Category Archives: Divination

Filling In The Blanks In Divination

If I were to start talking to you using just nouns, verbs and a small number of adjectives, your understanding of what I say would probably decrease, but not massively. The reason for this is that the lacking connecting words would probably be supplied by your mind. The context of what I say, furthermore, would allow you to pick mostly the right words based on your past experience, so while there would be a few problems here and there, you’d mostly be able to follow along.

In divination, we often find ourselves with blanks fill in between nouns, adjectives and verbs, which are generally represented by whatever the basic units of meaning are (cards in cartomancy, geomantic figures in geomancy, etc.) And while divination IS a language, the difference is that we have necessarily less experience with it than with natural languages, and that its vocabulary is necessarily more ambiguous.

Taking playing cards as an example, we essentially have only 52 words to play with, with the result that those 52 words must necessarily carry more possible shades of meanings than regular words in complex natural languages. These shades of meaning are generally given by the extended applications of the card’s main significations and other metaphorical takes on them.

The potential for errors, therefore, increases significantly, and that’s even before we take into account the fact that the connecting words are usually missing, and need to be supplied by our own interpretation. Finally, another factor is that the sentences of divination have much less context.

I often get questions by people who have been trying to get into divination but never seem to get a straight sentence out of their oracles. To be honest, it is an art, and like all arts it requires a ‘feel’ that can only be developed by banging your head against the obstalce long enough. However, another problem I often notice is that people tend to have excessive expectations of the type of answers they can get out of the oracle, especially at the beginning.

My philosophy is that I need to be only as specific as my current understanding and experience allows me to be. When you have a spread in front of you, don’t think you need to read a passage from Dostoevsky from it. Think more like having to make sense of the ramblings of a toddler. “Uhhh, something to do with three brothers and a question of faith” is good enough. In fact, it is much better to remain a bit vaguer than filling in the blanks the wrong way, which could potentially mislead the querent, especially since it is way to easy to let fantasy take over and take the interpretation in the wrong direction, and divination is NOT fantasy.

Skeptics might argue that this is way of trying to be right at all costs. It isn’t. It is, in fact, a perfectly philological method. I once did a reading for someone where I remember telling her something to the effect of “the cards seem to highlight something in the past connected with a person you were involved with and money issues with legal ramifications”. It turned out her ex had wasted most of their money in secret, and run away with the rest, triggering a divorce and other legal troubles. I could have filled in the blanks more thoroughly, but, at least based on my understanding at the time, I would have had to shoot in the dark.

The point is: do not feel you have to fill in all the blanks at all costs. You will always be able to be as specific as you need to be. Everything else is vanity.

MQS

Tarot Encyclopedia – The Nine of Swords

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Swords from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the second decanate of Gemini, June 1 to
June 10, under the rulership of Venus.
Well-Dignified: faithfulness, obedience, unselfishness, patience; fortunate news about legal affairs or partnerships, especially if the outcome has been delayed or in doubt; aid or gain through relatives, short journeys or writings, but not until the Querent has passed through a period of uncertainty or worry; ultimate good fortune, resulting from a series of events which at first present unfavorable appearances.
lll-Dignified: despair, cruelty, unfaithfulness; want, loss, misery; bad outcome of legal affairs; disagreements with relatives; unfortunate journeys.
Keyword: Worry.
(From the Oracle of Tarot course)

A. E. Waite

One seated on her couch in lamentation, with the swords over her. She is as one who knows no sorrow which is like unto hers. It is a card of utter desolation. Divinatory Meanings: Death, failure, miscarriage, delay, deception, disappointment, despair. Reversed: Imprisonment, suspicion, doubt, reasonable fear, shame.
(From The Pictorial Key to the Tarot)

The Nine of Swords from the Rider Waite Smith Tarot

Aleister Crowley

The Nine of Swords is called Cruelty. Here the original disruption inherent in Swords is raised to its highest power. The card is ruled by Mars in Gemini; it is agony of mind. The Ruach consumes itself in this card; thought has gone through every possible stage, and the conclusion is despair. This card has been very adequately drawn by Thomson in “The City of Dreadful Night”. It is always a cathedral—a cathedral of the damned. There is the acrimonious taint of analysis; activity is inherent in the mind, yet there is always the instinctive consciousness that nothing can lead anywhere.

[…]

The number Nine, Yesod, brings back the Energy to the central pillar of the Tree of Life. The previous disorder is now rectified. But the general idea of the suit has been constantly degenerating. The Swords no longer represent pure intellect so much as the automatic stirring of heartless passions. Consciousness has fallen into a realm unenlightened by reason. This is the world of the unconscious primitive instincts, of the psychopath, of the fanatic.

The celestial ruler is Mars in Gemini, crude rage of hunger operating without restraint; although its form is intellectual, it is the temper of the inquisitor.The symbol shows nine swords of varying lengths, all striking downwards to a point. They are jagged and rusty. Poison and blood drip from their blades.

There is, however, a way of dealing with this card: the way of passive resistance, resignation, the acceptance of martyrdom. Nor is an alien formula that of implacable revenge.
(From The Book of Thoth)

The Nine of Swords from the Thoth tarot deck

Golden Dawn’s Book T

FOUR Hands, as in the preceding figure, hold eight swords nearly upright, but with the points falling away from each other. A fifth hand holds a ninth sword upright in the centre, as if it had struck them asunder. No rose at all is shewn, as if it were not merely cut asunder, but utterly destroyed. Above and below are the Decan symbols Mars and Gemini.

Despair, cruelty, pitilessness, malice, suffering, want, loss, misery. Burden, oppression, labour, subtlety and craft, dishonesty, lying and slander.
Yet also obedience, faithfulness, patience, unselfishness, etc. According to dignity.
Yesod of HB:V (Illness, suffering, malice, cruelty, pain).
Therein do HB:a’aNVAL and HB:MChYAL bear rule.

Etteilla

Bachelor
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Celibate, Celibacy, Virgin, Abbot, Priest, Monk, Hermit, Religious. – Temple, Church, Monastery, Convent, Hermitage, Shrine. – Worship, Religion, Piety, Devotion, Rite, Ceremony, Ritual. – Recluse, Recluse, Anchorite, Vestal.
Reversed. Founded distrust, Well-founded suspicion, Legitimate fear, Distrust, Doubt, Conjecture. – Scruple, Fearful consciousness, Pure, Timidity, Shyness. – Shame, Shame.

MQS

Bolognese Tarot – Il Manuale di Cartomanzia by Lia Celi (Review)

The 45-card method, which is the one I’m trying to specialize in on this blog, despite being acquainted with and using the other methods as well, tends to be rather more obscure than the better-known 50-card one. One possible reason is that Maria Luigia Ingallati’s niche-defining book discusses the latter, and has consequently inspired others who follow her school.

Another separate source for the 50-card system is Germana Tartari’s book, whose approach I follow when using the 50-card deck, having been her student and now friend. Tartari’s book was also met with good success, further cementing the 50-card system in people’s imagination.

But before Ingallati made the Bolognese tarot available to a wider public there were a couple of books on the 45-card method, and Lia Celi’s Il Manuale di Cartomanzia (The Cartomancy Handbook) is one of them. The book was first published in 1999 and is very difficult to come by (don’t ask me how I got my copy. Or maybe do ask me, who knows.)

The subtitle of the book, “How to read tarot cards without boring yourself to death” serves as a good introduction to the style in which the book is written. Lia Celi is not a card reader, but a writer and journalist, and this is immediately evident in the refreshingly irreverent tone of the book. She did collaborate with some card readers to put together this book.

The second thing to notice is that, if you were to buy the book based on the front or back covers, you’d never know it’s about the Tarocchino Bolognese, as the title, subtitle and description simply talk about tarot cards and cartomancy, and even the cover art pictures regular tarot cards (I believe Sergio Ruffolo’s tarot).

The third thing to take notice of is that this is, broadly speaking, a good book. Honestly, it would be worth a read even if you had no interest in cartomancy, simply because it is guaranteed to tickle your funny bone on more than one occasion. And this is probably how the book was commissioned in the first place: as a fun and exotic read for the beach, aimed mostly at young women who may or may not choose to pursue cartomancy as a passion.

Given these presuppositions, Celi’s work has no right to be this informative. Pretty much everything you need in order to start using the 45-card system is offered to you in easily digestible bits: the various traditional methods on how to acquire, christen,1 study, shuffle and lay out the deck, the individual meanings of the cards (which are often easy to remember thanks to Celi’s sharp humor), a decent, if small, selection of traditional combinations, some of which I recognize from my own source, some practical advice on how to deal with various types of querents, and a final interview with the daughter of a card reader who is just setting out to practice the art herself, and who offers some advice. Clearly, Celi did her homework and did not skimp on looking for good information.

The card selection the author discusses is the same as the one I know, with one exception: she uses the Nine of Coins as the card of tears, while I use the Seven. Also, the meanings of some of the cards differ. For instance, she says that the Star is chiefly the card of health, while for me it is chiefly the card of business. Still, she does say that the Star is good for work and study, and even my own source taught me that the Star represents medications and healing in the right context. Besides, it is perfectly normal for a tradition like that of the Bolognese Tarot to differ a little from source to source.

The spreads Celi illustrates tend to be on the shorter side: a three-card spread, a four-card cross, a variation of the thirteen-card spread and a pyramid spread of fifteen cards that may be adapted to various questions.

So what is missing? Well, as in most books, what’s missing is the practical part. We have only brief mentions of how the cards interact with one another, so that if I didn’t come from a background in cartomancy and didn’t have access to first-hand information, I don’t know if I would be able to pick up a deck and start reading after finishing this book. Still, Celi’s Cartomancy Handbook is a good addition to your library if you are interested in the Bolognese tarot.

Where to find: This is the book’s amazon page. Unfortunately the book is unavailable, so your next best shot is ebay. However, the lord does work in mysterious ways…

MQS

  1. The traditional practice of ‘christening’ the deck or having it blessed so that, according to popular superstition, it starts working properly. In reality the deck works anyway and only in particular situations (such as curses or difficult periods) does it need to be blessed. ↩︎

Was That On Purpose? (Example Reading)

This one’s a quickie. A friend of mine who tends to take things way more seriously than she should asked if the boyfriend had really misplaced the small gift they had bought for her mother or if he had hidden it out of spite (he doesn’t like her mother). Knowing the dude I was quite sure she was overreacting. Still we asked the Sibilla:

Vera Sibilla reading: was that on purpose?

The Thought card is indicative of someone’s inner reality (their thoughts, plans, character, proclivities, etc). Since we asked about the boyfriend’s intention, the thought is his. The Belvedere card is usually associated with the arrival of something. However, it is also the card of sight. Next to the Ten of Clubs, which is a card of carefreeness, this seems to point to an oversight.

It turned out the gift had been left in the car, where it had lodged itself between the the two front seats. As silly as the reason for the reading is, it’s nice to have the cards confirm our suspicion.

MQS

Tarot Encyclopedia – The Nine of Cups

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Cups from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

The time period is the second decanate of Pisces, March 1 to March 10, under the subrulership of the Moon.
Well-Dignified: complete realization of desires; almost perfect pleasure and happiness; wishes fulfilled; physical well-being.
lll-Dignified: vanity, conceit, egotism; foolish generosity or ostentatious expenditure; the
person to whom the card applies is too easily led; one spoilt by
prosperity.
Keyword: Desire fulfilled.
(From the Oracle of Tarot course)

A. E. Waite

A goodly personage has feasted to his heart’s content, and abundant refreshment of wine is on the arched counter behind him, seeming to indicate that the future is also assured. The picture offers the material side only, but there are other aspects. Divinatory Meanings: Concord, contentment, physical bien-être; also victory, success, advantage; satisfaction for the Querent or person for whom the consultation is made. Reversed: Truth, loyalty, liberty; but the readings vary and include mistakes, imperfections, etc.
(From The Pictorial Key to the Tarot)

The Nine of Cups from the Rider Waite Smith tarot

Aleister Crowley

The Nine of Cups is called Happiness. This is a peculiarly good card, because happiness, as the word implies, is so much a matter of luck: the card is ruled by Jupiter, and Jupiter is Fortune.In all these watery cards, there is a certain element of illusion; they begin by Love, and love is the greatest and most deadly of the illusions. The sign of Pisces is the refinement, the fading away of this instinct, which, begun with dreadful hunger and carried on with passion, has now become “a dream within a dream”.

The card is ruled by Jupiter. Jupiter in Pisces is indeed good fortune, but only in the sense of complete satiety. The fullest satisfaction is merely the matrix of a further putrefaction; there is no such thing as absolute rest. A cottage in the country with the roses all around it? No, there is nothing permanent in this; there is no rest from the Universe. Change guarantees stability. Stability guarantees change.

[…]

The Number Nine, Yesod, in the suit of Water, restores the stability lost by the excursions of Netzach and Hod from the Middle Pillar. It is also the number of the Moon, thus strengthening the idea of Water. In this card is the pageant of the culmination and perfection of the original force of Water.

The Ruler is Jupiter in Pisces. This influence is more than sympathetic; it is a definite benediction, for Jupiter is the planet of Chesed which represents Water in its highest material manifestation, and Pisces brings out the placid qualities of Water. In the symbol are nine cups perfectly arranged in a square; all are filled and overflowing with Water. It is the most complete and most beneficent aspect of the force of Water.

The Geomantic Figure Laetitia is ruled by Jupiter in Pisces. For its meaning consult the “Handbook of Geomancy” (Equinox Vol I, No.2). Laetitia, Joy, gladness, is one of the best and most powerful of the sixteen figures; for the Solar, Lunar, and Mercurial symbols are, at the best, ambiguous and treacherously ambivalent; those of Venus portend rather relief than positive beneficence; Saturn and Mars are seen at their worst; and even the stable-companion of Laetitia, Acquisitio, has its unpleasant aspects, and even its dangers. But the consonance of Laetitia with this card amounts to little less than an identity; the wine is poured by Ganymede himself, unstinted vintage of true nectar of the Gods, brimful and running over, an ordered banquet of delight, True Wisdom self-fulfilled in Perfect Happiness.
(From The Book of Thoth)

The Nine of Cups from the Thoth tarot

Golden Dawn’s Book T

A WHITE Radiant Angelic Hand, issuing from a cloud holding lotus or waterlilies, one flower of which overhangs each cup; from it a white water pours. Cups are arranged in three rows of 3. Jupiter and Pisces above and below.

Complete and perfect realization of pleasure and happiness, almost perfect; selfpraise, vanity, conceit, much talking of self, yet kind and lovable, and may be self-denying therewith. High-minded, not easily satisfied with small and limited ideas. Apt to be maligned through too much self-assumption. A good and generous, but sometimes foolish nature.

Yesod of HB:H (Complete success, pleasure and happiness, wishes fulfilled).

Therein rule the Angels HB:SALYH and HB:a’aRYAL.

Etteilla

Victory
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Victory, Success, Achievement, Advantage, Gain. – Pump, Triumph, Trophy, Preeminence, Superiority. – Spectacle, Arrangement, Equipment.
Reversed. Sincerity, Truth, Reality, Loyalty, Good faith, Frankness, Naiveté, Candor, Openness of heart, Simplicity. – Freedom, Science, Overconfidence, Familiarity, Boldness, Looseness, Debauchery

MQS

How to Work With Wrong Readings

I had a nice exchange with a visitor, who asked how we can work with the readings we get wrong, so that we can improve our skill.

The first thing to take into account is that this is not always possible. We may say that we are accurate because 80-90% of our assertions end up being true, but that is calculated on those assertions for which we get feedback, and we don’t always get feedback.

Here, too, there is a lesson, I think: all we can do is be as good as we can be at the particular moment in which the reading takes place. If we think an interpretation is viable, there is no point in withholding it out of fear that we might get it wrong (unless the topic is sensitive and we choose to stretch the truth to avoid hurting the querent) because we might not get another chance to say it.

What happens after the reading is that some querents simply forget about it. Too many querents think that a reading needs to come true within a couple of weeks, when in fact it often takes months, so after the initial excitement (or dread) they simply move on, and they may only be reminded of it when it comes to pass, if at all.

Other readings are correct, but the querent thinks that’s just regular business, so they don’t bother to tell us, while other readings are wrong, and the querent either rubs that in our face as publicly as possible or they don’t talk about that anymore, thinking we are beneath them.

Then there’s the readings for which we do have feedback, which can be very positive (“everything was spot on, and you’re also kinda cute”), very negative (“it ended up being the exact opposite of what you said”), or mixed (“this and that came to pass, but this other thing not yet”).

Even the feedback we get needs to be taken with a grain of salt. Positive feedback can sometimes be a mix of wishful thinking and the desire to please, while negative feedback can sometimes be a mix of delusion (you said he wouldn’t call and he didn’t, but I know he loves me, so you’re wrong) and desire to hurt.

So, what do we do with the feedback we are given, if it is negative? The reasonable thing to do, in my opinion, is to check the spread (I usually take pictures and/or notes) and see where we might have screwed up.

Was there a point in the spread where the cards were a bit ambiguous and we forced the reading in the wrong direction? Was there a huge, smacking-your-forehead blunder? You simply cannot see what went wrong? Take notes on the reading. If you don’t think you can formulate a definitive theory on what went south, don’t. Leave things hanging. Add ‘maybe’ and ‘possibly’, and see if there are other readings you did on similar issues that can help you.

Even when going back to an older spread, we should never force it to say what the feedback said, if we just don’t see it: firstly, because, as I said, even feedback that exists must be treated with caution; secondly, because there is a tendency to want to read details into the reading that we would never have been able to guess beforehand, and that’s not divination.

Broadly speaking, the feedback we get, positive, negative or mixed, should be treated as raw data that needs to be studied carefully. That’s where a lot of growth can take place. Be especially thankful for mixed feedback, as usually it is the most honest kind: we rarely get 100% of the things right, either in our description of the past/present or in our predictions. As fallible humans, getting many things right many times should be enough to satisfy us, especially since we are doing something most people consider impossible.

MQS

Which House Is Next To Which?

In astrology, the contiguity of the houses is obvious, since the houses are usually arranged either in a square or in a circle, but always forming a loop. Thus, we have that the Ascendant is always squished between the second house and the twelfth; that it always opposes the seventh, and, if we go by whole sign houses, that it has fixed relationships with all the others (inconjunct, sextile, square or trine).

This is not the case in Geomancy, where the relationship between houses is controversial, at least nowadays. First off, it is not pacific that the houses of the Shield represent astrological houses, unless we operate an equivalence with astrology, as was done at least since Geomancy reached Europe.

Those coming to Geomancy through Michael Greer, as I did, are probably used seeing the geomantic houses as equivalent to astrological houses: once the Shield is turned into a square chart, the houses follow the same astrological pattern as in an astrological chart. Those coming to Geomancy through the Golden Dawn, though using a different way of assigning the mothers to the houses (the one popularized by Agrippa), still end up dealing with a 1:1 replica of an astrological chart.

However, the idea that the Shield chart and the astrological chart are separate ways of doing Geomancy seems to be relatively new. In most old books, only the Shield is shown, and even when the astrological format is followed, this is done more to show some of the similarities with astrology.

Secondly, which house is next to which is not always clear, and sometimes varies by author. In some sources it seems that only houses that are in company are considered to be next to each other: first and second, third and fourth (but not second and third), fifth and sixth (but not fourth and fifth) and so on pair by pair. This seems to follow the order in which the Shield chart is generated.

An example shield chart. App used: Simple Geomancy

In the example above, Tristitia in the first is next to Via in the second, and Tristitia in the third is next to Conjunctio in the fourth, but not to Via in the second. This is possibly because the first and second combine to form the ninth and the third and fourth combine to form the tenth, but the second and third never combine. This approach obviously restricts the possibilities of perfecting the chart, since most houses end up losing a possible spot next to them for other figures to move to.

Another approach is the one I found while translating Abano’s work. Here Abano started by saying (or rather, implying) that the twelfth house is not next to the first. Initially, I thought this was because he was following the arrangement for the company of houses I just discussed. Yet he gives other examples where he does not follow it, for instance by implying that the eighth and ninth house are next to each other, which would contradict the company of houses (the eighth is with the seventh, the ninth with the tenth).

Then, in another one of his examples, he implies that a figure in the tenth house is next to a figure in the third. This does not make sense from an astrological standpoint, but from a sheer geomantic standpoint it does: the third house DOES border with the tenth, since it co-generates it with the fourth. This would also explain why he doesn’t consider the twelfth house to be next to the first: not because they are not in company, but because they are not close on the Shield (they are, in fact, on opposite ends of the shield).

This approach of considering the houses close on the Shield as being next to each other is certainly different from anything I’ve seen, especially in contemporary geomancy, and if it weren’t for the fact that enough readings I’ve done confirmed to me that the twelfth house CAN perfect with the first, I would find Abano’s approach extremely appealing. Unfortunately, one of my rules when dealing with divination is that practice trumps theory.

Abano goes even further, implying that the Witnesses (and possibly even the Judge) are to be treated as regular houses. This, in itself, is not unique to him, but what I find unique is that he considers the Witnesses capable of perfecting the reading, for instance if the first figure moves to the tenth and the quesited’s figure moves to the right Witness, where, by Abano’s theory, the two figures touch.

Another consequence of Abano’s approach is that not all houses are created equal: the first house, for instance, only touches with the second and the ninth, while the tenth house must be considered to be next to the ninth, eleventh, third, fourth and to the right Witness.

A possible argument, at this point, could be that this approach makes certain readings too easy (like those involving the tenth house, as I just showed). Still, we should keep in mind 1. that divination reflects reality, so a no is a no, regardless of the system 2. secondly, that Abano doesn’t always consider merely the querent and quesited. Often he considers the whole chart, and sometimes he resolves certain questions by dividing the shield into two sides (the left and the right side) and seeing which side is stronger. This is a method he has from traditional astrology, where questions of contest or war are often decided in such manner.

Ultimately, which approach we choose depends on what works, which means that the only way is to try, record and compare with what actually ends up happening.

MQS

The Home – A Deep Dive Into Cartomancy

Following my deep dive into the symbols of the door knockers and the road in divination by cards, I want to tackle the symbol of the home. This, too, like the road, is a widespread symbol that is almost never absent from any divination system of a practical nature (I am aware of systems for playing card divination based on Rider Waite symbolism, but they have very little practical use).

The popularity of the symbol of the home is simply a consequence of its importance in people’s lives. The home or house card is, in most systems, a ‘topic’ or significator card indicating the querent’s or someone else’s house, and the cards surrounding it show us the atmosphere or happenings of the household. Its practical value, therefore, is immense.

In the earliest recorded system for reading the tarot, which is Pratesi’s guide for the Bolognese tarot, the house card is the Ace of Cups. This meaning is retained in the more modern variants of the method. This is also an almost universal constant in cartomancy, since the Ace of Cups or Hearts is almost always taken as a symbol of the home.

Whether this association originates with the Bolognese tarot I don’t know. It is possible that the symbolism is simply suggested by the shape of the Ace of Cups. In the Visconti tarot, the Ace of Cups is a water spring similar to a baptismal font, but in many old decks it can look similar to a walled structure. If we add to this the fact that the function of the cup is to contain, it may be that this could have suggested the idea of the house to old cartomancers, since a house is a large (the ace is large) containment structure.

Similarly, in almost all card reading systems using Italian regional cards, the Ace of Cups is the home, although I am aware of a couple where the meaning is attributed to the Four of Cups, possibly due to the squarish form suggested by the arrangement of the pips. The Ace of Cups is also the house card in the Sibilla regionale, which is the second-most widespread sibilla deck in Italy.

Why the same idea of home as the Ace was suggested by people using regular playing card suits is unclear, since the Ace of Hearts does not look like anything but a heart. Still, if the system I was taught is anything to go by, the main idea is that hearts deal with one’s emotional life and nourishment, and the home is the origin and source (ace) of our emotional life, the place where our first (ace) needs are met. As a matter of fact, the person who taught me cartomancy with playing cards often insisted that the Ace of Hearts is not just any house (though it can be, in practice) but especially one’s home, where we come from (the ‘spring’ we come from, in the Visconti sense), which is why an extended meaning of the house card is often one’s family.

The same attribution of the Ace of Hearts to the home is found in most systems I am aware of, including German cartomancy and most English and French methods. As far as tarot is concerned, we find that, in some earlier tarot documents, the Tower is simply called ‘casa’ (house), before being called House of God or House of the Devil in some other decks (the title ‘Tower’ is actually a rather late innovation).

Etteilla assigned the house to the Ten of Coins, which Waite retains in his illustration of the Ten of Pentacles, while Paul Case generally matched the house with the Two of Cups, among other things. However, this was more of an accidental consequence of the Golden Dawn attribution of the first cards of the suit of Cups to the zodiac sign of Cancer and, according to the sign/house equivalence theory, to the fourth house, which is the house of the father and therefore of one’s fathers and one’s family/house.

The Sibilla is a partial exception to the rule of the ace as the home, as the House card is given to the Two of Hearts. The meaning of origin (which metaphorically, depending on the reading, can also indicate the origin of a problem) is retained. Still, the Ace of Hearts is also given to the family and to people living together, among other meanings.

The Sibilla, like the Kipper cards, distinguishes between a House card and a Room card. This is probably because both decks seem to have been consolidated from earlier German or Austrian decks which also had similar cards, although the makers of the Sibilla also took playing cards into consideration.

I cannot speak to the Kipper cards (nor to Lenormand, where there is a House card, attributed to the King of Hearts), but in the Sibilla, the Room can represent a small(er) apartment, as well as a place in general, but it doesn’t usually have a connection with the emotional side of life, like the House, although it can represent intimacy, since it is connected with rooms in general, but with the bedroom specifically.

MQS

The Third Beast (Example Reading)

A querent (a man) asked how his relationship would evolve:

A relationship reading

The first thing to notice is that both main figures appear (King and Queen of Wands) and both their thoughts (Page and Knight of Wands). The two significators are in the central column, so let’s read the central column first: King of Wands, Queen of Wands, Ace of Cups (house), Moon (darkness), Queen of Coins (truth). Clearly their relationship is not based on clarity, because the truth is hidden, and there would be a need for honesty.

The Death card next to her might show that she is the one going through some kind of transition, and it’s probably not something that has just happened (Temperance shows time). The house is not positive to the couple, as there is hurt or arguments around it (Knight of Swords).

The King of Swords was hard to interpret. It was, until the querent asked out of the blue “Do you see her cheating on me?”

Look at the column the King of Swords falls in: Death, King of Swords, Her Thoughts and the Betrayal card. In her thoughts there’s someone else. Note also that his thoughts (Knight of Wands) is next to the Moon and the Hanged Man, so he suspects.

The Queen of Coins, which is the truth, here seems to have two meanings here. One is that it shows the need for clarity (and therefore the lack of it), and secondly it acts as a sort of punctuation, as I discussed before, sealing the reading as if to say “yup, that’s exactly what you’re thinking”

Obviously we need to be very careful when announcing this sort of situations, even if the querent suspects. It is much better to caution them to seek clarity with their partner (especially in this case with the Truth card so prominent in the reading)

MQS

Tarot Encyclopedia – The Nine of Wands

(Note: this is a collection of the meanings attributed to the cards by some occultists in the past centuries. It does not reflect my own study or opinion of the cards. It is only meant as a quick comparative reference as I develop my own take.)

The Nine of Wands from the Builders of the Adytum (BOTA) tarot deck

Paul Foster Case (and Ann Davies)

In Tarot divination this Key combines the forces of the Moon, Mars and Jupiter and the zodiacal influences of Sagittarius and Aries, together with the Ninth house of the Higher Mind.
Well Dignified: well placed in a divination, this Key suggests originality, independence and daring. It has meanings that include strength in reserve; health after illness; success, but attended with some strife.
Ill-Dignified: danger; violence in foreign places or during long journeys; difficulties with relatives of the marriage partner; conflict with persons prominent in religion or law; obstinancy.
Keyword: Preparedness
(From the Oracle of Tarot course)

A. E. Waite

The figure leans upon his staff and has an expectant look, as if awaiting an enemy. Behind are eight other staves–erect, in orderly disposition, like a palisade. Divinatory Meanings: The card signifies strength in opposition. If attacked, the person will meet an onslaught boldly; and his build shews, that he may prove a formidable antagonist. With this main significance there are all its possible adjuncts–delay, suspension, adjournment. Reversed: Obstacles, adversity, calamity.
(From The Pictorial Key to the Tarot)

The Nine of Wands from the Rider Waite Smith Tarot

Aleister Crowley

The Nine of Wands is called Strength. It is ruled by the Moon and Yesod. In “The Vision and the Voice”, the eleventh Aethyr gives a classical account of the resolution of this antinomy of Change and Stability. The student should also consult the works of any of the better mathematical physicists.

Of all important doctrines concerning equilibrium, this is the easiest to understand, that change is stability; that stability is guaranteed by change; that if anything should stop changing for the fraction of a split second, it would go to pieces. It is the intense energy of the primal elements of Nature, call them electrons, atoms, anything you will, it makes no difference; change guarantees the order of Nature. This is why, in learning to ride a bicycle, one falls in an extremely awkward and ridiculous manner. Balance is made difficult by not going fast enough. So also, one cannot draw a straight line if one’s hand shakes. This card is a sort of elementary parable to illustrate the meaning of this aphorism: “Change is Stability.”

Here the Moon, the weakest of the planets, is in Sagittarius, the most elusive of the Signs; yet it dares call itself Strength. Defence, to be effective, must be mobile.

[…]

This card is referred to Yesod, the Foundation; this brings the Energy back into balance. The Nine represents always the fullest development of the Force in its relation with the Forces above it. The Nine may be considered as the best that can be obtained from the type involved, regarded from a practical and material standpoint.

This card is also governed by the Moon in Sagittarius; so here is a double influence of the Moon on the Tree of Life. Hence the aphorism “Change is Stability”.

The Wands have now become arrows. There are eight of them in the background, and in front of them one master arrow. This has the Moon for its point, and the Sun for the driving Force above it; for the path of Sagittarius on the Tree of Life joins the Sun and Moon. The flames in the card are tenfold, implying that the Energy is directed downwards.
(From The Book of Thoth)

The Nine of Wands from the Thoth tarot deck

Golden Dawn’s Book T

FOUR hands, as in the previous symbol, holding eight wands crossed four and four; but a fifth hand at the foot of the card holds another wand upright, which traverses the point of junction with the others: flames leap herefrom. Above and below are the symbols Moon and Sagittarius.

Tremendous and steady force that cannot be shaken. Herculean strength, yet sometimes scientifically applied. Great success, but with strife and energy.
Victory, preceded by apprehension and fear. Health good, and recovery not in doubt. Generous, questioning and curious; fond of external appearances: intractable, obstinate.

Yesod of HB:Y (Strength, power, health, recovery from sickness).
Herein rule the Angels HB:YRThAL and HB:ShAHYH.

Etteilla

Delay
Upright. This card, as far as the medicine of the spirit is concerned, means, in its natural position: Delayed, Dilated, Removed, Suspended, Stretched, Slowed, Slowly.
Reversed. Travail, Obstacle, Impediment, Contrariness, Disadvantage, Adversity, Penalty, Accident, Misfortune, Calamity.

MQS