Geomancy, like astrology, sets up a system of correspondences between houses and life sectors. In all cases, we use the first house to represent the querent. If the question is asked by the querent about themselves, this is enough. If the question is asked by the querent about someone else’s life, then the first house will be irrelevant, but admittedly, in most cases people ask about themselves.

In order to divine meaningfully with geomancy, we also need a quesited, that is, a topic of discussion. This will be represented by another one of the twelve houses, as discussed here. Once we have the querent and the quesited, we need to see what happens to them.

A first indication is given by the geomantic figure that occupies the respective houses. This can shed light on the querent’s and quesited’s current state or qualities. But this is not, in itself, good enough to predict that something will or will not come to pass. Something can be very good in itself, but if it doesn’t happen to me, it is of no great consolation.

This is where geomantic perfection comes in. We call geomantic perfection the way the querent and quesited relate to each other, allowing things to come to pass. In the vast majority of questions, we desire to obtain something, which involves coming into contact with that something. Geomantic perfection allows us to come into contact with it. It is to geomancy what aspects are to traditional astrology (more or less. I’ll come back to it in the next article)

There are four forms of perfection: occupation, conjunction, mutation and translation. Not all medieval handbooks describe all four, but I have found that they all work.

Occupation

Occupation is the simplest and strongest form of perfection. It occurs when the querent and the quesited are occupied by the same figure.

Let us suppose the querent asks whether he will manage to buy a house he has seen, or whether he will meet with his father during the holidays. The querent is symbolized by the first house figure. The quesited is symbolized by the fourth house figure. In this case, both are Puer, so we can say that the first and the fourth house are connected by Occupation. There is a strong connection. In most cases this is good. It can also signify that there is perfect union between querent and quesited.

Conjunction

Conjunction is next in line in terms of strength. Conjunction happens when the first house figure (the querent) is also found in a house adjacent to that of the quesited, or vice versa if the figure of the quesited is found in a house adjacent that of the querent. This is the standard definition that has come to be accepted. In the old manuscript there are some variations (for instance, it seems that Abano did not accept the twelfth house as adjacent to the first.) In my experience, the standard definition is good enough.

Using the same figure as before, let us suppose that the querent asks whether he shall meet with a friend, or a brother, or whether he shall go to a party. The first house is still represented by Puer. Puer moves to the twelfth, where it is adjacent to the eleventh, the house of friends. It also moves to the fourth, where it is adjacent to the house of brothers (the third) and to the house of parties (the fifth).

Note that if the querent moves to meet the quesited, it shows effort or interest on the part of the querent, while if the quesited moves to meet the querent the opposite is true. Of course, this needs to be interpreted: if the illness moves to meet you it doesn’t mean that the virus is besotted with you–it just shows that it comes to you easily. In a relationship reading, the figure that moves to meet the other is the one who is more interested or in love.

Mutation

Mutation happens when the querent and the quesited both move and end up meeting somewhere else in the chart.

Let us suppose that the querent asks whether he shall meet with the girl he likes. The first house figure, Puer, moves to the twelfth and the seventh house figure, Rubeus, moves to the eleventh. The two houses are adjacent, so the two shall meet. Mutation indicates meeting in a third place or, depending on the question, it can show mutual effort. The houses where the figures meet can also shed light. For instance, in this case it is likely they will meet at a friend’s house (eleventh) or in some remote hidden place (twelfth).

Translation

Translation is the last form of perfection. It happens when a third figure is found in a house adjacent that of the querent *and* that of the quesited, so as to form a bridge between them.

In this case, we have no translation to the first house. However, if we suppose the querent asked about the relationship between his father (fourth house) and his mother (tenth house), then we find that Puella forms a translation between them, being in the fifth house (adjacent to the fourth) and in the ninth (adjacent to the tenth). Translation usually shows the involvement of a third party. In this case Puella could show the influence of a woman or girl.

Prohibition

Prohibition is the absence of perfection. This is the most common way a chart has to tell us we won’t get what we want or, more broadly, that there is no connection between querent and quesited.

Let us suppose the querent asks about the possibility of getting a job he applied for. There is no contact between first house (querent) and tenth house (quesited): no occupation, no conjunction, no mutation and no translation. The querent is unlikely to get that job.

Final Notes

• Sometimes a figure passes into an unrelated house. This can add context and information for good or ill.
• Perfection shows contact. It doesn’t tell us whether the contact is good or bad. In the example about the querent’s parents, if we suppose that the querent asks whether his parents will divorce, the translation by Puella may show that someone will convince them to stay together. However, if the translation were made by Cauda, it could show a mutual agreement to end the marriage.
• The Court must always be taken into account, although we will discuss it in another article.

MQS