I’m pretty sure after today that the image for the Strength card was inspired by a dentist trying to yank a tooth out of a patient’s jaw. Anyway, it wasn’t the most pleasant half hour of my life, but there’s worse (for instance, having to live with tooth ache). Hopefully whatever wisdom I have managed to accrue in 34 years hasn’t snagged on the teeth and now I have to start from scratch!
MQS
I had a conversation with a reader of this website, and he told me that the main obstacle in learning how to read the cards is that he can’t put the meanings of the cards together to form a clear picture of the situation. The example he used was that it may be hard to tell a querent that they are at risk of getting fired, when in fact the cards may be predicting a fight with a coworker or a demotion, or some other work-related problem, but not a firing.
Divination is an art in itself, and it does require practice and patience. For the first couple of years after being taught cartomancy, I couldn’t put two card meanings together to save my life, even if it was obvious. I still remember my teacher’s dismayed expression when I couldn’t tell her that “talking” and “work” meant, quite obviously, “talking at work or talking about work”. Yes, it is obvious, just like it’s obvious that you first put one leg forward and then the other in order to walk, yet it takes us time to learn.
There are plenty of reasons why divination is hard, and lack of talent is only rarely an issue. Most of the times, we are simply experiencing the same hardships we would face when learning a new language, and most people can learn a second language if they put their mind to it.
Furthermore, I find that we often feel the need to overperform in order to convince the querent we are not frauds, and we do so by wanting to give them an absolutely accurate, unambiguous and immediately recognizable picture of the future. Of course, it would be nice if every divination session was as clear, but we are limited beings and we must be grateful for what we can do with the hand we are dealt (quite literally).
What do you do if you want to say ‘apple’ in a foreign language but you just can’t remember the name? You get creative and go back to the language’s building blocks: you describe the apple. “A round, red thing to eat.” This may sound weird and it is a bit vague, as there are other round red things we can eat, but it does help you narrow down the thing you want.
The same happens with divination. Sometimes we just can’t put the building blocks together into a single unambiguous picture (“you are at risk of getting fired”). But we can always describe what the cards are telling us: “I see some potentially upsetting circumstances surrounding your career.”
This is very vague, but it’s a start. Once we have narrowed down the topic, we can look for cards and combinations that give us additional clues: “These upsetting circumstances seem to involve a man, possibly a boss, who causes you trouble, and as a result I see the potential for some money problems.”
This is still not unambiguous: there are plenty of events that fit the description, e.g., being fired, being demoted, being assigned to an unrewarding task, a boss being replaced by another one that is so terrible the querent chooses to quit, etc.
Yet in spite of only describing the outline of a situation instead of naming it specifically, this is already very helpful to our querent, because we are giving them rather specific information they can use in preparing for difficult times ahead in their career.
We can also come up with a number of likely scenarios that fit the description as examples for our querent, and often they will help us fill the blanks (“Oh right, there’s that new project coming up no one wants to take on” or “Oh right, my boss has been talking about relocating for some time now”)
Note, also, that it is perfectly acceptable to voice our insecurity to the querent: “It is something between X1 and X10, and it seems to me like X1 to X3 are more problable, but I could be wrong”.
Once the prediction has come to pass, it is always possible to go back and see if perhaps we couldn’t have been more specific. This is a very important part of learning: there’s always something we miss, some turn of phrase of the cards we have misread or some meanings we have misapplied or even forgotten.
Still, the aim of divination is to provide help to people, not to impress them, and we are of service in the measure that we can point them in the right direction. If we can’t give them precise indications on the path ahead, “Between North and West, but more West than North” is good enough.
MQS
One cool thing about moving to our new place is that we now live much closer to the countryside. Although there are a couple of major cities around us, our district is basically a cluster of small pictoresque old German villages close to the woods. This is a very good place for a magic practitioner to settle down.
I also discovered that there is a small lake or large pond (depending on who you ask) nearby. It’s been my experience that old water places, just like old caves, tend to be stably inhabited by spirits. In fact, in a subtle way, these spirits *are* the place they inhabit.
Before visiting the place I drew three cards to investigate, and these cards came up:
Obviously, the first thing to take note of is the presence of the Queen of Hearts, which is a motherly figure or a positive female entity. This is confirmed by the Eight of Hearts which can represent a water place, so in the context of an esoteric / magical reading it would represent a female entity of a broadly positive nature tied to water. The Ace of Clubs represents power, dominion, rulership. It indicates that the spirit has power over the place, so while she is positive, she is not the airy-fairy pushover type.
After doing the reading, I started researching local folklore. If you know of any such place near where you live, it may be wise to research local legends, as they often contain romanticized but accurate hints about the nature of the spirit.
What I discovered is that there is a medieval legend tied to the place, according to which a mother (!!!) once brought a local duke a basket of vegetables, in exchange for having a new irrigation system dug near where she lived. This irrigation system became the pond. There is no narrative reason why she should be characterized as a mother. Her being a mother serves no purpose in the legend, which makes it a very important hint in understanding the spirit: she is essentially motherly.
“But” you may be wondering “this is an artificial pond, how can it be magical?”
We must not draw strict boundaries between the world of humans and that of the great powers of nature. What we know from the legend is that a water spirit wanted to establish herself in this place and convinced the humans around her to cooperate by being motherly and nurturing toward them, and the humans were intelligent enough to accept her offer. There is nothing strange about this: in actuality, humans cooperate with nature all the time.
Note how the reading hints at a spirit that is positive (Queen of Hearts) but not submissive (Ace of Clubs). Had she been a difficult spirit she could have simply flooded the zone. There is altogether too much mischaracterization of water in the spiritual and magical community as something weak, vague and mystical. Water can be devastatingly powerful, so it is a good thing our local water spirit is a positive member of the community.
MQS
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Abano discusses the various meanings of Albus, Rubeus, Conjunctio, Carcer depending on the figures they come from.
When from Populus and Albus it means love of women,1 good luck in everything, especially in feminine things.
When from Acquisitio and Caput it means excellent good luck, stability, love, gain.
When from Amissio and Laetitia it means changeability, variety, and its effect is strong.2
When from Major and Tristitia it means positive stability, mediocre luck.
When from Minor and Cauda it means change, variety, mediocre luck or gain.
When from Via and Puella it means good luck, change.
When from Populus and Rubeus it means danger, misfortune, loss of blood, tears.
When from Acquisitio and Tristitia it means misfortune, loss.
When from Cauda and Amissio it means weak fortune, problems in everything.
When from Minor and Laetitia it means variety, mutability, mediocre luck.
When from Via and Puella it means changeability, misfortune, loss.
When from Albus and Conjunctio it means well, positive things, honor, stability.3
When from Puer and Carcer it means mutability, misfortune, except in war.
When from Conjunctio and Albus it means positive things, succession, some difficulties, bad outcome.
When from Puella and Carcer it means stability and positive outcome
When from Populus and Conjunctio it means good luck, gain, getting one’s wish.
When from Acquisitio and Major it means great good luck in everything.
When from Amissio and Minor it means bad luck, but good outcome in the end.4
When from Via and Carcer it means mediocre bad luck, but inclining more to bad than good.
When from Caput and Tristitia it means stability, fortitude, great troubles, honor, gain.
When from Cauda and Laetitia it means problems, mediocre honor.
When from Populus and Carcer it means major troubles, long-lasting issues, delay in obtaining freedom (from prison).
When from Acquisitio and Minor it means good outcome, gain.5
When from Amissio and Major it means misfortune, loss.
When from Conjunctio and Via it means bad luck, tragedy in everything.
When from Caput and Cauda it means misfortune, trouble, loss, problems.
When from Albus and Puella it means luck, gain, honor, mediocre stability.6
When from Rubeus and Puer it means grave danger, misfortune, loss, fights.
When from Laetitia and Tristitia it means misfortune, prison, troubles, loss.
MQS
The Rider Waite’s minor arcana (which I already talked about here) are based on the Golden Dawn’s correspondences and titles found in Mathers’ and Felkin’s Book T. Yet Waite, who was very fond of showing off his erudition, made it a point to look for as many similarities as possible between the Book T system and other lists of meanings such as Etteilla’s, Christian’s and others.
This is reflected in the accompanying book to his deck, The Pictorial Key to the Tarot, where he tries to find similarities between various sources for each minor card. He never mentions the Golden Dawn material, despite the fact that knowing the GD’s card names would clarify most of the designs.
The 1 to 1 correspondence between GD meanings and Waite’s minor arcana is self-evident, and once it is noted it cannot be unseen. Yet in his book he makes it a point to just rely on non-esoteric sources, or at least on non-GD sources.
Note that the Golden Dawn did something similar, despite the claim that the card titles were revealed to them. Take the Four of Cups, for instance, which technically should be ascribed to the rulership of the Moon in the third decan of Cancer and to the sephira Chesed (mercy). All these things sound very promising. Yet the card is called Blended Pleasure and it is less positive than the previous two, largely (I believe) in an attempt to accomodate Etteilla’s relatively negative interpretation of the Four of Cups as a card of boredom, annoyance, etc.
Similarly, the Golden Dawn retained certain meanings found in traditional fortune-telling, such as ‘travel by water’ for the Six of Swords. This can be seen as part of the GD’s attempt at summarizing the whole of the Western magical tradition in a new synthesis.
Going back to Waite, it is clear that in his book he is also trying to balance various sources, but if in doubt about which one to follow, he will stick (without saying so explicitly) to the GD tradition. An example I already discussed is the Five of Pentacles, which Etteilla calls the card of the lovers, but the Golden Dawn called it ‘Material Trouble’.
Another example is the Two of Wands, which Etteilla calls a card of sorrow, but for the GD it is a card of Dominion, so Waite goes with the GD but tries to stretch the interpretation in his text by saying that it could be the sorrow of a great leader, like Alexander the Great, at the height of his power.
With that in mind, what the hell is going on with the Seven of Swords? Let me explain: most people who pick up a Rider Waite tarot deck, even today, have no idea about the esoteric stuff behind it, so they base their interpretation on the design (which, incidentally, Waite thought very little of). This is how, for instance, the Two of Pentacles, the Lord of Harmonious Change according to GD, became the card of juggling, or how the Seven of Cups, the Lord of Illusionary Success, became the card of options.
In this new folk approach to the Waite deck, the Seven of Swords became known as the thief card due to the design.
Yet Waite does not even mention thieves in his description. He says:
A man in the act of carrying away five swords rapidly; the two others of the card remain stuck in the ground. A camp is close at hand. Divinatory Meanings: Design, attempt, wish, hope, confidence; also quarrelling, a plan that may fail, annoyance. The design is uncertain in its import, because the significations are widely at variance with each other. Reversed: Good advice, counsel, instruction, slander, babbling.
The meanings he gives are from Etteilla, where the Seven of Swords is one of the few non negative Sword cards. The description of the card, however, is far more consonant with what we find in Book T, which is:
The Lord of Unstable Effort […]Partial success. Yielding when victory is within grasp, as if the last reserves of strength were used up. Inclination to lose when on the point of gaining, through not continuing the effort. Love of abundance, fascinated by display, given to compliments, affronts and insolences, and to spy upon others. Inclined to betray confidences, not always intentionally. Rather vacillatory and unreliable.
Netzach of HB:V (Journey by land: in character untrustworthy)
This thing with the yielding when victory is within grasp is clearly depicted in the card, where the thief takes away most of the enemy’s swords, but not all, as Waite clearly states.
But why did Waite (and, maybe, Smith) decide to depict a thief in the Seven of Swords despite it being so thematically different from Waite’s actual inspiration (Book T) and even his cover-up inspiration (Etteilla)?
The only hints we find in Book T that seem to point in this direction are “to spy upon others” and “in character untrustworthy”. In an attempt to accomodate Etteilla, Waite probably saw the man looking longingly at the swords he left on the ground as a symbol of hope, which is Etteilla’s meaning for the card.
One possible explanation is that Waite and/or Smith probably thought the type of action that is best suited to the Suit of Swords is the kind of sneaky, underhanded action depicted in the final design of the card. Be it as it may, this is one of the cards that always stood out to me when studying the history of this deck, because it takes a very non-obvious approach to its theme.
MQS
Sometimes it is hard to predict your own future even while interpreting the cards correctly. In the past month, whenever I drew cards for my general future or to answer personal questions, I kept receiving this combination:
A♥ – K♠ – 6♠
The order of the cards changed, but they were always present, and if you’ve had a look at the meanings I use, it is quite clear that they refer to a health-related issue in the home.
This is where making assumptions is deadly: I know that my dad, being old, suffers from quite a vast array of issues, so I assumed the cards were talking about him.
Nope: it was me. Yesterday my wisdom teeth started screaming bloody murder in my mouth, so much so that I haven’t slept a bit. At 8 in the morning I dragged myself to the dentist, where I was given an appointment for tomorrow, likely to get those teeth pulled. This is probably going to be the longest 24 hours of my life.
Interestingly, the cards do not put my significator next to the combination of the doctor, so all I could say was that there would be a health issue at home, and I am, of course, part of my home.
NOTE: it is also fascinating that the teeth started aching exactly on the day before I was going to start a particular ritual work. This is not seldom the case: as soon as one approaches magic the whole of existence plots revenge.
MQS
I’ve been having a lot of fun lately, watching AI generated videos based on pre-existing material. If you are not familiar with the “steamed hams” meme, here’s the original video:
and this is a meme version (one of the hundreds of versions being produced every year) of the same video, but reworked with AI:
One thing that struck me about it was how incredibly similar this video’s internal logic (or lack of it) is to the logic of dreams, especially of weird dreams. Everything flows into everything else, hanging together with it by thin threads of association.1
Notice, for instance, how the two characters, Skinner and Superintendent Chalmers, start dancing a romantic dance out of the blue just because the AI interprets the two characters getting close to each other as them engaging in romantic behavior, in spite of the fact that one of them is actually rather pissed at the other in the actual scene, and the other actually would rather avoid being in his presence.
This reminds me of how clearly the tone of dreams seems to shift flowingly from fun to scary to dramatic, to fun again, to romantic and so on, based on cues that the brain interprets much more loosely than when governing our waking consciousness. As an example, I recently dreamt I was visiting an old friend back in Italy, and the tone of the dream was cheerful and whimsical. Then, my friend taps on my shoulder from behind, and this must have reminded my brain of some horror movie I watched, because upon turning, my friend’s face turned into a demonic one and I was jumpscared awake.
Interestingly, what AI seems to be lacking, at least at this point in time, is the faculty of judgment, which is exactly what we also lack when dreaming or inebriated.
What I’m saying doesn’t really have any direct magical application. Technically, from a purely magical standpoint, the ability to let the consciousness flow in a dreamlike state is only one of the first levels to be achieved,2 as visionary work deals not only with a rigorous sculpting of the inner reality but also with the contacting of beings on different planes, which does require judgment (and sound judgment, possibly). On the other hand, the free flow of association, while it does have its artistic, psychological and even spiritual uses, is not immediately helpful in magic. In fact, it can lead to self-deception.
Still, I am left wondering if further progress can push AI in the same direction our consciousness moves toward in visionary work. It is a stretch, of course. After all, even the term ‘intelligence’ is used rather loosely when describing AI at this point. But what we thought was impossible yesterday is coming true today, so it is really hard to discern what AI will and won’t be able to achieve, and whether some kind of computer-generated magic or computer-fueled magic is possible.
MQS
Enneagram Type Eight and Enneagram Type Nine are extremely different and almost never confused, despite the fact that they form each other’s wing. Both are Body types concerned with their own independence. Eights preserve their independence by asserting themselves on others and challenging them. Nines preserve their independence by being compliant, accomodating and friendly so as to avoid causing issues that might result in uncomfortable strife.
Both Eights and Nines can be extremely dynamic people, but Nines prefer routines that comfort them and fill them with a general sense of wellbeing, balance and calm. Ultimately, Nines want to avoid unpleasant sensations of sadness, isolation and conflict, whether outer or inner. Eights, on the other hand, generally go down the path of greatest reasistance and seek to overcome it, finding pleasure in difficulty and in the challenges the world around them and other people offer them.
Socially, the two types behave in radically different ways. Average Eights immediately sense the power relations among people and disrupt them to impose themselves as the reference point, so that they may have better control over others and therefore over themselves (more healthy Eights often use this vantage position to help others, but they still often want to be the ones initiating the action).
Average Nines, by contrast, take a step back by allowing others to express themselves, often finding it hard to get their own point-of-view or agenda across, and their personal energy tends to disappear, assimilated by that of others (whereas more healthy Nines learn to cooperate with others while still mantaining a separate sense of self and of their own preferences).
MQS
As I already talked about ad nauseam, some months ago hubby and I bought an apartment. During that period I kept track of the situation using various divination tools, including Horary. This is a reading that I didn’t cover, since I didn’t have any feedback for it yet.
My question was simply if we would be happy in the new home. Here is the chart.
We are represented by the First house and the planet ruling it, Mars (ruler of the rising sign Scorpio). As for which house represents the new place, I believe there are two schools of thought: either the Seventh House (that place there, as opposed to this place here, which is the First house), or the Fourth House of real estate and umoveable property.
The chart seems to guide us to the Fourth House. Plus, usually the Seventh house is reserved for hypothetical “there” places, whereas we had already bought the new place (therefore it was our property) and I was not interested in a comparison between the old apartment and the new, but only in the new place (I already hated the old one).
The Fourth House thus represents the apartment. Jupiter, ruler of Pisces, is the house. And look! Mars, our significator, is right inside the Fourth House, which is good and a symbol of liking the place. It has no major dignity in it (no house rulership or exaltation) but it is dignified by triplicity, term and face. So while it is not the ultimate castle of our dreams, it is very comfortable indeed.
The place’s significator, Jupiter, is conjunct the Seventh cusp and thus angular, and sextiles our significator. A sextile is a positive aspect of ‘friendship’. All in all the picture that emerges is not perfect, but it is quite satisfying.
However, look at the Moon! The Moon is about to oppose Saturn, which is right inside the Fourth cusp, afflicting it. There is some kind of problem ahead. Pinpointing it is not very easy, but considering that Saturn is inside the house representing the place itself and that Saturn rules the Third house, my first instinct was that there might be issues concerning the neighbors (the other people who live in the building). These issues would not be major, as the picture remains generally favorable, but they would be serious enough to be worth mentioning.
Fortunately, a couple of months passed and we saw that the neighbors are generally well-adjusted people. Furthermore, the apartment is, in fact, very comfortable.
What did turn out to be the problem was that the neighbors started some major fuss about the manager of the building as, according to them, he is incompetent and charges way too much for his services and even skims off on the money required for taking care of the building. The thing escalated so far as to almost end up in court, and finding a new manager is costing us quite a lot of time spent traveling and talking to new candidates.
MQS
A recent comment by a visitor of this website has inspired me to write an article about what makes divination go south, whether it’s card reading or something else. I have already shared one or two readings I got wrong, but in the future I would like to share more of my hardships as well as my successes, for two reasons: 1. it gives a fairer representation of how divination works and 2. it doesn’t discourage those who are studying the material I provide (I often get messages from people despairing they will ever be good diviners)
The reality is that divination is a human activity, and like all human activities it can go wrong. In a world where lawyers, scientists and doctors can be wrong (and not seldom), it’s unclear why we would expect fortune-tellers to be infallible.
There can be a variety of factors that make a reading go south. Here’s a bunch, in no particular order.
Usually, the querent’s attitude doesn’t matter that much. However, it has been my experience that when a querent is in a state of utter and extreme desperation or emotional volatility, they will skew the reading in one direction or the other. This is rare, but it does happen on occasion. Once a friend who was looking for a job and was absolutely desperate asked for a reading and he pulled ALL spades. He still got a job around a month later. The cards were just reflecting his emotional turmoil.
Emotional involvement is also usually not good when reading the cards for ourselves. My personal experience is that if I read for myself about a topic I don’t care too much about, the reading will be largely accurate, while if I read about something I care very much about, the cards will show me either what I hope or what I fear.
Note though that there are divination tools that work better when the querent is very emotionally involved. This is the case, for instance, for Horary Astrology, where there are no counters to manipulate and therefore a relatively strong emotional push is required for question and answer to align.
This is more common. Divination is not an assembly line type of occupation. We are dealing with a world that is, in a very real sense, divine and that eschews the mechanic and repetitive.
The diviner needs to be relatively at peace with themselves before performing a divination. I say ‘relatively’ because we don’t need to always be at our best (otherwise we’d never be able to divine). Certainly we need to be capable of detaching at least momentarily from our deepest worries and hopes. Fits of ecstasy and cheap mysticism are also to be avoided, as the best attitude is one of sober helpfulness toward the other.
There are some partial exceptions for ‘inspired divination’, such as mediumistic spiritism, but I don’t cover these topics on this website as I avoid these practices like the plague (I had a distant relative who was an excellent natural psychic and ruined her life in her attempt at constantly staying in the required state of passive receptivity).
This is obvious, and I’ve talked about it at length, but it bears repeating. Divination is a language with no native speakers. We must learn it as if it were a foreign language. or, if you are romantic about the universe and think divination is our original language, then we must relearn it, but the end result doesn’t change. Like with all secondary languages, we are bound to make mistakes.
The best we can do about it is strive to correct our mistakes and be upfront with our querents that we are not offering miracles but just help in widening their view of their own life, of where it’s coming and where it’s directed.
This is another important pitfall, and it is a particular variety of ‘not reading the medium right’. As diviners we must understand that certain things can be changed and certain things can’t. Most divination tools are very upfront about it. If they say the thing you want cannot be achieved, then it cannot be achieved (unless we are interpreting the medium wrong, see above). If it says the thing you want will fall in your lap, then it will fall in your lap. Period. But if the medium says what you want is hard, it doesn’t mean it’s impossible, just as when it says it’s easy it doesn’t mean you’ll achieve it.
As diviners, sometimes, we feel we must give our querents more certainty than we are entitled to give them based on our divination tools. If the querent wants to become a writer and the cards show that writing comes easy to them, it doesn’t mean they will become a writer if they don’t put in the effort. Usually, in such cases, the lack of effort does come up in the cards as a warning, so that the prediction will sound like: you are very talented, but unless you actually spend time honing your craft, you won’t amount to much. This, too, is a valid prediciton.
All in all, we must be careful to distinguish what the medium says from what we want to tell the querent.
MQS
