I’m currently still doing readings in exchange for recommendations for when I decide to start offering readings from this site. After a short reading with a querent we began chatting about the process of divination, and he asked me if fantasy is required to interpret the cards. I thought this was a really great question. I’m taking fantasy as a synonym with imagination, that is, the ability to conjure up images in one’s mind.
First off, we need to distinguish fantasy/imagination from (true) intuition. True intuition is relatively rare and it does not originate from the limited structure of the personality. It is, for all intents and purposes, otherworldly. Before being appropriated by boss babes on TikTok, intuition was rightfully considered a gift of the gods. It is hard to obtain and even harder to train, although the practice of divination, as it leads to the divine, does allow for the development of intuition.
Fantasy or imagination is mostly the product of neurons bouncing together, and it is at least in good part under our control (though whether imagination is also merely a personal power is up for debate. Many occultists think it isn’t, and I agree.)
Imagination plays a large role in modern magic, and, it could be argued, in the magic of all times (though with different implications and within different frameworks), but I’ll leave this discussion for another time. The point is that imagination is one among the many legitimate sources of understanding that we have at our disposal, including in the occult world.
Ordinarily, if someone asked me what’s the one thing that is required in order to become a diviner, I would answer that they need to understand the vocabulary, grammar and syntax of what is essentially a divine language.
Yet, in philosophy of language, and even more in philosophy of science, there is a concept called underdetermination. In its most frequent use, the principle of underdetermination states that, given a number of facts, there exist more than one theory that can explain those facts and account for them. How we then choose the most appropriate theory has sparked a debate that largely goes on to this day between scientists, philosophers, psychologists and anthropologists.
Something similar happens with divination: given a spread of cards, or a chart, it is often the case that more than one explanation might appear plausible at first. True, the more cards we string together, the fewer the possible interpretations are, just as a single word out of context might mean many things, but the more words there are, the more we understand the sentence.
But take a sentence like “we saw her duck“. Was she avoiding a bullet or does she live on a farm? This is a form of underdetermination, because the possible mental images evoked by the sentence cannot be reduced to the sentence itself.
Probably if we had a perfect understanding of the language of divination we would get unambiguous results, but we don’t. We must therefore use logic and context to weed out the less likely predictions, yet even so we might be left with more than one possible image of the future in mind. The word image here is key.
Can we predict a future we cannot imagine? That is, can we predict a future (or reveal a past) that we cannot put in the form of a picture or series of pictures? If one asks me: would you be able to understand a sentence you’ve never heard before? The answer is: if I know the language, yes. We hear sentences we’ve never heard before everyday and we rarely have problems. But going back to “we saw her duck”, if I didn’t know that duck can also be a verb, I would interpret the sentence univocally, as I wouldn’t be able to create a mental image corresponding to the interpretation of “duck” as verb instead of noun.
In real world languages the ambiguity is often removed by clear context. But in divination context is not always clear, meaning it is harder to exclude possible interpretations, and we need to be capable of creating mental images of all the most likely interpretations of an oracle before choosing which one is the most likely.
We need to be able to extrapolate the many possible meanings a spread can have before submitting them to inquiry. The ability to construct mental images or scenes from the divination tool we are using is consequently incredibly important. In other words, yes, imagination is key in divination.
But the imagination I am talking about is not the unbridled imagination that so many mistake for intuition, and which usually leads either to error or to unverifiable predictions. Imagination is the ability to create possible images derived from our (limited) understanding of the medium we are using, so that we can then see which one is more likely to be accurate by finding testimonies in the spread or by asking the querent.
Like all other occult arts, divination therefore requires the cooperation of both sides of the brain (to which we may add the importance of bodily grounding, but that’s a matter for another post).
Abano discusses now some of the meanings of Laetitia and Tristitia in the various houses.
Laetitia
Laetitia in the first house means king, priest, noble person,1 just people, good company, justice, faith, honors, good life. In the second house it means increase of wealth, gain, obtaining what one wishes. In the third it means good luck, science, inner goodness, amity, friendship with relatives, good siblings, just people, who fear God.
In the fourth it means inheritance, usefulness, obtaining what one wishes,2 just things, things that are occult or hidden or under the earth.3 In the fifth it means help from children, honor for one’s household, mirth, songs, dances, coming out of difficult situations, long life, obtaining one’s hope. In the sixth it means servants, subjects, sickness through coldness and through envy, good success.
In the seventh it means good marriage, victory over enemies, good partnerships, usefulness, gain. In the eighth it means gaining the wealth of dead people, usefulness, gain through marriage or friendship. In the ninth it means travel for religious matters or science, faith, honor, counsel, gain through travel, change of place, talking to priests.
In the tenth it means honors, dignity, judges, congregation of clerics or lords and noblemen. In the eleventh it means happiness through one’s friends, dignity, honor, gain through friends. In the twelfth it means freedom from servitude and prison, travel in faraway lands, staying away a long time.
In the thirteenth it means usefulness through travel and prelates and churches, obtaining one’s wish. In the fourteenth it means help from friends, gifts, good news in what one hopes to get, long life. In the fifteenth it means good according to the other figures.4
Tristitia
Tristitia in the first house means difficulties, pain, problems, poverty, debts, evil fancy, desire to hurt, disgrace through merchandise. In the second house it means difficulty in obtaining wealth, little gain through merchandise, poverty, dearth, damage in movable things. In the third it means adultery, incest, fights and disorder with family members.
In the fourth house it means evil children,5 loss through trees and fruits, ruin for a city or castle, secret enmity, loss of inheritance, acquisition of secret things. In the fifth it means little gain from merchandise, little happiness through children, false documents, you will gain what you want but you will lose it soon afterward, loss through fruit trees.6 In the sixth it means problems, difficulties, sickness (long), pain in the head, prison, poverty.
In the seventh it means dishonest women, unjust marriage, discord with friends, thieves, evil men, traitors. In the eighth it means fear, problems, desperation, death, gain from the sick person, fury, malignity. In the ninth it means problems traveling, delay, sickness, change of place for the worse.
In the tenth it means fall from grace, elevation of the inferior, loss of honor, exaltation of evil people.7 In the eleventh it means change, variety in friendship, misfortune in what we wish to gain, lack of help. In the twelfth it means many great enemies, fear, problems, things ill done, damage, loss of animals and servants, death of the prisoner.
In the thirteenth it means change of place, travel, loss through lords or judges, loss of wealth. In the fourteenth it means ill luck, loss, toil, misfortune due to enemies, dearth. In the fifteenth it always bodes ill, except for rain and stability.8
MQS
Footnotes
because of Laetitia’s connection with the noble side of Jupiter. ↩︎
Likely due to the Fourth House’s connection with the end of the matter. ↩︎
It probably means that such things are obtained, unearthed etc., due to Laetitia’s connection with upward movement. ↩︎
Laetitia cannot be the Judge. Abano assigns meanings to every figure in every house, including the Judge, even though only eight of the sixteen figures can become Judge. I don’t know why this is the case, whether it is due to a blind, an oversight, a lack of understanding, or a simple “stylistic exercise”, so to speak. Considering Abano’s intellectual prowess and great education, I doubt he wasn’t aware of the fact that Laetitia and other figures cannot be the Judge. ↩︎
The connection of the Fourth House with children escapes me. ↩︎
The Fourth House is the ‘orchard’, the Fifth are the orchard’s wealth, i.e., its fruits. ↩︎
I find some of these interpretations extremely ingenious, and worthy of attention. The Tenth House indicates honor and elevation, but Tristitia indicates lowliness and evil, so the combination of the two can yield either a fall from grace or the elevation of someone who isn’t worthy of being elevated. ↩︎
Abano gives some examples of the possible meanings of Fortuna Major and Fortuna Minor in the various houses.
Fortuna Major
Fortuna Major in the first house means good luck for the querent, science, honor, fame, noble people, health, long life, good in all. In the second it means gain, good luck, science, victory, money, and good through women1 and animals. In the third it means good luck, happiness with brothers, relatives, friends, usefulness in travel and through women, obtaining what you wish.
In the fourht it means usefulness in stable things, inheritance, good things from one’s parents and older relatives. In the fifth it means good fame, friendship, good grace, happiness through children, good news, favors from women, obtaining your wish. In the sixth it means health, except for women, and gain through animals and servants.
In the seventh it means marriage, increase of wealth, good partnership with gain, overcoming your enemies, good and tranquil life. In the eighth it means gaining wealth through other people’s death, freedom from danger and from death, gain, increase of wealth. In the ninth it means travel with honor, gain through it, and through science in foreign countries and with foreign people, good change of place, quietude, divine spirit, true judgment.2
In the tenth it means honor, dignity, riches through one’s ingeniousness and speeches, and thanks to one’s mother, and in things related to God, good fame, gain through great and noble people, and through one’s job, and from prelates.3 In the eleventh it means good luck, gain, increase through friends, servants, kids, and from the King or from lords and prelates and noblemen. In the twelfth it means health, freedom from danger and fear, gain through animals and servants, but the sick person won’t heal and the prisoner won’t be released, or with difficulty.
In the thirteenth it means gain through travel or from the king or a lord, parties, banquets, and toils and difficulties to have health. In the fourteenth it means good luck in all you wish, and in animals, agriculture, buildings, long life.4 In the fifteenth it means good success, good outcome, succession, good friendship.
Fortuna Minor
Fortuna Minor in the first means King, Queen, lord, nobleperson, dignity, honor, fortitude, noblewoman, noble things, animals, good journey.5 In the second it means gain, gain through merchandise, and in selling and in buying, and from family or servants. In the third it means a sister or (female) relative or (female) neighbor, good luck, good science.
In the fourth it means bringing secret things to light, fixed term employment or office, inheritance, unmovable goods, buildings. In the fifth it means honor, dignity, spouses, happiness among the common folk, happiness through journey and children. In the sixth it means sickness of a servant, problems through them, female servants, gain through toil.
In the seventh it means marriage, congregation of people, but with problems, partnership, gain throguh movable things. In the eighth it means quick long travel bringing gain, but with danger of death, good fame followed by death, being killed. In the ninth it means change of place, honorable journey, peregrination, good sceince, occult things.
In the tenth it means empress, king, lord, dignity, magistrate, mother, judge, excellent master/teacher, law, institutions. In the eleventh it means happiness, chanting, dancing, various sounds, noble friends, fortitude, travel, obtaining your wish. In the twelfth it means honor and dignity, fear of enemies and subjects and servants and sick people, freedom from prison, good for animals.
In the thirteenth it means travel with honor, sacraments, faith, gain, quick positive results. In the fourteenth it means good luck and fortune in all you wish to gain. In the fifteenth it means good succession, fame, honor among people, obtaining or accumulating wealth.
MQS
Footnotes
It is not clear why women should be connected with the Second House or with Fortuna Major. ↩︎
It is not clear what the word ‘judgment’ refers to here. In some old astrology books the Ninth house represents the court in a court case, though usually, for instance in Horary, we take the Tenth house as the judge. Furthermore, the Ninth House represents the wise people whose judgment was held in great esteem in the community. ↩︎
Although some of these subjects are usually Ninth House matter, gain through them is the second from the Ninth, so the radical Tenth House. ↩︎
The associations of the two Witnesses are taken mostly, as I’ve already discussed, from the two houses they derive from on the Shield. ↩︎
Journeys are not normally associated with the First House, but Fortuna Minor is a mobile figure and the First House can represent the querent’s location and the means of transport they use to move (buggy, ship, etc.) ↩︎
Abano starts a discussion on the meaning of the various figures in each of the houses, beginning with Acquisitio and Amissio.
I have already discussed how every figure has two properties, one by virtue of its essence, and one by virtue of its accidental placement in the chart. What follows is the meaning of each figure in each of the fifteen houses.1
Acquisitio
Acquisitio in the first house means gain through partnerships,2 obtaining what one wishes, acquisition, gain, honor, good life, health, property. In the second house it means gain, merchandise, money, good outcome, usefulness. In the third house it means good luck for one’s siblings and relatives or neighbors, and in science, and the dream is true,3 good outcome through journey.
In the fourth house it means inheritance, goods from the deceased, increase of wealth and of stable things, abundance. In the fifth house it means good luck with children, or through them, recognition, happiness, what one wishes to gain, following one’s lords. In the sixth house it means sickness, falling ill, relapsing,4 gain through animals and servants and subjects.
In the seventh it means good change of place, good friendship, good partnership, usefulness, properties. In the eighth it means gaining back the money you loaned, gain through dead people, mediocre outcome in all things, except for sickness, where it lengthens the process. In the ninth it means gain through travel, honorable travel, especially if of elevated people and people who have fear of God.
In the tenth it means exaltation, lordship, lords, honor, dignity, gaining through one’s masters, kings, emperors. In the eleventh it means good luck in every question, gain, good friends, happiness and friendship and offspring. In the twelfth it means prison, loss, toil, problems, fear, gain through serfs, subjects, animals.
In the thirteenth it means honorable journey or journeying with great people or in their stead, or with one’s mother. Gain.5 In the fourteenth it means obtaining what one wishes but with trouble, problems, difficulties.6 In the fifteenth it means good outcome in everything, good brother, good things from brothers and relatives.7
Amissio
Amissio means damage, loss, especially in movable things, coins, in wealth, theft, gossip, evil in everything, except for sickness or prison or travel.8 In the second it means loss of wealth, damage through merchandise, and in everything where gain is hoped for. In the third it means enmity with siblings and relatives or through them, wrath, discord, malice, good outcome for journeys.
In the fourth it means damage, loss, misfortune in secret things, loss of inheritance, destruction of the city, of the home, of the land, of the fortress. In the fifth it means problems and misfortune with children, loss of wealth, famine.9 In the sixth it means healing of sickness, liberation of the fled servant, loss due to animals, and when one is sick, depending on the other houses, there might still be doubts [about his health].10
In the seventh it means fraud, treachery from women and enemies, loss through marriage and partnership and friendship. In the eighth it means loss of inheritance, loss of money and wealth, death of the sick person. In the ninth it means long but good journey. Late journey in a distant land, problems on the road, with changes, harlots.11
In the tenth it means loss and problems in all you wish to gain, and if Rubeus is born from it it means being harmed, if Tristitia it means prison.12 In the eleventh it means misfortune in everything you wish to get, discord, enmity with friends, bad for prisoners. In the twelfth it means bad journey, loss through animals and loss of wealth, toil, loss of merchanidse, and you’ll collect a debt at a loss, freedom from prison and sickness.
In the thirteenth it means loss of wealth, damage through one’s lords, change of country, misfortune. In the fourteenth it means loss of friends, toil, great problems. In the fifteenth it means bad outcome, flight, not retreiveing what you wish to retrieve, misfortune in all.
MQS
Footnotes
This way of proceeding is rather typical of medieval handbooks of geomancy and even of astrology. It generally aims at allowing the reader to form an idea of the abstract properties of each figure by showing its concrete manifestation. ↩︎
It is unclear why Acquisitio in the First House should indicate gain through partnerships. In most medieval handbooks of astrology, for instance, a planet showing gain in the First House usually indicates the querent’s industriousness. ↩︎
Dreams and science are usually Ninth House matters, although the distinction is not as rigid as some modern traditional astrologers make it out to be. ↩︎
This is a typical example of a broadly positive figure having a negative meaning: people usually don’t want to ‘gain’ an illness. ↩︎
Why Abano characterizes the Thirteenth Figure, i.e., the Right Witness, as meaning all these things is obscure, until we remember that, for Abano, the Right Witness is in connection with the Ninth and Tenth houses, from which it is formed. ↩︎
Probably from the mixing of Eleventh and Twelfth House meanings. ↩︎
The connection to relatives and brothers escapes me. ↩︎
Abano does not say “Amissio in the first house means…” but “Amissio means…” I suspect though that it is just a mistake. ↩︎
Because it shows loss of the products (second from) of the earth (Fourth House) ↩︎
Amissio is generally favorable in case of illness, but what Abano is saying is that we should always look at the picture as a whole, without focusing on a single testimony. ↩︎
In a relatively straightforward passage, Abano gives the reader examples of what it may mean when a figure moves from one house to another.
To truly understand mutation and the variety of the figures, you need to consider the property of the figure, whether it be fortunate or not, entering or exiting, fixed or mobile, and judge according to its meaning the effect of the mutation, always keeping in mind the question, the quesited and the querent. Another mutation1 to be kept in mind with its meaning in order understand better what has been said so far, is the one that happens to every figure as it changes from one house to another.
If the first figure changes to the second, and is good, fortunate, entering, it means gain, good luck for oneself, and when it is evil it means ill; if it moves to the third it bodes well for neighbors, relatives, traveling; when to the fourth, it means small losses, except if it is Cauda or if the question is about older relatives, friends and things fixed and immobile, endings, buildings and possessions; if to the fifth it’s excellent, except if it is Cauda; if to the sixth, it is very bad, except if it is Via or Cauda, or if the question is about sixth house matters; if to the seventh it has a very bad meaning, unless it is for seventh house matters, as said above, or unless it is Via or Cauda; if to the eighth it means ill luck, accident, loss, death, fear, except if you are asking about your enemy’s wealth or of the wealth of another person; if to the ninth it is good, unless it is Cauda or Rubeus, and if the question is about travel it won’t be made as scheduled; if to the tenth, it is very good, except if it is Via or Cauda; if to the eleventh it is also excellent; if to the twelfth, it is the worst of all, unless it is Cauda and in twelfth house questions.2
If the second figure moves to the third house, it means good luck and gain through siblings and relatives, or due to them, but if the figure is bad it shows the opposite; if it moves to the fourth it shows good outcomes in stable things, and through one’s older relatives; if to the fifth, it means well through messengers, letters, etc; when to the sixth it means infirmity, even of the family, and loss in moble things, and of servants. If it moves to the seventh, if it is good it means well, but if it is bad it shows loss through enemies or women, or games of chance,3 or thieves; if it moves to the eighth it shows that the absent party comes back with good news, and maybe the death of some relative, or loss depending on the angles of the chart; when it moves to the ninth it shows gain or loss from the church or through travel; if to the tenth it means gain from the profession or from one’s lords and good luck; if to the eleventh it shows good luck and good friends, and good luck from the community; if to the twelfth, it means one of his relatives will fall ill or be imprisoned, or shall lose wealth, but if the figure is good it shows buying animals, and things unthought of.
The third figure, when it moves to the fourth, shows gain or loss through relatives; when to the fifth, it shows happiness and new things, and messengers, clothes, etc. When to the sixth, it shows sickness, servitude, toil, small animals; to the seventh, it means copulation,4 change of place, fights, separation; when to the eighth it means gain or loss, death, fear; when to the ninth it means long travel, churches, religious people; when to the tenth it shows the army, profession, dominion, lordship, honor; when to the eleventh it means good luck, noble servants; when to the twelfth, prison, long sickness, retrieving lost animals or buying them.
When the fourth figure goes to the fifth it shows goods from one’s relatives or children, clothes, food, and other things of the home; when to the sixth, it means sickness in the family or animals, relatives, servants; when to the seventh it means getting married, a bandit coming back for you,5 the home becomes inimical; when to the eighth it shows inheritance, the absent party comes back; dying in one’s home country or home; to the ninth, it means death of a religious person, acquisition of church things; when to the tenth, honor of the house, lordship, honors, etc; when to the eleveth, it shows good luck in one’s home, family, congregation of friends, etc.; when to the twelfth, if good, it shows good things, but when bad it means sickness, long prison sentences, toil, difficulties in one’s home or country, or through one’s relatives.
When the fifth figure goes to the sixth house, it means sickness through being hexed6 or food, or issues with children, or messengers, or animals; when to the seventh, it means marrying off one’s child, merchandise, fights, enemies rejoicing, problems with children or a woman giving birth; to the eighth, problems and death of one’s child, or [acquiring] other people’s wealth, and the absent party is doing well; when to the ninth, a child entering the clergy, long travel, happiness and gain, a churchman having a child, gain from things of the church; to the tenth, it means a happy mother, lordship or [happiness] of one’s lord; when to the eleventh it means good news for the child, and a messenger resolving all kinds of issues, and friends are happy for or with the querent; to the twelfth it means sickness or imprisonment for the child, large animals and a prisoner or wayfarer who is doing well.
When the sixth moves to the seventh house, it means sickness, wrath, problems through small animals, servants or one’s wife or other people; when to the eighth, it means death of animals or servants, loss of wealth, sickness of the absent party, and servants helping one’s enemies; when to the ninth, it means a journey full of issues, and sickness during the journey, or a sick churchman, occupation, problems with the church; when to the tenth, it means sickness and problems, but also having good and faithful [servants?], obtaining a lordship; when to the eleventh it means sickness of self or of a friend, or contrarieties with friends; when to the twelfth it means sickness of great animals, loss through them, prison, pilgrimage.
When the seventh goes to the eighth house, if it is good, it means good things for the absent party, but if bad, death, loss and issues for those represented by the seventh; when to the ninth, it means the absent party will come back, the bandit goes away, the querent gets married, the enemy makes peace, long travel, religious people, or a churchman becomes your enemy; to the tenth, the lord gets married or becomes inimical, lordship, honors; when to the eleventh it means a friend becomes an enemy, and what’s good for him is bad for you, the partner won’t keep his promise, the thief is a false friend, the marriage or partnership is changeable; when to the twelfth loss of animals through enemies, or due to sickness of animals, and prison, and the prisoner gets married, problems during a pilgrimage, long pilgrimage, betrayal from hidden enemies.
The eighth figure, when it goes to the ninth house, means wealth, help from the church, death of a priest, travel full of fear and problems, the absent party is traveling; when to the tenth, it means death, occupation of stable things, the absent party comes back to the country; to the eleventh, it means death of a friend, gain through a dowry, inheritance, misfortune, loss through friends, good luck of the absent party if the figure is good; when to the twelfth, it means the prisoner or sick person is seriously sick, death of the same, and of the wayfarer, and being imprisoned due to enemies.
When the ninth goes to the tenth, it means ecclesiastical dignity, increase of church things, an honorable journey or for religious purposes; when to the eleventh it means good luck in travel, good company or partnership, luck with friends and things of the church, recognition within the church; when to the twelfth it means issues while traveling, danger through horses, being imprisoned, the prisoner may be released, the wayfarer comes back, the horse is found, and this causes more or less trouble to the querent depending on how good or bad the figure is.
When the tenth figure goes to the eleventh it means good in all things, and one’s lord or master is good and friendly, the year abundant; when to the twelfth it means prison, sickness, one’s enemies are not seen in a good light, and are hated by your friends and by your masters.
When the eleventh goes to the twelfth it means sickness, prison, adversities, problems, and one’s hidden enemies are lucky, and all is good for the querent.
MQS
Footnotes
It is rather typical, in premodern occultism, to use the same word to signify different things depending on the context. ↩︎
The general principle in judging the mutation of one figure to another house is whether it bodes well for the question at hand and whether the figure accords with the question and is fortunate. As such, in Abano’s example, a figure moving from the first to the seventh is unfortunate because it oppses itself, but the same movement is positive if the question is about Seventh House matters (marriage, alliances, etc.) ↩︎
Gambling is often seen as a Fifth house matter, but in this case the relationship with the Seventh House is through the fact that we are playing against ‘other people’. ↩︎
it is not clear why the conjunction of Third House and Seventh House matters should produce sex. ↩︎
‘Ritorna il bandito’. Bandito is an ambiguous word in Italian, as it can mean both bandit and banished. In this case it is probably the latter meaning which is relevant: someone who has been banished will come back. ↩︎
‘per fature’, similar to the current Italian word ‘fattura’, which in this context would mean a hex. It is possible the word has another meaning which escapes me. ↩︎
In this chapter, Abano discusses what happens when a figure changes from one house to another, and also geomantic perfection.
It is very necessary that you know how figures change from one place to another, as shown above,1 for it is of great signification. We have three species of mutation: Mutation, Translation, Occupation and Conjunction. Mutation is when the first figure of the querent is found in other houses such as the third or ninth or other places, whether near to or far from the house that signifies the quesited.2 Similarly, Mutation is when the quesited does the same with the querent.
For instance, let there be a question about a sick person, who wants to know whether he shall heal. In this case the first is the querent and the sixth his being sick, and the eighth is death, and the tenth is the house of well-being and the twelfth the house of the graveyard. If the first goes to the third and also to the tenth or eleventh, this is a mutation of place; and similarly if the sixth goes to the ninth or eleventh house, this is also a mutation.
And Mutation has a double meaning, because depending on where it happens it changes its signification and virtue for good or ill depending on the house. If the said figures are in the tenth, which means well-being, or the eleventh which is next to the tenth, it means healing, especially if it is both in the tenth and the eleventh; but if the first or sixth goes to the eighth it means dying, or if to the twelfth also, because it means the graveyard, especially if the figures are earthy and unfortunate.
Another example. Let there be a question about whether one shall have the woman he desires. The first is the querent and the seventh the quesited. If the first, being fortunate, moves to the fourth and the seventh, similarly fortunate, moves to the third, he shall have her, because both figures are fortunate and they are next to each other: they have mutated place. However, this shows that he shall not have her at his place or even at hers, but it will happen in the house of a neighbor or relative of his, and this because both figures are found in the first four houses, which represent the querent. If it had been on her side of the chart, i.e., in the following four figures, it would have happened in the house of someone she knows. And if it were in the ninth, tenth and eleventh, in a distant place. But if the figures are unfortunate, it shows contrarieties, partly due to him and partly due to the persons signified by the houses involved. But if the figure is fortunate but it changes to the twelfth, it means he shall not have her due to hidden enemies.
Translation is when the first figure or the second, which is associated to it, moves to the house of the quesited or next to it, or vice versa. And if the figures are good and accompanied by good figures,3 it shows a happy end, but if it is a mixed bag, the greater part wins4. However, it is better when the translation is made by the first figure and not by the second.5 It is also a translation when the figure of the quesited is found in the house next to the querent, that is, the second. It is also a translation when the first or second are not only in the house before the the quesited, but also in the house afterward.
Example. If the question is about marriage, whether it will happen or not, and through what means, and the first figure is Acquisitio and the second Laetitia, which are both good (and the first is better), and the seventh is Albus and the eighth Laetitia, which is better than Albus, this all shows that the marriage will happen easily and will happen through one’s relatives, especially if the fourth and tenth are close to one another and to the second, which is airy, and to the querent and the first figure is found in the Witnesses. For instance:
Example of Geomantic Shield by Peter of Abano
Occupation can happen in two ways: the first is when the figure of the querent occupies the house of the quesited. For instance, if the question is about a (contested) inheritance and whether one shall have it or will need to get it from an enemy, and if the first figure is Albus and the same figure is found in the fourth house, which indicates houses, fields, possessions, inheritance and stable goods, this is called Occupation, because the first figure occupies the fourth house, i.e., that of the quesited. It indicates obtaining what you wish, especially because Albus is a good figure. No geomantic configuration is better than occupation, but only, again, if the figure is good.
Example of Geomantic Shield by Peter of Abano, 2
Even more does it indicate obtaining the quesited because Acquisitio is in the second house, which means gain, and the ninth and tenth are fortunate, being houses assigned to the querent. Another way of occupation is when the house of the quesited is found to hold the opposite figure of that of the querent. So, for instance, if with Albus in the first, one should find Rubeus in the fourth. This is also a form of occupation, but this is a worse kind, especially if the figure of the quesited thus obtained is unfortunate.6
Conjunction is also of two kinds. The first is when the first moves next to the house of the quesited, or vice versa when the quesited moves next to the house of the querent, that is, in the second house. The second type of conjunction is when not only one finds the two figures together as just said above, but one finds them together also far away, that is, in the ninth, tenth or eleventh.
Example. The question is if one shall get back a lost or stolen item or a fugitive servant. The first figure is Major, which moves to the fifth house next to the sixth of the lost thing or the runaway servant. Major is a good, entering figure. Furthermore the sixth figure is found in the second house next to the querent. The judgment is therefore that one shall get back the lost item. Furthermore, the figure of the quesited is conjunct to the first in the second, which shows the querent’s gain, and things are further facilitated by the fact that the sixth house has Populus in it, which means the waxing Moon. Finally, it is even more fortunate because Populus is found in the tenth and Major in the ninth and eleventh, and even more so because the first is found in the Witnesses, and the sixth as the Judge.
Example of Geomantic Shield by Peter of Abano, 3
All these configurations are called conjunction, whereby the ninth figure is said to be conjunct the first and the second because it is born from them,7 and the tenth is conjunct the third and fourth because it is born from them, and the eleventh is conjunct the fifth and the sixth because it is born from them, and the twelfth is cojunct the seventh and eighth, because it is born from them. And furthermore the Right Witness is conjunct to the ninth and tenth because it is born from them, and the Left Witness is conjunct to the eleventh and twelfth, because it is born from them.8
Let’s make the example of one asking about a lost item, and the first figure is Major, which however does not move to the house of the lost item, nor does it conjunct it, but moves to the third house, and similarly the sixth figure, which is Acquisitio, does not conjunct the first immediately, but moves to the tenth house, wherefore one shall judge that he shall soon get the lost item back, because the figure of the querent is found in the third house and Conjunctio is in the fourth, and the sixth figure is Acquisitio and is found in the tenth, which is born from Major in the third and Conjunctio in the fourth.9 Therefore, querent and quesited are said to be in Conjunction, especially when they are fixed and fortunate and entering, and the Witnesses are the Judge are exiting, and this means a change of place of the quesited to the place where the figure is found.
Example of Geomantic Shield by Peter of Abano, 4
The reason for all these methods of Mutation or Translation and Occupation and Conjunction is that every time a figure moves from its original house, it is always found in the place wherein it moves, and not in its original place, because no change happens without cause and without meaning something. Nevertheless, always it maintains the meaning of the person or thing inquired about in their original place, only changing its fortune or misfortune and its time-frame (past or future) in the way we have discussed above.
However it is not always the case that a good figure diminishes its good fortune or a bad figure its bad fortune; in fact, sometimes it increases them, depending that it is found in a better Mutation or Conjunction, so that if the first moves by Translation or Conjunction in another place, or if it occupies it, the figure still indicates the person of the querent, but it shows greater virtue of said figure in the question inquired about, and it means a more particular effect than if it were found only in the first house.
The same is to be observed if the second figure goes next to the house of the quesited or moves to its exact house, or next to the figure of said house, if they are good, and vice versa if they are bad the misfortune is greater [than if the figure hadn’t moved], always keeping in mind the limits of the question and of the figures it requires, and of the places and houses of the quesited. So that if the first goes to the seventh, which is a bad place, contrary to that which the querent seeks, being the house of the enemy, and it means fighting, anger, discord, then it means contrarieties surrounding the obtaining of what one wishes, unless if the question is about marriage, love, friendship, business, travel, lack of peace, and similar things, in which case finding the first in the seventh is excellent, if the figure is positive and fortunate.10
In other questions, if the first moves to the twelfth or sixth or seventh, if it is a good figure, it diminishes its goodness, but if it is a bad figure it augments its evil, except if the first figure is accompanied by a good figure in the second or ninth or eleventh.
And when the second, ninth and eleventh are fortunate and good and the questions are about an absent messenger, good news, money coming from afar and other similar things, and if you find in these houses the fifth or sixth figure or the seventh, twelfth, eleventh or thirteenth, it means good news, good messenger, a messenger coming from afar, money approaching. If the second or ninth and third or also the thirteenth move or translate to the seventh, eighth or twelfth it means good things from afar, especially if the Judge agrees.
If the seventh or eighth moves to the fourth they show good news and durable situations, if the figure is good, and the opposite if they are unfortunate. The best houses are the first, fifth, tenth and eleventh. The second, third, fourth and ninth houses follow. The worst are the sixth, seventh, eighth and twelfth.
Every good figure that you find in a good place increases its virtue due to being in a good place, but if you find it in a bad place it diminishes it. Every bad figure you find in a bad place increases its malice, but if you find it in a good place it diminishes it, except in the first house, where it always keeps its own properties and meaning. And every figure you find accompanied or conjunct by others diminishes or increases its goodness or malice depending on the figure it is accompanied by.
Therefore, if the first is good and fortunate and the second good, and the ninth also good,11 it does not increase the goodness of the first, but if it is bad it decreases the goodness of the first or second, keeping also in mind the question and the querent’s desire and the houses involved in it and the meaning of the house of the querent. The same is valid for the tenth house with respect to the third and fourth house, of the eleventh with respect to the fifth and sixth, of the twelfth with respect to the seventh and eighth, of the Right Witness with respect to the ninth and tenth, of the Left Witness with respect to the eleventh and twelfth, as said above.
In other words, mutation implies change of house, regardless of whether it brings the querent near the quesited, although in this case we have, of course, perfection. Note that usually we consider a Mutation to happen when two figures move to places that are next to each other, but Abano, as many other Medieval authorities, doesn’t seem to fixated on precise language. ↩︎
“Accomagnate cun bone”. It is unclear if this refers to the company of houses. ↩︎
That is, if the figures are mostly good, it is positive, and vice versa ↩︎
This seems to imply that translation happens even if the querent’s figure causes it. This is in contrast with modern practice. ↩︎
This technique has not survived in modern practice. However, it would be interesting to test it out. ↩︎
This assertion made by Abano is of incredible interest for those trying to make more of the Geomantic Shield. Apparently, we do not consider figures to be next to each other just in the order of the Astrological houses, but also when they are next to each other ‘genealogically’, so to speak, on the Geomantic Shield. ↩︎
As shown in other examples before, Abano seems to consider the Witnesses to be similar to the other houses, and therefore potentially in conjunction with them. ↩︎
In other words, the two figures are conjunct by moving to houses that Abano consider to be next to each other, i.e., the third and the ninth. ↩︎
Abano seems to be saying that when a house that is meaningful to the reading has its figure move to another house, it is always significant, but the good or bad import is decided by the kind of question. ↩︎
The Ninth House is considered by Abano therefore to be in company with the first, in a way, or at least to be close to it, so that a figure in it influences the querent. ↩︎
In this short paragraph, Abano introduces several technical terms.
This is an example of a simple mutation, about the question whether one shall be with his girlfriend.1
Geomancy shield by Peter of Abano
The first figure is Conjunctio, the second Puer, the third Puella, the fourth Conjunctio. Look how the first moves to the fourth and the seventh is the same as the third, and thus it means being with her, especially since the first is in the fifth house of fun.2 Moreover, the first is found in both Witnesses.3 Also, this is an example of translation, because the first moves next to the house of the quesited,4 that is, in the eighth, which is associated to the seventh. Moreover it is an example of conjunction, because the first is conjunct to the ninth, and the eleventh with the fifth,5 and the thirteenth with the ninth, and the fourteenth with the eleventh.6
MQS
Footnotes
“Se uno havera la sua amica”, literally, “if one shall have his (female) friend”. This passage warrants its own chapter as it is relatively strange when confronted with the modern doctrine, and it seems to contain odd mistakes, at least prima facie. ↩︎
“Casa di gaudio della cosa quesita”, literally “the house of joy of the quesited”. It could be that Abano means the Fifth house is the joy of the question itself, because it signifies fun, and the question is about fun. ↩︎
It is not clear whether this is good because the figure is Conjunctio or because it is found in the houses of the Witnesses, or both. ↩︎
Abano seems to be using the word ‘translation’ in lieu of ‘conjunction’ here. There is a translation in the modern sense here, but this is effected by Puer, who is both in the Second and in the Sixth. ↩︎
The Eleventh does not seem connected in any way with the Fifth, unless we take the Fifth to be moving to the Fourteenth (the Left Witness) or we count the translation effectuated by Puer ↩︎
This is rather obscure, unless, again, we take the Thirteenth and Fourteenth as regular houses that can come into contact with the others. This would open up the Geomantic Shield to a whole different kind of interpretation. ↩︎
Here Abano discusses topics relating to the Eleventh House and Twelfth House.
Eleventh House
If your friends or family or servants are faithful. Look at the first and eleventh houses, if they are fortunate, entering and good, in which case it shows them faithful, especially if the eleventh is in the second or if the first and eleventh are the same, or also the Judge. If they are contrary to one another, it means the opposite, especially if the seventh is contrary to the first and the twelfth is unfortunate. When the eleventh is in the sixth and is unfortunate, it means being hated by them.1 If in the seventh, they shall turn into enemies or will help your enemies, and similarly in the eighth. If it goes to the eighth and twelfth you shall be betrayed. However, if said figures which are contrary to the first are good and fortunate and not malicious, it means that you shall not come to harm from them. Always keep the Witnesses and Judge in mind.
If you shall have your wish or what you have been promised. If you want to know if you shall have what you have been promised by your lord or master,2 or if you want to know if you shall have your wish, look at the first, eleventh and tenth. If they are good, entering, fortunate, it means good hope, and being loved by your master, especially if the fifth and ninth and fourth and seventh are also positive and entering, or if they are exiting but fortunate. However, if the fourth and tenth houses are involved they show toil.3 And if the figures are unfortunate and contrary one to the other, it shows not being loved, and hoping in vain. This is also valid of one’s mother, doctor, magistrate and promises made by friends.
Of abundance and dearth. In addition to what we have already said about the matter,4 also look at the eleventh and second figures, which, together with the angles should have good entering figures. Tristitia, in this particular case, means abundance, and also Populus. If the first, second and ninth are good and fortunate, it means the first three months are good. If the third, fourth and tenth are good it means the sixth, seventh and eighth month are good. If the seventh, eighth and twelfth are good it shows the ninth month is good, and if the ninth, tenth and thirteenth are good and conform, it means the tenth month, and if the Judge and Witnesses are good it means the last month is good. And vice versa with bad figures. But if it’s a mixed bad of good figures and bad ones it means mediocrity. This same method can be used to analyze a month, such as March, or even for single days.5
Twelfth House
If your prison sentence or illness shall be long6 If you fear you may go to prison and want to know if it’s true, look at the first and the thirteenth. If either of them is in the twelfth or is conjunct the twelfth, such as the first in the eleventh,7 and if they are unfortunate, it shows a prison sentence. Especially if the seventh and eighth are unfortunate. And if the first is in the eleventh and the fifth and sixth are unfortunate, or if the first is earthy, unfortunate and goes to the twelfth, and if the Judge agrees.
If one shall soon heal from a sickness or come out of prison If the first, second, third, fourth, ninth and tenth figures8 are exiting it means freedom, and all the sooner if it’s Via or Cauda, and similarly if the last figures and the Judge and the Witnesses.9 If you find Acquisitio, Cauda, Tristitia or Conjunctio and they don’t move it shows long sickness or prison sentence. Populus, being formed by good figures, shows freedom, but if it comes from evil mothers it shows delay in liberation or healing.
And if Puella and Amissio, it shows freedom from a serious illness or from prison. And if they don’t move to any other house, it means also freedom. And Carcer in the twelfth lets the prisoner out, but if Carcer or Tristitia are in the twelfth and second, you must post a bail. And if it goes to the third, it will be thanks to the help of your siblings or relatives, and so on with the other houses, depending on their signification. If the Judge of the Judge10 is Rubeus, you shall be executed, and if Rubeus is in the twelfth you shall be hurt, if the same figure appears in the eighth.
Of buying large animals. If, in the twelfth house, you find Acquisitio, Major, Cauda, Tristitia, Conjunctio or Albus it means the animal is good and will be profitable, but if Carcer, Laetitia, Via, Caput and Amissio it is not good, and you shall suffer losses, and if Puer or Puella, mediocre. If any of the aforementioned figures moves to the sixth or seventh or eighth it means losses through what the house signifies. And if Amissio or Cauda are in the twelfth, the horse shall be stolen, especially if it moves to the sixth or seventh, and the first is unfortunate, and if the twelfth is exiting, it’s best to sell the animal immediately, especially if the twelfth figure is also in the eleventh.
Of hidden enemies and traitors. Look at the twelfth house, if good and fortunate it shows no ill, especially if it is also in the second, tenth or ninth. But if it is malicious, it shows harm, especially if it is also in the aforementioned houses, or if these houses are unfortunate. And if you want to know who the person is and of what condition, look at the houses where the twelfth moves, and judge accordingly.
MQS
Footnotes
I don’t understand this reference to the Sixth house, unless we take it as the joy of Mars, in which case it justifies the idea of hatred. ↩︎
The lord of master being indicated by the Tenth House, the Eleventh is the thing they promise the querent. ↩︎
This reference to the Fourth House is not clear. Maybe Abano is referring to it because it opposes the Tenth. ↩︎
Old books are full of methods for timing events by the houses. This particular method I haven’t found anywhere else either in geomancy on in astrology books. ↩︎
We are often used to seeing the Sixth House as the house of sickness, but in medieval practice the Twelfth could indicate sickness as well. The late Robert Zoller ended up considering the Twelfth as the house of serious illness (such as would require prolonged hospitalization). ↩︎
Here we have definitive proof that Abano conforms to the modern practice of considering even the houses not in company to be next to each other. This leaves open some questions, such as why he doesn’t accept a figure moving to the Twelfth as conjuncting the First. I believe it may have to do with the fact that the Twelfth house is negative. ↩︎
That is, the figures on the querent’s side of the shield. ↩︎
This sentence doesn’t make much sense. What Abano may mean by ‘last figures’ is unclear. ↩︎
Here Abano discusses matters relating to the Ninth House and Tenth House.
Ninth House
If one shall have ecclesiastic preferment or benefit through the church. If the first and ninth figures are entering and fortunate it means good luck in these matters, especially if the first moves to the tenth or the ninth in the second, and even more if the fifteenth is lucky and good. Judge the opposite if they aren’t.
What kind of fame one shall receive from one’s deed.1 If the first and ninth figure are good and fortunate, and also the Judge agrees, it shows honor and good fame, but if not it shows the opposite. If they are Puella or Amissio it means due to women or young people, and if Tristitia or Carcer due to evil, bestial lawless men, and if Rubeus or Puer due to bloodletting or things to do with fire, and if Cauda or Conjunctio due to theft or other lawless things; but if the figures are good, and if they are Albus and Conjunctio, it means through science and the arts; and if Acquisitio or Laetitia it will be through living a good life, accompanied by good people; and if Caput or Major through great lords or through prelates and noblemen; if Populus or Via through common folks.2
On long joureys and relocations. Consider the first if the travel is by water or earth. If the joruney is by water and the first, ninth and tenth are good and watery or airy, it means good journey; especially if the fifteenth agrees. If it’s Tristitia, Rubeus or Carcer it shows accidents, and if Carcer is in the third it can also indicate one doesn’t complete the journey and will return with delay. If the journey is by land and the figures are good, fortunate, entering or exiting but good, it shows good journey, and with Minor in the eleventh it shows delays, and if Carcer is in the third, the person shall not complete the journey.3
If one shall have good fortune or not through travel. The first is the traveler, the ninth is the journey, the seventh the need he has to journey and the place where he goes, and the tenth is the person to whom he travels. If these figures are good it shows everything goes well and with ease, but if the first is unfortunate it shows accidents or trouble during the journey, and depending on whether the other houses are good or bad, judge about the accident.
And if the first moves to the sixth, he shall fall ill, and you can judge the type of illness by the figure. Ad if the first and seventh are unlucky it shows harm and trouble. If the first, second, third, fourth, ninth and tenth are unfortunate, it shows illness and death and being killed.4 If Tristitia and Rubeus are in the eighth and tenth it shows drowning and loss of wealth, and if the other houses are unfortunate but the eighth good and fortunate, it shows the querent shall go adrift at sea and will lose his wealth, but will survive.
If the first four are fortunate and entering and also the ninth and tenth, it shows good journey, especially if the Judge agrees, but if the said houses are good, but the Judge evil, it means good at the beginning, but bad ending, and if the said houses are a mixed bag and the Judge good, it means various troubles with a happy ending. Always judge based on whether the figures are good or bad, and similarly depending on the meaning of the houses, and according to the querent’s intention.
Tenth House
Of abundance and dearth.5 If you want to know whether the year will be abundant or not, look at the first, tenth and eleventh.6 If the figures are earthy and good it means abundance. If they are fiery it shows dearth. If Airy, also dearth, but less. If Watery, it’s mediocre. Always consider the Judge, the fourth and the Witnesses. If you want to know the time of the year when there will be more dearth, i.e., at the beginning or at the end, judge by the first and fourth figures, and if the first is good and the fourth bad or worse than the first, it shows the end is worse than the beginning, and vice versa. Likewise one can judge the month of May,7 by giving the first to the beginning and the fourth to the end (of the month.) If you want to know what kind of plant will be abundant or will be lacking, look at the figures. Acquisitio, Puer or Laetitia show wheat. Populus or Via show small grains. Carcer and Tristitia indicate chestnuts and fava beans. The other figures are middling.
If it shall rain. You must observe the same rules as above, and note that Watery figures portend rain, and the other figures depend on their particular signification. Keep in mind, though, that Tristitia indicates precipitations.8 And if you want to know when, look at the first and fourth, as discussed above, and also look at the Judge, and note also whether the first four figures are Watery.
To know what kind of occupation is more useful (to the querent) Look at the tenth figure and compare it to the first, and judge their virtue and conformity, and depending on the properties and virtues of the planets. Also note whether the second and the Judge agree, but if they are contrary to one another, look at the proportion of the greater part.9
If one shall obtain a fief or lordship.10 If the first and tenth are entering and fortunate and fixed, and if they are the same figure or are conjunct, it means obtaining what one desires, especially if the Judge is Conjunctio, except if the first goes to the eighth or twelfth, or if the figures are exiting and unfortunate, for this means contrarieties. It’s especially bad if the eleventh is unfortunate, or the Judge and Witnesses. And if the figure leaves you doubtful, add up the first and tenth, and judge by what it shows.
What fortune one shall have in one’s fief. If you want to know this, look at the tenth figure, and in what house it moves, and judge accordingly, especially if the Judge agrees with the tenth. If it moves to the second, it increases wealth peacefully, but if it is in the twelfth he shall obtain money through avarice, and the people will be inimical to him, and may be despoiled or assassinated by his officials.
If it is in the third, he shall be loved by the people for his justice and good work. If it moves to the fourth, he improves his position and patrimony with great honor. If to the fifth, he shall be glad with many children, and will be loved and honored by neighbors with messengers, gifts and friendship. If it moves to the sixth, he shall be loved by his servants and family, but may fall sick or maybe be poisoned.
If to the seventh, he shall be cruel to his people, and much hated,11 and his enemies shall wage war against him, and he shall be lascivious.12 If it moves to the eighth, he shall be a vile man, shy and fearful, and the people will rise against him. If the ninth, he shall travel a lot and with great honor, and his status shall increase. If the tenth is in the first and fourth houses, it means a terrible man, who shall subjugate other lords to himself, and be truthful and just, and if it moves to the eleventh, he shall have glory through his army, and be feared by his men, but if in the twelfth it shows ruin, disobedience of one’s subordinates, and if also to the eighth, he shall be killed or at least chased away, and if together with the eleventh, betrayed by his subjects or family or advisers.13
MQS
Footnotes
This section is interesting because usually we would judge fame from the Tenth House, not the Ninth. ↩︎
This section is not altogether clear, as it is not always easy to see when Abano means fame and when infamy. ↩︎
The Third House shows shorter journeys, so maybe Carcer in the Third indicates the shortening of the journey. Nowadays, it is conceivable that a journey by air would be indicated by an airy figure. ↩︎
The First, Second, Third, Fourth, Tenth and Eleventh are the houses on the querent’s side of the Geomantic Shield. ↩︎
The Medium Coeli or Midheaven is the point where the Sun peaks during the day, and as such is related to the ideas of “high” or “up above” and therefore to the sky and to the weather. ↩︎
The Eleventh House is broadly considered positive, and it is called the Good Demon, possibly indicating a gift from the Heavens. ↩︎
I don’t understand why Abano is refering to the month of May, unless it has to do with agriculture. ↩︎
Possibly because it points downward, or because it shows a ‘sad’ weather. ↩︎
“Et quando fussino contrarie vedi la proportione della maggior parte”. This sentence is unclear, unless Abano is perhaps merely refering to judging by the most numerous testimony/figure in the chart. ↩︎
These rules may just as easily be applied today to discuss questions about promotion or trophies. ↩︎
Likely because the Seventh House opposes the Ascendant, which in Mundane Astrology represents the people of the country. ↩︎
This whole section may seem useless today, but with a little fantasy it may be applied, for instance, to how a new superintendant or boss will be with the people under him. ↩︎
Here Abano discusses matters relating to the Seventh House and Eighth House.
Seventh House
Of marriage The first and second house are for the man, the seventh and eighth for the woman.1 The first signifies the person, the second his wealth, the eighth the wife’s dowry. If these figures are good they show a positive outcome. If the third figure is conform to the first and seventh, the marriage is mediated by messenger [intermediary],2 especially if the eleventh is conform to the third. If the fourth is conform to the first and seventh, it means the marriage is arranged by one’s relatives, especially if the fifteenth figure confirms it. If the second house is bad it means the husband’s (lack of) wealth is a problem, and so judge for the wife if the eighth is unfortunate. Similarly, if the first or seventh are bad, either the husband or the wife cause problems, and if the third, the mediator, and if the fourth, the family. If the first or seventh are unfortunate and move to the sixth, it shows that the marriage won’t happen due to sickness or because one of the two has a physical defect.3
If the spouse shall be chaste and honest4 Look at the first and sixth, seventh, eighth, fourth and twelfth. If you find good figures, it shows the spouse to be chaste and honest, especially if the figures move to other houses. But if the figures are evil, it shows the contrary, especially if they move to other houses, especially if Populus is born from those houses. If Puer is in the sixth and seventh, it shows the wife to be cheating with a young(er) man, and if it is in the seventh and eighth, it means it’s common knowledge.5 If in these places you find Rubeus, and if it moved as we have said above, it means the same, and similarly if in those houses you find Rubeus and Tristitia or Puer and Laetitia. And again, the more you find Populus in the whole figure, all the more dishonest the spouse is shown to be. But if the you find that the figures add up to Carcer, it shows honesty and reserve, and if the above mentioned figures cause Tristitia in the twelfth it means dishonesty with a family member or with a vile person, or with an almost beast-like man. And if Puer or Rubeus were formed in the twelfth, it means dishonesty with young men or with strangers, especially if they are conform to the thirteenth, fourteenth and fifteenth.
If the querent shall have (the love of) the lover or girlfriend If the first and seventh are fortunate and entering, benign and conform one to the other, it shows obtaining what he wants. If the first moves to the eighth or sixth, it means he will need to insist a little, but if the seventh moves to the second she will insist with him, but the mutation still shows a positive answer.6
Of partnerships and similar affairs If the first, second, fifth, seventh and eleventh figures are good, fortunate, fixed, it shows the partnership is good, especially if the second and seventh are the same figure. If the figures are fixed and fortunate it will last, but if not it shows they won’t. If you want to know who will cause problems, look at which side of the chart hosts more signs of instability and ill will, and judge in the same way as with marriage.
If one’s enemy will cause one offense If the seventh is fortunate and positive it means the enmity is of small moment, unless the enemy is a woman, because it still means ill will toward the enemy.7 But if the seventh is unfortunagte and strong and malicious, it means a great and powerful enmity, especially if the twelfth is equally evil. Look also at the fifteenth, and which planets are more fortunate, whether in the first or seventh, and in the other angles, whom they conform to. And if the first and seventh are good, fortunate, entering and the seventh conjuncts the first, or vice versa, it shows reconciliation and peace. If the figure that conjunct the other also moves to another place, it means that the reconciliation will happen through the persons signified by those houses. Always consider the fifteenth and the Witnesses. If there is no conjunction and no translation, but only conformity of the first and seventh, look at the Judge, whether it is also found in another house (of the first twelve), and the more you find it, the more the two parties shall make peace.
Whether there will be war or peace Assign the first house to one side and the seventh to the other, and look on whose side there are more fortunate figures, and look whether the figures that signify war are in the seventh or the first, or if the figures are fortunate, entering and good. If the figures are good, there is no war, but if they are malicious and fortunate in war, they mean war from the side where they are, and it will be as bad as the figures are, and the side will win that holds the more fortunate figures. Rubeus, Tristitia, Puer, Conjunctio are fortunate in war. Carcer, Amissio, Laetitia are unfortunate in war. If Popoulus or Conjunctio are in the sixth, seventh, eighth or twelfth it means death and great loss of blood, and fleeing, and great cruelty.8 If in those places you find Rubeus and Carcer is in the eighth it means death, prison, fires and flames, and if in the seventh and eighth you find Puer it shows great victory, but always look at the tenth, fifteenth and first, whether they move.
Of litigations The first is the querent, the seventh is the other party. The figure that is stronger and more fortunate wins, and if Amissio is found in either, that party shall lose. Laetitia and Puella signify concord, while Tristitia and Rubeus are very evil. And if the first moves to the sixth, eighth or twelfth, the person shall lose, but if the seventh moves in the same way, the other party shall lose. And if the whole figure is occupied by figures of more or less positive import, there will be agreement.
Of fled servants, prison and lost items If the first, seventh, eighth figures are conform and are entering and fortunate, it shows retrieval, and vice versa if they aren’t. If the first is in the sixth, the servant has not fled, but has hidden, and if the figure is Carcer, he hasn’t changed place, if not very little, especially if the first, fourth and the Judge are entering and fortunate. Acquisitio and Fortuna Major signify retrieval, but the opposite figures show the opposite.
Whether the absent party shall come back, and how soon If the first house is fortunate and well-meaning, and similarly the seventh and ninth, it shows the absent party is well and in good state,9 and vice versa if the figures are bad, especially if the sixth is unfortunate. Also look at the fifteenth and tenth. If the first is unfortunate and moves to the eighth it means death, especially if in conjunction with Carcer, Rubeus or Conjunctio.
If the sixth is unfortunate and moves to the first or in conjunction with it, it means a deadly infirmity, and similarly when the first and seventh are unfortunate are united somewhere in the figure. But if the sixth is unfortunate (but doesn’t move) it shows an illness that shall pass, especially if the eighth is good. And if you want to know whether the absent party shall come back soon, look at the first and ninth, and if they are Cauda, Acquisitio or Laetitia he shall come back soon. If Populus or Via, very soon. If the eighth is good and is in the first, he will come back in a month, if in the second, in two, and so on. And if the said figure is in the second and in the eighth, entering, he shall come in a month.10
Eighth House
Whether one shall die within the year If the first figure is the same as the eighth, or if it is conjunct to it, it is an indication of death, especially if it is also in the thirteenth or fifteenth house. If you want to see what kind of death one shall suffer, look at the nature and quality of the figure, and judge as follows: if it’s Rubeus, it indicates fire or steel (that is, being wounded by an arm,) if it is Puella, being beaten to death, if it is Carcer due to a long sickness, phlegm, melancholy or various health issues; and similarly judge of every other figure depending on its virtue and meaning and quality.
On who shall die first between two people Consider the eighth and see if it is in the house of the person you are inquiring about, or if it in conjunction to it, or if it is in the first house, and judge accordingly who shall die first.
If one shall have the money back If the eighth and the first are entering and fortunate it shows getting the money back without difficulty or problems, vice versa if they aren’t. And this is especially true if the thirteenth and the fifteenth agree, but when they don’t, and if on the side of the first house you find weak figures, it means getting back the money with great trouble. If the eighth is in the third it means one’s siblings will help, and if in the fourth, the relatives, and if in the fifth, one’s children, etc.
If the bad thing you fear shall come to pass Consider the first, second, eighth and twelfth.11 If they are lucky it shows the thing won’t come to pass, but if some of them are unfortunate, it shows it shall partly come to pass, and if they are evil, it shall come to pass, and the bad thing will be identified by the type of figure. If the first figure is in conjunction with the eighth or the eighth with the first, it means harm to the person. If the second is in the seventh or ninth, it means harm to one’s wealth. And so judge all the other things with respect to the eighth house according to the meaning of the house and the thing inquired about. Always keep in mind the Witnesses and the Judge.
MQS
Footnotes
This statement is interesting for a number of reasons. I will only mention one. Abano does not say that the First is for the querent and the Seventh for the spouse, but that the First is for the man and the Seventh for the woman. It would be easy, especially in the current cultural climate, to attribute this to Medieval sexism. I am not saying that it doesn’t play a part, but there could be more. In many Medieval astrological texts the Seventh house, as noted before, is assigned to women, and when delineating marriage from the birth chart different procedures seem to have been used to predict a man’s marriage as opposed to a woman’s, the method for the man involving the seventh house, the one for the woman being more weighed toward other considerations. ↩︎
It would be easy to update this interpretation to show the influence of social media in bringing two partners together nowadays. ↩︎
The modern doctrine would dictate that the marriage happens if the first figure springs to the Sixth House. ↩︎
The Italian title is “if she will be chaste and honest”, again presupposing a female Seventh House. ↩︎
This passage is exceedingly complex. It is not clear if Puer in the Sixth indicates a younger man because it is Puer or because it is in the Sixth (which is below the Seventh). The thing being common knowledge when it happens in the Eighth is possibly due to the fact that the Eighth house is above the horizon. ↩︎
Of interest here is that the querent can obtain the lover by moving to the Eighth or Sixth House, but the Seventh can only spring to the Second, not the Twelfth. ↩︎
This passage is not clear. It seems to imply that a good figure in the Seventh House still bodes ill if the enemy is a woman. ↩︎
These attributes seem ill-fitting for Conjunctio. ↩︎
Older astrology handbooks are filled with indications on delineating the Eleventh House in a horary question to know whether what one hopes will come to pass. Abano here applies the same method to the Eighth house to delineate one’s fears. ↩︎
