Category Archives: Everyday Oracle

Vera Sibilla FAQ

My version has keywords. Should I use them?

Honestly? No. The keywords provided are extremely limiting, they are sometimes completely stupid (the Gift card does NOT mean obstacles) and they were clearly added by people working on the graphics of that particular version in the 60s or 70s. People working on a deck’s graphics in a big manufacturing company are NOT card readers. Their boss probably told them to add keywords so they could market the deck as ‘now improved and easier to read’ or something to that effect.

What are the little numbers supposted to mean?

They are lottery numbers. Some older versions even have three numbers. I’ve never paid attention to them, but then again my eyes glaze over at the mere mention of lottery and games of chance.

In my deck the cards of the Three of Diamonds and Eight of Diamonds are swapped. Why?

I honestly have no clue. My best guess is that there was an error made during the reelaboration of the deck for that specific edition. The traditional numbering is 3♦ for the Gift and the 8♦ for the Handmaid. If they are swapped in your version it’s not a big deal. Just don’t expect it to be due to some deep kabbalistic consideration. No “tzaddi is not the Star” and all that jazz. The Sibilla is much simpler.

Can I use playing cards with the meanings you provide?

Yes. If it helps you, write the title on each card.

What is the difference between the Vera Sibilla and the Sibilla della Zingara?

The Sibilla della Zingara (sometimes marketed as Gypsy oracle cards) is a reimagining of the Vera Sibilla, and is relatively recent compared to it. It was created because the Sibilla was popular and they wanted to update the graphics. Whether you choose it or the Vera Sibilla is a matter of taste, though I personally prefer the original. There is no difference in terms of meanings.

Do you recommend any books on the Vera Sibilla/Sibilla della Zingara?

I am a sucker for books. I believe I am aware of most, if not all books written on this deck in most languages, which isn’t to say much. I can, in all honesty, only recommend one which is still available: Alessandra Venturi’s Italian Cartomancy. It is poorly organized and it doles out information in hopes or making you fork out more money for the author’s course. There are no examples, no combinations, no spreads. But the information it does contain is solid. All other books on the Vera Sibilla/Sibilla della Zingara in all languages I PERSONALLY consider pretty bad (you are welcome to your own judgment). Italian cartomancer Etienne Valancourt is working on a book. It’s been years in the making, so I don’t know if he’ll ever publish it, but I have great respect for him and I already recommend it even before having read it.

Can I skip reversals?

Yes, you can do what you want. I myself do not actively create reversals when shuffling: any card reader will tell you that cards simply have a way of reversing themselves. I deal out the cards as they are, and then, in gathering them up, I don’t pay too much attention to how they face. However, I always try to start a new reading session with my cards upright. Even then, often one or two cards will reverse themselves. Call it chance, call it magic, but it happens. I would suggest that you pay attention when a card comes up reversed, but you can do what you want.

Can I make up my own meanings?

The first thing to realize when it comes to any psychic skill is that there is no psychic police. So yes. You can. I know some people who don’t use traditional meanings and give perfectly satisfactory readings. My own meanings are a mix of tradition and experience, and the numerology I use is invented, not traditional.
The second thing to realize is that if you are asking me, or anyone, for permission to do what you want, you’ve already lost. Detract further points if you pay someone in order to be told.
The third thing to realize is that just because you can reinvent the wheel doesn’t mean you have to. There is no psychic police, but there are established practices. To dismiss them out of hand without knowing them can be just as much an act of weakness as slavishly following them. Another point worth mentioning is that when we make up something we place our own limitations on it. It can be good to measure yourself against something you didn’t make up even just to stretch your imagination, skill and preconceptions.
My advice would be to educate yourself (here or somewhere else), make your own experience and adjust accordingly.
Or do what you want. Just don’t ask me to validate you. You don’t need validation and I am not inclined to validate people.

Can I just use the pictures as a guide?

Again, you can do what you want. Remember to keep a record of your readings, though, so you can go back to them and see what was accurate and what wasn’t.

Can I use the information you give as basis and develop it in my own way?

Of course! That’s what I did.

Do I have to memorize the combinations?

A handful of combinations are so classic (like that for pregnancy) that not to know them would be a mistake in my opinion, but combinations don’t need to be memorized, especially because you will find that the same combination could mean something totally different when surrounded by other cards. Just use the ones I provide as a mental gymnastics, but don’t confine yourself to them, nor to the interpretations I provide.

Do I need to consecrate/purify the deck?

No, but you can. I do. I would also suggest that you keep your deck near you for some time. As a rule, anything that helps you feel attuned to the deck is good.

Can I make up my own spread?

Absolutely!

Who taught you?

The mother of one of my professors. The numerology is something I made up to make sense of the meanings I learned and to expand on them.

Will you teach me one-to-one?

I will not. I don’t have the time. Besides, theory will only get you so far, and this blog is, I believe, most if not all the theory you need. You need to practice and keep a record of your readings. Don’t exaggerate with readings for yourself. Don’t force yourself to ask questions just out of idle curiosity to see what the cards say. Strive to read for others. Nag your friends and relatives. That’s the best way to start. That’s not to say you can’t read for yourself. Just know your limits.

If I send you my spread will you interpret it for me?

I will not. I don’t have the time. Also, I believe everyone should take responsibility for their spreads and I also think that the language of the cards is somewhat personal, just like different dialects within the same language. Just because all the words are found in the same general dictionary doesn’t mean every word has the same significance and importance for every speaker. Learn your own cartomancy language. You can do it!

Vera Sibilla | Twenty Five Card Spread

A last spread I wanted to cover with you, another one that can be used for general readings, is the twenty five card spread. This is similar to the twenty one card spread, but instead of seven packs of three, you use five packs of five cards.

Pack 1: The Querent
Pack 2: The Home
Pack 3: Work
Pack 4: Love
Pack 5: What you don’t expect

This method also has a short time frame, rarely beyond three months. As usual, lay out the cards and see what your interpretations are before reading mine.

Example with the twenty-five card method

This was a general fortune for a friend, more than two years ago.

Pack 1: 2♥R + 5♦ + 6♦ + 3♠ + 3♣
Pack 2: Q♦R + 4♥ + 4♠ + K♥R + A♣R
Pack 3: 3♥ + 4♣R + 9♥ + 6♣ + 6♥
Pack 4: 9♠ + 10♥ + A♠R + 2♦ + 10♣R
Pack 5: K♠R + Q♠R + 5♥R + 4♦R + 2♣

Pack one tells of a difficult situation at home, which makes the querent sad and makes her want to leave. Since the 3♣ is a card of movement, it is probably going to happen (it did)

Pack two tells of tensions in the family between two married relatives (turned out it was the aunt and uncle who lived on the second floor of the querent’s home). Their love is sick and the situation will likely lead to a divorce (A♣R)

Pack three shows that there is an upcoming recommendation or help. The querent’s interests will be fostered on the job and her finances will improve.

Pack four shows a long period of solitude. The A♠ is reversed, which makes it mildly negative together with the 9♠, as they sandwich the 10♥. However, in reference to the following cards, which are positive, the A♠R shows the end of sorrow. Probably thanks to meeting someone online. This doesn’t tell us about their story, only that she will start dating.

Pack five shows the unmasking of a negative relative, a woman who will give the querent’s family much grief and be unjust. All will be well though in the end. It turned out that a distant cousin was trying to claim the will of a common relative for herself. I don’t know the details, but she was stopped.

Vera Sibilla | Twenty One Card Spread

This spread can be used to tell a general fortune, but it is somewhat vague, meaning you will need to follow up with other spreads. It also tends not to go beyond one or two months.
You simply shuffle and cut the cards and then deal them out into seven packs of three cards each. Each small pack has a correspondence.
Pack 1: the querent (usually, but not invariably, the present moment)
Pack 2: the house
Pack 3: external influences
Pack 4: work and money
Pack 5: love life
Pack 6: potential for trouble
Pack 7: something unexpected

If a pack is not clear, shuffle the remaining cards and add two more

If you look up online, you will see that there are many different variations of this spread. This is how it was taught to me, but feel free to adopt the one that you find resonates better with you. I should also point out this is not a spread I use very often with other people, mostly I do it for myself every month or so to see what’s ahead. There are exceptions, or course.

Remember to lay out the cards as in the example and try to come up with your interpretation before reading mine

Example of 21 card spread
Pack 1: 5♦ + 9♠ + 3♣R
Pack 2: 9♣ + 8♣ + 3♦
Pack 3: J♦ + 8♦R + K♠R
Pack 4: 10♥ + 4♠ + 7♣
Pack 5: 5♥ + A♥ + 2♥
Pack 6: 9♦ + 5♣R + 2♣
Pack 7: 10♣ + 2♦ + 10

This is an old spread from some year backs. The first pack shows that I was coming out of a bout of depression. The 3♣R breaks negative cycles.
Pack 2 shows a family gathering with the exchange of gifts. A couple of weeks later was my nephew’s first birthday.
Pack 3 shows the arrival of negative communications from the authorities, possibly something to be paid or some money not granted. I hadn’t asked for money though. Around a month later I received communication that I needed to pay for the public broadcast network (even though I never watch it. Yay for unwanted public services)
Pack 4 shows that a long spell of unemployment was coming to an end. I did find a job soon after.
Pack 5 shows harmony in the relationship I’m in and talks about consolidating it. It was around the time we had started considering marriage.
Pack 6 shows that althouth there may be difficulties, all will sort itself out, albeit with a delay
Pack 7 shows the loss of correspondence. I actually ended up losing my phone (which can be signified by the Letter, considering that the Gift card was already in play). A tourist found it and I got it back (remember Pack 6)

Vera Sibilla | Fifteen Card Spread

This method is good for looking at a person in general, either the querent or someone the querent is interested in knowing about. The cards are shuffled and cut, and then dealt into five packs of three cards each, forming a cross.

The first one goes in the center, the second one to the left of it, the third one to the right, the fourth one above and the fifth one below. The center shows what hits the querent (or person) directly. It can signify the present or something that is important to them. Above shows the querent’s thoughts or hopes, or something they are aware of. Below it shows something that the querent doesn’t like or doesn’t know. To the left it shows something the querent leaves behind, to the right something the querent is approaching, usually in the near future (1-2 months).

If you want, you can also reshuffle the remaining cards and deal out another pack of three for the further future.

As usual, lay out the cards and strive to come up with your interpretation before reading mine

Example of the Cross of 15 cards

This was a general fortune for a woman
Center: 4♥ + 7♠ + 2♠R
Left: 9♥ + 10♥ + 6♣
Right: 5♠ + 7♣ + 5♥
Above: Q♠ + 10♦ + A♣R
Below: A♥ + 8♥ + 5♦

The central pack is obvious. It shows a breakup, and a rather ugly one. When the 2♠ comes up reversed there is sometimes the possibility of a third party’s involvement. Looking at the above pack, we find confirmation: the querent knows that a woman destroyed her marriage. To the left we see that the marriage was going well, there was love, stability and common interests. Unfortunately, when the spread is negative, the fact that good cards come up in the past is not a good sign. The involvement of the rival, the Q♠, destroyed a good relationship.
Below we see that communications (A♥) are negative (it comes up below) so there was a final argument without resolution (8♥) and it left a bitter feeling in the querent’s mouth (5♦).
Looking forward to the right, it is clear that the querent will not patch things up with her husband (5♠) but she will find satisfaction in a new story (7♣ + 5♥)

Vera Sibilla | The Pyramid Spread

Another spread that can be used is that of the reversed pyramid. It is rather intuitive and not especially complicated. The base of the pyramid can be any number of cards, usually 4, 5, 6 or 7. I usually limit myself to 4 or 5. You can allot the first row to the past, the second to the present and the subsequent ones to the future, or you can just see what comes up. Usually, this spread is good for exploring topics (“tell me about my love life”) before using a row of cards to answer more specific questions. It can also be used without a question. The tip of the pyramid, i.e., the last three cards, is usually read together, but be flexible.
If you have questions about a particular row of cards, you can still either fan out the deck and choose three cards at random to clarify it, or shuffle the deck and draw three cards from the top. Either way, don’t abuse clarification cards. Sometimes we understand something perfectly well. We are just not willing to accept it. What follows are two examples, one with a 10 card pyramid and one with a 15 card one. Lay out the cards and follow along. Strive to come up with your interpretation before reading mine.

Example of 10 card pyramid


The querent asked if his marriage, which was hitting the rocks, was salvageable. The cards were
A♦R + Q♥R + A♠ + 8♠
7♠ + 3♣ + 2♥R
10♥R + 2♠
7♦

The first row speaks quite obviously of the discovery of some form of negative behavior on the part of the woman, which led to sorrow, strife and jealousy. She was probably cheating on him, which he confirmed.
The second row shows either the immediate past or immediate future, usually. There is an abrupt move away from a house he doesn’t like anymore.
The third row shows that there won’t be a continuation of the marriage and that the situation is waning. The spread ends with the Child, which shows new situations, a new life, a new love story. A few days after the reading, the querent left the house after an argument and they divorced some time later. He is now with a different woman.

Example of a 15 card pyramid

A querent asked a general fortune. Here were the cards:
Q♦ + 2♥R + K♥ + 5♦ + Q♣R
2♦ + K♠ + 8♣ + 4♦
J♥ + 9♥ + 6♣R
A♥ + 10
4♥

The first line clearly speaks of family matters. There’s a married couple in the family, probably her parents, who make life difficult for her. They likely don’t get along together (they are connected by the reversed House card). The mother is probably more at fault than the father. All this creates sadness and melancholy in the querent, showing up as the Q♣ reversed, which emphasizes her sense of helplessness.
The second row speaks of some communication or document concerning a legal or bureaucratic practice that will arrive. The thing will resolve itself (8♣) but it won’t be very satisfactory (4♦). What ended up happening was that quite soon after the reading (the second line shows the present or near future) the querent received her tax return documents, which showed all was in order but she would receive less money in deductions than she expected.
The following line shows that the girl will enter a rough patch with her boyfriend due to growing apart with him and not finding common interests (6♣R). However, the following lines show that they will talk at length (A♥ + 10♥) and will rekindle their relationship.

Note: due to formatting, it looks like the cards are laid out in a right triangle. In reality it is an inverted pyramid. It doesn’t really change anything, but I thought I’d let you know.

Vera Sibilla | Interpreting Rows of Cards

We start off easy with spreads. And, in truth, I don’t use very convoluted ones.

The easiest way to answer a question with the sibilla is by drawing a line of cards. Any number will do, but I would limit the number to 7 at most, and in general, 5 is an ideal number. Contrary to some popular opinions, it is perfectly acceptable for the number of cards to be even, even though I find odd numbers more aesthetically pleasing. Be sure, when you settle on a number, that you stick to it unless you truly find that the answer is not complete (it can happen). In that case, add two cards to the tail of the reading.

Rows can be used without question, to get a glimpse into the future (or past) or they can be used to answer specific questions. Following are three examples of readings, one with three, one with five and one with seven cards. I suggest that you take out the cards I indicate, so you can better follow the explanation. If possible, try to give your own interpretation before reading mine.

Example with Three Cards, 1

A querent asked if the house he had seen would be the one he would move into. I don’t remember if I already posted this example, but it’s a good one. The following cards came up:
2♠ + J♦ + 10

The Old Lady and the Messenger together often mean a visit, a short trip or a movement of short duration. This is already not promising: we want the movement to be definitive. What seals the negative answer is the 10♣, Levity. This card is connected to everything that is not rooted in the querent’s life and is therefore passing. The visit he made will be passing. He did not move into the house.

Example with three cards, 2

The querent asked if the man she was seeing, a recent divorcé, still thought about his ex.
The cards that came up were
K♥ + 6♦R + Q♠R
The answer is quite obvious: yes, he is thinking about her, but not in a flattering way. His showing up as the Gentleman, furthermore, bodes well for the future of the relationship with the querent as, unless the it is afflicted, the K♥ is honorable and good. The Q♠ shows up reversed, which is quite typical of “my crazy ex” stories, when the ex is actually crazy.

Example with Five cards, 1

A querent asked if her husband liked his job because he wouldn’t give her a straight answer. The cards were:
6♦R + J♣R + K♥ + 2♣R + 7♣R

The predominance of reversed cards is not a great sign to begin with, but let’s dig further. The husband occupies the center of the spread, indicating that this spread is very much about his feelings and perceptions. The first card is the 6♦R showing a negative attitude. The negative attitude is toward the reversed J♣, which can be a younger colleague. I asked if the husband worked with younger people and, unexpectedly, the woman said the husband was a high school teacher. Clearly one or more students are giving him problems and his own attitude worsens the situation. He probably thinks too highly of himself (he shows up as the Gentleman and has the reversed Peacock card next to him) which prevents him from taking his students’ disrespect lightly. He thinks they are disrespecting him, which makes things worse. The reversed Gratification card shows lack of confidence, lack of fulfillment and confirms the husband’s fear for his own “reputation”. He doesn’t like the job.

Example with 5 cards, 2.

The querent asked if the his classmate’s father would be reelected as mayor of their town. The cards were: 8♣ + 10♥R + 9♥R + 9♣ + 2♣.
The ending of the spread is very positive, showing satisfaction, public honor and success with the public. The first three cards show the coming together of people (8♣) with negative intentions (10♥R) and not very clean methods (9♥R) to stop him. The man was reelected despite an attempt to dig up some dirt about him which turned out to be false.

Example with seven cards, 1

The querent asked if he would have to shut down his business forever. This spread was made during one of the lockdowns. The cards were:
K♠R + 9♠ + 6♦ + 7♦ + 10♠ + A♦ + 8♣
The first card, the reversed Priest, shows that the law is playing a negative role in the matter, quite obviously, and is creating a blockage (9♠). The querent, however, is in the position to come up with new strategies (6♦ + 7♦), the implementation of which will be an uphill battle (10♠), but they will bring economic renewal (A♦ + 8♣).  He won’t close his business down in the foreseeable future. Nor did he. He could expand his online presence and did it.

Example with Seven cards, 2

The querent asked if she would get a job she had applied for. The cards that came up were:
Q♣ + 10♣ + J♥R + A♣R + 7♦ + 5♦ + 8♥

Ready with your answer? Good. The cards have nothing to do with the question asked by the querent. It happens at times, if something important is imminent in the querent’s life. The cards hint at a flirty casual relationship with a man (Q♣, 10♣, J♥R). Since the Lover is reversed, the situation is completely devoid of love and is only sexual, confirmed by the reversed Marriage card which is the sex card par excellence. The A♣R plus the Child card indicate a pregnancy, and the girl won’t be too happy at the beginning (5♦), but she’ll come around and keep the baby (the Hope card falling last clearing the air of all sadness and trouble). I told the querent to be careful and take precautions when with men. She didn’t heed (the 10♣ next to the Queen of Clubs) and is now a happy mom who shares custody of her son with the father.

Vera Sibilla | Embracing Fallibility

Before moving on to the spreads, I should point out one last thing. For whatever reason, the psychic community seems often reluctant to admit that they are fallible (but then again, trying to get officially recognized experts to say “I’m sorry for having been full of shit” is also hard, possibly because expertise is turning into a new form of religion, but I digress).

I believe the reason for this is that, since there is no scientific certainty that divination “works”, then divination requires blind faith, and blind faith can never accept being called out. Doubt and reason, which have raised the human race above the others in so many ways (no, I am not anti-specist. Sue me) are seen critically among psychics because they open one to the possibility that not everything that leaves their mouth when they are not thinking about it is pure gold.

While it’s true that the sure hand is more likely to  shoot the arrow that hits the mark than the trembling one, reason and doubt are still your friends, if you use them wisely. And the first requirement of a reasonable practice is that you keep a log of your readings and check them for accuracy without holding back. Don’t dissolve into a puddle of tears as soon as you get something wrong–everyone does! No one is 100% accurate.

Accepting your fallibility frees up a lot of space in your psyche for other useful things, such as the ability to listen, to interpret, to feel, to empathize. It is also much less stressful than holding yourself up to an impossible standard. And it turns you into an honest experimenter in the psychic arts.

Vera Sibilla | Your Own Language

Divination systems are like languages. We’ve seen in the previous post how true this is. But it is even truer when we consider that whatever you learn from a book or a blog post is actually a standardized version of the language of the cards.

Now, standard language is an abstraction. Nobody speaks it. Shakespeare spellt the same word in two or three different ways over the course of the same play. The same goes for older writers in most languages. Standard language is an invention of the modern nation state, just like statistics. In order to exert clearer clontrol over their often large territory, the intellectual class of the various nations came up with rigid rules which are more or less helpful, but they are just that–made up rules that capture a measure of truth, but leave other things out.

Language is a more fluid phenomenon.
But you will find that no real person on the street actually speaks standard English or Italian or German, unless they are “highly educated”, which just means that they have absorbed more rules. I do noy mean to disparage rules. I’m merely observing that language is a living thing, which lives through the mouths of those who speak it. Therefore it is always a rather individual phenomenon: everyone has their dialect, their accent, their pet words, their filler words, those expressions that they constantly use because their grandma used them even though even other natives don’t use it, those expressions that mean something to the people in their hometown but something wholly different in a different region, etc.

The same is true for divination systems, especially complex ones like cards. You need to find your language with the cards. This can only be done by using them for yourself and even more for others. Studying meanings and combinations is useful to make up for the fact that you are not a “native speaker” (nobody is) and traditional meanings are usually passed down for the good reason that they are often valid. I have tried to make the traditional meanings as palatable as possible by creating a numerology to make sense of it (which I will revise as better ideas arise). But you can’t let yourself be drowned in rules, or you’ll never speak the language of the cards fluently. I’m still discovering my own language as it is a life-long endeavor.

To help you, I’m going to post some interpretations of some card spreads in the future, so that you may see how I do it. Take it as a jumping off point, not as something to slavishly adhere to. 

Vera Sibilla | The Moment of Silence

We’ve talked about some of the basics of interpreting the cards. The most important thing is to practice, though, as only your own practice can reveal how the cards communicate to you. In this light, I would like to address something that is not strictly speaking a point of interpretation, but which I find is still helpful. It’s what I would call “the moment of silence” and I believe it holds true for all card systems you study.

Especially at the beginning, when you get your hands on some cool material about the deck, your head is going to be brimming over with facts. This is a preliminary step which, I think, is unavoidable, just as it’s unavoidable, in learning a foreign language, to assimilate words and some grammar. You can go with the “natural approach”, but sooner or later, if you want to rise above mediocrity, you need some serious study.*

But study brings with it a new host of issues. Ever listened to a non native trying speak English (or your language) for the first time after completing a course? You can barely understand them. And for a good reason: they are constantly trying to reach for information in their heads that they haven’t assimilated in practice. They are trying to remember rules and exceptions and words and word connections, and the pronunciation of this or that words, all the while trying to understand what you, the native speaker, are telling them etc.

It’s a lot. Then, as they practice, they evolve toward a type of English (or any other language) that is hopelessly broken, but somewhat understandable. As they refine their skill, they assimilate in practice what they have had in their heads all the time, and their use of the language improves.

But just as you can have a bad hair day, you can also have a bad English day, or a bad German day, or a bad Italian day. It’s those days where you feel like you are here and your language skills are somewhere else and you need to constantly grope for them, which makes for some very clunky sentences and dialogues. If you are having one of those days, you need to relax, take in a deep breath, wait a moment, center yourself and stop *trying* to speak the language–and just speak it.

With divination it’s similar, with the added difficulty that there is no native speaker to learn from. But the concept of “waiting a moment” and centering yourself is still valid. Having three, five, fifteen, twenty one cards in front of you can intimidating, so you jump into it in a kind of panic and start assembling meanings. That’s not helpful. When you start a reading, always make sure to stop for a second and keep quiet. Not just quiet in the sense of not speaking, but also in the sense of not trying to have your attention drawn immediately by a tree as opposted to taking in the forest. The spread is a whole, and it must be approached as such. Take a deep breath, forbear from trying to read the cards. Let your eyes wander for a second over the whole spread without digging anywhere. Survey the territory in a kind of bird-eye view. And then speak.

* conversely, if you start with some serious study, you also need the natural approach.

Vera Sibilla | Cards That Modify the Reading

We’ve seen that the cards are generally read from left to right. Often, the last card in a row can change the meaning of the row itself completely. Sometimes, instead, it’s the card in the middle that changes the reading (when I say in the middle I don’t necessarily mean exactly in the middle, just not first or last). At other times, finally, a card can have a different meaning when it falls first.
Note: when I say the beginning or end of a sequence, this may or may not be the beginning or end of a row of cards: a sequence is a number of cards forming a coherent picture of a situation present, past or future. A single row can have more than one sequence.

Following are some examples.

The 2♥, the House, has the power to consolidate the meaning of the cards preceding it, so if the preceding cards show a well-defined situation for better or worse and the 2♥ comes up without any specific reason, it can mean that the situation is destined to consolidate itself in the direction signified by those cards.

The 4♥ coming up in the middle of a sequence and having no specific meaning can highlight the querent’s emotional involvement in the situation. This is also true when it’s reversed, in which case it’s negative involvement. The 4♥ coming up at the beginning or a sequence and having no specific connection to the rest of the reading can signify that the events shown are what the querent is attracting to himself or herself.

The 6♥R, coming up as the first card of a line and having no immediate obvious meaning can signify that the situation represented by the cards following it will happen unexpectedly and will be completely new. Coming up in the middle of a sequence and having no specific meaning it can highlight the duration of the situation into the future.
The 8♥ coming at the end of a row of cards or of a sequence shows that things will go as the querent hopes. If the cards preceding it are negative, it shows that there will be cause for hope nonetheless. If it comes up reversed, it shows situations going up in smoke.

The 10♥ coming up in the middle of positive or negative cards highlights their duration over time.

The 2♣ coming up at the end of a sequence shows divine intervention, protection, liberation from hardships.

The 3♣ coming up after difficult cards shows a change of direction in the querent’s life, usually for the better.

The 3♣R coming up in the middle of a sequence and followed by positive cards show the end of negative cycles and the end of hardships in general.

The 5♣ coming up at the end or a sequence shows a stroke of luck that will change the querent’s life in the field asked about.

The 6♣ coming up at the beginning of a sequence without apparent reason shows very quick events.

The 7♣ ending a negative sequence signifies a light at the end of the tunnel, especially when followed by positive cards.

The 8♣R coming up in the middle of a sequence without reason can signify things not going as the querent expects, for better or ill.

The A♦ coming up without reason at the beginning of a sequence can show dynamic change, new impulses, etc.

The 3♦R (the Gift) coming up at the end of a difficult sequence signifies the slow resolution of hardships. This is also true when it comes in the middle, but then you need to pay attention to the cards afterward.

The 4♦R coming up at the end of a negative sequence shows relief and positivity.

The 8♦ (the Handmaid) coming up for no reason at the beginning of a sequence can show that the sequence represents a new phase or evolution in the querent’s life. Coming up for no reason at the end, it shows that the querent evolves away toward a new phase.

The 10♦ coming up at the end of a sequence which seems promising steals the positivity away (but be careful, if it is a long, extremely positive sequence, the Thief alone is not strong enough to negate it). The 10♦R coming up at the end or toward the end of a negative sequence shows that there is nothing left to do. It’s over.

The J♦ coming up at the beginning of a series for no reason announces quick developments.

The A♠R coming up in the middle of a sequence and followed by positive cards shows the end of sorrow.

The 2♠U/R coming up at the end of a negative sequence shows the waning of the matter, more or less sharply depending on whether the card is upright or reversed.

The 4♠R coming up in the middle of a sequence and followed by positive cards shows the end of a period of standstill and blockage. Followed by negative cards shows the beginning or duration of the standstill.

The 5♠ coming up in the middle of a sequence and followed by positive cards shows a difficult but positive change. If followed by negative cards, it’s difficult and negative.

The 8♠R coming up in the middle of a sequence and followed by positive cards shows the end of a period of crisis.

The 9♠R coming up in the middle of a sequence and followed by positive cards signifies liberation and unblocking. Followed by negative cards it signifies the beginning of blockage.