I don’t remember if I already talked about a reading I did for myself some time ago. I was expecting a parcel but needed to go somewhere else, so I asked the cards if the package would come on that day. The cards clearly answered in the negative, and I was right: I went out, and the parcel arrived the day after.
Thinking back on this, I was reminded of an experience reported by famous British astrologer John Frawley. I cannot remember if he discusses it in The Real Astrology or in his Horary Textbook, but it goes somewhat like this: he was waiting for some repairman to come to his house, but he also wanted to take a relaxing bath, so he cast a horary chart to know when the guy would come, only to discover that he wouldn’t. So he slipped into the bathtube, and his prediction proved correct
I believe this kind of readings is the most fun and instructive on the nature of divination. Ultimately, divination is intelligence-gathering. Sentient beings organize their behavior based on the information available to them. Therefore, new information is bound to change the being’s behavior.
The more complex the organism, of course, the more factors come into play, but the basic principle remains true. This is not to say that anything is possible, because only someone with infinite knowledge would know how to overcome all kinds of situations he or she finds unpleasant. We humble mortals are always restricted by difficult circumstances. Still, the information we gather through divination is not, in principle, different from the one we gather through other means which are all just as imperfect.
A fatalist might try to defend the idea of an all-encompassing destiny by arguing that the prediction is itself part of the person’s fate. I was destined to pull those cards and go out. But this stance, interestingly enough, invalidates the idea of prediction itself. If everything is destiny, then even knowledge that everything is destiny is destiny, rather than the truth.
I believe that divination is not simply communication with the divine, but also a form of deification: if we take God on one hand, that is, someone who is capable to be the pure consequence of its own choice, and a rock on the other, that is, something that simply passively receives whatever action external forces exert on it, then divination moves us closer to the divine condition of being the consequence of our own choice.
This is also why I am skeptical of airy-fairy forms of divination that try to take the focus away from concrete life in the name of some vapid divine idea. Ultimately, there is far more divine depth to Frawley’s ability to take a bath thanks to a horary chart than there is to questions like “How can I embody the divine feminine and honor my ancestral heritage more fully?”
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Knight of Wands in the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
Astrologically the Knight of Wands includes the time period from the third decanate of Scorpio through the second decanate of Sagittarius, November 12 to December 11, representing, as we have seen, the combined influences of the Moon in Scorpio and of Jupiter and Mars in Sagittarius. In Divination we find the more specific meanings of each Key, but always remember that as advanced B.O.T.A. members, treading the Path of Return, you must use this art with discretion. It is best not to give querents for your help too specific instruction. Try to act as an emissary for the Hierophant and give them the principles behind their problems as they are unveiled to you by the sequence of Keys. Leave it to those you are helping to apply universal principles to specific problems in their lives. Well Dignified: an active, generous, impetuous, quickmoving man, younger than the King of Wands. He is secretive, probably interested in the occult, somewhat psychic and mysterious. He is friendly to the querent and may bring him news relating to his enterprises. Ill Dignified: e vil-minded, false, cruel, bigoted, brutal young man (or situation), dangerous or unfriendly to the querent1 s affairs. This card sometimes signifies departure or change of residence. (From the Oracle of Tarot course)
A.E. Waite
He is shewn as if upon a journey, armed with a short wand, and although mailed is not on a warlike errand. He is passing mounds or pyramids. The motion of the horse is a key to the character of its rider, and suggests the precipitate mood, or things connected therewith. Divinatory Meanings: Departure, absence, flight, emigration. A dark young man, friendly. Change of residence. Reversed: Rupture, division, interruption, discord. (From The Pictorial Key to the Tarot)
AI-generated illustration for the Knight of Wands
Aleister Crowley
(note that Crowley and the Golden Dawn made a mess with the knights and kings) The Prince of Wands represents the airy part of Fire, with its faculty of expanding and volatilising. He rules from the 21st degree of Cancer to the 20th degree of Leo. He is a warrior in complete armour of scale mail, but his arms are bare on account of his vigour and activity. He wears a rayed crown surmounted by a lion’s head winged, and from this crown depends a curtain of flame. On his breast is the sigil of To Mega Therion. In his left hand he bears the Phoenix wand of the Second Adept in the Ritual of 5○=6□ of R.R. at A.C.), the wand of Power and Energy, while with his other arm he reins the lion which draws his chariot, the chariot which is fortified by a wheel radiating flame. He rides upon a sea of flames, both waved and salient.
The moral qualities appropriate to this figure are swiftness and strength. But he is sometimes inclined to act on impulse; sometimes easily led by external influences; sometimes, especially in trifles, a prey to indecision. He is often violent, especially in the expression of an opinion, but he does not necessarily hold the opinion about which he is so emphatic. He states a vigorous proposition for the sake of stating it. He is in fact very slow to make up his mind thoroughly on any subject, but always sees both sides of every question. He is essentially just, but always feels that justice is not to be attained in the intellectual world.
His character is intensely noble and generous. He may be an extravagant boaster, while slyly laughing both at the object of his boast and at himself for making it. He is romantic, especially in matters of history and tradition, to the point of folly, and may engineer “stunts” or play elaborate practical jokes. He might select some inoffensive nobody, and pursue him for years with every weapon of ridicule) as Swift tormented the unhappy Partridge, all without the least animus, ready to give the shirt off his back, should his victim be in need. His sense of humour is omnivorous, and may make him a mysterious figure, dreaded without reason by people who actually know nothing about him but his name-as a symbol of Terror.
This is due to the influence of the last decan of Cancer upon this card. One of his greatest faults is pride; meanness and pettiness of any kind he holds in infinite scorn. His courage is fanatically strong, and his endurance indefatigable. He is always fighting against odds, and always wins in the long-the very long-run. This is principally due to his enormous capacity for work, which he exercises for its own sake, “without lust of result”; perhaps his haughty contempt for the world at large-which however coexists with profound and ecstatic respect for “every man and every woman” as “a star”-is responsible for this.
When this card is badly dignified, the character degenerates. Each of the qualities mentioned above is found in its antithesis. There is great cruelty in him, partly sadistic and partly due to callousness arising from indifference-and, in a sense, laziness! So too he may be intolerant, prejudiced and idle-principally because it saves trouble. He may furthermore be an empty boaster and a great coward.
In the YI King, the airy part of Fire is represented by the 42nd Hexagram, Yi, which signifies addition, increase. Full of virtue, and confident therein, he contemplates work of stupendous scope, often with the idea expressed in line 5: “with sincere heart seeking to benefit all below”. In this he may achieve immense success. But this course is fraught with commensurate danger. “We see one to whose in crease none will contribute, while many will seek to assail him. He observes no regular rule in the ordering of his heart”. (line 6) This peril avoided, there come “parties adding to the store of its subject ten pairs of tortoise shells whose oracles cannot be opposed-Let the King employ them in presenting his offerings to God….” (line 2). (From The Book of Thoth) Note: Crowley clearly sees himself in this card, which is why he depicts the Prince as the adorable occult prankster he saw himself as.
Golden Dawn’s Book T
A KINGLY Figure with a golden, winged crown, seated on a chariot. He has large white wings. One wheel of his chariot is shewn. He wears corslet and buskins of scale armour decorated with a winged lion’s head, which symbol also surmounts his crown. His chariot is drawn by a lion. His arms are bare, save for the shoulder-pieces of the corslet, and he bears a torch or fire-wand, somewhat similar to that of the Zelator Adeptus Minor. Beneath the chariot are flames, some waved, some salient. Swift, strong, hasty; rather violent, yet just and generous; noble and scorning meanness. If ill dignified — cruel, intolerant, prejudiced and ill natured.
Etteilla
Departure Upright: This card, as far as the medicine of the spirit is concerned, means, in its natural position: Departure, Displacement, Removal, Absence, Abandonment, Change, Escape, Desertion, Transmigration, Emigration. – Transposition, Translocation, Transplantation, Transmutation, Evasion. Reversed: Disunion, Disagreement, Rupture, Dissension, Division, Competition, Separation, Partition. – Faction, Party. – Complaint, Altercation. – Cut, Fracture, Discontinuity, Interruption.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Knight of Cups in the Builders of the Adytum (BOTA) tarot deck.
Paul Foster Case (and Ann Davies)
The time period is from the beginning of the last decanate of Aquarius to the end of the second decanate of Pisces, February 9 to March 10, under the rulerships of Venus, Jupiter, Neptune and the Moon. Well Dignified: a man of graceful, somewhat indolent, personality; generous and enthusiastic, when he is really interested. Somewhat impressionable and psychic. Fond of home and probably puts all women more or less on a pedestal. Friendly to the Querent. Ill Dignified: lazy, untruthful, likely to be effeminate and ‘catty’. Brown hair, grey or brown eyes. (From the Oracle of Tarot course)
A. E. Waite
Graceful, but not warlike; riding quietly, wearing a winged helmet, referring to those higher graces of the imagination which sometimes characterize this card. He too is a dreamer, but the images of the side of sense haunt him in his vision. Divinatory Meanings: Arrival, approach–sometimes that of a messenger; advances, proposition, demeanour, invitation, incitement. Reversed: Trickery, artifice, subtlety, swindling, duplicity, fraud. (From The Pictorial Key to the Tarot)
Aleister Crowley
(Note: Crowley and the Golden Dawn made a mess with Knights and Kings) The Prince of Cups represents the airy part of Water. On the one hand, elasticity, volatility, hydrostatic equilibrium; on the other hand, the catalytic faculty and the energy of steam. He rules from the 21st degree of Libra to the 20th degree of Scorpio.
He is a warrior partly clad in armour, which seems, however, rather a growth than a covering. His helmet is surmounted by an eagle, and his chariot, which resembles a shell, is also drawn by an eagle. His wings are tenuous, almost of gas.. This is a reference to his power of volatilization understood in the spiritual sense.
In his right hand he bears a Lotus flower, sacred to the element of Water, and in his left hand is a cup from which issues a serpent.
The third totem, the scorpion, is not shewn in the picture, for the putrefaction which it represents is an extremely secret process. Beneath his chariot is the calm and stagnant water of a lake upon which rain falls heavily.
The whole symbolism of this card is exceedingly complicated, for Scorpio is the most mysterious of the Signs, and the manifested portion of it symbolized by the eagle is in reality the least important part of his nature.
The moral characteristics of the person pictured in this card are subtlety, secret violence, and craft. He is intensely secret, an artist in all his ways. On the surface he appears calm and imperturbable, but this is a mask of the most intense passion. He is on the surface susceptible to external influences, but he accepts them only to transmute them to the advantage of his secret designs. He is thus completely without conscience in the ordinary sense of the word, and is therefore usually distrusted by his neighbours. They feel they do not, and can never, understand him. Thus he inspires unreasonable fear. He is in fact perfectly ruthless. He cares intensely for power, wisdom, and his own aims. He feels no responsibility to others, and although his abilities are so immense, he cannot be relied upon to work in harness.
In the Yi King, the airy part of Water is represented by the 61st hexagram, Kung Fu. This is one of the most important figures in the Yi: it “moves even pigs and fish, and leads to great good fortune”. Its dignities and correspondences are manifold and great; for it is also a “big Li”, the trigram of Sol formed by doubling the lines. By shape it suggests a boat, but also the geomantic figure of Cancer, Saturn in Capricornus.
This card is in consequence one of great power; Libra going over into Scorpio is of tremendous, active, critical energy and weight. To such people good will, sincerity, and right mating are the essentials of success; their danger is overweening ambition. (From The Book of Thoth)
An AI generated illustration for the Knight of Cups
Golden Dawn’s Book T
A WINGED Kingly Figure with winged crown seated in a chariot drawn by an eagle. On the wheel is the symbol of a scorpion. The eagle is borne as a crest on his crown, cuirass and buskins. General attire like King of Wands. Beneath his chariot is the calm and stagnant water of a lake. His armour resembles feathers more than scales. He holds in one hand a lotus, and in the other a cup, charged with the sigil of his scale. A serpent issues from the cup, and has its head tending down to the waters of the lake.
He is subtle, violent, crafty and artistic; a fierce nature with calm exterior. Powerful for good or evil but more attracted by the evil if allied with apparent Power or Wisdom. If ill dignified, he is intensely evil and merciless. He rules from 20 Degree Libra to 20 Degree Scorpio. Air of Water
Etteilla
Arrival Upright: This card, as far as the medicine of the spirit is concerned, means, in its natural position: Arrival, Coming, Approach, Landing, Welcoming, Entrance, Reapproachment. – Conformity. – Coming, Approximation. – Access. – Affluence. – Comparison. Reversed: Deception, Scoundrelishness, Briccony, Deception, Artifice. – Fineness, Dexterity, Cunning, Fraud. – Subtlety, Irregularity. Nefariousness.
The more I delve into medieval geomancy manuscripts, the more I realize how different authors tended to put together different bundles of go-to techniques for interpreting the geomantic chart. There is always some overalap, yet not every author mentions every technique. The company of houses is one such technique. The book from Peter of Abano I am currently translating does not mention it: he tends to have a very trimmed down, minimalistic approach. However, the technique is found in other authors, so I’ll discuss it and leave it up to the reader to decide whether to experiment with it or not.
The Technique
The technique is quite simple. We start from the presupposition that the aim of a geomancy chart is to see whether the figure of the querent comes into contact with the figure of the quesited, as already discussed, because such contact, called perfection, signals the querent coming into possession of the thing quesited about (though there are exceptions, when the querent wishes to get rid of something, for instance.)
Usually, if at least one of the four modes of geomantic perfection discussed in my previous article does not show up in the chart, it’s game over. According to some authors, though, we can also see perfection in other ways, and this is where the Company of Houses comes in.
The twelve houses of a chart are said to be paired as follows: the first with the second; the third with the fourth; the fifth with the sixth; the seventh with the eighth; the ninth with the tenth; the eleventh with the twelfth. It is important to note that, although, say, the third house is next to the second, the second and the third house are not in company: only the first with the second and the third with the fourth.
Let us suppose I want to know whether I will meet with my sweetheart. In general, I would want the house of the querent (me, the first house) to perfect geomantically with the house of the quesited (my sweetheart, the seventh house). Let us furthermore suppose that this does not happen. According to the proponents of the Company of Houses, this negative testimony can be overruled.
We look at the house my house is accompanied with, in this case the second, or the house the quesited is accompanied with, i.e., the eighth. Let’s take the second house as an example. The first kind of company is if the figure in the second house is the same figure as that of the first; the second kind of company is if the figure in the second is ruled by the same planet as the figure in the first; the third kind of company is if the figure in the second is opposite the figure in the first; the final kind of company is if the figure in the second shares the same Fire line (e.g., Via and Puella, who both have a single fire line).
This figure is the opposite
Of this figure
Cauda
Caput
Conjunctio
Carcer
Puella
Puer
Acquisitio
Amissio
Albus
Rubeus
Tristitia
Laetitia
Fortuna Minor
Fortuna Major
Populus
Via
Opposite figures
When any of these four conditions is realized, the figure in the second house can act as a co-significator for the querent, and may perfect the chart in his stead.
Do you need this?
Frankly? No. You can do what you please, of course, but this reeks of “Methinks I saw mine lass turn into a dragon”, that is, how people used to come up with stuff to fill books with. Even worse, it reeks of last-ditch effort at wringing a “yes” out of a negative chart.
In some cases, what is called Company of Houses is already covered by the four regular modes of perfection. When it isn’t, it is, as far as I am concerned, at most a very, very, very weak testimony, so much so that I don’t take it into consideration. Of course one may come up with all sorts of philosophical excuses why this technique is important, but if you ask me, it feels like a useless complication of a simple divination system.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Queen of Wands from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period related to the Queen of Wands is from July 13 to August 12, symbolizing the influence of Jupiter and Neptune in Cancer and of the Sun and Jupiter in Leo. The basic power suggested by this Key is that of command. Well Dignified: in a divination the Queen of Wands symbolizes a kind, generous woman, resolute in the face of opposition, strongly psychic and intuitive but practical in applying her spiritual gifts; intense; magnetic ; friendly to the querent and a favorable influence for the success or business of the querent. Ill Dignified: Inimical to the querent; obstinate, dangerous woman, unfavorable to querent’s affairs; revengeful and tyrannical. (From the Oracle of Tarot course)
A. E. Waite
The Wands throughout this suit are always in leaf, as it is a suit of life and animation. Emotionally and otherwise, the Queen’s personality corresponds to that of the King, but is more magnetic. Divinatory Meanings: A dark woman, countrywoman, friendly, chaste, loving, honourable. If the card beside her signifies a man, she is well disposed towards him; if a woman, she is interested in the Querent. Also, love of money, or a certain success in business. Reversed: Good, economical, obliging, serviceable. Signifies also–but in certain positions and in the neighbourhood of other cards tending in such directions–opposition, jealousy, even deceit and infidelity. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Queen of Wands represents the watery part of Fire, its fluidity and colour. Also, she rules in the Zodiac from the 21st degree of Pisces to the 20th degree of Aries. Her crown is topped with the winged globe and rayed with flame. Her long red golden hair flows down upon her armour of scaled mail. She is seated upon a throne of flame, ordered into geometrical light by her material power. Beneath the throne the surging flames are steady. She bears a wand in her left hand; but it is topped with a cone suggestive of the mysteries of Bacchus. She is attended by a couchant leopard upon whose head she lays her hand. Her face expresses the ecstasy of one whose mind is well in-drawn to the mystery borne beneath her bosom.
The characteristics of the Queen are adaptability, persistent energy, calm authority which she knows how to use to enhance her attractiveness. She is kindly and generous, but impatient of opposition. She has immense capacity for friendship and for love, but always on her own initiative.
There is as much pride in this card as in the Knight, but it lacks the spontaneous nobility which excuses that error. It is not true pride, but self-complacent vanity and even snobbery.
The other side of her character is that she may have a tendency to brood, come to a wrong decision thereon, and react with great savagery. She may be easily deceived; then she is likely to shew herself stupid, obstinate, tyrannical. She may be quick to take offence, and harbour revenge without good cause. She might turn and snap at her best friends without intelligible excuse. Also, when she misses her bite, she breaks her jaw!
In the YI King, the watery part of Fire is represented by the 17th hexagram, Sui. It indicates reflection upon impulse, and the consequently even flow of action. There is great capacity for lucid conception and steady prosecution of work; but this is only at the bidding, and under the guidance, of some creative mind. There is a tendency to be fickle, even disloyal; the ideas which she obeys make no deep or permanent impression. She will “cleave to the little boy and let go the man of age and experience” or the reverse (lines 2 and 3) without realizing what she is doing. There is liability of fits of melancholy, which she seeks to cure by bouts of intoxication, or by panic-stricken outbursts of ill-considered fury. (From The Book of Thoth)
Strangely Crowley-esque AI-generated illustration for the Queen of Wands
Golden Dawn’s Book T
A CROWNED queen with long red-golden hair, seated upon a Throne, with steady flames beneath. She wears a corslet and buskins of scale-mail, which latter her robe discloses. Her arms are almost bare. On cuirass and buskins are leopard’s heads winged, and the same symbol surmounteth her crown. At her side is a couchant leopard on which her hands rest. She bears a long wand with a very heavy conical head. The face is beautiful and resolute. Adaptability, steady force applied to an object, steady rule, great attractive power, power of command, yet liked notwithstanding. Kind and generous when not opposed. If ill dignified, obstinate, revengeful, domineering, tyrannical, and apt to turn against another without a cause. She rules the heavens from above the last Decan of Pisces to above the 20 Degree of Aries: including thus a part of Andromeda.
Etteilla
Country Woman Upright: This card, as far as the medicine of the spirit is concerned, means, when upright: Country woman, housewife, economy, honesty, civility – Sweetness, virtue – Honor, chastity Reversed: Good woman, goodness, excellence – Respectful, caring, obliging – Service, favor, benefit
While in Italy for the holidays, I retrieved my first notes from when I had started learning cartomancy from the person who taught me to read playing cards and the Sibilla. It’s just a couple of loose sheets on the basic meanings of the playing cards, the main combinations and two spreads (the row of cards, hardly a spread at all, and the cross).
This brought back so many memories of that period, but most of all it reminded me of how eminently practical divination used to be before its current glamorization. Of course, over time I learned a lot more from that lady than what is on that couple of now yellowed sheets, but the core of the system is there, and I believe she must have passed it on to me in no more than two sittings, if not just in one.
People who spend their time musing on the arcane meaning of the splotch of color on this or that card in the latest glossy and overly ornate oracle deck may laugh at how bare-bones that system is, but they would forget what significance divination had for the regular folks that used it to solve everyday matters.
Folk systems of fortune-telling, especially by cards, were designed to be quickly memorizable in their main lines, because they formed part of every housewife/househusband’s toolkit of remedies to the difficulties and uncertainties of life.
When an elderly person passed their meanings on to you, they did so not to introduce you to a different world detached from the real one, where you could dilly-dally with pleasant platitudes, but to send you into this life with another string to your bow. In principle, they revealed their system to you for the same reason that they taught you how to make preserves and liquors and how to best cultivate your garden.
Folk fortune-telling, in a word, was just another traditional remedy to the complexities of life. It did not involve stepping into a different plane of existence, because the everyday one was already enough, and it was looked on with the same pragmatic, solution-oriented gaze that was cast on all other problems people faced back in the day. “Don’t forget to add a small pinch of sugar to your tomato sauce. The Ace of Spades is a thorn in the heart.”
This is an attitude toward life that is hard to recapture nowadays. The idea of divination being useful has been so utterly eradicated from our mind that, when we approach it again, we do it as if it were an exotic, quaint, arcane world separate from our own. Our immediate reaction is therefore to keep it separate from our life, divorcing it from veriafiable prediction.
This stance is fatal, because it implies that our world is not inherently meaningful as it is; that meaning is found elsewhere and cannot be reconciled with our real life; that in order to find it, one must learn to look at one’s everyday struggles as illusions or as silly preoccupations not worthy of the attention of those in the know about the cosmic mechanism. All this ends up debasing both life and divination, because once life is debased, divination, which is the language of life’s drama, becomes a meaningless mirror only reflecting vague vapors.
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The Queen of Cups from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period is the beginning of the last decanate of Libra to the end of the second decanate of Scorpio, October 13 to November 11, combining the rulerships of Mercury, Mars, Jupiter and Neptune. Well Dignified: through the influence of Mercury in Libra the Queen of Cups personifies a woman, mentally alert, yet somewhat superficial, who probably has a touch of the poetic in her nature. She is kindhearted though not likely to go to too much trouble for anyone. The Scorpio influence added gives her strong desires and makes her emotionally responsive and attractive to the opposite sex; very psychic, and if her hig he r nature is developed she depicts a very powerful spiritual force akin to the influence of the purified desire nature and the influence of Neshamah. Ill Dignified: a woman who is subtle, decidedly coquettish and may even be a deliberate heart-breaker. Usually gold-brown hair with blue eyes. (From the Oracle of Tarot course)
A. E. Waite
Beautiful, fair, dreamy–as one who sees visions in a cup. This is, however, only one of her aspects; she sees, but she also acts, and her activity feeds her dream. Divinatory Meanings: Good, fair woman; honest, devoted woman, who will do service to the Querent; loving intelligence, and hence the gift of vision; success, happiness, pleasure; also wisdom, virtue; a perfect spouse and a good mother. Reversed: The accounts vary; good woman; otherwise, distinguished woman but one not to be trusted; perverse woman; vice, dishonour, depravity. (From The Pictorial Key to the Tarot)
Aleister Crowley
The Queen of Cups represents the watery part of Water, its power of reception and reflection. In the Zodiac it rules from the 21St degree of Gemini to the 20th degree of Cancer Her image is of extreme purity and beauty, with infinite subtlety; to see the Truth of her is hardly possible, for she reflects the nature of the observer in great perfection.
She is represented as enthroned upon still water. In her hand she bears a shell-like cup, from which issues a crayfish, and she bears also the Lotus of Isis, of the Great Mother. She is robed in, and veiled by, endless curves of light, and the sea upon which she is enthroned conveys the almost unbroken images of the image which she represents.
The characteristics associated with this card are principally dreaminess, illusion and tranquillity. She is the perfect agent and patient, able to receive and transmit everything without herself being affected thereby. If ill-dignified, all these qualities are degraded. Everything that passes through her is refracted and distorted. But, speaking generally, her characteristics depend mostly upon the influences which affect her.
In the Yi King, the watery part of Water is represented by the 8th hexagram, Tui. The commentary is as colourless as the card; it consists of mild exhortations on the subject of pleasure. It may really be said that, normally, people of this type have no character at all of their own, unless it can be called a characteristic to be at the disposition of every impact or impression.
There is, however, a hint (line 6) that the chief pleasure of people of this type is to lead and attract others. Such are accordingly (often enough) exceedingly popular. (From The Book of Thoth)
AI-Generated illustration for the Queen of Cups
Golden Dawn’s Book T
A VERY beautiful fair woman like a crowned Queen, seated upon a throne, beneath which is flowing water wherein Lotuses are seen. Her general dress is similar to that of the Queen of Wands, but upon her crown, cuirass and buskins is seen an Ibis with opened wings, and beside her is the same bird, whereon her hand rests. She holds a cup, wherefrom a crayfish issues. Her face is dreamy. She holds a lotus in the hand upon the Ibis. She is imaginative, poetic, kind, yet not willing to take much trouble for another. Coquettish, good-natured and underneath a dreamy appearance. Imagination stronger than feeling. Very much affected by other influences, and therefore more dependent upon dignity than most symbols. She rules from 20 Degree Gemini to 20 Degree Cancer.
Etteilla
Blonde Woman Upright: As far as the medicine of the spirit is concerned, this card, when upright, means: Blonde Woman, Honest Woman, Virtue, Wisdom, Honesty Reversed: Distinguished woman, Vice, Dishonesty, Debauchery, Corruption, Scandal
(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)
The King of Swords from the Builders of the Adytum (BOTA) tarot deck
Paul Foster Case (and Ann Davies)
The time period is from the beginning of the last decanate of Virgo to the end of the second decanate of Libra, September 13 to October 12, under the combined rulerships of Venus in Taurus, Venus in Libra, and Saturn-Uranus in Aquarius. Meanings: a man of strong and powerful imagination; hard worker and having authority; keen in understanding law and capable of excellent cooperation; somewhat distrustful and suspicious and therefor e hard to convince. He sometimes surprises his friends by sudden changes of attitude, although he is usually overcautious and analytical. In a divinatory lay-out: Well Dignified: he is friendly to the Querent and will cooperate with him. lll Dignified: he is inimical, harsh, malicious and plotting, obstinate and wholly unreliable. Dark hair and dark eyes. (From the Oracle of Tarot course)
A. E. Waite
He sits in judgment, holding the unsheathed sign of his suit. He recalls, of course, the conventional Symbol of justice in the Trumps Major, and he may represent this virtue, but he is rather the power of life and death, in virtue of his office. Divinatory Meanings: Whatsoever arises out of the idea of judgment and all its connexions-power, command, authority, militant intelligence, law, offices of the crown, and so forth. Reversed: Cruelty, perversity, barbarity, perfidy, evil intention. (From The Pictorial Key to the Tarot)
Aleister Crowley
(Note: Crowley and the Golden Dawn swapped around King and Knight. This is in part true of Waite as well.)
The Knight of Swords represents the fiery part of Air; he is the wind, the storm. He represents the violent power of motion applied to an apparently manageable element. He rules from the 21st degree of Taurus to the 20th degree of Gemini. He is a warrior helmed, and for his crest he bears a revolving wing. Mounted upon a maddened steed, he drives down the Heavens, the Spirit of the Tempest. In one hand is a sword, in the other a poniard. He represents the idea of attack.
The moral qualities of a person thus indicated are activity and skill, subtlety and cleverness. He is fierce, delicate and courageous, but altogether the prey of his idea, which comes to him as an inspiration without reflection.
If ill-dignified, the vigour in all these qualities being absent, he is incapable of decision or purpose. Any action that he takes is easily brushed aside by opposition. Inadequate violence spells futility. “Chimaera bombinans in vacuo”.
In the Yi King, the fiery part of Air is represented by the 32nd hexagram, Hang. This is the first occasion on which it has been simple to demonstrate the close technical parallelism which identifies Chinese thought and experience with that of the West. For the meaning is long continuance: “perseverance in well-doing, or continuously acting out the law of one’s being”, as Legge puts it in his note on the hexagram; and this seems incongruous with the Qabalistic idea of violent energy applied to the least stable of the elements. But the trigram of Air also indicates wood; and the hexagram may have Suggested the irresistible flow of the sap, and its effect in strengthening the tree. This conjecture is supported by the warning in line 6: “The topmost line, divided, shows its subject exciting himself to long continuance. There will be evil.”
Allowing this, the image of “the extended flame of mind”, as Zoroaster calls it, may well be subjoined to the former description. It is the True Will exploding the mind spontaneously. The influence of Taurus makes for steadiness, and that of the first decanate of Gemini for inspiration. So let us picture him, “integer vitae scelerisque purus”, a light-shaft of the Ideal absorbing the entire life in concentrated aspiration, passing from earthy Taurus to exalted Gemini. Here, too, is shewn (as in the Yi) the danger to the subject of this symbol; for the first decan is the card called “Interference”; or, in the old pack, “Shortened Force”. (From the Book of Thoth)
Oddly Bismarckian AI-generated Illustration for the King of Swords
Golden Dawn’s Book T
A WINGED Warrior with crowned Winged Helmet, mounted upon a brown steed. His general equipment is as that of the Knight of Wands, but he wears as a crest a winged six-pointed star, similar to those represented on the heads of Castor and Pollux the Dioscuri, the twins Gemini (a part of which constellation is included in his rule). He holds a drawn sword with the sigil of his scale upon its pommel. Beneath his horse’s feet are dark-driving stratus clouds. He is active, clever, subtle, fierce, delicate, courageous, skilful, but inclined to domineer. Also to overvalue small things, unless well dignified. If ill dignified, deceitful, tyrannical and crafty. Rules from 20 Degree Taurus to 20 Degree Gemini.
Etteilla
Man in Uniform Upright: This card, as far as the medicine of the spirit is concerned, means, in its natural position: Man in Uniform, Man of the Law, Judge, Councilor, Assessor, Senator, Business Man, Medical Practitioner, Lawyer, Prosecutor, Doctor, Physician. – Jurist, Law-making. – Litigant [= Party to litigation], Jurisconsult. Reversed: Malicious, Maliciousness, Perversity, Perfidy, Crime, Cruelty, Atrocity, Inhumanity.
I already said that I am not a big fan of complications in divination. Nor do I believe that the tendency to overcomplicate things is just modern: if we look in older Horary Astrology handbooks, for instance, they are filled to the brim with (often mutually contradictory) techniques that may be thrown at the chart in an attempt to smoke a positive judgement out of it.
Still, one technique that is relatively consistent in the tradition is that of the Via Puncti, or Way of the Point. Not all traditional sources talk about it, but I have found it to be occasionally helpful. As usual, techniques are not to be used blindly, but intelligently, like tools in the hand of a surgeon.
The long and short of this technique is as follows: some Judges have one point in their Fire line (the upmost one), while others have two. In fact, out of all eight possible Judges, four have one single Fire point (Carcer, Fortuna Minor, Via, Amissio), while the other four have two (Conjunctio, Fortuna Major, Populus, Acquisitio). Due to how Geomancy’s model works, whenever the Judge has one Fire line, it is possible to trace it back unequivocally to one of the four Mothers or Daughters (that is, to one of the eight figures at the top of the shield).
Geomantic Shield Reading, drawn with the Simple Geomancy app
In the above example, Fortuna Minor is the Judge. It has one point in its Fire line. This one point is found again in the Left Witness, Laetitia, and again in the third Niece, which is again Laetitia, and finally in the second Daughter Puella. No other path is possible. This is always so (if it isn’t so and you’ve calculated the chart by hand, you’ve made a mistake.)
Usually, the Via Puncti or Way of the Point can be looked at as a root cause for at least some aspects of the final answer. In the example above, for instance, a woman may be the cause (Puella). Or, if we take the House in consideration, since Puella is in the Sixth house, it may indicate that a sickness is the cause, or a servant/subordinate, or a pet, depending on the question.
I repeat: depending on the question. I make no effort to squeeze a consideration of the Via Puncti into my readings. If it is helpful, and if the question lends itself, I will consider it.
Geomantic Shield Reading, drawn with the Simple Geomancy app
In this second example, Acquisitio is the Judge. Immediately the Via Puncti branches off, as both Witnesses have two points in their Fire line. John Michael Greer says that this shows more complex causes, but he fails to mention that, in the old books, this is not considered a valid Via Puncti. I don’t know if I am unaware of some of the old material or if Greer gave in to his tendency to mix innovation (which is fine) with pretense that it is rooted in tradition. You can of course choose to experiment with Greer’s version of the Via Puncti. Personally, I don’t even always regard it when it is there (as in the first example) let alone when it is not there.
One thing that the existence of the technique shows, though, is that the Golden Dawn’s way of reading the astrological chart by placing the mothers in the angles is completely baseless, and is a typical example of the “let’s make up a secret” tendency of the occult community.
The astounding thing about all oracular forms is that they reflect the real world in the same way a recording of a scene does. This reading is from five or six months back, and it was partially confirmed a couple of weeks later, but the final feedback came only very recently.
I friend of ours was dating a new man. She’d been out of the dating scene for a while due to focusing on other things in her life. But she noticed that the guy was acting weird, as if he was looking for any excuse to cause a fight that would end the (still budding) relationship. We asked the cards and this is what happened:
Relationship reading with the tarot (Tarocchi di Layla, by Elisa Scerrato)
The cards of the cut are the Fool and Justice. Justice usually represents a solid union, not one that has just started and where the partners don’t even live together. The instability caused by the fool was already an alarm bell.
Then we have a full scene playing out: the Tower breaks up the relationship between her (Empress) and him (Emperor), but there is an obscure (Moon) influence next to him. Another woman (Popess / High Priestess). This is not even a new girl he met. The Popess has the World card next to her, showing a solid family, and the Hanged Men indicates being bound to someone, a serious commitment. I told our friends that I didn’t think the relationship had much of a future, and that she should be careful that there wasn’t any other woman around the dude.
A couple of weeks later he left her abruptly via text message. A couple of days ago, we met with our friend and she confirmed the guy was married all along, although he has an on again, off again relationship with his wife and, due to his cultural background, he doesn’t see it as strange to date multiple women, even without them knowing.
Notice how the readings flows from one card to the next in true cinematic fanshion. This ability of divination to act as a mirror is partly why I don’t believe in asking the cards for advice. This would be like asking a map for advice on where to go. The map gives you a larger picture, but the advice doesn’t come from the map: it comes from checking your plans against the available options.
