The bed symbolism is almost as widespread in cartomancy as that of the table, of which it is a natural counterpart. The table often stands for conviviality, nourishment, feasting and interpersonal contact, and it often represents situations happening during the day. The bed, by contrast, is a nocturnal symbol of retreat and rest, and can stand for sickness, but also for physical intimacy, depending on the other cards. As usual, it is admirable how the card readers of yore used to weave simple and effective symbols of daily life in their reading systems, which allowed them to talk about reality.
The oldest mention I could find of a card representing the bed is in a little-known system for reading Italian regional playing cards with a reduced pack of 25 (instead of the full deck of 40). In this method, the Four of Coins is the bed card. It tends to represent situations becoming static or sick, or it can talk about passion, depending on the other cards. It can also indicate that something happens in the evening or at night. Interestingly, in another system I’m aware of, this time utilizing the full pack, the Four of Coins is the table, while the Five of Wands is the bed.
In the Bolognese Tarot, which is the oldest used divination deck we have written records of, the Chariot is the bed card. This has got to be one of the most puzzling bits of symbolism of the deck: a card that is usually indicative of forward movement, travel, progress, launching forward is seen as a card of static sickness, likely due to how the chariot is represented, with the horses crouching at the sides, as if the forward movement had stopped.
Truth be told, in the oldest extant document on divination with the Bolognese tarot, which dates back to the Pre-Napoleonic period, the Chariot is still considered a card of journey, but shorter than the World card, which is assigned the meaning ‘long journey’. This may indicate that the meaning of the card evolved through time, from ‘little journey’ to ‘little movement’ to ‘not much movement’ to ‘staticity’. Another likely possibility is that different meanings were used by different strands of the tradition, one of which hadn’t yet been put down in writing. This latter possibility is confirmed by the fact that there are readers who who assign both meanings to the Chariot, depending on the cards that surround it (static cards activate the static meaning, active cards the moving, active meaning).
The bed card is also present in some of the oracle decks that originated in the XVIII century as parlor games. In the Sibilla we have two bed cards: one is the Four of Spades, the Sickness card, which interprets the symbolism of the bed in its more static and negative sense of needing to interrupt one’s routine and of situations that are not healthy. The other bed card is the Ace of Diamonds, the Room, which can indicate any room in a building, but which in itself stands for the bedroom. As an extended meaning, it is the card of intimacy, so the presence of cards indicating love or physical contact can lead to rather hot interpretations.
The Kipper deck does not have two bed cards, but it does contemplate the symbol of the bed in the card “a short sickness”, which depicts a patient in bed being visited by a doctor. This is mostly a card of sickness, but many German-language sources I’ve read consider it also an ingredient in combinations about intercourse, partly due to the presence of the bed and partly due to the doctor touching the sick man’s wrist, which is supposed to be indicative of physical contact, if supported by other cards.
MQS
