Abano explains how to judge the figures in the houses.
Furthermore you must know that when the question is asked by a person, it is not always the case that the first house goes to the questioner, according to the universal rule, but there are eight cases of people who have a special house assigned, and one must judge the question according to said houses. These are the Pope and cardinals, a prelate, the Emperor or King, a great Lord, an absent party, a bandit or thief, a servant, one who’s been chased off the home and an imprisoned thief. These you must judge according to the house that is assigned to them.1
Similarly you ought to know that those figures that are called entering are better than those called exiting, except Tristitia, which is unfortunate, and they have great positive power against the opposite figures, if they happen to fall in good houses depending on the question asked. All exiting figures are weak and don’t promise much good, except when one wants things to happen quickly. However, they are strong in evil things and when one wishes for evil things. Entering figures are those who have more points in the upper half than in the lower half, and exiting figures have more points in the lower half than in the upper half.
And if in a chart you find an entering, fortunate figure in a good house, but the opposite, exiting figure is in a bad house, the entering figure is said accidentally exiting and unfortunate. For instance, suppose that Acquisitio is in the First and Amissio in the Second. If this is the case, Acquisitio is said to be exiting and unfortunate, but only accidentally. And if it’s the opposite, i.e., Amissio in the First and Acquisitio in the Second, we have the opposite case. In the same way you must understand every other figure with respect to its opposite.2
Similarly, every exiting, unfortunate figure is strong in evil things, and every entering figure is weak against evil, except when one seeks things to be firm and late, although Laetitia, though exiting, is good and fortunate.
One must also in every chart and question see what is the first figure and that of the quesited, i.e., what qualities they possess, e.g., fiery, airy, earthy or watery, cold or hot, wet or dry, and what’s the planet of each. And according to their conformity (to one another) or their difference, so one may judge them together with the other figures depending on which is better and has the better planet, always keeping in mind the question and the querent’s desire. And every time that a figure opposite to that of the first house falls in that of the quesited, it couldn’t get any worse.3 And this same effect have Populus and Via, although both are figures of the Moon, and Minor and Major, although both are figures of the Sun.4
Additionally, one must keep in mind, in every figure and question, the geomantic figures that are assigned to each side, and see which is better and which is worse, and thus judge. The figures of the first side, i.e., of the querent, are the first, second, third, fourth, ninth, tenth and thirteenth. Those of the second side, that is, of the quesited, are the fifth, sixth, seventh, eighth, eleventh, twelfth and fourteenth. If the two parts were equally good or bad, judge by the fifteenth figure, and according to the comformity of the four angles.5
And if in any question a geomantic figure that is appropriate to that question falls in the house of the quesited, this is excellent, and if the opposite happens, this must also be judged. For instance, if the question is about travel and and Via falls in the third house it means well, and good journey. If the question is about gain and Acquisitio falls in the second it means good things and usefulness, but if it were the opposite [that is, Amissio in the second] it means the opposite. The reason for this is that the third and ninth house have, among their attributions, journeys and roads and mobility; and the second house is a good place for Acquisitio, which means gain and usefulness; and if there were a geomantic figure which means damage of delay, it means these two things. As such, we call opposite figures those whose fortune is the opposite one of the other, that is, Amissio/Acquisitio or Albus/Rubeus, and so on. And so also Via and Populus, both being mobile, but Via is quicker and good for travel by road, while Populus is slower and bodes well for travel by water.
The example we have discussed can be applied to any other question, looking for appropriate figures and houses in the way we have explained. In the example of a question of gain, if there was Amissio [in the second], it signifies what its name promises, i.e., damage and loss, and whenever you seek to obtain anything or if you ask about an absent party or a messenger or any other similar issue, and if Laetitia was in the second house, or in the house of the quesited, it means happiness and pleasure, and the obtaining of what one wishes, and good outcome. But if there was Tristitia it means the opposite, because Tristitia means problems, except in earthy and fixed things that don’t move, and these (negative) effects will be so much the more true when in the second house (or in the house of the quesited) we find this figure, or a similar figure.
End of the first book.
MQS
Footnotes
There seems to have been considerable debate in the Middle Ages concerning whether the querent in horary questions was always represented by the First House or if certain people, such as kings or priests, ought to be considered according to their particular house (for instance, kings from the Tenth, priests from the Ninth). I advise against Abano’s practice. The querent is the querent, and as such is the First House. If the querent asks about the king, then the house of the quesited is the Tenth. Besides, but if the king asks about something, he is represented by the Ascendant, Abano does not explain how an absent party might ask a question without ceasing to be absent. ↩︎
This passage is exceedingly obscure. It is not clear how we are supposed to distinguish good from bad houses. The second house may have been considered bad by some Hellenistic astrology due to the fact that it doesn’t behold the ascendant, but I am wondering if what Abano is referring to here is the company of houses. Alternatively, it seems that whenever a bad figure is in a bad house and said figure is the opposite of a the good one, then the bad hurts the good even if there is no contact between them. Abano says that the opposite is also true, but this seems to lead to a regressus ad infinitum. ↩︎
I believe Abano is referring, as before, to figures that are the opposite in terms of points, such as Acquisitio and Amissio. However, later Abano says opposite figures are opposite in terms of fortune. ↩︎
I do not understand this. Does this mean that it is bad if the said figures are in the house of the quesited? This seems hardly likely. ↩︎
This passage is very interesting, as it shows the geomantic shield to be a sort of soccer field with two contenders. However, it is hard to reconcile what Abano says here with what he said before, for instance that it is better to have the fourteenth figure good than the thirteenth, because the former signifies the future. That being said, a certain digree of ambiguity about this issue is to be found in most texts on Geomancy. ↩︎
Here Abano describes the meaning and function of the Geomantic Court.
In order to have better cognition of all that one wishes to know, one must consider the thirteenth and fourteenth figure, which are called the Witnesses, because they unveil many secrets, depending on the good or evil nature of the figures they contain. And one must also consider the fifteenth figure, called the Judge, which shows the end of the matter for good or ill, together with the figure in the fourth house.1
The thirteenth figure signifies the past, but also the present, depending on the question, while the fourteenth the future.2 When the thirteenth and fourteenth figures are good, it means the question asked is positively answered, especially if the Judge is also good, but when the thirteenth figure is evil and the fourteenth good there is some trouble, and if the thirteenth is good and the fourteenth evil, then the question has a negative answer, especially if the Judge is evil. 3
If both Witnesses are evil and the Judge good, one must refer to the fourth house and judge from it what shall come to pass. Similarly, if the Right Witness is good and the Judge evil, one must look at the fourth to consider whether the matter will end in joy or sorrow.
If, after all this, there were still doubts, take the fifteenth and the first figures and add them to create another figure, and judge depending on the nature of this figure. And if this figure happens to fall in any of the houses, good or evil will come from a person or thing signified by that house. This sixteenth figure is called the Judge of the Judge [Sopraiudice].
Furthermore, this sixteenth figure is produced also from the Judge and from the figure in the house of the quesited, according to the properties of the houses as described before, and according as said figure is conform or not conform to the fifteenth or sixteenth figure, so one judges the chart of the question.4 And when they are good, all the better, and when they are bad, all the worse. And when they contradict each other it is also somewhat bad. But when they are in everything opposed to the fifteenth and sixteenth, the chart is null and void, and the chart is called anomalous, without order or rule. 5
MQS
Footnotes
Here Abano seems to put the Judge and the Fourth house on the same plane. ↩︎
This idea seems to stem from astrology, where the Moon’s previous aspect indicates the present or the past, and the one she makes immediately after shows the future. ↩︎
The way Abano describes the interrelation of the Witnesses with the Judge almost seems to make the Witnesses more important than the Judge. ↩︎
This additional technique begs a couple of questions. First off, why does Abano call both figures ‘the sixteenth figure’? Are they on the same plane? Secondly, is this technique always employed whenever the traditional Judge of the Judge (from the Judge and the First Mother) is used? ↩︎
In other words, this seems to have been taken as a sign that the chart didn’t answer the question. Personally, I am skeptical of this technique. It is my experience that charts are always radical, whether they are astrological charts or geomantic shields. They always answer, or at the very least they are always meaningful. Clearly, if we keep making up new figures, the chances of them contradicting each other increase accordingly. But contradiction is not a sign that a chart is not valid: only that it mirrors a complex, contradictory reality. Maybe I am wrong. ↩︎
Here Abano explains the broad signification of the sixteen geomantic figuresand the seven traditional planets.
In order that one may more easily judge every question without much effort, what follows is the signification of the sixteen figures.1
Acquisitio is the figure of Jupiter in Aries, good, fortunate, mobile, entering, masculine, airy, eastern, hot and wet. Good in the first house and bad in the seventh. It signifies good fortune in what one seeks to obtain, and in things of friendship, weddings, merchandise, company, in traveling, in getting what you desire. It is bad for sick people and prisoners. It signifies blood loss, torments and a long time, and similarly it signifies pregnancy, and changing abode, and sailing, and for the sailor it announces storms. The absent party is delayed, and it is not good for changing from one lord to another, and it shows damage from enemies. In war against enemies it promises victory, and it’s good for obtaining honors and offices, but it doesn’t grant greater accumulation. In case of suspected pregnancy, or theft or other crime, or when one hears rumors, this figures confirms that they are true. The stolen goods are retrieved. The baby is a boy. In sending money or making down payments/deposits it is good. It is good for children and friends and relatives and indicates holiness, abundance, great harvest, but famine will soon follow.2
Amissio is a figure of Venus in Scorpio, unfortunate, mobile, exiting, masculine, fiery, hot and dry, southern, evil. Good in the eighth and bad in the second. Good for travel and selling, the sick person will heal soon, the prisoners comes out of prison soon, it is good for pregnant women, the baby is a boy, the medicine is good. It is bad for fights and enmities, it signifies unfaithfulness, end of friendship, theft, murder and similar things, and if an army marches against the other it will be victorious without effort. If one is in the right it solves matters quickly. It signifies droughts, dearth, flax, legumes. Sending money to make gain is fruitless, you will lose. The fugitive is not found, nor the stolen goods. One doesn’t obtain the pardon, nor anything one seeks. There is no marriage, and when there is, it is soon broken with great shame. It is the enemy of all pleasure and usefulness. Favors, honors, dignity and friendship are not lasting. It is good for asking about family and friends that one hasn’t seen: they are well. If one departs to go damage someone else, one doesn’t succeed, but still comes back safe and sound. One doesn’t acquire the besieged place, but it is good for taking medicines. Abundance of fruits, shortage of everything else.
Fortuna Maior is a figure of the Sun in Acquarius, fortunate, entering, fixed, well-meaning, feminine, earthy, western, nocturnal, cold and dry. Good in the eleventh, bad in the fifth. It denotes increment and accumulation and increases the wealth of one’s lords, friendship with people in high places, with noble people and women, good marriage, pleasure in writing and through messengers, good news, honors, dignity, friendship, the absent party and the pilgrim are well. It grants all that one wishes, except if one wants to gain it from an enemy or suspicious person, especially if it’s about money. Love and hate are firm and unshakable, positive for building and sowing. Rumors and suspicions of theft and pregnancy are true. It is good for coming out of a bad situation, but at the beginning it is hard. In traveling it will be hard at first and easy and with mirth afterward. One can flee from danger. There is no war. The baby is a boy, born without danger. Sickness and imprisonment are of long duration, and difficult to overcome, and it is hard to get back one’s dues. Fertile year. Lots of rain.
Fortuna Minor is a figure of the Sun in Taurus. Unfortunate, mobile, exiting, fiery, masculine, hot and dry, southern, evil, good in the second and bad in the eighth. It signifies company of noble people, traveling with noblemen and buying and selling on their account. It is good for the sick and the imprisoned, and for anyone who wants to flee dangers or problems. It helps pregnant women, and the baby is a girl. Sailing. Sentences can be appealed victoriously, good for entering in other people’s places and country, the besieged town is not captured. It is not good for starting something that is meant to last. The stolen goods are not found. The army will be defeated. Bad for marriage, and if the marriage is made soon there will be rumors. It doesn’t concede anything. Dignity and honor don’t last. Suspicions and rumors are false. The messenger and the absent party come back and bring gain. Damaged merchandise. Promises are not kept. Debts are not collected. Family and friends in good state. If one takes a medicine one heals soon, but it also signifies bleeding. A year of dearth, few fruits, lots of barley and spelt. Problems while traveling.
Laetitia is a figure of Jupiter in Taurus, eastern, airy, fortunate, hot and wet, masculine, sanguine, mobile, entering, positive, diurnal. It means honors, exaltation, dignity, good travel and good for returning. The messenger and the absent party come back bringing joy, good news, it is useful to travel, albeit belatedly, and the dignity one has obtained may falter. Good for buying and selling, the prisoner will be released, changing one’s lord or king or one’s place is positive, it is good to be at the service of a lord, to make down payments/deposits, taking medicines. Long life, increase of wealth. The sickness is long, even though one will heal eventually, bad for partnerships. Every suspicion is false. The stolen goods and runaway servant are not found, the debt won’t be paid back. Hatred and friendship are both steadfast, the servant or subject don’t love you. In questions of faith, of doubt about treason, and when asking about absent friends or family members, they are well. It helps pregnant women, the baby is a boy. Good for sailing, dreams are positive. A year of dearth, but it doesn’t last long, good rain. If you wonder about a friend’s death, it’s not true, and he’ll heal. Good in all houses, except the seventh, eighth, twelfth and the occupied place won’t be conquered.
Tristitia is a figure of Saturn in Scorpio, unfortunate, fixed, entering, malicious, earthy, melancholic, cold and dry, western, feminine. Good to be with noblemen and not bad for departing. Going up against an enemy won’t cause damage out of doubt,3 risk of death in conflict, you will stay in prison, good for partnerships, and the occupied place will be conquered unexpectedly. Good to buy animals, bad for selling them. Good for down payments/deposits, bad for sending money, lots of rain which is helpful, the shunned woman will go back to the friend, victory in a fight, one can keep one’s salaried office. It is bad for the sick and the prisoner, for it lasts long, bad for traveling, danger of death. It doesn’t give you anything that you may wish, except trifles. When there’s suspicion of someone’s death, or of robbery, or any other rumor of the sort, it is true. Accidents by water. The absent party is in trouble, sickness or poverty, the marriage will cause trouble, damage, enmity, moving to another region will cause ill, and wanting to conquer it will cause defeat, the debt is paid back but with great trouble and many issues. One’s life or that of those around you will be problematic or full of sickness, when one has an office, or some dignity, one will suffer through it. Little honor. Childbirth causes issues and comes late, and perhaps results in miscarriage. The baby will be a girl. Both love and hatred are steadfast. Whatever is damaged won’t be fixed. The year will be plentiful. Evil in all houses, except the eighth. Worst of all in the eleventh. When trying to hurt others one will cause even worse damage.
Albus is a figure of Mercury in Cancer, fortunate, common, feminine, nocturnal, phlegmatic, watery, cold and wet, southern, mobile, benign. It means good profit, increase of wealth, honor, influence and being in the right, merchandise, useful partnership, excellent marriage, the stolen goods are retrieved, it concedes everything one asks, honors, servants, buying livestock, conquering a land, the debt is paid back, the rumors or suspicions are true. The runaway servant comes back. Good friendship and money or other possessions. Risk of losing something through oversight. Short life. In war it is bad for the querent, it implies flight and loss of blood, infirmity, long time in prison, problems in pregnancy, the baby is a girl, storms during the sailing, if one has doubts about traveling, the travel will cause harm, the absent party won’t come back, and it is bad for changing place. If one asks for friends or relatives, they are well, and he who is in the right will win the fight [or court case]. Good for agriculture, abundance, good and fruitful rains. Good in the fourth house, bad in the tenth.
Rubeus is a figure of Mars in Gemini, unfortunate, mobile, exiting, masculine, fiery, hot and dry, diurnal, malicious, southern, evil in everything, except in war, in which case it is the best. Good for writing and for marriage, in occult things, and he who seeks honors will obtain them. Good for bloodletting or bleeding, good for going up against the enemy, war will cause death and blood, good for not changing room [place?] or country, the pregnant woman will, after great trouble, be happy with the child, the suspicion of theft or other vice is true. Every good company (or partnership) is good, except in traveling, and the sick will heal after long trouble, and the prisoner will stay long in prison, will need to pay a bail, the down payment is secure, it grants everything one wants from a nobleman, the rumor coming from afar is false, love is steadfast, especially if adulterous, and war will be victorious. Good for buying animals, bad for selling them. The absent party won’t come back, debts are paid back but there will be controversies, and if one wants to speak to a lord one will find him occupied in many things. Very bad for the sick and for prisoners, it means damage, and burials. In travel there is damage and danger when changing place. The marriage is surrounded by suspicions and issues, sailing bad, winds against your way, bad for selling. The occupied place is conquered, the lost item is not found. Good fortune for the querent, and everyone he asks about is well except one.4 The year is dearthful at the beginning, abundant later, lots of rain. Wrath and hatred and danger, bad for taking medicine. Bad in the fourth, seventh and eleventh house, and also in the first except for war and conflict.
Puella is a figure of Venus in Gemini, fortunate, positive, temperate, fixed, entering, feminine, nocturnal, watery, cold and wet, phlegmatic, southern. Good for buying, it brings peace with problematic friends, it solves fights. The absent party comes back with profit, inheritance, increases wealth, confirms marriage, but it will be with suspicions, enemies are won, the journey is delayed but will bring profit. In war there will be loss, sickness and prison are of long duration, and one will pay a fine, sailing causes trouble but only at the beginning. One gets what one wants. Animals and servants will be lost. The pregnant woman will give birth with some problems, the baby is a girl. The suspicion of death, or that a woman is pregnant, is false, suspicion of theft and vice are true. Good for taking medicines, and even if the illness is serious one will heal. You will get your goods back. For obtaining honors, dignity and office it is positive. Good for getting back money, bad for sending money, what is lost is found. If you fear a lord or any other danger, you are not without danger, the down payment/deposit is not secure, as you will lose a good deal of it, changing place or lord is bad, better to stay where you are. If you are accused of something you will be punished, the occupied place won’t be conquered, good for one’s or other people’s health. Average year, at first abundant, then with dearth, lots of rain, which will endanger fruits and plants, good in all houses except the seventh.
Puer is a figure of Mars in Libra, unfortunate, airy, hot and wet, sanguine, masculine, eastern, exiting, malicious, good in war and in sickness, it means overcoming and vanquishing the enemy. Obtaining a favor from a lord will be hard at the beginning, but then you’ll succeed, good for sending money and traveling, the sick and the prisoner and the absent party are fine, and after trouble they’ll come out of it. Suspicion of theft and other wicked deeds is true, suspicion of pregnancy is true, and the woman is give birth with great trouble, and the baby will be a boy. Good for traveling to other countries, good for buying animals and servants. The suspicion of enmity is false. Death will be due to chance happenings and disasters. Good for serving a lord, but bad for gaining from other people; the absent party will come back with usefulness; reconciliation with enemies, the bandits will go back to their homeland, long life, one will die rich. Friendships won’t last, the journey is long and full of issues, problems with merchandise. Not getting back your dues without fighting harshly and with great controversy. Bad for relocating, risk of drowning, promises are not kept. Family and friends are fine, but some of them will fall sick soon. Good for agriculture. A year of dearth, with little rain. Only ryegrass will be abundant. Good in the second and seventh houses, not in the others.
Populus is a figure of the Moon in Capricorn, temperate, of mixed fortune, mobile, common, watery, phlegmatic, cold and wet, bicorporeal, feminine and masculine, northern, nocturnal. Good in things done in company and with many people or animals, and for commerce, siblings, sailing and travel, in sailing positive powerful winds, good for selling and buying but with difficulty in marriage, childbirth will be easy, and there will be twins, in travel rain and lots of water, the sick person dies, the absent party and the pilgrim come back with gain: the prisoner will be released soon but with issues and money problems. The figure grants what one wants, good in things of fathers and mothers, and in occult things. In war and fights one can flee without causing rumors, the besieged place is not conquered. Bad for travels by land, and war and fights are long, and relocating will cost a lot of money. Suspicion of theft or other vice are true, as well as love and hate, if a lord waves war he’ll have a hard time winning. In things of faith and Church it means disunion and schism. Marriage is not easy, will cause debts and divorce with infamy. In making contracts and down payments and partnership, they won’t last. Long life, useful for the querent, but when asking for friends or family, it means infirmity and death, honor and dignity don’t last. The year will be in every way abundant, with much rain and water. It is middling in all houses.
Via is a figure of the Moon in leo. Temperate, mediocre for good or ill, though more bad than good, watery, cold, wet, phlegmatic, nocturnal, feminine, northern. Good in travel and things that are done soon and don’t last. Good for gardens and fields and for taking water from the river, for sowing small grains, in marriage in selling and in buying with little gain, for going from place to place, but not for staying a long time. The pregnant woman will give birth soon, the baby is a boy. The prisoner and the sick are soon free, the absent party and the pilgrim will come back soon. In things of war it causes quick resolution, and one must be cautious, because it threatens flight.5 And every thing is easy and good in the beginning, but doesn’t last. Buildings, marriage, contract, company, friendship, servants, honor, offices, commerce and in every thing it means some diminishment and loss, except in travel, and it is not very good in the eleventh.
Carcer is a figure of Saturn in Pisces, unfortunate, fixed, earthy, feminine, cold and dry, melancholic, western, bicorporeal, malicious for possessions, marriage, contracts, down payments/deposits. It means6 secret sciences, occult things, company. Good for travel by road, and in earthy things, suspicion of prison and news of death are true. Good in building, in inheritance, in entering a region or city or office. The besieged place won’t be conquered, the lord lasts in his dominion. In war and in other strifes, the enemy will flee, in planting trees and wineyards, it means great inner turmoil, grave sickness, possibly deadly, burial. The absent party doesn’t come back, long term in prison, lack of success, not good for asking for help, bad for travel by water, dangers in pregnancy, the baby is a boy. Faith is steadfast, in everything else it’s bad. A year of dearth. Good only in the second.
Conjunctio is a figure of Mercury in Virgo, bicorporeal, mediocre, fortunate, airy, hot and wet, sanguine, eastern, masculine, diurnal, common, benign. Good intellect, science, doctrine, scriptures, writings, company, partnership, commerce, but the partnership will be with ulterior motives, and with issues, and one will need to be cunning to take advantage of the partner, good for marriage. The lost good or stolen good are returned, betrayal and such things are found out, in office and dignity it is good, mediocre wealth and inheritance, easy and short travel, woman with child, but childbirth with issues, twins. The besieged place will be freed with cunning and betrayals. War with shrewdness and deceit, rumors, fights will lead to bleeding, discord and bad advice among fellow citizens. It promises death and burial to the sick, the prisoner will be condemned to death if he is a thief, one can be bailed out belatedly by paying, dangers in travel and problems through it, and storms on the sea, accidents and drowning. The absent party comes back with difficulties. Messengers and letters are false, sent by occult enemies, all kinds of machinations, duplicity, bad in the second house.
Caput is a figure of Jupiter and Venus in Virgo, entering, fortunate, earthy, cold and dry, fixed, melancholic, benign, late, feminine, western, nocturnal. Good for being at the court of the king or of a lord, and good for them, improvement of one’s status, lordship, noblemen, mirth, marriage, long travel and with honor. The absent party comes back belatedly, but with profit. The childbirth is easy, the baby is a boy, good children and siblings, obtaining help from noblemen, victory in war and conflict, the besieged place won’t be conquered, ecclesiastic honor, good for sailing and buying animals. Long trouble for the sick and the imprisoned. The lost or stolen goods are not found. Good in every other thing. Best in the sixth house, bad in the twelfth.
Cauda is a figure of Mars and Saturn in Capricorn, unfortunate, exiting, malicious, choleric, fiery, hot and dry, southern, diurnal, masculine, mobile. Good in retrieving stolen goods and lost things, but with trouble, and in finding out occult things, and for betraying. Travel will happen soon, but with danger. It frees one from enemies and allows to sell animals, and it is good for asking help to one’s superiors. The sick person will heal after great trouble, and the prisoner will be freed after great danger. Suspicion of theft and other vice is true. The marriage is cause for suspicions, the pregnant woman will give birth soon with many issues, the baby is a boy. In water and sea there are storm and wind. The besieged place is conquered, it means rumors and controveries and what one doubts will happen, love is false, buying causes damange, and the lost honor won’t be won back, except with grave diffulties. And it is good for being soon freed from trouble. Good in the sixth, seventh, twelfth and tenth and fourth house, bad in the second, fourth, eleventh.
MQS
Footnotes
For the modern mind, this is one of the most maddening and frustrating sections of Abano’s book due to the seemingly unreconcilable descriptions of the figures. Still, I believe it is important to take this section seriously as it gives insight into the way of thinking of the old practicioners of Geomancy. In the original text, Abano sorts the meanings of each figure out into ‘Good’ or ‘Bad’ but because he often doesn’t keep to the classification (attributing good meanings to the ‘bad’ category and vice versa) I have eliminated the headings of ‘good’ and ‘bad’. It may be that I am wrong in doing so. ↩︎
Admittedly, the above is quite a mishmash of significations, some of which are hard to reconcile among themselves and with the general meaning of the figure. In the following figures similar discrepancies can be observed. We ought to bear in mind that, as it often happens with Medieval authorities on occult subjects, Abano is aiming at giving us extremely concrete examples so that the intelligent reader can extract a general signification from them. As for the seemingly nonsensical meanings (why would Acquisitio signify famine?) it may be that I am missing something, or it may mean we ought to keep an open mind in judging the figures. It may also be a blind placed deliberately to confound readers. This may explain such gross inconsistencies as Laetitia being given as entering instead of exiting (note that Abano said the opposite in the first section) and being given some of Tristitia’s ideas of stuckness. ↩︎
“Andando contra lo inimico per sola dubbitatione non patira alcun damno”. This sentence is not clear to me. Could it mean that the enemy will be assailed by doubts? ↩︎
This sentence is not clear, as it seems to imply everyone around the querent is fine, except one person. Also, this description of Rubeus has to be one of the most puzzling I have ever come across. ↩︎
it is not clear if this means the flight of the querent’s side or of the enemy’s side. ↩︎
I have added this “it means”, as otherwise it seems that Carcer would be bad for occult things as well. However, this addition also causes another problem, as it makes it seem as though Carcer means company, while usually it is seen as a figure of solitude. ↩︎
In Astrology, and therefore in Geomancy, we distinguish between a friend and an acquaintance, the former being eleventh house matter, the latter seventh house. Obviously, the difference is not as clear cut as it may seem, especially in the age of social media, where all it takes to be someone’s friend is to click on the ‘add’ button.
In the old texts, both of Geomancy and Astrology, we often find examples of how to judge questions like “Will my friends be useful to me?” This may sound callous compared to our sentimental notions of friendship, but keep in mind that 1) the old notion of usefulness was broader back then, and it included everything concerned with the person’s well-being, both inner and outer 2) friends formed part of the person’s network of alliances in tackling the hardships of life 3) the eleventh house is the second from the tenth, which represents heaven, so it represents friends as wealth from heaven. Clearly friends were highly revered (just read Plato, Seneca, Xenophon or even Confucius for proofs).
As I mentioned somewhere else, my husband and I are in the process or moving, and as usual when moving, we suddenly discovered that we own three times more stuff than we thought. One friend volunteered to help us the following day, bringing us boxes and helping us with her car. In the evening though she said she didn’t know if she would make it. I cast a reading to see whether she would come:
Will she come to help us? (app used: Simple Geomancy)
Let us forget the Judge for a second and concentrate on the chart. If we take the girl as ‘our friend’ she should be eleventh house, and the eleventh house is occupied by Cauda, which also doesn’t move anywhere.
Now if my mom asked me who she is, I would say ‘a friend’. Yet she is more my husband’s friend. I am just on good terms with her, but I wouldn’t call her to spill my guts or even to ask for help, though it was of course very nice of her to volunteer.
If I take her to be my acquaintance, she is seventh house, and occupied by a more promising Conjunctio, which does spring to the second toward me. And she did end up coming.
The negative Judge, Amissio, possibly refers to the fact that we ended up losing a couple of objects due to recklessness (notice the Via Puncti reaching back to Puer in the fourth house). I also ended up losing a friend to gain an acquaintance, it seems.
Here Abano teaches how to cast a reading and then explains the main meanings of the astrological houses.
The method of forming the above mentioned sixteen figures is to use a pen to mark sixteen rows of points on a piece of paper. These must then be paired two by two, until, at the end of each row, either two points are left or only one.
Abano’s illustration of how the four mothers are formed
Then one must take the geomantic figures that emerge, in the following way.
Abano illustrates how to add the Four Mothers to their place
Note, however, that the previous operation is not carried out by counting the points one makes, nor by following one’s fancy, but rather by virtue of the Primum Mobile and First Motor God the Eternal, who moves one’s hand, and is to be carried out with good intentions and by invoking God’s grace and help.1
From the first four figures, four other figures are derived by taking the first points of each of the first four figures, which go to form the fifth figure; then by taking the second points of each figure to form the sixth figure, and so on with the third row of points to form the seventh, and the fourth row to form the eighth, as shown below.
Abano’s illustration of the Geomantic Shield
Once the eighth figure has been drawn, take the first and second [figure] and, proceeding in the same way as at the beginning, form the ninth; then take the third and fourth to form the tenth; then the fifth and sixth to form the eleventh; then the seventh and eighth to form the twelfth.
Then, add the tenth and the eleventh to form the thirteenth, known as the First Witness, and the eleventh and the twelfth to form the fourteenth, known as the Second Witness. Add the witnesses to discover the Judge.
This completes the chart, with every figure in its necessary place according to the question asked, as will be explained. However, often one may take the Judge and the first figure and add them together to obtain the Judge of the Judge,2 which is the sixteenth figure, which we will discuss later.
It is to be noted that the main figures are the first twelve, of which four are strongest. The first and the tenth are the best, but the first is even better. The seventh and fourth are also good. These four figures are called the angles, noting which one may know the strength and virtue of the chart. Following them, the second and fifth figure, and the eighth and the eleventh are known as succedent. Finally the last four are the third, the sixth, the ninth and the twelfth, which are called cadent, as shown in the following figure.3
Abano’s illustration of the principle of angularity as it applies to geomancy
And the first figure is called the strongest and best of all, because it signifies the virtue of the Heavens on the querent, that is, he who asks the question.4 It is called the Ascendant. Following that, the tenth is in the middle of the heavens and has great power and influence. When it is good it bodes well, but when it is unfortunate it means great misfortune in terms of how the question is going to end.5
The seventh figure is opposite the Ascendant and is called the Western Angle, and it bodes well when good, ill when bad, especially in questions concerning the seventh house, as will be shown. The fourth figure or house, although categorized as an angle, is called the feeblest of them, because it is at the bottom of the skies in our hemisphere. Nonetheless it indicates the end of the matter and of the querent’s intention.
Then we have the second, fifth, eighth and eleventh, which are succedent houses because they come after the angles, and are good or bad according to the figure [that falls in them] and the question asked, and they indicate the present and what is yet to come for the question asked. The third, sixth, ninth and twelfth figure are called cadent, meaning what runs against the question, and the worst are the sixth are twelfth. The eighth is also among the evil houses.
The above is especially to be noted because every figure has two virtues, one according to its nature and an accidental virtue depending on where it falls in the chart.6 As such, if a good figure falls in the first house, its goodness is amplified, and similarly in any other angle. When it falls in a succedent house, it has less power, and when it is cadent it has even less. And this point holds true for evil figures as well in their ability to cause bad fortune. An evil figure in an angle, therefore, will mean a great bad fortune, especially in the fourth.
Nonetheless, among the bad houses, the sixth and eighth and twelfth are the worst, and every figure falling therein is dangerous in any question.7 And they are especially dangerous if they are evil by their own nature. Said figures are considered not just according to their virtue and the places where they fall, but also according to the question, that is, according that they are appropriate or inappropriate concerning the thing asked.8 As such, what follows is the signification and the property of each of the houses.
The first house signifies the life and body, the being and soul and intention of the querent or the one for whom the question is asked. It also means the beginning of all things. It sits opposite the seventh, and signifies the goods and money of the prisoner. It is the joy of Mercury.9
The second house is wealth,10 gain and loss, and all that the querent owns. It is opposite the eighth, and it signifies the gain of the querent’s family.
The third house indicates siblings, blood relatives, short journeys and enemies of faith and of the Roman Church,11 neighbors, etc. This house is opposite the ninth. It also signifies rumors, and travel companions. It is the joy of the Moon.
The fourth house indicates buildings, buried things, the end of every question. Also, the father, the wealth of a brother or sister.12 It is opposite the tenth.
The fifth house indicates mirth and happiness, children, messengers and letters, music, food, clothes, mid-range travel, the father’s wealth. It is opposite the eleventh and it is the joy of Venus.
The sixth house indicates wrath and an evil mind, toil, malady, servants, people who are subjected to the querent, small animals. This house is the joy of Mars.
The seventh signifies the wife,13 the lover, an opponent, public enemies, games of chance, thieves, bandits, partners. The place the querent goes to, medicine, the wealth of one’s servants. It is opposite the fist house, and is absent.14
The eighth house indicates death, fear, danger, the wealth of the enemy, inheritance from the dead, the wife’s dowry, gain from the land one moves to,15 debts, Necromancy, evil spells. It is opposite the second.
The ninth house signifies religion, Ecclesiastics, the Pope, preferment, priests, the Christian faith, burials, fame or infamy, long travels, the wealth of the absent party.16 It is opposite the third, and is the joy of the Sun.
The tenth signifies the Emperor, the King, the lord,17 great honor, a doctor, a master, art, profession, sea, ship, towers, the thing stolen, famine, fertility, the church’s wealth, and advantages gained from the church. It is opposite the second.18
The eleventh signifies friends, hopes, fortune, courtesans, a lord’s wealth, common goods, the mother’s dowry. It is opposite the fifth, and is the joy of Jupiter.
The twelfth house signifies prison, prisoners, pilgrims and endless wandering, long violence,19 adversities, traitors, occult enemies, great beasts, the friend’s wealth. It is opposite the sixth. It is the joy of Saturn.
Whenever a question is asked, the issue always involves the first house, and in the second place the figure found in the house that is appropriate for the question, and depending on whether it is fortunate or not, together with the four angles, thus does one judge the issue. And especially [it is to be considered] whether the Witnesses and Judge are good.
MQS
Footnotes
Here again, as in Part 1, Abano insists on the role of the divine (and again, he does it in a typical Christian Aristotelean fashion). He is doing more than just paying lip service to the religious ideas and institutions of the time, in so much as he asserts a central point common to all forms of divination: that it is divine nature that shines through the divination process. This explains his assertion that the points must not be counted nor be created following one’s fancy: the diviner’s ego must be switched off in order for the divine to act through it. ↩︎
‘Sopragiudice’ in Italian, which literally means Superjudge or Overjudge. ↩︎
Abano follows the relatively standard (by that time) association of the astrological houses with varying degrees of strength. ↩︎
The first house is given to the querent, so a good figure in it would indicate something positive for them or that they are positive. ↩︎
This seems intended more to emphasize the importance of the angles than to link the tenth house with the ‘end of the matter’, which is a meaning typical of the fourth house. ↩︎
This is meant to reflect the notions, common in Medieval astrology, of accidental and essential dignity of the planets, though the concept must be modified a little in order for it to apply to geomancy. ↩︎
There is a certain digree of ambiguity concerning this issue, as it is not always clear if a figure in a weak house will see its power decreased or its evil import amplified. This ambiguity is present in astrology as well. ↩︎
This is an important concept. A good figure becomes bad if its meaning is opposite to the querent’s intention, and vice versa. ↩︎
Joy is an astrological term. The joys of the planets are houses where the planets are supposed to perform their heavenly duty better. A typical attribution is: the first to Mercury, the third to the Moon, the fifth to Venus, the sixth to Mars, the ninth to the Sun, the eleventh to Jupiter, the twelfth to Saturn. Abano follows this scheme. ↩︎
The term used by Abano is ‘robba’ or, in current Italian, roba. This literally means ‘stuff’. Keep in mind that in the Middle Ages, for many people, stuff was more important than money, and that the moneyed economy we have today was barely in its infancy back then. The second house indicates stuff, and therefore all moveable possessions. ↩︎
Because the third house sits opposite the ninth, which is the house of God. Obviously, Abano wrote at a time when Catholicism was the dominant and (for the most part) only allowed creed. ↩︎
This is by the principle of turned houses. The second house from every house indicates the wealth of the thing or person signified by that house. ↩︎
or husband, if the querent is a woman or a man interested in men. ↩︎
It’s unclear to me what Abano means by this. The seventh house is sometimes given to ‘the absent party’ to know if the person will come back, but the wording Abano uses is strange. ↩︎
The land one moves to is ‘there’, which is the opposite of ‘here’, signified by the first house. ↩︎
I don’t understand why the ninth should indicate the absent party’s wealth. ↩︎
‘Signore’ i.e., the ruler of a Signoria, a small Italian monarchy typical of the time. ↩︎
Here Abano introduces the subject matter and the names and main qualities of the sixteen figures.
Geomancy is a simple science to master. It employs the same methods of astrology to answer any question the person might have—whether what one wants to undertake will meet with success or not, according to natural virtue and celestial influence.1
This method of judging [questions] and receiving information avails itself of four figures made of ink points on a piece of paper by the Geomancer’s hand, which is moved by the heavenly influence of God’s eternal grace.2 As such, one must ask one’s question with sincerity and a pure soul.
From the initial four figures, sixteen are derived (and no more than sixteen) to answer any question the person might desire to know [the answer to]. However, not all the figures are necessary in answering a specific question. Only fifteen are, and they are enough to answer any question.3 These fifteen figures don’t always come up in the same way, but only as Heaven influences them to come up.4
These are the sixteen figures and their names:
Abano’s illustration of the sixteen figures with their latin name
Four figures are assigned to each quadrant of the Heaven (North, South, East, West) and to the four elements (Fire, Air, Water, Earth) as will become clear shortly. They are called fortunate or unfortunate.
Rubeus, Amissio, Fortuna Minor and Cauda are Fiery, that is, hot and dry, and of choleric complexion,5 southern, diurnal, masculine, strongly malicious, haughty and furious.6
Acquisitio, Laetitia, Conjunctio and Puer are airy, that is, hot and wet, of sanguine complexion, eastern, masculine and diurnal, very good and temperate, and good wherever they fall in the chart.7
Puella, Populus, Via and Albus are cold and wet, of phlegmatic complexion, northern, feminine and nocturnal. Generally fortunate and good where they fall in the chart.
Caput, Fortuna Maior, Tristitia and Carcer are earthy, that is, cold and dry, and of melancholic complexion, western, feminine, nocturnal. Two are good, Caput and Fortuna Maior, while two are bad, Tristitia and Carcer. They are slow and slothful in their meanings, but they cause what they promise nonetheless.
All the above is to be noted when a figure represents a person and another figure a different person, that we may know their character and how well they may get along.
The sixteen figures have yet another cycle of attributes that renders them positive or negative. Depending on whether they are mobile or fixed, we may know how soon or how late the effect will manifest, and how the situation shall be resolved according that they are entering or exiting or mixed.
Acquisitio, Fortuna Maior, Albus, Caput, Puella and Tristitia are entering, fixed, good and fortunate, except Tristitia, which is always bad.
Amissio, Fortuna Minor, Rubeus, Cauda, Puer and Laetitia are exiting, mobile, bad and malicious, except Letitia, which is always good.
Populus, Via, Conjunctio and Carcer are said to be common, that is, neither very quick nor very slow, and they are also neither too good nor too bad, though they tend to err on the side of goodness, except for Carcer, which is always evil.8
And yet another meaning must be added, which shows whether the people signified by the figures conform to one another in terms of will and soul, according that the figures are mobile, quick or slow, and according that they are single-bodied or accompanied [double-bodied].9
Acquisitio, Fortuna Maior, Puella, Caput, Tristitia and Albus are fixed, single-bodied and regular.
Amissio, Puer, Cauda, Letitia and Rubeus are mobile, half-bodied and diminished.10
Fortuna Minor, Carcer, Conjunctio, Via and Populus are common, that is, between mobile and fixed, and they are neither too quick nor too slow, and are double-bodied and accompanied, except for Via.
And in order that one may easily know the virtue and influence of the Heavens through the sixteen figures, we must also note their correlation with the twelve zodiac signs. Similarly, they are attributed to the seven heavenly planets, according to their influence on the twelve signs.
Abano’s illustration of the astrological attributes of the geomantic figures
However, each figure does not mean the same as the other [assigned to the same planet]. Each has a separate meaning. As such, Carcer is Saturn direct, Tristitia is Saturn retrograde; Acquisitio is Jupiter direct; Letitia is Jupiter retrograde; Rubeus is Mars direct, Puer is Mars retrograde;11 Fortuna Maior is the Sun when elevated, Fortuna Minor is the Sun when depressed and obscured; Puella is Venus direct, Amissio is Venus retrograde; Albus is Mercury direct, Conjunctio is Mercury retrograde; Populus is the waxing Moon, Via the waning Moon. Consequently, the direct signs are better than the retrograde. Furthermore, Caput is attributed to Jupiter and Venus, Cauda to Saturn and Mars.12 But this is not always the case, but rather depends on the question asked.
MQS
Footnotes
The concept of natural virtue underpins the Western magical worldview. The word ‘virtue’ must not be understood in a moral sense, but rather in the sense of ‘property’ or ‘power’. It forms part of the Hermetic doctrine of Signatures. The virtues of the things under the Heavens are generally seen as corresponding to certain celestial factors. ↩︎
This is a rather typical phrasing found in various premodern handbooks. It is connected with the Christian Aristotelean worldview prevalent at the time, whereby God, the unmoved mover, ruled the world not directly, but through a series of concentric spheres, each one corresponding to a planet, except the sphere of the fixed stars and that of the primum mobile. ↩︎
The sixteenth figure is what is commonly referred to as the Judge of the Judge, formed by the Judge plus the first Mother. ↩︎
The word ‘complexion’ is used in a slightly different way from today. It refers to the theory of the four humors (black bile, yellow bile, blood and phlegm). These humors influenced not just the character, but also, up to a point, the appearance of the subject as well as their being prone to this or that illness. ↩︎
Abano seems to include Fortuna Minor among the malicious figures, though later in the text he treats it as generally positive. ↩︎
Abano however does not always treat Puer as a positive figure. ↩︎
In all this section Abano seems to be painting with a very broad brush, talking of the figures as “always good” or “always bad”. Of course things get more complicated. ↩︎
This is borrowed, as so much in geomancy, from astrological practice, where the mutable signs (Gemini, Virgo, Pisces and Sagittarius) are also called double-bodied. Double-bodied signs, and therefore geomantic figures, can indicate the involvement of more than one person. ↩︎
The concept of half-bodied does not, to the best of my current knowledge, come from astrology, but I may be wrong. ↩︎
This seems prima facie counterintuitive, as a retrograde planet is generally considered worse than a direct one, and Puer is generally not considered worse than Rubeus. ↩︎
This is in accordance with the relatively standard Medieval practice of attributing the North Node of the Moon to the two benefics, Jupiter and Venus, and the South Node to the two malefics, Saturn and Mars. This practice developed over time and does not seem to originate in older astrology of the Hellenistic period, when both nodes appear to have been considered more or less malefic, when considered at all. ↩︎
One of the things newcomers to Geomancy learn first is the distinction between shield chart and astrological chart. This distinction has been popularized by Greer in his two books on Geomancy, but it doesn’t originate with him, though he is, to my limited knowledge, the first to insinuate that the shield chart is a beginner’s tool and the astrological chart a more advanced one (his attitude changes in his Golden Dawn writings, where he tries to purge astrology from geomancy and render the shield chart autonomous).
Agrippa (followed centuries later by the Golden Dawn) clearly has the astrological chart in mind, since he advocates putting the four Mothers in the four angles, the four Daughters in the four succedent houses and the four Nieces in the four cadent houses. This idea can only come to mind to someone who primarily uses the astrological square chart, or at least pictures the geomantic reading in those terms.
There are other authors, however, like Cattan, Abano and Alfakini (note that some attribute Alfakini’s work, found in the Fasciculus Geomanticus, to Gerard of Cremona) who clearly think of geomantic practice in terms of the shield chart alone. Not because they are unaware of the possible correspondence with the astrological houses, which all employ, nor because they never attempt to draw the square astrological chart (Christopher Cattan does it in the first part of his book), but because it is clear to them that the twelve astrological houses are meant as a technique to be used to draw meaning out of the shield chart and not as a new or different way of doing geomancy.
This can be seen from the fact that both Abano and Alfakini (and possibly also Cattan, but I have to study his text more closely) clearly consider the twelfth house NOT to be contiguous to the first, as it would be in the square chart. On the other hand, both consider the ninth house, which in an astrological square chart would have no relation to the first, to be contiguous to the first, just because in a shield chart it belongs to the same triplicity as the first and is close to it (see below)
Shield chart in Geomancy, with first and ninth house connected. App used: Simple Geomancy
In this chart, Puer in the first is close to Cauda in the ninth, but not to Puella in the twelfth.
This new way of looking at the chart is also making me reevaluate the doctrine of the company of houses, which I have somewhat disparaged in a previous article, and it might even shed light on the strange doctrine of the triplicities, which Greer makes much of but which is barely present in the old texts except in an apparently purely decorative sense. I will need to read the texts more closely and experiment.
What seems clear to me though is that there was never meant to be an astrological square chart, for many authors of the Medieval tradition, but rather merely an astrological lens in looking at the shield chart.
In Medieval and early modern times, Astrology was everything. Being a natural consequence of the philosophical worldview tolerated by the church (that is, Aristoteleanism), Astrology was not seen, strictly speaking, as a Bible-prohibited practice, but merely as an extension of the science of the day. Though it always had its detractors, it was generally accepted. Therefore it was normal to try to astrologize everything.
We’ve already discussed geomantic perfection. This takes place thanks to something resembling aspects. But some old books go a step further and seek to introduce the actual astrological aspects of the time into geomantic practice.
In Astrology, an aspect happens when two planets occupy the same degree in different signs: a sextile happens to planets that are 60 degrees apart (e.g., Venus at 10 Aries and Jupiter at 10 Gemini); a square is between planets that are 90 degrees apart (e.g. Venus at 10 Aries and Jupiter at 10 Cancer); a trine is between planets that are 120 degrees apart (e.g., Venus at 10 Aries and Jupiter at 10 Leo); an opposition is between planets that are 180 degrees apart (e.g., Venus at 10 Aries and Jupiter at 10 Libra)
Aspects are key to astrological perfection. They show the things signified by the planets coming together, with sextile and trine indicating good contact on one hand and square and opposition showing bad or difficult contact. For instance, if in a love question my significator aspects my love interest’s significator, it shows us coming together. If by trine, we get along, if by square we argue.
In geomancy, astrological aspects have been adapted to the chart as follows:
Astrological aspects in Geomancy (App used: Simple Geomancy)
If we take the figure in the first house (marked in yellow) as a reference point, then the figures in blue sextile it, because they are separated from it by a single sign; the figures in purple square it, because they are separated from it by two houses; the figures in green trine it because they are separated from it by three houses, and the figure in red opposes it, since it occupies the houses directly opposite.
This is supposed to shed some light on the relationship between the figures: two figures that fall into a square pattern have a difficult relationship, two figures in a trine a good one, etc.
The problem with using astrological aspects in Geomancy is that aspects work in a fundamentally different way: in Astrology, an aspect requires a planet to move in order to apply to another planet. After perfection, then, the aspect separates and its effect wanes.
Geomancy, though, is a static system with no real movement. Sure, we can say a figure moves from one house to another, but in reality that figure is already present in both houses. The only way to conceptualize movement in a geomantic chart is when we take a significator’s house to be the original position of the figure in it, and every other instance of that figure as a successive movement (e.g., in a career reading, if Laetitia is in the tenth house and in the seventh, we take it to move from the tenth to the seventh and not vice versa).
I am honestly not convinced that astrological aspects can find a meaningful place in geomancy. They certainly cannot bring matters to perfection, otherwise everyone would always be separating from their partner since the figure in the seventh house always opposes the figure in the first. Similarly, everyone would always get along with their siblings since the third house always sextiles the first.
One possibility which has been suggested is that of applying aspects only to figures that move. In a love reading, for instance, if the seventh figure moves to the tenth, it moves to square the querent, since the tenth house squares the first.
I personally find this application also problematic, because the tenth house represents the job, among other things, so that would mean that everytime the querent’s job is involved in their love life it causes trouble, which is a false assumption.
At most, I would take an aspect into consideration only if BOTH significators move. In the hypothetical love reading, for instance, if the first figure (querent) moves to the fourth house and the seventh (significant other) moves to the tenth, then they are in opposition to one another. Maybe they will argue. Or, if the first moves to the fourth and the seventh to the second, they sextile each other, which is good.
Even in a situation like this I am generally cautious about applying this theory. There are certain aspects of Astrology (pun intended) that simply don’t translate well to other systems of divination. You are of course welcome to try this theory on for size, but personally I believe Geomancy already has its particular version of aspects, and throwing other stuff into the mix feels more like an attempt at complicating this “brief and simple science” to find something more to tell the querent.
The more I delve into medieval geomancy manuscripts, the more I realize how different authors tended to put together different bundles of go-to techniques for interpreting the geomantic chart. There is always some overalap, yet not every author mentions every technique. The company of houses is one such technique. The book from Peter of Abano I am currently translating does not mention it: he tends to have a very trimmed down, minimalistic approach. However, the technique is found in other authors, so I’ll discuss it and leave it up to the reader to decide whether to experiment with it or not.
The Technique
The technique is quite simple. We start from the presupposition that the aim of a geomancy chart is to see whether the figure of the querent comes into contact with the figure of the quesited, as already discussed, because such contact, called perfection, signals the querent coming into possession of the thing quesited about (though there are exceptions, when the querent wishes to get rid of something, for instance.)
Usually, if at least one of the four modes of geomantic perfection discussed in my previous article does not show up in the chart, it’s game over. According to some authors, though, we can also see perfection in other ways, and this is where the Company of Houses comes in.
The twelve houses of a chart are said to be paired as follows: the first with the second; the third with the fourth; the fifth with the sixth; the seventh with the eighth; the ninth with the tenth; the eleventh with the twelfth. It is important to note that, although, say, the third house is next to the second, the second and the third house are not in company: only the first with the second and the third with the fourth.
Let us suppose I want to know whether I will meet with my sweetheart. In general, I would want the house of the querent (me, the first house) to perfect geomantically with the house of the quesited (my sweetheart, the seventh house). Let us furthermore suppose that this does not happen. According to the proponents of the Company of Houses, this negative testimony can be overruled.
We look at the house my house is accompanied with, in this case the second, or the house the quesited is accompanied with, i.e., the eighth. Let’s take the second house as an example. The first kind of company is if the figure in the second house is the same figure as that of the first; the second kind of company is if the figure in the second is ruled by the same planet as the figure in the first; the third kind of company is if the figure in the second is opposite the figure in the first; the final kind of company is if the figure in the second shares the same Fire line (e.g., Via and Puella, who both have a single fire line).
This figure is the opposite
Of this figure
Cauda
Caput
Conjunctio
Carcer
Puella
Puer
Acquisitio
Amissio
Albus
Rubeus
Tristitia
Laetitia
Fortuna Minor
Fortuna Major
Populus
Via
Opposite figures
When any of these four conditions is realized, the figure in the second house can act as a co-significator for the querent, and may perfect the chart in his stead.
Do you need this?
Frankly? No. You can do what you please, of course, but this reeks of “Methinks I saw mine lass turn into a dragon”, that is, how people used to come up with stuff to fill books with. Even worse, it reeks of last-ditch effort at wringing a “yes” out of a negative chart.
In some cases, what is called Company of Houses is already covered by the four regular modes of perfection. When it isn’t, it is, as far as I am concerned, at most a very, very, very weak testimony, so much so that I don’t take it into consideration. Of course one may come up with all sorts of philosophical excuses why this technique is important, but if you ask me, it feels like a useless complication of a simple divination system.
I already said that I am not a big fan of complications in divination. Nor do I believe that the tendency to overcomplicate things is just modern: if we look in older Horary Astrology handbooks, for instance, they are filled to the brim with (often mutually contradictory) techniques that may be thrown at the chart in an attempt to smoke a positive judgement out of it.
Still, one technique that is relatively consistent in the tradition is that of the Via Puncti, or Way of the Point. Not all traditional sources talk about it, but I have found it to be occasionally helpful. As usual, techniques are not to be used blindly, but intelligently, like tools in the hand of a surgeon.
The long and short of this technique is as follows: some Judges have one point in their Fire line (the upmost one), while others have two. In fact, out of all eight possible Judges, four have one single Fire point (Carcer, Fortuna Minor, Via, Amissio), while the other four have two (Conjunctio, Fortuna Major, Populus, Acquisitio). Due to how Geomancy’s model works, whenever the Judge has one Fire line, it is possible to trace it back unequivocally to one of the four Mothers or Daughters (that is, to one of the eight figures at the top of the shield).
Geomantic Shield Reading, drawn with the Simple Geomancy app
In the above example, Fortuna Minor is the Judge. It has one point in its Fire line. This one point is found again in the Left Witness, Laetitia, and again in the third Niece, which is again Laetitia, and finally in the second Daughter Puella. No other path is possible. This is always so (if it isn’t so and you’ve calculated the chart by hand, you’ve made a mistake.)
Usually, the Via Puncti or Way of the Point can be looked at as a root cause for at least some aspects of the final answer. In the example above, for instance, a woman may be the cause (Puella). Or, if we take the House in consideration, since Puella is in the Sixth house, it may indicate that a sickness is the cause, or a servant/subordinate, or a pet, depending on the question.
I repeat: depending on the question. I make no effort to squeeze a consideration of the Via Puncti into my readings. If it is helpful, and if the question lends itself, I will consider it.
Geomantic Shield Reading, drawn with the Simple Geomancy app
In this second example, Acquisitio is the Judge. Immediately the Via Puncti branches off, as both Witnesses have two points in their Fire line. John Michael Greer says that this shows more complex causes, but he fails to mention that, in the old books, this is not considered a valid Via Puncti. I don’t know if I am unaware of some of the old material or if Greer gave in to his tendency to mix innovation (which is fine) with pretense that it is rooted in tradition. You can of course choose to experiment with Greer’s version of the Via Puncti. Personally, I don’t even always regard it when it is there (as in the first example) let alone when it is not there.
One thing that the existence of the technique shows, though, is that the Golden Dawn’s way of reading the astrological chart by placing the mothers in the angles is completely baseless, and is a typical example of the “let’s make up a secret” tendency of the occult community.
