Tag Archives: Cartomancy

Which House Is Next To Which?

In astrology, the contiguity of the houses is obvious, since the houses are usually arranged either in a square or in a circle, but always forming a loop. Thus, we have that the Ascendant is always squished between the second house and the twelfth; that it always opposes the seventh, and, if we go by whole sign houses, that it has fixed relationships with all the others (inconjunct, sextile, square or trine).

This is not the case in Geomancy, where the relationship between houses is controversial, at least nowadays. First off, it is not pacific that the houses of the Shield represent astrological houses, unless we operate an equivalence with astrology, as was done at least since Geomancy reached Europe.

Those coming to Geomancy through Michael Greer, as I did, are probably used seeing the geomantic houses as equivalent to astrological houses: once the Shield is turned into a square chart, the houses follow the same astrological pattern as in an astrological chart. Those coming to Geomancy through the Golden Dawn, though using a different way of assigning the mothers to the houses (the one popularized by Agrippa), still end up dealing with a 1:1 replica of an astrological chart.

However, the idea that the Shield chart and the astrological chart are separate ways of doing Geomancy seems to be relatively new. In most old books, only the Shield is shown, and even when the astrological format is followed, this is done more to show some of the similarities with astrology.

Secondly, which house is next to which is not always clear, and sometimes varies by author. In some sources it seems that only houses that are in company are considered to be next to each other: first and second, third and fourth (but not second and third), fifth and sixth (but not fourth and fifth) and so on pair by pair. This seems to follow the order in which the Shield chart is generated.

An example shield chart. App used: Simple Geomancy

In the example above, Tristitia in the first is next to Via in the second, and Tristitia in the third is next to Conjunctio in the fourth, but not to Via in the second. This is possibly because the first and second combine to form the ninth and the third and fourth combine to form the tenth, but the second and third never combine. This approach obviously restricts the possibilities of perfecting the chart, since most houses end up losing a possible spot next to them for other figures to move to.

Another approach is the one I found while translating Abano’s work. Here Abano started by saying (or rather, implying) that the twelfth house is not next to the first. Initially, I thought this was because he was following the arrangement for the company of houses I just discussed. Yet he gives other examples where he does not follow it, for instance by implying that the eighth and ninth house are next to each other, which would contradict the company of houses (the eighth is with the seventh, the ninth with the tenth).

Then, in another one of his examples, he implies that a figure in the tenth house is next to a figure in the third. This does not make sense from an astrological standpoint, but from a sheer geomantic standpoint it does: the third house DOES border with the tenth, since it co-generates it with the fourth. This would also explain why he doesn’t consider the twelfth house to be next to the first: not because they are not in company, but because they are not close on the Shield (they are, in fact, on opposite ends of the shield).

This approach of considering the houses close on the Shield as being next to each other is certainly different from anything I’ve seen, especially in contemporary geomancy, and if it weren’t for the fact that enough readings I’ve done confirmed to me that the twelfth house CAN perfect with the first, I would find Abano’s approach extremely appealing. Unfortunately, one of my rules when dealing with divination is that practice trumps theory.

Abano goes even further, implying that the Witnesses (and possibly even the Judge) are to be treated as regular houses. This, in itself, is not unique to him, but what I find unique is that he considers the Witnesses capable of perfecting the reading, for instance if the first figure moves to the tenth and the quesited’s figure moves to the right Witness, where, by Abano’s theory, the two figures touch.

Another consequence of Abano’s approach is that not all houses are created equal: the first house, for instance, only touches with the second and the ninth, while the tenth house must be considered to be next to the ninth, eleventh, third, fourth and to the right Witness.

A possible argument, at this point, could be that this approach makes certain readings too easy (like those involving the tenth house, as I just showed). Still, we should keep in mind 1. that divination reflects reality, so a no is a no, regardless of the system 2. secondly, that Abano doesn’t always consider merely the querent and quesited. Often he considers the whole chart, and sometimes he resolves certain questions by dividing the shield into two sides (the left and the right side) and seeing which side is stronger. This is a method he has from traditional astrology, where questions of contest or war are often decided in such manner.

Ultimately, which approach we choose depends on what works, which means that the only way is to try, record and compare with what actually ends up happening.

MQS

The Home – A Deep Dive Into Cartomancy

Following my deep dive into the symbols of the door knockers and the road in divination by cards, I want to tackle the symbol of the home. This, too, like the road, is a widespread symbol that is almost never absent from any divination system of a practical nature (I am aware of systems for playing card divination based on Rider Waite symbolism, but they have very little practical use).

The popularity of the symbol of the home is simply a consequence of its importance in people’s lives. The home or house card is, in most systems, a ‘topic’ or significator card indicating the querent’s or someone else’s house, and the cards surrounding it show us the atmosphere or happenings of the household. Its practical value, therefore, is immense.

In the earliest recorded system for reading the tarot, which is Pratesi’s guide for the Bolognese tarot, the house card is the Ace of Cups. This meaning is retained in the more modern variants of the method. This is also an almost universal constant in cartomancy, since the Ace of Cups or Hearts is almost always taken as a symbol of the home.

Whether this association originates with the Bolognese tarot I don’t know. It is possible that the symbolism is simply suggested by the shape of the Ace of Cups. In the Visconti tarot, the Ace of Cups is a water spring similar to a baptismal font, but in many old decks it can look similar to a walled structure. If we add to this the fact that the function of the cup is to contain, it may be that this could have suggested the idea of the house to old cartomancers, since a house is a large (the ace is large) containment structure.

Similarly, in almost all card reading systems using Italian regional cards, the Ace of Cups is the home, although I am aware of a couple where the meaning is attributed to the Four of Cups, possibly due to the squarish form suggested by the arrangement of the pips. The Ace of Cups is also the house card in the Sibilla regionale, which is the second-most widespread sibilla deck in Italy.

Why the same idea of home as the Ace was suggested by people using regular playing card suits is unclear, since the Ace of Hearts does not look like anything but a heart. Still, if the system I was taught is anything to go by, the main idea is that hearts deal with one’s emotional life and nourishment, and the home is the origin and source (ace) of our emotional life, the place where our first (ace) needs are met. As a matter of fact, the person who taught me cartomancy with playing cards often insisted that the Ace of Hearts is not just any house (though it can be, in practice) but especially one’s home, where we come from (the ‘spring’ we come from, in the Visconti sense), which is why an extended meaning of the house card is often one’s family.

The same attribution of the Ace of Hearts to the home is found in most systems I am aware of, including German cartomancy and most English and French methods. As far as tarot is concerned, we find that, in some earlier tarot documents, the Tower is simply called ‘casa’ (house), before being called House of God or House of the Devil in some other decks (the title ‘Tower’ is actually a rather late innovation).

Etteilla assigned the house to the Ten of Coins, which Waite retains in his illustration of the Ten of Pentacles, while Paul Case generally matched the house with the Two of Cups, among other things. However, this was more of an accidental consequence of the Golden Dawn attribution of the first cards of the suit of Cups to the zodiac sign of Cancer and, according to the sign/house equivalence theory, to the fourth house, which is the house of the father and therefore of one’s fathers and one’s family/house.

The Sibilla is a partial exception to the rule of the ace as the home, as the House card is given to the Two of Hearts. The meaning of origin (which metaphorically, depending on the reading, can also indicate the origin of a problem) is retained. Still, the Ace of Hearts is also given to the family and to people living together, among other meanings.

The Sibilla, like the Kipper cards, distinguishes between a House card and a Room card. This is probably because both decks seem to have been consolidated from earlier German or Austrian decks which also had similar cards, although the makers of the Sibilla also took playing cards into consideration.

I cannot speak to the Kipper cards (nor to Lenormand, where there is a House card, attributed to the King of Hearts), but in the Sibilla, the Room can represent a small(er) apartment, as well as a place in general, but it doesn’t usually have a connection with the emotional side of life, like the House, although it can represent intimacy, since it is connected with rooms in general, but with the bedroom specifically.

MQS

The Third Beast (Example Reading)

A querent (a man) asked how his relationship would evolve:

A relationship reading

The first thing to notice is that both main figures appear (King and Queen of Wands) and both their thoughts (Page and Knight of Wands). The two significators are in the central column, so let’s read the central column first: King of Wands, Queen of Wands, Ace of Cups (house), Moon (darkness), Queen of Coins (truth). Clearly their relationship is not based on clarity, because the truth is hidden, and there would be a need for honesty.

The Death card next to her might show that she is the one going through some kind of transition, and it’s probably not something that has just happened (Temperance shows time). The house is not positive to the couple, as there is hurt or arguments around it (Knight of Swords).

The King of Swords was hard to interpret. It was, until the querent asked out of the blue “Do you see her cheating on me?”

Look at the column the King of Swords falls in: Death, King of Swords, Her Thoughts and the Betrayal card. In her thoughts there’s someone else. Note also that his thoughts (Knight of Wands) is next to the Moon and the Hanged Man, so he suspects.

The Queen of Coins, which is the truth, here seems to have two meanings here. One is that it shows the need for clarity (and therefore the lack of it), and secondly it acts as a sort of punctuation, as I discussed before, sealing the reading as if to say “yup, that’s exactly what you’re thinking”

Obviously we need to be very careful when announcing this sort of situations, even if the querent suspects. It is much better to caution them to seek clarity with their partner (especially in this case with the Truth card so prominent in the reading)

MQS

Tarot Encyclopedia – The Nine of Wands

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Wands from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

In Tarot divination this Key combines the forces of the Moon, Mars and Jupiter and the zodiacal influences of Sagittarius and Aries, together with the Ninth house of the Higher Mind.
Well Dignified: well placed in a divination, this Key suggests originality, independence and daring. It has meanings that include strength in reserve; health after illness; success, but attended with some strife.
Ill-Dignified: danger; violence in foreign places or during long journeys; difficulties with relatives of the marriage partner; conflict with persons prominent in religion or law; obstinancy.
Keyword: Preparedness
(From the Oracle of Tarot course)

A. E. Waite

The figure leans upon his staff and has an expectant look, as if awaiting an enemy. Behind are eight other staves–erect, in orderly disposition, like a palisade. Divinatory Meanings: The card signifies strength in opposition. If attacked, the person will meet an onslaught boldly; and his build shews, that he may prove a formidable antagonist. With this main significance there are all its possible adjuncts–delay, suspension, adjournment. Reversed: Obstacles, adversity, calamity.
(From The Pictorial Key to the Tarot)

The Nine of Wands from the Rider Waite Smith Tarot

Aleister Crowley

The Nine of Wands is called Strength. It is ruled by the Moon and Yesod. In “The Vision and the Voice”, the eleventh Aethyr gives a classical account of the resolution of this antinomy of Change and Stability. The student should also consult the works of any of the better mathematical physicists.

Of all important doctrines concerning equilibrium, this is the easiest to understand, that change is stability; that stability is guaranteed by change; that if anything should stop changing for the fraction of a split second, it would go to pieces. It is the intense energy of the primal elements of Nature, call them electrons, atoms, anything you will, it makes no difference; change guarantees the order of Nature. This is why, in learning to ride a bicycle, one falls in an extremely awkward and ridiculous manner. Balance is made difficult by not going fast enough. So also, one cannot draw a straight line if one’s hand shakes. This card is a sort of elementary parable to illustrate the meaning of this aphorism: “Change is Stability.”

Here the Moon, the weakest of the planets, is in Sagittarius, the most elusive of the Signs; yet it dares call itself Strength. Defence, to be effective, must be mobile.

[…]

This card is referred to Yesod, the Foundation; this brings the Energy back into balance. The Nine represents always the fullest development of the Force in its relation with the Forces above it. The Nine may be considered as the best that can be obtained from the type involved, regarded from a practical and material standpoint.

This card is also governed by the Moon in Sagittarius; so here is a double influence of the Moon on the Tree of Life. Hence the aphorism “Change is Stability”.

The Wands have now become arrows. There are eight of them in the background, and in front of them one master arrow. This has the Moon for its point, and the Sun for the driving Force above it; for the path of Sagittarius on the Tree of Life joins the Sun and Moon. The flames in the card are tenfold, implying that the Energy is directed downwards.
(From The Book of Thoth)

The Nine of Wands from the Thoth tarot deck

Golden Dawn’s Book T

FOUR hands, as in the previous symbol, holding eight wands crossed four and four; but a fifth hand at the foot of the card holds another wand upright, which traverses the point of junction with the others: flames leap herefrom. Above and below are the symbols Moon and Sagittarius.

Tremendous and steady force that cannot be shaken. Herculean strength, yet sometimes scientifically applied. Great success, but with strife and energy.
Victory, preceded by apprehension and fear. Health good, and recovery not in doubt. Generous, questioning and curious; fond of external appearances: intractable, obstinate.

Yesod of HB:Y (Strength, power, health, recovery from sickness).
Herein rule the Angels HB:YRThAL and HB:ShAHYH.

Etteilla

Delay
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Delayed, Dilated, Removed, Suspended, Stretched, Slowed, Slowly.
Reversed. Travail, Obstacle, Impediment, Contrariness, Disadvantage, Adversity, Penalty, Accident, Misfortune, Calamity.

MQS

A Cartomantic Chaos

The Bolognese Tarot is traditionally read using a reduced pack of either 45 or 50 cards (the 35 card system, of historical interest, is no longer practiced today). However, since it is a tradition that varies locally, the make-up of the deck varies. In other words, the 45 cards I use are not necessarily the same used by another person who uses 45 cards. The same is true for the 50 card deck.

This uncertainty is what contributes to the relative obscurity of the method. At the end of the day, many people want a clear standard to follow. For my part, I practice the systems I have been taught: the 45-card system you often see in my readings, which I was taught three or four years ago but had left alone until recently, and the 50-card system I have been taught by Germana Tartari.

Many of the sources I have consulted seem to believe that the 45-card system is older, and later five extra cards were added by some. Germana herself told me she remembers her grandma telling her that she (her grandma) had seen the full pack of 62 used (this reconstructed system is the topic of Germana’s newer book, which I will review in the near future).

So we have several systems, which isn’t surprising: if we look at Piacentine playing cards, there are at least several full-deck methods, at least one method with 30 cards and several with 25 cards.

Going back to the tarocchino bolognese, and limiting ourselves to the two most used systems of 45 and 50, usually the cards that overlap tend to have the same or similar meanings, at least in part. For instance the Ace of Coins can be the table or desk in all systems I am aware of. Additionally, in the 45-card system I know, the Ace of Coins can also be the card of money (relatively big money). In Germana’s 50-card system, the Ace of Coins can be a table, but also a letter or document. In Ingallati’s system, the Ace of Coins is the table or the work card.

As for the work card, both Germana’s 50-card system and the 45-card system I know assign it to the Star, but the Star is also the card of material possessions and possibly of gifts, which is the main meaning assigned to the card by Ingallati. In another book on the 45-card method I have yet to review, the Star represents the health status (in my system it can represent meds), but also ‘good job opportunities’.

As you can see, there is overlap, but also space for divergence. To avoid confusion, both for myself and for the readers, I tend to stick to the meanings I know, but I think it’s fair that I bring this up.

As for the five extra cards that some add to the initial 45, there isn’t great uniformity either. Some don’t even add five cards: I know a reader who uses a pack of 49, while Giliberti, whose book I reviewed, seems to use 51 in one video I saw (how many cards she uses in the book I don’t know, due to the book’s chaotic nature).

All this chaos may be frustrating for someone who is approaching the bolognese tarot for the first time, especially from outside of Italy. One thing is growing up with a particular system, another thing is having to randomly choose one.

I don’t believe any system is inherently better or worse. All have the same potential for describing life, if properly used, and much also depends on the person’s inclination. For instance, having studied the 50-card system under Germana’s supervision, there should apparently be no reason for me to go back to the 45-card system. Yet I found myself always coming back to it, despite integrating insights from Germana’s system and from the books I read.

Ultimately I recognized that the 45-card system simply resonates with me beautifully, and while we are still in an open relationship, I tend to gravitate toward it. Certainly, if I had to write a full guide on the Bolognese tarot, I would illustrate this method. You may find otherwise.

I think anyone who is interested in this deck should take their time to explore their options. Mixing and matching randomly without having first studied the various strands of the tradition is not recommended, but as we study and practice we may find that a more individual approach emerges.

MQS

Fixed Significators and Modern Issues

Some decks have variable significators, while others assign certain cards to always represent the querent and their partner. This can cause confusion when reading for people who would not have lived their life out in the open back when cartomancy emerged, such as gay or trans people. Following are some experimental notes on how to deal with such instances in the various decks I use.

I want to stress that these are based on my practical experience, not on that of someone else and not on some theory I am trying force onto the cards. My aim is to improve my accuracy as a diviner, not to pontificate on academic eventualities.

Vera Sibilla

The Sibilla doesn’t have fixed significators, meaning that the querent will, if at all, be represented by a court card that indicates their role in the situation and/or society at the moment of the reading, always compatibly with their sex.1

And this is already problematic nowadays. I haven’t read for too many trans people, but I have noticed that if the person has either transitioned, fully or in part, or has at least adapted considerably to the other sex, then they are represented by a court card of that sex (ftm as a male, mtf as a female).

To be blunt: Jane, cashier, who has been living as Jane despite being born as Jim, and lives out her concrete life as Jane, is described as a woman in the cards, although the cards may hint at the transition, if relevant in the context; Jim, cashier, who would like to become Jane and maybe one day will, is represented as a man, even if he’s started to play with makeup since watching Myra Breckinridge; Becky, professional TikTok cheese grater, special traits no personality, who thinks an androgynous look makes her stand out, still comes up as a woman even if she pretends to identify as a man on every day with an R in it.

This has nothing to do with politics or tolerance or “passing as the other sex” and everything to do with concrete life: divination mirrors life, but social media clout simply doesn’t transfer to the cards, and there’s nothing I can do about it, even if it may offend some. The good news is that indentification with a significator is just a divinatory device and lasts only for the fifteen minutes needed to conduct a reading, and then is over.

IMPORTANT: we are talking about trans people, not crossdressers. A crossdressing man is a man who cosplays as a woman for whatever reason, but remains a man and lives as a man, at least until that fake business trip to Atlanta that his wife knows nothing about.

Talking about gay people, the Sibilla is very straightforward. In the few readings I do for myself, I usually come up as the Boyfriend, my husband as the Gentleman, and some years ago I came up as the Helper and my husband as the Boyfriend.

As for “but what about…” particular cases about any of the identities that are created daily, the best I can offer is: I’ll cross that bridge when I get to it. I trust the cards to simply describe the situation as it is and I accept the risk of not being able to understand how complex it may be, either in reality or in someone’s perception.

Playing cards and Bolognese Tarot

In some systems of cartomancy with playing cards, significators are not fixed. The way I was taught, though, the male querent is the King of Clubs and the female querent the Queen of Clubs, and the other card is the person they love. Similarly, in the Bolognese tarot the male querent is the King of Wands and the female querent the Queen of Wands.

For trans people, I think what I said about the Sibilla still holds true. Again, all I can say is to keep your mind and your eyes open (on the cards, I mean. Looking if the querent has an adam’s apple doesn’t count.)

For gay people, I have generally found that a degree of flexibility is required on the diviner’s part. Some readers seem to believe that you can just dictate to the cards how to behave, including in the case of gay querents. If that works, then bully for you, but I have always found the cards to have a mind of their own, regardless of the conventions we try to establish for them, so all I can do is be flexible.

Some people think the querent is represented by the court card of their gender, the partner by the other main significator, regardless of their sex. This theory is predicated on the fact that the two main significators are meant to show those people, and the fact that they are of two different genders is accidental or a matter of historical bias.

This may sound convincing, but have I found it to be true in practice? Sometimes. Sometimes the partner will come up as the other Club/Wand figure and there is simply no way of interpreting it other than as the partner, even if the stuff under the dress doesn’t match. Sometimes the cards will represent the partner as a court card of another suit that matches them. Sometimes the cards will throw in both cards for good measure: hubby has come up as the Queen of Clubs + King of Hearts together on more than one occasion in the past. Talk about a big personality.

Tarot

This is like the Sibilla, and doesn’t require much discussion. The male querent is usually the Emperor or the Pope, the female querent is usually the Empress or the Popess. Two men in a relationship can be shown as Emperor and Pope.

MQS

  1. I am aware of the difference between the word ‘sex’ and the word ‘gender’, but I am going to use them quasi-interchangeably to avoid too many repetitions that hurt the ear. ↩︎

Bolognese Tarot – Manuale Pratico di Lettura di Tarocchino Bolognese by Rossella Giliberti (Review)

In recent years, a small number of new books on the Bolognese tarot have been published to meet the demands of the small but growing niche of afficionados. This, as I explained, is largely the merit of Ingallati’s book, which, in spite of some limitations, managed to create that niche outside of Bologna.

Rossella Giliberti’s book is one of these new books. The title of the slim publication literally translates as ‘Practical Handbook for Reading the Bolognese Tarot’. It is a wonderful title, one that is likely to arouse hope in many people. Unfortunately, it has very little to do with the actual content of the book.

Giliberti uses a similar deck as Ingallati (49 cards plus the Joker). I have already explained in my review of Ingallati’s book why I don’t like this selection of cards, which however is unique to Ingallati’s style and must be accepted as such.

Seeing Giliberti’s choice of deck, one would think that she’s just a copycat of Ingallati. But this would be unfair to Giliberti. As short as it is, her book is filled to the brim with notes on combinations and meanings that Ingallati doesn’t talk about, plus she swaps certain cards for others. It is clear that Giliberti, despite obviously being inspired by Ingallati, also had other sources for learning the tarocco bolognese, and this alone makes her book worth buying if one is serious about this deck.

That said, there are some glaring issues with it. For starters, there is absolutely nothing practical or handbookish about it. It is a very (VERY) disorganized collection of notes which would have been fine as initial preparatory work for a book. After the skippable part (the initial chapter about history, which however is more interesting than that in Ingallati’s work) the book gives the usual rundown of the cards one by one, with their core meanings and a couple of classical combinations. For whatever reason, the picture of the Hanged Man is from the Marteau Marseille Tarot.

The merit of this section is that it is clearer, more concise and less fluffed up than Ingallati’s, and the symbolic interpretation more down-to-earth and more informed by Bolognese folklore, as it should be. The possible drawback is that there is space left for the reader to take notes, possibly in an attempt to make the book longer, with the result that the sections seem a bit disjointed and separated from one another. I guess that’s the ‘practical’ part of the book.

When Giliberti comes to the description of the minor arcana, the book starts to fall apart more clearly in terms of organization, with some cards often repeated, some out of order, lack of punctuation and proof-reading, tips on how to read the cards thrown in the mix in random places, some paragraphs all in caps lock, etc. At this point one would be excused for thinking the book is self-published, but it’s not. Some publisher took a look at this and said “yes, I want our brand to be linked to it”.

Giliberti also offers the meanings of the other minor arcana, the ones that are discarded from the 62-card deck. Unfortunately the meanings are taken from a famous discussion board post dating back several years, where one user had assigned the meanings of the Rider Waite deck to the discarded minor arcana.

Afterward there is a section on combinations, all rigorously in caps lock, all rigorously with huge amounts of blank space left between paragraphs. The wording of some of them even makes one think they were taken from other books that I shall review in the future. Some combinations make no sense (e.g., the Page of Coins and the Ace of Cups is a marriage). Some are repeated multiple times with different meanings. Typos and mistakes abound. Still, for all its limitations, an interesting section.

Then there is another section, organized differently in the form of a table, this time on… Combinations? And then there is another section, organized in yet another manner, which is about… Meanings and combinations, some of which have little to do with the ones presented in the first section, and which are more clearly taken “as is” from other sources.

At the end comes an extremely slim final section with some layouts, one of which is taken from Ingallati’s book (I do not mean the layout itself, which is traditional. I mean the actual spread, down to the cards shown in the example). The thirteen card spread is explained in two different ways. The cross spread is also explained in two different ways. You get the picture.

So, what to think of this book? It depends on how one sees it. As a ‘practical handbook’, as promised in the title, it is a bad joke bordering on false representation. As a disorganized mess of poorly edited notes taken from many different sources, some of which are credible, it is somewhat serviceable, especially if you know where and how to look, where and how to block out the information, and if there are no linguistic barriers between you and the text.

Whether it is worth your money depends on the level of autistic fixation you have for the Bolognese Tarot. As I am definitely on that spectrum, I’d rather have it than not, but I am not going to sit here and pretend it is a finished book worth 20€.

Where to buy: Amazon

MQS

Tarot Encyclopedia – The Eight of Pentacles or Coins

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Eight of Pentacles from the Builders of the Adytum (BOTA) tarot

Paul Foster Case (and Ann Davies)

The time period is the first decanate of Virgo, under the rulership of Mercury, from August 23 to September 2. Meanings:
Well-Dignified: skill in the management of material affairs; industry; gain in subordinate positions through writing, clerical work or travel; gain of ready money in small sums.
lll-Dignified: avarice and hoarding; penny wisdom and pound foolishness; meanness in money matters; loss through travel or writings; the Querent is likely to be in difficulties with superiors and also with inferiors; he may lose through trying to overreach somebody else.
Keyword: Prudence
(From the Oracle of Tarot course)

A. E. Waite

An artist in stone at his work, which he exhibits in the form of trophies. Divinatory Meanings: Work, employment, commission, craftsmanship, skill in craft and business, perhaps in the preparatory stage. Reversed: Voided ambition, vanity, cupidity, exaction, usury. It may also signify the possession of skill, in the sense of the ingenious mind turned to cunning and intrigue.
(From The Pictorial Key to the Tarot)

The Eight of Pentacles from the Rider Waite Smith tarot

Aleister Crowley

The Eight of Disks is called Prudence. This card is a great deal better than the last two [Eights], because, in purely material matters, especially those relating to actual money, there is a sort of strength in doing nothing at all. The problem of every financier is, first of all, to gain time; if his resources are sufficient, he always beats the market. This is the card of “putting something away for a rainy day”.

[…]

The number Eight, Hod, is very helpful in this card, because it represents Mercury in his most spiritual aspect, and he both rules and is exalted in the sign of Virgo, which belongs to the Decan, and is governed by the Sun. It signifies intelligence lovingly applied to material matters, especially those of the agriculturalist, the artificer and the engineer.

One might suggest that this card marks the turn of the tide. The seven of Disks is in one sense the fullest possible establishment of Matter-compare Atu XV-the lowest fallen and therefore the highest exalted. These last three cards seem to prepare the explosion which will renew the whole Cycle. Note that Virgo is Yod, the secret seed of Life, and also the Virgin Earth awaiting the Phallic Plough.

The interest of this card is the interest of the common people. The rulership of the Sun in Virgo suggests also birth. The disks are arranged in the form of the geomantic figure Populus. These disks may be represented as the flowers or fruits of a great tree, its solid roots in fertile land.

In the Yi King, Sol in Virgo is represented by the 33rd Hexagram, Thun, “Big Air”. It means “retiring”; and the commentary indicates how best to make use of that manoeuvre. This is congruous enough with the essence of Virgo, the secret withdrawing of Energy into the fallow Earth. Populus, moreover, is the Moon retiring from manifestation to her conjunction with the Sun.
(From The Book of Thoth)

The Eight of Disks from the Thoth tarot

Golden Dawn’s Book T

A WHITE Radiating Angelic Hand, issuing from a cloud, and grasping a branch of a rose tree, with four white roses thereon, which touch only the four lowermost Pentacles. No rosebuds even, but only leaves, touch the four uppermost disks. All the Pentacles are similar to that of the Ace, but without the Maltese cross and wings. They are arranged like the geomantic figure Populus:

* *
* *
* *
* *

Above and below them are the symbols Sun and Virgo for the Decan.
Over-careful in small things at the expense of great: “Penny wise and pound foolish”: gain of ready money in small sums; mean; avaricious; industrious; cultivation of land; hoarding, lacking in enterprise.
Hod of HB:H (Skill: prudence: cunning).
Therein rule those mighty Angels HB:AKAYH and HB:KHThAL

Etteilla

Brunette Girl
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Brunette Girl, Passive, Great Night.
Reversed. Empty aspiration, Avarice, Usury.

MQS

Playing Cards That Indicate Stability

Let’s move on with our look at the playing cards divided by concept. This time, we see which cards represent stability.

Ace of Hearts
The Ace of Hearts, like in many systems of reading playing cards, represents the home. It is a symbol of durability and stability, since houses tend to be stable things that don’t change. Mostly, the Ace of Hearts symbolizes the house or the family, however, when describing someone’s character, for instance, it shows them to be family-oriented, looking at stabilizing their life, being rooted in traditional values, etc.

Four of Hearts
The Four of Hearts usually brings agreement in all fields of life. However, the type of agreement it shows is effortless, and it resembles more a state of peace where the waters aren’t ruffled (and if they are, the waves calm down immediately). Usually this card indicates harmony, harmonious surroundings and ease.

Six of Hearts
Unlike the previous two cards, the Six of Hearts, which represents such things as reconciliation, healing, etc. does often imply the presence of some disturbing factors (though not necessarily. We need to look at the spread as a whole), but it shows that these disturbing factors, such as a break-up or a disagreement, can and probably will be overcome, returning the situation to its previous stability.

Ten of Hearts
The Ten of Hearts is one of the most powerful in the deck, as it is often capable of diminishing the negative impact of negative cards. Since it is symbolic of paradise, heaven or ultimate attainment of one’s happiness, it hints at a situation either being stable (and happy) or becoming stable (and happy). When it is followed by very negative cards, though, it can show this paradise being lost. In fact, it is sometimes a bad sign when we find the Ten of Hearts at the beginning of the spread without other strong cards, because it shows that the best is already in the past.

Three of Clubs
The Three of Clubs brings union and unity. It causes situations or people to become locked in place, usually by signing contracts, celebrating a marriage of making a commitment to each other or doing things together. Sometimes it can show that a situation perseveres (it remains married to us).

Six of Clubs
A somewhat obnoxious card, the Six of Clubs isn’t tragic, but it brings disturbance. It shows situations that have lost their momentum, and problems that we thought we had overcome reemerging. It shows a sort of static discontent with no disruption in sight, either for good or bad, unless other cards clearly show it.

Nine of Clubs
This is the card of distance, either in terms of miles or in terms of time. As such, it lengthens out the timeframe, but unlike the Six, the Nine of Clubs has no negative undertones, except in the sense that often we want all the good in the world to happen to us quickly, and this card stalls us for some time. However, it can also make a good situation last longer.

Four of Diamonds
Unlike the Four of Hearts, which shows effortless stability and agreement, the Four of Diamonds represents agreement following either tensions or negotiations. Thus it represents all things to do with bureaucracy and the government that seek to regulate life and make it more stable within the borders of a country.

Ten of Diamonds
Of the Ten of Diamonds we can say something similar to the Ten of Hearts, except that the success promised by Diamonds tends to be more material, and doesn’t necessarily imply happiness. However, it does represent situations that have developmed to their utmost in a positive sense and have reached their aim.

Five of Spades
Being the card of prison, the Five of Spades symbolizes constraints, blockages and the need to make great sacrifices. As such, it means that the person (symbolized by the central pip, hemmed in by the four other pips at the corners) cannot move and is bound to a situation. Usually this is in a negative sense. Even when surrounded by positive cards, thus showing a positive commitment, it still indicates a certain sense of being stifled.

Six of Spades
The Six of Spades is the card of illness, and it shows all situations that are ill, broken, suffering, etc. In itself it is not the most tragic card in the suit, but it represents a state of suffering stillness, which may be overcome or lead to disruption, depending on the cards that follow this one.

MQS