company of Houses, or simply with the fact that, on the Geomantic Shield, the First and Twelfth houses are visually distant. ↩︎