The literary landscape in Italy is rather dismal, as far as the occult arts are concerned, even though in recent years something seems to be changing. But Il Tarocchino di Bologna (the Little Tarot of Bologna) by Andrea Vitali and Terry Zanetti is not a very recent book, and this makes its outstanding quality even more of a surprise.
The book is divided into several sections, some authored by Vitali and some by Zanetti. Andrea Vitali is possibly the greatest living tarot historian (and a damn good diviner too), the one who has shed the most light on the history and origins of the tarot, bursting a lot of bubbles in the process. His section is, as usual, well documented and written, and generally aims at showing that the tarot probably originated not in Milan but in Bologna.
But, as undisputed as Vitali’s expertise in the field, our focus in this review is Zanetti’s section on cartomancy. This is well organized and competently written. Aside from a brief preamble, the largest part of her section of the book is dedicated to the meanings of the cards, which she has researched in various ways, including by looking for old decks with the meanings written on them.
Zanetti, like Celi (and currently like me), uses a 45-card deck. The deck, however, differs: instead of one Stranger, she uses two, one of them taking the place of the Ten of Coins. As I mentioned elsewhere, these discrepancies are to be expected from a tool of popular divination that was invented in a non-globalized world of isolated villages and streets. Even some of the meanings differ, as I explained in this post, where I talked about the fact that she interprets the Page of Swords not as a letter but as a young man.
Each card is presented with their Italian and Bolognese dialect name, a brief iconographic rundown, the list of meanings, an example reading with a three-card method, a saying from the Bolognese popular tradition that illustrates the meaning of the card, and a combination. Some combinations are exceedingly curious and stray far way from the original meanings of the cards.
The spreads covered by Zanetti are also interesting and worth studying. One is a variation of the great staircase spread I talked about, but Zanetti gives very specific and somewhat rigid rules for interpreting it. She then covers a pyramid spread and a variation of the cross spread, the thirteen card spread and, finally an oracle made up of only three cards.
The only small concern is the rigidity with which Zanetti treats combinations of two cards. My experience is that cards must be first and foremost combined logically based on the context of the question and the other cards, but she asserts that when two specific cards come together they always have a specific meaning regardless of everything.
This, I have found, may be true when many cards come together. For instance, even if you ask about love, if someone in your life is about to drop dead, lots of cards will amass in that regard, not just two. Yet Zanetti treats two-card combos as if they were powerful enough to transcend the question (and yes, she does give a combination about death). Again, this is a question of method and personal experience. It does not detract from the validity of her experience, but it does highlight one of its peculiar traits.
So is this book worth having? To this my answer is a big fat yes. Both Vitali’s and Zanetti’s sections are well thought-out and insightful.
Where to get: Amazon
MQS

